Podcast
Questions and Answers
According to the textbook's main argument, how is popular culture primarily experienced?
According to the textbook's main argument, how is popular culture primarily experienced?
- Collectively, within the context of overlapping social relationships. (correct)
- As a direct product of commercial marketing strategies.
- In isolation, focusing on individual preferences and choices.
- As a means of personal artistic expression and creativity.
Which of the following is the least relevant definition of popular culture?
Which of the following is the least relevant definition of popular culture?
- Culture with a populist bent, seen as belonging to the people.
- A static and unchanging set of traditions passed down. (correct)
- Something well-known across the nation or the world
- Something well-liked and measured by commercial metrics.
In the context of 'art worlds,' how is the production of popular culture organized?
In the context of 'art worlds,' how is the production of popular culture organized?
- As a network of creative personnel with a segmented division of labor and cooperative links. (correct)
- By individual artists working independently to create unique works.
- Through a hierarchical system of command and control.
- Randomly
How do interpretive communities influence the culture we consume?
How do interpretive communities influence the culture we consume?
What does it mean when cultural production and consumption is described as a continual act of 'the remix'?
What does it mean when cultural production and consumption is described as a continual act of 'the remix'?
According to Durkheim, what characterizes the 'sacred' in the context of social rituals?
According to Durkheim, what characterizes the 'sacred' in the context of social rituals?
What is the main characteristic of 'pseudo-events' in the context of imagined communities?
What is the main characteristic of 'pseudo-events' in the context of imagined communities?
What is the essence of Gluckman's concept of 'rituals of rebellion'?
What is the essence of Gluckman's concept of 'rituals of rebellion'?
According to early critical theorists like Adorno, how does the culture industry influence society?
According to early critical theorists like Adorno, how does the culture industry influence society?
According to Dick Hebdige, how do subcultures challenge dominant ideology?
According to Dick Hebdige, how do subcultures challenge dominant ideology?
Flashcards
Textbook's Main Argument
Textbook's Main Argument
Popular culture is produced, consumed, and experienced collectively within a context of overlapping social relationships.
Definition of Culture
Definition of Culture
Culture is richly symbolic, invested with meaning and significance that are the product of invention collectively shared by a large number
Influence of Social Groups on Culture Consumption
Influence of Social Groups on Culture Consumption
The culture we engage with often depends on the groups we are part of. Our friends, families, online communities, and social circles influence our interests.
Creating New Meanings in Pop Culture
Creating New Meanings in Pop Culture
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Functionalist Approaches to Popular Culture
Functionalist Approaches to Popular Culture
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Collective Consciousness and Effervescence
Collective Consciousness and Effervescence
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"Illusory Difference" in Sports
"Illusory Difference" in Sports
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Early Adopters and Market Mavens
Early Adopters and Market Mavens
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Early Scholars of Interactive Approach
Early Scholars of Interactive Approach
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Three Realities Affecting Cultural Works
Three Realities Affecting Cultural Works
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Study Notes
- Popular culture is produced, consumed, and experienced collectively within overlapping social relationships.
Definitions of Popular Culture
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Well-liked and measured by commercial metrics
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Well known across the nation or the world
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Mass culture designed for mass consumption
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Culture with a populist bent belonging to the people
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Events simultaneously experienced by mass audiences in real-time
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Culture is richly symbolic, invested with meaning, and collectively shared
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"Art worlds" consist of support personnel, division of labor, and cooperative links
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Art worlds and a network of creative personnel inform popular culture production
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Interpretive communities influence cultural consumption and allow "re-making" of popular culture meaning
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Successful cultural producers are successful cultural consumers
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Cultural production and consumption is a continual act of "the remix"
How Culture Affects Consumption
- Culture depends on group affiliations like friends, family, and online communities
- Groups also shape perceptions of what is "good" or "important"
Creating Meanings in Pop Culture
- People in different groups interpret culture in varied ways, leading to new meanings
- Meaning is always changing, as different communities add their own interpretation
Functionalist Approaches
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Functionalist approaches in study help understand 4 areas:
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Rituals of solidarity and social cohesion
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Popular culture as a resource for public reflection
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Rituals of rebellion
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Darker functions of popular culture
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Durkheim's contributions include theories of ritual, "collective consciousness," and "collective effervescence"
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Collective consciousness is shared beliefs/sentiments
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Collective effervescence is belonging produced by collective ritual
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Sacred inspires reverence, while the profane is ordinary
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Symbols create "illusory" or "manufactured" difference, particularly in sports
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Functionalist approaches focus on symbols, rituals, and practices
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Rituals are common in sports.
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"Imagined communities" rely on mediated images and "pseudo events"
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An imagined community exceeds personal knowledge
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Pseudo-events are staged for media
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Celebrity gossip serves a social function, akin to gossiping about own lives
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Negative stories are valued over positive ones
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Gossip underpins the entertainment and political reporting industries.
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"Rituals of rebellion" are rituals, not real rebellion
Critical Approach
- Early scholars include Marx, Gramsci, Adorno, and Postman
- Marx said those that ruled the material also ruled thought
- Gramsci is known for "cultural hegemony," turning beliefs of the ruling class into accepted cultural norms
- Adorno said the media invented things for society to want and then manufactured them
- Postman was negative about the effect of television on politics
- Klein, Klinenberg, and Morozov developed critical approaches further
- Klein interrogated economic globalization and corporate power
- Klinenberg studied media ownership
- Morozov argued against technology worship
- The emphasis on profits to corporations reinforces inequalities
- Also gender and racial inequality in the workplace
How Popular Culture Attacks Us
- Media industries promote and devalue products to perpetuate re-buying
- Consumerism is used to combat "FOMO"
Interactive Approach
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Cooley, Goffman, Gans, and Asch/Milgram made early contributions
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Cooley: "looking glass self," society and individuals cannot be studied separately
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Goffman: people "dress the part," using dramaturgy
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Gans popularized peer group societies
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Asch: peer groups affect evaluation
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Milgram: peer pressure affects actions
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"Well connected" refers to having weak ties and proper connections
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Gladwell's "connectors" are cultural emissaries
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"Aspiration labor" combines interactional and critical approaches
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Erin Duffy analyzes influencers' aspirational labor
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Dick Hebdige studied subcultures
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Subculture: The Meaning of Style (1979) argued that postwar youth subcultures challenged norms
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Five ways to measure word-of-mouth promotion effectiveness: volume, intensity, valence, dispersal, duration
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"Opinion leaders," "early adopters," "market maven," and "collective consumption" are terms
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Opinion leaders are influencers with deep familiarity
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Early adopters influence through having the newest items
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Market mavens accumulate knowledge quickly
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Collective consumption is viewing together
Collaborative Circles
- "Collaborative circles" and “pairs” utilize competitiveness and drive innovation
- "Cultural conventions" make activity possible
Constraints
- Three "realities" are constraints on cultural works: legal, organizational, and technical
- Legal system, organizational apparatus, and tech constraints matter
- Howard Becker described the difference between arts and crafts: craft isn't respected
Selling Out
- "Selling out" is not as influential as it once was
- Corporate tie-ins to music are less contentious
Memes
- Memes as Mapping Tools of Everyday Life are part of the cultural landscape
- Cultural, political, and spatial boundaries can be connected
- Memes chart out the connection
- Palestinians navigate global/state dynamics using memes
- "Fluency in American culture" helps meme culture "work" in Palestine
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