Semiotics and Narratology

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Questions and Answers

Define semiotics.

Semiotics, as defined by Roland Barthes, is the study of signs and how texts communicate ideas through signification. Signs function on literal (signifier, denotation) and figurative (signified, connotation) levels. Exposure to symbolic constructions can become self-evident, as the sign becomes myth through naturalization.

According to Saussure, what is a 'sign'?

According to Saussure, a 'sign' is the object or thing being represented.

What is a 'signifier' according to Saussure?

According to Saussure, a 'signifier' is the physical existence (sound, word, image) of a sign, such as 'red/leaf/round/apple'.

Define narratology according to Tzvetan Todorov.

<p>Narratology, according to Tzvetan Todorov, posits that all narratives share a basic structure, moving from one state of equilibrium to another. These states are separated by disruption or imbalance, and how narratives resolve can have ideological significance.</p> Signup and view all the answers

List Todorov's (1971) five stages of narrative equilibrium.

<ol> <li>equilibrium</li> <li>disruption of equilibrium</li> <li>recognition of disruption</li> <li>attempt to resolve disruption</li> <li>return to a new equilibrium</li> </ol> Signup and view all the answers

What are the key aspects of genre theory, according to Steve Neale?

<p>According to Steve Neale, genres are characterized by the repetition of codes and conventions alongside elements of difference, variation, and change. Genres evolve through borrowing and overlapping, creating hybridity and subgenres, and they exist within specific economic, institutional, and industrial contexts.</p> Signup and view all the answers

Explain structuralism according to Claude Levi-Strauss.

<p>According to Claude Levi-Strauss, structuralism involves understanding texts through the analysis of their underlying structure. Meaning is often produced through oppositional pairs (e.g., good vs. evil), and the resolution of these binary opposites can have ideological significance.</p> Signup and view all the answers

What are the key aspects of postmodernism, according to Jean Beaudrillard?

<p>According to Jean Beaudrillard, postmodernism is characterized by the collapse of boundaries between the 'real' and 'mediated' worlds. Signs operate in a process of signification without underlying signifiers, creating 'hyperreality' where mediated images seem more real than reality itself. It questions traditional narratives, emphasizes style over substance, and challenges the idea of objective reality.</p> Signup and view all the answers

List the key aspects of postmodernist media.

<ul> <li>intertextuality: blending different media forms</li> <li>self-referentiality: acknowledging the artificiality of media.</li> <li>pastiche: blending high and low culture</li> <li>irony and paradox: using irony to challenge accepted narratives</li> <li>breaking the fourth wall: drawing attention to the filmmaking process</li> <li>parody: using parody to subvert expectations</li> </ul> Signup and view all the answers

Explain Stuart Hall's theory of representation.

<p>According to Stuart Hall, representation is the production of meaning through language (a system of signs). Stereotyping reduces people to a few simple characteristics and traits, often occurring when there is a disparity of power. The 'preferred/dominant reading' is the interpretation intended by media producers, which is culturally dependent.</p> Signup and view all the answers

Explain David Gauntlett's theory of identity.

<p>According to David Gauntlett, media helps us construct our identities by providing 'tools' and resources. In the past, these toolboxes were simple, but now we have a wide range of media models to choose from.</p> Signup and view all the answers

Explain Paul Gilroy's postcolonial theory.

<p>According to Paul Gilroy, postcolonial theory explores the legacy of colonialism and imperialism. Colonial discourses continue to inform contemporary attitudes to race and ethnicity, and 'civilization' constructs racial hierarchies and binary oppositions based on 'otherness'.</p> Signup and view all the answers

Explain Liestbet van Zoonen's feminist theory.

<p>According to Liestbet van Zoonen, gender is constructed through discourse, and it changes depending on cultural and historical context. The objectification of women's bodies is central to western patriarchal culture, and the media uses different codes to construct male and female bodies.</p> Signup and view all the answers

What are the key ideas of James Curran and Jean Seaton regarding media industries?

<p>According to James Curran and Jean Seaton, media is driven by power and profit, controlled by a few companies focused on these goals. Media concentration limits variety, creativity, and quality, while diverse ownership patterns foster varied media products.</p> Signup and view all the answers

Explain Sonia Livingstone and Peter Lunt's regulation theory.

<p>According to Sonia Livingstone and Peter Lunt, there is a struggle between protecting citizens from harmful material and promoting consumer choice, value, and competition. Media conglomerations and the merging of production, distribution, and marketing put traditional media regulation at risk.</p> Signup and view all the answers

Explain David Hesmondhalgh's cultural industries theory.

