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Questions and Answers
Define semiotics.
Define semiotics.
Semiotics, as defined by Roland Barthes, is the study of signs and how texts communicate ideas through signification. Signs function on literal (signifier, denotation) and figurative (signified, connotation) levels. Exposure to symbolic constructions can become self-evident, as the sign becomes myth through naturalization.
According to Saussure, what is a 'sign'?
According to Saussure, what is a 'sign'?
According to Saussure, a 'sign' is the object or thing being represented.
What is a 'signifier' according to Saussure?
What is a 'signifier' according to Saussure?
According to Saussure, a 'signifier' is the physical existence (sound, word, image) of a sign, such as 'red/leaf/round/apple'.
Define narratology according to Tzvetan Todorov.
Define narratology according to Tzvetan Todorov.
List Todorov's (1971) five stages of narrative equilibrium.
List Todorov's (1971) five stages of narrative equilibrium.
What are the key aspects of genre theory, according to Steve Neale?
What are the key aspects of genre theory, according to Steve Neale?
Explain structuralism according to Claude Levi-Strauss.
Explain structuralism according to Claude Levi-Strauss.
What are the key aspects of postmodernism, according to Jean Beaudrillard?
What are the key aspects of postmodernism, according to Jean Beaudrillard?
List the key aspects of postmodernist media.
List the key aspects of postmodernist media.
Explain Stuart Hall's theory of representation.
Explain Stuart Hall's theory of representation.
Explain David Gauntlett's theory of identity.
Explain David Gauntlett's theory of identity.
Explain Paul Gilroy's postcolonial theory.
Explain Paul Gilroy's postcolonial theory.
Explain Liestbet van Zoonen's feminist theory.
Explain Liestbet van Zoonen's feminist theory.
What are the key ideas of James Curran and Jean Seaton regarding media industries?
What are the key ideas of James Curran and Jean Seaton regarding media industries?
Explain Sonia Livingstone and Peter Lunt's regulation theory.
Explain Sonia Livingstone and Peter Lunt's regulation theory.
Explain David Hesmondhalgh's cultural industries theory.
Explain David Hesmondhalgh's cultural industries theory.
Explain Albert Bandura's media effects theory.
Explain Albert Bandura's media effects theory.
Explain George Gerbner's cultivation theory.
Explain George Gerbner's cultivation theory.
Explain Stuart Hall's reception theory.
Explain Stuart Hall's reception theory.
Explain Henry Jenkins' fandom theory.
Explain Henry Jenkins' fandom theory.
Explain Clay Shirky's 'End of Audience' theory.
Explain Clay Shirky's 'End of Audience' theory.
What is semiotics?
What is semiotics?
What is narratology, according to Tzvetan Todorov?
What is narratology, according to Tzvetan Todorov?
List the 5 components of Todorov's (1971) narrative theory of equilibrium.
List the 5 components of Todorov's (1971) narrative theory of equilibrium.
Outline Steve Neale's Genre Theory.
Outline Steve Neale's Genre Theory.
Outline Claude Levi-Strauss' theory of structuralism.
Outline Claude Levi-Strauss' theory of structuralism.
Outline Jean Beaudrillard's theory of Postmodernism.
Outline Jean Beaudrillard's theory of Postmodernism.
Outline Stuart Hall's Theories of Representation.
Outline Stuart Hall's Theories of Representation.
Outline David Gauntlett's Theories of Identity.
Outline David Gauntlett's Theories of Identity.
Outline James Curran and Jean Seaton's theory of Media Industries.
Outline James Curran and Jean Seaton's theory of Media Industries.
Outline David Hesmondhalgh's Cultural Industries Theory
Outline David Hesmondhalgh's Cultural Industries Theory
Outline Henry Jenkin's Fandom Theory.
Outline Henry Jenkin's Fandom Theory.
Define Semiotics and name the theorist associated with it.
Define Semiotics and name the theorist associated with it.
Define Narratology and name the theorist associated with it.
Define Narratology and name the theorist associated with it.
List the five stages of Todorov's narrative theory of equilibrium.
List the five stages of Todorov's narrative theory of equilibrium.
Explain Claude Levi-Strauss's theory of Structuralism.
Explain Claude Levi-Strauss's theory of Structuralism.
Explain Jean Baudrillard's theory of Postmodernism.
Explain Jean Baudrillard's theory of Postmodernism.
Explain James Curran and Jean Seaton's perspective on Media Industries.
Explain James Curran and Jean Seaton's perspective on Media Industries.
Flashcards
Semiotics
Semiotics
The study of signs and their meanings in texts. Ideas are communicated through signification on literal (denotation) and figurative (connotation) levels, eventually becoming myth through naturalization.
Saussure's Sign
Saussure's Sign
A unit of meaning, split into two parts, that creates understanding of the world around us.
Narratology
Narratology
Narratives share a structure moving from equilibrium to disequilibrium and back. Resolution has ideological significance.
