PT110 Module 10 (2023) - More Mixing

The process of sending a track's output to multiple destinations, allowing for flexibility in routing and creating complex sound designs.

The key used to select multiple outputs, including internal or interface paths, when mirroring a track's output.

The pop-up menu that appears when clicking the Output Path selector of a track, displaying available output destinations.

Sending the output of an Audio, Auxiliary Input, Instrument, or MIDI track to multiple outputs using the Control/Start key.

Sending the output of a bus to multiple destinations, allowing for parallel processing and creative mixing possibilities.

Using the Control/Start key to select multiple outputs for a bus, allowing for a simultaneous output to various destinations.

The process of combining multiple signals, such as sending multiple tracks to an auxiliary input track, for creating complex sound textures and layers.

A powerful tool for audio mixing, combining tracks and buses into groups for organized processing and efficient volume control.

A track can have multiple output paths, indicated by a plus (+) icon next to the Output Path selector.

A mirrored output path with an asterisk (*) indicates that at least one of the mirrored paths is inactive.

To change a mirrored output to a single output path, click the Output Path selector, select an output path, and choose an output as normal.

Mirroring an output bus routes all tracks assigned to that bus to the physical outputs the bus is mapped to.

The I/O Setup dialog box allows you to mirror output busses, similar to mirroring track outputs.

Holding the Control key (Mac) or Start key (Windows) while selecting output paths in the Mapping to Output column mirrors the output bus. You can add and remove paths individually.

Right-clicking in the Mapping to Output column of a bus and selecting an additional path mirrors the output bus, allowing you to add multiple output paths.

When a bus' output is mirrored, the different output paths in the Mapping to Output column are separated by commas.

Sends route a copy of a signal on a track (after inserts) to another destination (output or another track).

The Sends Default to [#] dB preference in Pro Tools Preferences helps avoid feedback by setting a default send level.

Expanded Sends view provides immediate access to send parameters, showing all sends in a specific position.

The Send Level Fader adjusts the level of the signal sent from a send.

The Send Meter shows the levels being sent from a send.

The Send Pan Controls determine the positioning of the signal being sent from a send.

The Send Mute button mutes the send's output, preventing any signal from being sent.

Automation mode where changes to mix parameters are written to the automation lane as the track plays, but only while the parameter is being adjusted.

Automation mode where changes to mix parameters are written to the automation lane and remembered even after you release the control.

This setting determines how quickly a parameter returns to reading automation after being adjusted in Auto Touch mode.

The automation mode that is active by default on new tracks. It reads any existing automation written to the track, automatically moving mix parameters according to the automation data.

Automation mode that disables the reading of automation data during playback. This allows you to use a track without any automated parameter changes.

A combined automation mode where the main volume fader behaves like Auto Touch and all other parameters behave like Auto Latch.

The visual representation of automation events on a track. It shows the automation data written to the track, allowing you to see how the mix parameters change over time.

A point on the automation lane that marks a specific value or change in a mix parameter over time.

A term used to describe the process of creating or setting automation on a track. It implies actively writing or changing the automation data.

The term used to describe the reading and playback of written automation, allowing the mix parameters to change according to the automation data.

A specific mode of automation that reads any existing automation written to the track and follows the automation data during playback.

Automation mode that is designed to be used for writing automation data. This mode is less commonly used in many mix engineers' workflows.

The blue line that appears on a track in Auto Off automation mode, representing the current level of the parameter.

A button in an Output window that, when activated, makes newly opened Output windows replace the targeted window and deactivates when opened windows open without replacement.

A button in a track that allows switching between sends without closing the window.

A selector that displays the output of a send or track, allowing you to change it by clicking and choosing from a menu.

A button that allows you to switch a send to pre-fader mode when active.

A feature that automatically mirrors the pan parameter of a track on a send, ensuring consistency in panning between the track and the send.

Independent pan controls for each channel in a multichannel track, allowing for precise control of a channel's position in the stereo field.

