Podcast
Questions and Answers
What is the main focus of the first video clip presented in the class?
What is the main focus of the first video clip presented in the class?
Who directed the award-winning film featured in the first video clip?
Who directed the award-winning film featured in the first video clip?
What is the intended purpose of the material for the MATATAG K to 10 Curriculum?
What is the intended purpose of the material for the MATATAG K to 10 Curriculum?
What motif is used in the wayang kulit performance shown in the second video clip?
What motif is used in the wayang kulit performance shown in the second video clip?
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Which of these aspects is emphasized in the teaching procedure for activating prior knowledge?
Which of these aspects is emphasized in the teaching procedure for activating prior knowledge?
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Who is listed as a validator for the material?
Who is listed as a validator for the material?
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Which Southeast Asian country is mentioned alongside the Philippines in the curriculum?
Which Southeast Asian country is mentioned alongside the Philippines in the curriculum?
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What may result from unauthorized reproduction of the material?
What may result from unauthorized reproduction of the material?
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Which organization is part of the management team for the material?
Which organization is part of the management team for the material?
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What is recommended for a smoother lesson flow when showing video clips?
What is recommended for a smoother lesson flow when showing video clips?
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In which school year is this material intended to be used?
In which school year is this material intended to be used?
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What type of art does the second video clip represent?
What type of art does the second video clip represent?
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What does the material specifically aim to assist with?
What does the material specifically aim to assist with?
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What should be considered when playing videos in class according to the teaching notes?
What should be considered when playing videos in class according to the teaching notes?
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Which role does Jemuel Barrera Garcia hold in the development of this material?
Which role does Jemuel Barrera Garcia hold in the development of this material?
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What should someone do for inquiries or feedback regarding the material?
What should someone do for inquiries or feedback regarding the material?
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How many times may the Philippine national anthem be sung according to the guidelines?
How many times may the Philippine national anthem be sung according to the guidelines?
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In the rhythmic activity involving the Philippine national anthem, what role does Student A perform during the first round?
In the rhythmic activity involving the Philippine national anthem, what role does Student A perform during the first round?
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Who wrote the Indonesian national anthem, Indonesia Raya?
Who wrote the Indonesian national anthem, Indonesia Raya?
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What significant event is commemorated by the adoption of Indonesia Raya as the national anthem?
What significant event is commemorated by the adoption of Indonesia Raya as the national anthem?
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What aspect of Indonesia Raya is highlighted in its musical arrangement by Soekarno?
What aspect of Indonesia Raya is highlighted in its musical arrangement by Soekarno?
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What role did the Dutch composer Jos Cleber have in relation to Indonesia Raya?
What role did the Dutch composer Jos Cleber have in relation to Indonesia Raya?
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Why is the Indonesian national anthem considered uniquely memorable according to Addie M.S.?
Why is the Indonesian national anthem considered uniquely memorable according to Addie M.S.?
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What does the conducting activity of the Philippine national anthem involve?
What does the conducting activity of the Philippine national anthem involve?
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Who composed the Philippine National Anthem, Lupang Hinirang?
Who composed the Philippine National Anthem, Lupang Hinirang?
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What was the original title of the Philippine National Anthem before it was known as Lupang Hinirang?
What was the original title of the Philippine National Anthem before it was known as Lupang Hinirang?
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In what year was the last revision of the Philippine National Anthem made?
In what year was the last revision of the Philippine National Anthem made?
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According to the law, what must accompany the rendition of the national anthem?
According to the law, what must accompany the rendition of the national anthem?
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What is the title of the Spanish poem from which the lyrics of Lupang Hinirang were adapted?
What is the title of the Spanish poem from which the lyrics of Lupang Hinirang were adapted?
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What is the appropriate behavior of the public during the playing of the Philippine National Anthem?
What is the appropriate behavior of the public during the playing of the Philippine National Anthem?
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What is R.A. 8491, also known as the ‘Flag and Heraldic Code of the Philippines', primarily concerned with?
What is R.A. 8491, also known as the ‘Flag and Heraldic Code of the Philippines', primarily concerned with?
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During which occasions is the Philippine National Anthem typically played or sung?
During which occasions is the Philippine National Anthem typically played or sung?
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What is the primary sentiment expressed in Kundiman art songs?
What is the primary sentiment expressed in Kundiman art songs?
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How did Filipino composer Nicanor Abelardo approach piano accompaniment?
How did Filipino composer Nicanor Abelardo approach piano accompaniment?
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Which of the following best describes the typical structure of Kundiman art songs?
Which of the following best describes the typical structure of Kundiman art songs?
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What element is commonly used in the piano accompaniment of Kundiman art songs?
What element is commonly used in the piano accompaniment of Kundiman art songs?
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What cultural movement in the 1930s sought to promote nationalism among Filipinos?
