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Theater History Chapter 13 Quiz
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Theater History Chapter 13 Quiz

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Questions and Answers

Which of the following most accurately defines the term unities?

  • A requirement for playwrights to have a single plot
  • A rule about the length of plays
  • A neoclassicist mandate for playwrights, formulated by Italian critics (correct)
  • A style of theatre
  • The oldest surviving theatre constructed during the Italian Renaissance is called?

    Teatro Olimpico

    The theatrical troupe I Gelosi was renowned for what type of theatrical performance?

    commedia dell'arte

    English acting companies would rarely perform the same play on two consecutive days.

    <p>True</p> Signup and view all the answers

    Commedia characters did not wear costumes.

    <p>False</p> Signup and view all the answers

    Unlike Pierre Corneille, Jean Racine's tragedies adhered to the neoclassic rules from the start.

    <p>True</p> Signup and view all the answers

    Humanism was a major focus of Renaissance literature.

    <p>True</p> Signup and view all the answers

    The stage in an Elizabethan public theatre was most like a contemporary?

    <p>thrust stage</p> Signup and view all the answers

    Unlike English Renaissance theatre, theatre in Renaissance Spain continued to include?

    <p>religious themes</p> Signup and view all the answers

    Which of the following is NOT part of a Spanish corral?

    <p>amphitheatre</p> Signup and view all the answers

    Written drama was probably the most significant art form of the Italian Renaissance.

    <p>False</p> Signup and view all the answers

    Theatrical activity was outlawed in England by the Puritans in 1642, which was the end of the English Renaissance.

    <p>True</p> Signup and view all the answers

    As in England, most Spanish acting troupes were sharing companies.

    <p>True</p> Signup and view all the answers

    Spectators, no matter where they were, were never far from the actors in an English Renaissance theatre.

    <p>True</p> Signup and view all the answers

    Italian pastorals imitated Greek satyr plays and were often overtly bawdy and sexual.

    <p>False</p> Signup and view all the answers

    Ornate, professionally staged, mythological allegories during the Jacobean period were known as?

    <p>masques</p> Signup and view all the answers

    Critics were more influential than playwrights in formulating dramatic rules during the Italian Renaissance.

    <p>True</p> Signup and view all the answers

    Which of the following statements about Elizabethan private theatres is true?

    <p>They were open to the general public.</p> Signup and view all the answers

    French theatre in the seventeenth century developed on its own trajectory, unaware of most of the Italian theatrical innovations.

    <p>False</p> Signup and view all the answers

    Which of the following was NOT a category of personnel in an Elizabethan acting company?

    <p>Master of the Revels</p> Signup and view all the answers

    The overriding concern of the neoclassicists was verisimilitude.

    <p>True</p> Signup and view all the answers

    Which of the following was NOT an audience space in an Elizabethan public theatre?

    <p>Tiring House</p> Signup and view all the answers

    Full-length secular plays during the Spanish Golden Age were known as?

    <p>comedias</p> Signup and view all the answers

    The scene-shifting method developed by Italian Giacomo Torelli is known as?

    <p>pole-and-chariot system</p> Signup and view all the answers

    Italian commedia dell'arte had no set text; it was improvisational.

    <p>True</p> Signup and view all the answers

    Which of the following is NOT a component of commedia dell'arte?

    <p>scaena</p> Signup and view all the answers

    Probably the best-known neoclassical tragedy is?

    <p>Phaedra by Racine</p> Signup and view all the answers

    Which of the following did NOT include women in their ranks?

    <p>Elizabethan acting companies</p> Signup and view all the answers

    The Elizabethans perfected the art of painted scenery for the theatre.

    <p>False</p> Signup and view all the answers

    The proscenium arch was partially responsible for the move toward greater theatrical realism.

    <p>True</p> Signup and view all the answers

    Study Notes

    Neoclassicism and Unity

    • Unities: A mandate for playwrights emphasizing time, place, and action, established by Italian critics.
    • Key focus on verisimilitude or the appearance of reality in dramatic works.

    Theatres of the Renaissance

    • Teatro Olimpico: The oldest surviving theatre from the Italian Renaissance, designed as a miniature indoor Roman theatre.
    • Elizabethan public theatre featured a thrust stage, facilitating closer interaction between actors and spectators.

    Commedia dell'Arte and Acting Troupes

    • I Gelosi: A prominent theatrical troupe during the Renaissance known for commedia dell'arte, characterized by improvisational performances and stock characters.
    • Costumes were integral to commedia characters, contradicting the misconception that they performed without them.

    French Tragedy

    • Jean Racine emphasized neoclassic rules in his tragedies from the outset, contrasting with Pierre Corneille's approach.
    • Phaedra by Racine is regarded as a prime example of neoclassical tragedy.

    Influence of Humanism

    • Humanism played a crucial role in shaping Renaissance literature, highlighting the importance of human experience and reason.

    Spanish Theatre

    • Spanish theatre retained religious themes despite the evolution of theatrical styles in other regions.
    • Full-length secular plays during the Spanish Golden Age were referred to as comedias, showcasing diverse storytelling.

    Puritan Influence and Theatre Evolution

    • The Puritans outlawed theatrical activity in England in 1642, signaling the end of the English Renaissance.
    • Elizabethan acting companies mostly operated as sharing companies, emphasizing collaboration among actors.

    Stagecraft Innovations

    • Giacomo Torelli's pole-and-chariot system revolutionized scene shifting, enhancing theatrical productions.
    • The proscenium arch emerged as a significant development, promoting greater realism in theatrical presentations.

    Roles and Structures in Theatre

    • Master of the Revels was not part of the personnel categories in Elizabethan acting companies, which included various roles essential for production.
    • Critics during the Italian Renaissance wielded significant influence in establishing dramatic rules over playwrights.

    Other Notable Points

    • Spectators were in close proximity to actors in English Renaissance theatres, enhancing engagement.
    • Italian pastorals were not often overtly bawdy or sexual, countering common assumptions regarding their content.
    • The art of painted scenery was not perfected by the Elizabethans but marked a growing trend in theatrical design.

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    Description

    Test your knowledge of theater history with this quiz focused on Chapter 13. Discover key terms and significant contributions from the Italian Renaissance. Perfect for students of drama and theatrical studies.

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