Marshall Amps: History and Design

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Questions and Answers

How did the preferences of young rock guitarists in the early 1960s influence Jim Marshall's decision to start producing amplifiers?

Young guitarists expressed the need for more powerful amplifiers, so Jim Marshall started creating amps based on the Fender Bassman, which became popular for its powerful sound.

What were the main differences between the Fender Bassman and the early Marshall amplifiers, such as the JTM-45, in terms of tubes and speaker configuration?

Marshall amps used ECC83 tubes for added gain and 12-inch Celestion speakers in a 4x12 cabinet, while the Fender Bassman used 12AY7 tubes and four 10-inch Jensen speakers.

How did closing the backs of speaker cabinets in Marshall amps affect the overall tone, and how did this compare to the design of Fender amps at the time?

Closing the backs of Marshall speaker cabinets created a punchier, more aggressive tone compared to the open-back design of Fender amps, which made Marshall's tone unique.

What prompted the design and release of the Super Lead 1959 100-watt amplifier, and how did this model contribute to the evolution of rock music?

<p>Pete Townshend's need for more powerful amplifiers led to the design of the Super Lead 1959, which defined the sound of rock due to its high-distortion capabilities and towering volume. It also led to the use of two 4x12 cabinets stacked.</p> Signup and view all the answers

How did the change from KT66 to EL34 tubes influence the sound of Marshall amplifiers, and why was this change implemented?

<p>Marshall began using EL34 tubes due to the high cost of KT66 tubes. EL34 tubes provided more aggressive, high-gain tones, and distorted more easily, changing the sound of Marshall</p> Signup and view all the answers

In what ways does the DSL series cater to various user needs, from home practice to professional use, and what features make it versatile?

<p>The DSL series offers classic Marshall valve tones at affordable prices and is versatile due to its two channels with different saturation ranges (controllable via footswitch) and integrated reverb effect.</p> Signup and view all the answers

Compare the key features and intended uses of the Marshall DSL1CR and DSL20CR amplifiers within the DSL series.

<p>The DSL1CR is a low wattage amp for home use and the DSL20CR is best suited for band practice an small live shows.</p> Signup and view all the answers

What is the primary design objective of the Origin series, and how does it differ from the DSL series in terms of tone and features?

<p>The Origin series aims to recreate the original sound of early Marshall amplifiers without excessive distortion, whereas the DSL series offers more modern, high gain tones.</p> Signup and view all the answers

Explain the significance of the JCM-800 series in the history of Marshall amplifiers and its contribution to specific music genres.

<p>The JCM-800 series, introduced in the 1980s, was essential to the sound of hard rock and heavy metal bands because of its high gain and aggressive tone.</p> Signup and view all the answers

Describe the unique features of the JVM series, particularly the JVM-410h, and how these features cater to the needs of guitarists in terms of tone and versatility.

<p>The JVM series is designed to be versatile, with four footswitchable channels and configurable modes that provide a wide range of tones. The JVM-410h is a 100-watt amp with these configurable channels controlled via footswitch, making it highly adaptable for different playing styles and musical genres.</p> Signup and view all the answers

Flashcards

Marshall Amps

British brand and pioneer in amp design, essential to the sound of bands like Iron Maiden and AC/DC.

Fender Bassman

An amplifier produced by Fender, popular among guitarists seeking a powerful sound.

5881 Power Tubes

Power tubes used by Marshall in the Bassman, providing added gain.

JTM-45

Released in 1962, named after Jimmy Terry Marshall, outputting 45 watts and the base for future models.

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Bluesbreaker

Marshall's first combo amp, released in 1964, used by Eric Clapton with John Mayall's Bluesbreakers.

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Super Lead 1959 "Plexi"

100-watt Marshall amp designed in 1965, nicknamed for its plexiglass panel.

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EL34 Tubes

Tubes that provided more aggressive, high-gain tones, distorting more easily, characteristic of Marshall amps.

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JCM-800 Series

Series introduced in the 1980s, essential to the sound of hard rock and heavy metal bands.

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Silver Jubilee Series

Series commemorating Marshall's 25th anniversary, based on the JCM-800 series, featured switchable output.

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DSL Series

Popular series offering classic Marshall valve tones at affordable prices, versatile for home use to professional applications, made in Asia.

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Study Notes

Marshall Amps Origin

  • Marshall is a British brand and a well-known pioneer in amp design and manufacturing.
  • The amps are essential to the sound of bands like Iron Maiden and AC/DC and guitarists like Slash, Gary Moore, and Angus Young.
  • The company was founded in London in the early 1960s by drummer Jim Marshall and his son Terry.