<p>According to David Hesmondhalgh, media companies minimize risk and maximize audience through vertical and horizontal integration, using genre, serial formats, and stars. Large companies operate across media industries, with the internet incorporated into profit-oriented cultural companies.</p> Signup and view all the answers

Explain Albert Bandura's media effects theory.

<p>According to Albert Bandura, media can implant ideas directly into audiences' minds. Audiences respond to media modeling, acquiring new attitudes, styles, and behaviors. Media representations of antisocial behavior can lead to imitation.</p> Signup and view all the answers

Explain George Gerbner's cultivation theory.

<p>According to George Gerbner, repeated exposure to media representations over time can shape how audiences perceive the world, reinforcing mainstream values and ideologies.</p> Signup and view all the answers

Explain Stuart Hall's reception theory.

<p>According to Stuart Hall, communication involves encoding by producers and decoding by audiences, with three potential decoding positions: dominant-hegemonic (acceptance), negotiated (adaptation), and oppositional (disagreement).</p> Signup and view all the answers

Explain Henry Jenkins' fandom theory.

<p>According to Henry Jenkins, fans actively participate in constructing and circulating textual meanings, appropriating texts in ways not authorized by producers ('textual poaching'). Fans build social and cultural identities through mass culture images, finding social connection through fandom.</p> Signup and view all the answers

Explain Clay Shirky's 'End of Audience' theory.

<p>According to Clay Shirky, digital technologies have profoundly changed the relationship between media and individuals. Audiences are no longer passive but create and share content, 'speaking back' to media.</p> Signup and view all the answers

What is semiotics?

<p>Semiotics is the study of signs and how texts communicate ideas through signification, according to Roland Barthes.</p> Signup and view all the answers

What is narratology, according to Tzvetan Todorov?

<p>Narratology, according to Tzvetan Todorov, is the study of how all narratives share a basic structure, moving from one state of equilibrium to another.</p> Signup and view all the answers

List the 5 components of Todorov's (1971) narrative theory of equilibrium.

<ol> <li>Equilibrium, 2. Disruption of equilibrium, 3. Recognition of disruption, 4. Attempt to resolve disruption, 5. Return to a new equilibrium</li> </ol> Signup and view all the answers

Outline Steve Neale's Genre Theory.

<p>Steve Neale's Genre Theory states that genres are dominated by repetition of codes and conventions. They must also incorporate difference, variation, and change and change and evolve through borrowing and overlapping with each other.</p> Signup and view all the answers

Outline Claude Levi-Strauss' theory of structuralism.

<p>Claude Levi-Strauss' theory of structuralism suggests that texts can be understood through an analysis of their underlying structure through oppositional pairs where the resolution of these binaries can have ideological significance.</p> Signup and view all the answers

Outline Jean Beaudrillard's theory of Postmodernism.

<p>Jean Beaudrillard's theory of Postmodernism states that the boundaries between the 'real' and 'mediated' worlds have collapsed, with mediated images seeming more 'real' than the reality they supposedly represent (hyperreality).</p> Signup and view all the answers

Outline Stuart Hall's Theories of Representation.

<p>Stuart Hall's Theories of Representation says that representation is the production of meaning through language, often through stereotyping, which tends to occur when there is disparity of power.</p> Signup and view all the answers

Outline David Gauntlett's Theories of Identity.

<p>David Gauntlett suggests that media helps us to construct our identities by providing 'tools' and resources that we use to shape our identities.</p> Signup and view all the answers

Outline James Curran and Jean Seaton's theory of Media Industries.

<p>James Curran and Jean Seaton suggest that media is driven by the logic of power and profit, controlled by a small number of companies primarily concerned with gaining profit and power.</p> Signup and view all the answers

Outline David Hesmondhalgh's Cultural Industries Theory

<p>David Hesmondhalgh says that media companies try to minimize risk and maximize audience through vertical and horizontal integration and through the form of their media/cultural products (through genre, serial format and by including stars).</p> Signup and view all the answers

Outline Henry Jenkin's Fandom Theory.

<p>Henry Jenkin's Fandom Theory suggests that fans are active participants in the construction and circulation of textual meanings, who often appropriate texts and read them in ways that are not fully authorized by the media producers.</p> Signup and view all the answers

Define Semiotics and name the theorist associated with it.

<p>Semiotics is the study of signs and meaning texts communicate their ideas through signification, according to Roland Barthes.</p> Signup and view all the answers

Define Narratology and name the theorist associated with it.

<p>Narratology suggests that all narratives share a basic structure, moving from equilibrium to another, according to Tzvetan Todorov.</p> Signup and view all the answers

List the five stages of Todorov's narrative theory of equilibrium.