A button that links the pan controls of a multichannel track, so moving one pan knob moves the other in sync. This ensures consistent stereo width when panning a multichannel track.

A button that links the pan controls of a multichannel track, but moves the second knob in the opposite direction of the first. This inverts the panning of the track.

A mode that allows you to capture fader, pan, and other parameter movements in real time as the project plays, providing a live way to create automation.

A mode that allows you to create automation using editing tools, providing more control over precise automation points.

A mode that allows you to read automation that has already been recorded, but does not allow for edits to the existing automation.

A mode that allows you to edit automation points when touched, providing a way to interact with automation actively.

The process of using automation to change parameters like volume and pan over time, giving a mix dynamic character and personality.

A Pro Tools mode that writes automation data for all enabled parameters (volume, pan, sends, and plug-in parameters) as soon as playback starts.

A Pro Tools preference that allows you to choose the automation mode to switch to after stopping playback in Auto Write mode.

A Pro Tools preference option that automatically changes the automation mode to Auto Touch mode when playback is stopped from Auto Write mode.

A Pro Tools preference option that automatically changes the automation mode to Auto Latch mode when playback is stopped from Auto Write mode.

A Pro Tools preference option that keeps the automation mode in Auto Write mode even after playback is stopped.

A Pro Tools window offering controls for managing automation in your session, including enabling specific parameter types.

A button in the Automation window that turns off all automation in your session, making all tracks behave as if they were in Auto Off mode.

Buttons in the Automation window affecting whether specific types of automation (like volume or pan) can be written in your session.

A button that controls whether plug-in settings in your session can be written.

A button that controls whether main volume automation data can be written.

A button that controls whether send volume automation data can be written.

A button that controls whether main pan automation data can be written.

A button that controls whether send pan automation data can be written.

A button that controls whether main mute automation data can be written.

A button that controls whether send mute automation data can be written.

A special type of editing that impacts only a specific type of automation, such as volume, pan, or plug-in automation. This allows for targeted manipulation of automation data.

A special type of editing that impacts only a specific type of automation, allowing you to copy only the desired type of automation.

A special type of editing that allows you to paste automation to a track with different automation types. For example, you can paste volume automation onto a pan automation lane.

A special type of editing that allows you to paste MIDI data without overwriting existing data within the selected area.

A special type of editing that allows you to repeat copied material to fill a longer selection. This can apply to clips, notes, automation, etc.

A special type of editing that allows you to remove only a specific type of automation data from a selected area.

A powerful tool for automation that allows you to remove all automation breakpoints within a selected area. Think of erasing a section of automation data.

A powerful tool for automation that allows you to remove all automation breakpoints within a selected area, but creates new breakpoints at the beginning and end of the selection. Think of cutting a piece of automation data and moving it to the clipboard.

A way to move automation data by a specific amount. Think of nudging a line or a point slightly forward or backward.

A way to temporarily disable automation from being applied to a track, allowing you to listen to the audio without the automation affecting the sound. Think of turning off the automation switch.

The process of removing all automation breakpoints within a selected area, resulting in a straight line with only the first and last breakpoints remaining.

The process of removing all automation breakpoints within a selected area, creating new breakpoints at the beginning and end of the selection. Think of cutting a piece of data and moving it to the clipboard.

Different types of automation in Pro Tools, including volume, pan, and plug-in automation. Each type affects a specific aspect of the audio signal.

The position where the automation starts and ends. Imagine marking the beginning and end of a section of automation data.

Removes unused clips from your session, but does not permanently delete associated audio files.

Permanently removes selected whole-file clips and their associated audio files. Subset clips associated with the deleted whole-file clips are also removed.

Removes whole-file clips from your session and moves associated audio files to the computer's Trash bin. Subset clips associated with the deleted whole-file clips are also removed, but files remain.

Removes unused audio from the remaining audio files in the Clips List, making the session more efficient.

Similar to "handles" in AudioSuite, padding allows for future operations like trimming or fading without clipping.

Determines the amount of padding that will be added at the beginning and end of each file when compacting.