Early Days and Influences

  • The shop catered to rock musicians, unlike other instrument stores that catered to jazz.
  • Young guitarists voiced concerns about the lack of punch in existing amplifiers at the time.
  • Jim Marshall began producing amps based on the Fender Bassman, which was popular among guitarists seeking a powerful sound
  • The Fender Bassman was originally designed for bass.

Design Innovations

  • Marshall kept the Bassman's circuitry but used 5881 power tubes and an ECC83 tube for added gain.
  • ECC83 tubes are also known as 12AX7, unlike the 12AY7 used in the Bassman.
  • Marshall separated the amp and speakers for better transport.
  • Marshall amps used 12-inch Celestion speakers in a 4x12 cabinet.
  • Fender Bassman amps used four 10-inch Jensen speakers.
  • Marshall closed the speaker cabinets' backs for a punchier, more aggressive tone, unlike open-back Fender amps.

JTM-45

  • In 1962, Marshall amps released the JTM-45, named after Jimmy Terry Marshall and outputting 45 watts.
  • The JTM-45 quickly gained popularity and became the base for later models.
  • Marshall released its first combo amp, the Bluesbreaker, in 1964.

Bluesbreaker

  • The Bluesbreaker used KT66 power tubes instead of the 6L6 tubes commonly used in the United States.
  • The Bluesbreaker amp had tremolo and could fit in a car trunk.
  • Eric Clapton requested the amp when he was in John Mayall's Bluesbreakers.
  • Original Bluesbreaker amps are now highly sought after by collectors.
  • Initial price was half the price of a Fender Bassman and a third of a Vox AC30.
  • Current reissues of the Bluesbreaker cost around 1800 euros.

Super Lead 1959 "Plexi"

  • Pete Townshend wanted more powerful amps, leading Marshall to design the 100-watt Super Lead 1959 in 1965.
  • The amp was nicknamed "Plexi" due to its plexiglass front panel replaced in 1969 with a gold aluminum panel.
  • The "Plexi" amp era created a distinct high-distortion sound emulated by other amp and pedal manufacturers.
  • Super Lead 1959 defined the sound of rock.
  • An iconic rock image was born when Marshall made 8x12 speaker for Pete Townshend which led to using two 4x12 cabinets stacked.

Evolution of Marshall Amps

  • Marshall started using EL34 tubes in 1966 due to the high cost of KT66 tubes.
  • EL34 tubes became characteristic of the brand and provided more aggressive, high-gain tones, distorting more easily.
  • The JCM-800 series, introduced in the 1980s, was essential to the sound of hard rock and heavy metal bands.

Later Series

  • The Silver Jubilee series, released in 1987, commemorated Marshall's 25th anniversary.
  • JCM-800 series was the base, and used a switch to reduce output.
  • The JVM series were designed to be versatile and have four footswitchable channels.
  • The JVM-410h is a 100-watt amp with configurable channels controlled via footswitch

DSL Series

  • The DSL series is popular for offering classic Marshall valve tones at affordable prices.
  • DSL series is versatile for home use to professional applications.
  • DSL amps have two channels with different saturation ranges, controllable via footswitch and integrated reverb effect.

DSL Models

  • The Marshall DSL1CR is a small amp with an 8-inch Celestion speaker.
  • The DSL1CR has ECC82 and ECC83 valves, two channels, reverb, EQ, effects loop, footswitch, and switchable wattage from 1 to 0.1.
  • The Marshall DSL5CR has two ECC83 valves and one ECC99 also known as 12BH7 with switchable wattage from 5 to 1 watt.
  • The Marshall DSL20CR has three ECC83 valves, two EL34 valves, a 12-inch speaker, and 20 watts of power.
  • The DSL20CR is best suited for band practice and small live shows but can be used at 10 watts.
  • The Marshall DSL40CR has 40 watts switchable to 20 watts.
  • Marshall DSL 100HR is a 100-watt head.
  • Other DSL head models are available at 20 watts and 1 watt.
  • DSL amps are made in Asia.

Origin Series

  • Origin series is affordable and goes back to the original sound of Marshall without excessive distortion.
  • The Marshall Origin 20C has 20 watts switchable to 3 watts.
  • There is also one that can switch to 0.5 watts.
  • The Marshall Origin 20 C has three ECC83 preamp valves, two EL34 power valves, and a 10-inch speaker and costs 500 euro.
  • It has a 50-watt version with switchable 10 and 5-watt options and a 12-inch Celestion speaker.
  • Head versions of 50 and 20 watts also exist.
  • Jim Marshall, known as "the Father of Loud," changed music history with his amps.

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