<ol> <li>Equilibrium, 2. Disruption of equilibrium, 3. Recognition of disruption, 4. Attempt to resolve disruption, 5. Return to a new equilibrium</li> </ol> Signup and view all the answers

Explain Claude Levi-Strauss's theory of Structuralism.

<p>Texts can be understood through an analysis of their underlying structure.</p> Signup and view all the answers

Explain Jean Baudrillard's theory of Postmodernism.

<p>The boundaries between the 'real' and 'mediated' worlds have collapsed.</p> Signup and view all the answers

Explain James Curran and Jean Seaton's perspective on Media Industries.

<p>Media is driven by the logic of power and profit.</p> Signup and view all the answers

Flashcards

Semiotics

The study of signs and their meanings in texts. Ideas are communicated through signification on literal (denotation) and figurative (connotation) levels, eventually becoming myth through naturalization.

Saussure's Sign

A unit of meaning, split into two parts, that creates understanding of the world around us.

Narratology

Narratives share a structure moving from equilibrium to disequilibrium and back. Resolution has ideological significance.

Todorov's Narrative Theory

  1. Equilibrium; 2. Disruption; 3. Recognition; 4. Attempt to resolve; 5. New equilibrium.
Signup and view all the flashcards

Genre Theory

Genres repeat codes/conventions but include variation. They evolve, overlap, and exist within economic/institutional contexts.

Signup and view all the flashcards

Structuralism

Texts are understood via their underlying structure, with meaning produced through oppositional pairs. Resolution has ideological significance.

Signup and view all the flashcards

Postmodernism

Boundaries blur between real and mediated worlds. Signs lack underlying signifiers, and mediated images seem 'hyperreal.' Challenges objective reality.

Signup and view all the flashcards

Aspects of Postmodern Media

Intertextuality, self-referentiality, pastiche, irony, breaking the fourth wall, and parody.

Signup and view all the flashcards

Theories of Representation

Meaning is produced through language. Stereotyping reduces people to simple traits, especially with power imbalances.

Signup and view all the flashcards

Theories of Identity

Media provides us tools and resources to shape our identities, offering a 'pick-and-mix' of models.

Signup and view all the flashcards

Postcolonial Theory

Explores colonialism's legacy. Colonial discourses affect current views on race and ethnicity, creating racial hierarchies.

Signup and view all the flashcards

Feminist Theory

Gender is constructed. Objectification of women is central to patriarchal culture. Male and female bodies are coded differently.

Signup and view all the flashcards

Media Industries

Media is driven by power and profit, controlled by a few, limiting variety. Diverse ownership fosters varied media.

Signup and view all the flashcards

Regulation Theory

Struggle between protecting citizens (harmful material) and serving consumers (choice, value). Conglomeration risks traditional regulation.

Signup and view all the flashcards

Cultural Industries Theory

Companies minimize risk by maximizing audience size via integration, genre, serials, and stars. Operates across many areas.

Signup and view all the flashcards

Media Effects Theory

Media can directly implant ideas. Audiences model media and acquire new attitudes. Antisocial behavior can be imitated.

Signup and view all the flashcards

Cultivation Theory

Repeated exposure shapes audience perceptions. Reinforces mainstream values and ideologies.

Signup and view all the flashcards

Reception Theory

Communication involves encoding by producers and decoding by audiences. Three positions: dominant, negotiated, oppositional.

Signup and view all the flashcards

Fandom Theory

Fans are active in meaning creation and textual poaching. Build social and cultural identities by borrowing images.

Signup and view all the flashcards

'End of Audience' Theory

Internet profoundly affects media/individual relations. Audiences are not passive; they 'speak back' and create/share content.

Signup and view all the flashcards

Study Notes

Semiotics

  • Developed by Roland Barthes
  • Explores how texts communicate ideas through signification
  • Literal level functions as the signifier/denotation
  • Figurative level functions as the signified/connotation
  • Exposure to symbolic constructions becomes self-evident via naturalization, turning the sign into a myth

Saussure

  • Sign: the object/thing
  • Signifier: physical form (sound, word, image), e.g., red/leaf/round/apple
  • Signified: mental concept, e.g., fruit/apple/freshness/healthy/temptation/teacher/computer

Narratology

  • Developed by Tzvetan Todorov
  • All narratives share a basic structure, moving from one state of equilibrium to another
  • States of equilibrium are separated by disruption/imbalance
  • Narrative resolution holds ideological significance

Todorov's Narrative Theory of Equilibrium (1971)