Todorov's Narrative Theory
Todorov's Narrative Theory
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Genre Theory
Genre Theory
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Structuralism
Structuralism
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Postmodernism
Postmodernism
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Aspects of Postmodern Media
Aspects of Postmodern Media
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Theories of Representation
Theories of Representation
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Theories of Identity
Theories of Identity
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Postcolonial Theory
Postcolonial Theory
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Feminist Theory
Feminist Theory
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Media Industries
Media Industries
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Regulation Theory
Regulation Theory
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Cultural Industries Theory
Cultural Industries Theory
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Media Effects Theory
Media Effects Theory
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Cultivation Theory
Cultivation Theory
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Reception Theory
Reception Theory
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Fandom Theory
Fandom Theory
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'End of Audience' Theory
'End of Audience' Theory
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Study Notes
Semiotics
- Developed by Roland Barthes
- Explores how texts communicate ideas through signification
- Literal level functions as the signifier/denotation
- Figurative level functions as the signified/connotation
- Exposure to symbolic constructions becomes self-evident via naturalization, turning the sign into a myth
Saussure
- Sign: the object/thing
- Signifier: physical form (sound, word, image), e.g., red/leaf/round/apple
- Signified: mental concept, e.g., fruit/apple/freshness/healthy/temptation/teacher/computer
Narratology
- Developed by Tzvetan Todorov
- All narratives share a basic structure, moving from one state of equilibrium to another
- States of equilibrium are separated by disruption/imbalance
- Narrative resolution holds ideological significance
Todorov's Narrative Theory of Equilibrium (1971)
- Equilibrium is the first stage
- Disruption follows the equilibrium
- Recognition of the disruption
- Attempt to resolve disruption
- Return to a new equilibrium
Genre Theory
- Developed by Steve Neale
- Genres rely on repetition of codes and conventions, but also incorporate difference, variation, and change
- Genres evolve through borrowing and overlapping (hybridity and subgenres)
- Genres exist within specific economic, institutional, and industrial contexts
Structuralism
- Developed by Claude Levi-Strauss
- Texts can be understood via analysis of their underlying structure
- Meaning is produced through oppositional pairs (e.g., good vs. evil)
- Resolution of binary opposites can have ideological significance
Postmodernism
- Developed by Jean Baudrillard
- Boundaries between real and mediated worlds have collapsed
- Signs are a signification process lacking an underlying signifier, and no longer refer to anything real or literal
- Mediated images appear more real than the reality they represent (hyperreality)
- Media is viewed as a site of power and ideology, questioning traditional narratives and interpretations
- Postmodern media often emphasizes style over substance and challenges objective reality
Key Aspects of Postmodernist Media
- Intertextuality: blending different media forms
- Self-referentiality: acknowledging media's artificiality
- Pastiche: blending high and low culture
- Irony and paradox: challenging accepted narratives
- Breaking the fourth wall: drawing attention to filmmaking
- Parody: subverting expectations
Theories of Representation
- Developed by Stuart Hall
- Representation involves producing meaning through language (a system of signs)
- Stereotyping reduces people to a few simple traits
- Stereotyping occurs when power disparity exists, with subordinated groups seen as different/other
- Preferred/dominant reading: media producer's intended interpretation, culturally dependent
Theories of Identity
- Developed by David Gauntlett
- Media helps construct our identities
- Media gives 'tools' and resources to shape identities
- Mediated world is more complicated, there are various media models to choose from
Postcolonial Theory
- Developed by Paul Gilroy
- Explores legacy of colonialism and imperialism
- Colonial discourses still inform current attitudes to race and ethnicity
- "Civilization" creates racial hierarchies with binary oppositions based on "otherness"
Feminist Theory
- Developed by Liesbet van Zoonen
- Gender is constructed through discourse
- Gender changes based on cultural and historical context
- Objectification of women's bodies is central to western patriarchal culture
- Mainstream media codes construct male body differently from the objectified female body
Media Industries
- Developed by James Curran and Jean Seaton
- Media is driven by power and profit
- Controlled by few companies focused on gaining profit and power
- Media concentration limits variety, creativity, and quality
- Diverse ownership patterns create varied and adventurous media products
Regulation Theory
- Developed by Sonia Livingstone and Peter Lunt
- Struggle between citizens' interests (protection from harmful material) and consumers' interests (choice, value, competition)
- Media conglomerations and merging production/distribution/marketing of digital media, put traditional media regulation at risk
Cultural Industries Theory
- Developed by David Hesmondhalgh
- Media companies minimize risk, maximize audience through vertical/horizontal integration + media/cultural products (genre, serial format, stars)
- Largest companies and conglomerates operate across media industries
- Internet is incorporated into large, profit-oriented cultural companies
Media Effects Theory
- Developed by Albert Bandura
- Media can implant ideas directly into audiences' minds
- Audiences respond to media modeling, acquiring new attitudes, behaviors, and emotional responses
- Media's depiction of antisocial behavior can lead to imitation
Cultivation Theory
- Developed by George Gerbner
- Repeated exposure to representation patterns shapes audience's world perception
- Cultivation reinforces mainstream values/ideologies
Reception Theory
- Developed by Stuart Hall
- Communication involves encoding by producers and decoding by audience
- Three hypothetical decoding positions:
- Dominant-hegemonic: encoder's intended meaning fully understood/accepted
- Negotiated: encoder's message acknowledged, but adapted to individual experiences/context
- Oppositional: encoder's message understood, but decoder disagrees
Fandom Theory
- Developed by Henry Jenkins
- Fans actively participate in constructing/circulating textual meanings ("textual poaching")
- Fans build social/cultural identities by borrowing/inflecting mass culture images and participate in a culture with a vital social dimension.
'End of Audience' Theory
- Developed by Clay Shirky
- Internet/digital tech profoundly affect media/individual relations
- Internet age: audience members no longer passive consumers
- Consumers can "speak back" to media and create/share content with each other
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