What cultural movement in the 1930s sought to promote nationalism among Filipinos?
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What technique did Abelardo utilize to enhance the interplay between text and music?
What technique did Abelardo utilize to enhance the interplay between text and music?
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What common characteristic is found in the performances of 'Bayan Ko'?
What common characteristic is found in the performances of 'Bayan Ko'?
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How is nationalism conveyed in music within the context of the 1930s?
How is nationalism conveyed in music within the context of the 1930s?
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How do the suguidanon and wayang kulit contribute to a sense of unity among citizens?
How do the suguidanon and wayang kulit contribute to a sense of unity among citizens?
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What role does local folk music and arts play in cultural identity?
What role does local folk music and arts play in cultural identity?
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In what way could the suguidanon and wayang kulit be viewed regarding historical contexts?
In what way could the suguidanon and wayang kulit be viewed regarding historical contexts?
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Which aspect of culture do suguidanon and wayang kulit promote?
Which aspect of culture do suguidanon and wayang kulit promote?
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How might classroom presentations based on these art forms impact students?
How might classroom presentations based on these art forms impact students?
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What attitude do suguidanon and wayang kulit foster within their communities?
What attitude do suguidanon and wayang kulit foster within their communities?
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What is an essential benefit of sharing cultural experiences like suguidanon and wayang kulit?
What is an essential benefit of sharing cultural experiences like suguidanon and wayang kulit?
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What common theme do suguidanon and wayang kulit share in defining cultural identity?
What common theme do suguidanon and wayang kulit share in defining cultural identity?
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Study Notes
Lesson Exemplar for Music and Arts Grade 7
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Quarter 3, Lesson 1 (Weeks 1-2), SY 2024-2025: This lesson exemplar is for teachers implementing the MATATAG K to 10 Curriculum
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Content Standards: Learners demonstrate understanding of nationalistic music and arts common to the Philippines and selected Southeast Asian countries. This includes subjects, themes, concepts, processes, techniques, mediums, and practices.
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Performance Standards: Learners produce an integrative creative work using conventional, contemporary, and/or emerging concepts, processes, techniques, and/or practices in Philippine and selected Southeast Asian nationalistic (post-war) music and arts.
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Learning Competencies and Objectives: Explain how nationalism, including the issues surrounding this concept, influences the performing and visual arts of the Philippines and selected Southeast Asian countries. Discuss post-war nationalism in the Philippines and Indonesia in relation to the figuration of each country's performing arts. Explain the similarities and differences in nationalistic music and visual arts common to the Philippines and Indonesia.
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Theme: "Nationalistic Music and Arts in the Post-war Philippines and Southeast Asia"
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Performing Arts: Includes music (Philippine National Anthem, nationalistic music)
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Materials: Any available local materials (natural/synthetic). Country selection depends on foreign influences/national presence.
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Global Citizenship: Develop an appreciation of nationalism, empathy for others and the environment, and respect for diversity.
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Learning Resources: Provides links to various resources (articles, videos, etc.) related to the lesson topics
Learning Resources (Examples)
- Links to information about history of national anthems and Ati-atihan Festival
- Links to video examples, music, and resources for post-war Philippine cinema and theatre
- Links to Information on Indonesian national anthem and history
- Links to study materials regarding Philippine and Southeast Asian Performing Arts
Teaching and Learning Procedure
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Activating Prior Knowledge:
- Short Review: Two video clips will be shown related to pre-war folk music/arts (conventional traditional local folk music and arts). (Specific links given in the text).
- Recall and Analyze: Students will be put into groups to discuss questions about the video clips.
- Which video clips resonate with you about pride/belonging in a country, why?
- Unlocking Content Area Vocabulary: Explanation of specific terms (e.g. Kundiman, Nationalism, Post-War Philippines).
- Lesson Purpose: Purpose/importance of appreciating the pre and post war music and arts of the Philippines and nearby Southeast Asian countries
- Discussion of themes: Topics/themes will be clarified in the class through questions/responses.
Evaluating Learning (Formative Assessment)
- Formative Assessment: Themes regarding the major topics are put on a board to stimulate discussion, allowing students to elaborate their thoughts about the discussed topics (Lupang Hinirang, Indonesia Raya, Bodabil, Bayan Ko).
- Teacher's Remarks: Observations regarding effective practices and problems encountered will be noted.
- Teacher Reflection: Includes reflection on the principles and thoughts/beliefs related to the lesson, students' roles/learnings, and ways forward for the next lesson. Suggestions to improve/expand are made.
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Description
This quiz focuses on the influence of nationalism in music and arts, particularly within the context of the Philippines and selected Southeast Asian countries. Designed for the MATATAG K to 10 Curriculum, it covers essential themes, techniques, and practices relevant to Grade 7 students. Engage with the concepts of post-war nationalism and its impact on both performing and visual arts.