  • Equilibrium is the first stage
  • Disruption follows the equilibrium
  • Recognition of the disruption
  • Attempt to resolve disruption
  • Return to a new equilibrium

Genre Theory

  • Developed by Steve Neale
  • Genres rely on repetition of codes and conventions, but also incorporate difference, variation, and change
  • Genres evolve through borrowing and overlapping (hybridity and subgenres)
  • Genres exist within specific economic, institutional, and industrial contexts

Structuralism

  • Developed by Claude Levi-Strauss
  • Texts can be understood via analysis of their underlying structure
  • Meaning is produced through oppositional pairs (e.g., good vs. evil)
  • Resolution of binary opposites can have ideological significance

Postmodernism

  • Developed by Jean Baudrillard
  • Boundaries between real and mediated worlds have collapsed
  • Signs are a signification process lacking an underlying signifier, and no longer refer to anything real or literal
  • Mediated images appear more real than the reality they represent (hyperreality)
  • Media is viewed as a site of power and ideology, questioning traditional narratives and interpretations
  • Postmodern media often emphasizes style over substance and challenges objective reality

Key Aspects of Postmodernist Media

  • Intertextuality: blending different media forms
  • Self-referentiality: acknowledging media's artificiality
  • Pastiche: blending high and low culture
  • Irony and paradox: challenging accepted narratives
  • Breaking the fourth wall: drawing attention to filmmaking
  • Parody: subverting expectations

Theories of Representation

  • Developed by Stuart Hall
  • Representation involves producing meaning through language (a system of signs)
  • Stereotyping reduces people to a few simple traits
  • Stereotyping occurs when power disparity exists, with subordinated groups seen as different/other
  • Preferred/dominant reading: media producer's intended interpretation, culturally dependent

Theories of Identity

  • Developed by David Gauntlett
  • Media helps construct our identities
  • Media gives 'tools' and resources to shape identities
  • Mediated world is more complicated, there are various media models to choose from

Postcolonial Theory

  • Developed by Paul Gilroy
  • Explores legacy of colonialism and imperialism
  • Colonial discourses still inform current attitudes to race and ethnicity
  • "Civilization" creates racial hierarchies with binary oppositions based on "otherness"

Feminist Theory

  • Developed by Liesbet van Zoonen
  • Gender is constructed through discourse
  • Gender changes based on cultural and historical context
  • Objectification of women's bodies is central to western patriarchal culture
  • Mainstream media codes construct male body differently from the objectified female body

Media Industries

  • Developed by James Curran and Jean Seaton
  • Media is driven by power and profit
  • Controlled by few companies focused on gaining profit and power
  • Media concentration limits variety, creativity, and quality
  • Diverse ownership patterns create varied and adventurous media products

Regulation Theory

  • Developed by Sonia Livingstone and Peter Lunt
  • Struggle between citizens' interests (protection from harmful material) and consumers' interests (choice, value, competition)
  • Media conglomerations and merging production/distribution/marketing of digital media, put traditional media regulation at risk

Cultural Industries Theory

  • Developed by David Hesmondhalgh
  • Media companies minimize risk, maximize audience through vertical/horizontal integration + media/cultural products (genre, serial format, stars)
  • Largest companies and conglomerates operate across media industries
  • Internet is incorporated into large, profit-oriented cultural companies

Media Effects Theory

  • Developed by Albert Bandura
  • Media can implant ideas directly into audiences' minds
  • Audiences respond to media modeling, acquiring new attitudes, behaviors, and emotional responses
  • Media's depiction of antisocial behavior can lead to imitation

Cultivation Theory

  • Developed by George Gerbner
  • Repeated exposure to representation patterns shapes audience's world perception
  • Cultivation reinforces mainstream values/ideologies

Reception Theory

  • Developed by Stuart Hall
  • Communication involves encoding by producers and decoding by audience
  • Three hypothetical decoding positions:
    • Dominant-hegemonic: encoder's intended meaning fully understood/accepted
    • Negotiated: encoder's message acknowledged, but adapted to individual experiences/context
    • Oppositional: encoder's message understood, but decoder disagrees

Fandom Theory

  • Developed by Henry Jenkins
  • Fans actively participate in constructing/circulating textual meanings ("textual poaching")
  • Fans build social/cultural identities by borrowing/inflecting mass culture images and participate in a culture with a vital social dimension.

'End of Audience' Theory

  • Developed by Clay Shirky
  • Internet/digital tech profoundly affect media/individual relations
  • Internet age: audience members no longer passive consumers
  • Consumers can "speak back" to media and create/share content with each other

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