The default value for padding is one second at the beginning and end of each file.

The process of removing unused audio from larger files that contain parts not used in your session.

Temporarily disables all automation for one or more tracks.

Allows you to selectively disable automation for individual parameters on a track, letting you adjust others.

A unique letter assigned to a Mix Group, enabling its quick activation and deactivation.

Allows you to activate and deactivate a Mix Group using the corresponding keyboard key.

Allows tracks to be part of multiple Mix Groups, providing flexibility in grouping and control.

Displays the Group ID of a track within an active Mix Group, indicating its membership.

Visual cues that display the selection status of tracks within a Mix Group.

Allows you to quickly select all tracks within a Mix Group by clicking the space to the left of the group name.

Temporarily suspends the linking of faders within a Mix Group while holding down a modifier key.

The process of temporarily disabling a Mix Group, enabling individual parameter control.

Provides a quick overview of the tracks within a Mix Group, facilitating navigation.

A visual cue indicating that some but not all members of a Mix Group are selected.

A visual cue indicating that all members of a Mix Group are selected, and no others.

A visual cue indicating that all members of a Mix Group are selected along with other tracks.

A folder track that combines the organizational benefits of a "Basic Folder" with the signal routing capabilities of an "Aux track." It allows you to group and route multiple tracks to a single track for mixing purposes.

A method for creating a Routing Folder track, moving tracks into it, and automatically configuring input and output connections. This simplifies subgroup creation, saves time, and ensures correct signal routing.

A method for converting an existing "Aux" track into a "Routing Folder" track. This allows you to utilize the organizational benefits of folders in older projects.

A type of noise added to digital audio to minimize the negative effects of reducing bit depth, like when converting a 24-bit session to a 16-bit file.

When a folder track is muted, all the tracks within it become inaudible. However, when a folder track is soloed, only its member tracks that are not muted become audible.

A process used in mastering to add dither to audio, typically done at the final stage when the audio is being prepared for distribution.

A method for manually dragging tracks into a "Basic Folder" or "Routing Folder." It's a simple way to organize your tracks, but you'll need to manually connect inputs and outputs to create a subgroup.

A plug-in that applies dither to audio, helping to improve the quality of the audio when reducing bit depth.

Using Routing Folders as subgroup masters eliminates the need for "solo safe" settings. This is a convenient feature of Folder tracks.

The feature that allows you to choose the final bit depth for your audio, for example, 16-bit or 24-bit, when using a dither plug-in.

Tracks within a Routing Folder are considered "member tracks." These tracks are grouped and their outputs are routed to the Routing Folder track.

A technique used in dithering to subtly shape the noise, making it less noticeable to the human ear.

A specific type of noise shaping that distributes the noise more evenly across the frequency spectrum, recommended for simpler audio.

A more sophisticated type of noise shaping that is specifically optimized for audio with greater stereo complexity.

Using a combination of "Control" (Mac) or "Start" (Windows) keys with clicks on a mix group's name allows you to selectively view only the member tracks within that group.

This technique allows you to view more than one group at once while keeping other tracks hidden. You can quickly switch between groups and navigate your session efficiently.

A type of noise shaping designed for audio with a wide stereo field and full-spectrum sounds, offering the most advanced noise shaping option.

A type of folder that allows you to organize your tracks for mixing. It's simpler than a Routing Folder and primarily focused on grouping.

The process of clearing unused clips and their corresponding audio files from a session, improving storage efficiency and organization.

The list that shows all the audio and MIDI clips used in your session, including those that are not currently on the timeline.

A submenu in the Clips List that allows you to select various types of clips for clearance. Useful when archiving and cleaning up a session.

The default shortcut to clear unused clips, saving you keystrokes and streamlining the process.

A workflow step that involves removing unnecessary clips and their associated audio files from a session, optimizing storage space and session efficiency.

A feature that creates a complete copy of your session, including all audio and video files, providing a safe backup and allowing for experimentation without affecting the original session.