Music and Arts 7: Folk Traditions in Asia
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Questions and Answers

What aspect of teaching does the reflection guide primarily focus on?

  • Students' physical activities during the lesson
  • Technological tools used in the lesson
  • The final assessment results of students
  • Principles and beliefs that informed the lesson (correct)

Why is understanding students' roles in a lesson important for reflection?

  • To evaluate what each student learned and how they engaged (correct)
  • To plan future lessons with minimal student input
  • To determine the effectiveness of classroom materials
  • To ensure that all students received equal grading

What kind of challenges is the reflection guide intended to help identify?

  • Anticipated challenges in student learning (correct)
  • Personal biases affecting teaching style
  • Community involvement in school programs
  • Technological advancements in education

How can the insights from the reflection guide contribute to future Professional Learning Community (PLC) sessions?

<p>They offer a basis for discussing best practices and challenges. (C)</p> Signup and view all the answers

What might teachers explore in their future lessons, based on the reflection guide?

<p>New techniques for engaging students more effectively (A)</p> Signup and view all the answers

What characteristic describes the melodic direction of Wayang Kulit performances?

<p>Wavelike and monodic (C)</p> Signup and view all the answers

Which aspect of Wayang Kulit is primarily focused on storytelling?

<p>Structural and aesthetic functions (D)</p> Signup and view all the answers

In the context of formative assessment, what activity involves students discussing their collective takeaways?

<p>Sketch Notes x Concept Maps (C)</p> Signup and view all the answers

Which formative assessment technique involves flashing word/s, video clips, and photo/s to the students?

<p>Words and Illustrations (C)</p> Signup and view all the answers

What is the purpose of students creating concept maps during their group discussions?

<p>To illustrate their understanding and connections (D)</p> Signup and view all the answers

Which performance style is NOT associated with Wayang Kulit?

<p>West Javanese style (C)</p> Signup and view all the answers

What does the term 'Pathetan' refer to in the context of Wayang Kulit?

<p>The musical composition (A)</p> Signup and view all the answers

What is a primary focus of discussing takeaways in student groups?

<p>Developing individual understanding and connections (B)</p> Signup and view all the answers

What is an essential component of the lesson design process regarding teacher observations?

<p>Documenting relevant observations and critical teaching events (D)</p> Signup and view all the answers

Which area is NOT mentioned as a possible focus for documenting teacher observations?

<p>More advanced assessment methods (B)</p> Signup and view all the answers

Why is it important to take notes on teaching strategies and learners' engagement?

<p>To reflect on the effectiveness of instructional methods (A)</p> Signup and view all the answers

Which of the following is primarily assessed through various methods and tools in the lesson design process?

<p>Performance and/or products (A)</p> Signup and view all the answers

What is the benefit of documenting tasks that will continue into the next day?

<p>To facilitate a smoother transition between lessons (C)</p> Signup and view all the answers

Which of the following reflects a formative assessment technique?

<p>Regular check-ins on student progress (A)</p> Signup and view all the answers

In assessing learner engagement during lessons, teachers should observe which of the following?

<p>Students’ reactions to instructional materials (D)</p> Signup and view all the answers

What should teachers primarily focus on when reflecting on critical teaching events?

<p>The effectiveness of their teaching strategies (C)</p> Signup and view all the answers

Flashcards

Assessment of Performance

Evaluating student work and/or products using various methods and tools.

Teacher's Remarks

Observations of effective practices, problems faced, and learner engagement during a lesson.

Effective Practices

Strategies and approaches that worked well during a lesson.

Problems Encountered

Challenges or difficulties during a lesson.

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Instructional Strategies

Methods used to teach during the lesson.

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Instructional Materials

Resources used in the lesson (e.g., books, tools).

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Learner Engagement

How actively students participate in the lesson.

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Lesson Objectives

Intended learning goals for the lesson.

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Reflection Guide

A tool that helps teachers think about their lessons and what they can improve.

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Lesson Design Principles

The ideas and beliefs a teacher uses when planning a lesson.

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Student Roles

How students are involved in the lesson.

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Ways Forward

Ideas for improving the lesson in the future.

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LAC Session

Meetings where teachers discuss their lessons and share best practices.

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Wayang Kulit

A traditional Indonesian shadow puppet play using leather puppets, music, and storytelling.

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Pathetan

A musical scale or mode used in Javanese gamelan music, influencing the mood and character of Wayang Kulit performances.

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Storytelling

The core function of Wayang Kulit, conveying tales of gods, heroes, and everyday life through puppets and narration.

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Surakarta Style

A style of Wayang Kulit performance originating in Surakarta, characterized by refined and elegant movements.

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Yogyakarta Style

A style of Wayang Kulit performance originating in Yogyakarta, known for its fast-paced and energetic movements.

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East Javanese Style

A style of Wayang Kulit performance originating in East Java, characterized by a rustic and dramatic style.

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Structural and Aesthetic

The dual function of Wayang Kulit, providing both a narrative structure and aesthetic experience.

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Concept Maps

A visual representation of ideas and their relationships, used by students to summarize and understand their takeaways from the lesson.

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Study Notes

Lesson Exemplar: Music and Arts 7, Quarter 2, Lesson 1

  • Curriculum: Implementation of the MATATAG K to 10 Curriculum
  • Year: 2024-2025
  • Content Standards: Learners demonstrate understanding of conventional local folk music and arts common to the Philippines and selected Southeast Asian countries.
  • Performance Standards: Learners incorporate characteristics of selected Philippine and Southeast Asian traditional or folk music and art in their creative works.
  • Learning Competencies: Explain similarities (subjects, themes, mediums) in local music and arts across the Philippines and select Southeast Asian countries.
  • Learning Objectives:
    • Detail commonalities between Iloilo Panay Bukidnon's sugidanon and Indonesia's sulukan
    • Explain the intersections of sugidanon and sulukan in terms of concepts and practices
  • Content Theme: Traditional/Local Folk Music and Arts (Pre-war) Common to the Philippines & Southeast Asia
  • Performing Arts: Traditional or Local Folk Music Common to the Philippines and Southeast Asia (refer to related lesson information for more detail).
  • Global Citizenship: Developing attitudes of care, empathy for others, and respect for diversity through the study of music and arts.
  • Learning Resources: The document lists many resources like YouTube videos, articles, and websites for further study.
  • Teaching and Learning Procedure: Includes activating prior knowledge, establishing lesson purpose, developing and deepening understanding, and making generalizations.
    • Activity: Think-Pair-Share. Explore similarities and differences between Philippine and Indonesian cultures. Unlocking vocabulary related to the topic.
    • Activity: Concept Mapping Sugidanon. Mapping connections to learning sugidanon (epic-chanting).
    • Activity: Group Sharing and Discussion. Discussing takeaways from the lesson.
  • Evaluating Learning (Formative Assessment): Includes questions for teachers regarding strategy exploration, materials used, student engagement, and reflection.

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Description

This quiz covers the implementation of the MATATAG K to 10 Curriculum for Music and Arts, focusing on local folk music and arts in the Philippines and Southeast Asia. It invites learners to explore the similarities between distinct musical expressions and artistic traditions, emphasizing how these influence creative works. Participants will analyze and understand cultural intersections within traditional folk music and art.

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