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Literary Devices in Lady Gregory's The Rising of the Moon
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Literary Devices in Lady Gregory's The Rising of the Moon

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Questions and Answers

What do the glass unicorn, the rocking horse, and the road have in common?

  • They are all types of tragic heroes.
  • They are all examples of tragic flaws.
  • They are all symbols in literary works. (correct)
  • They are all characters in Greek tragedy.
  • What is the term for a weakness or limitation of character that leads to the fall of a tragic hero?

  • Tragic flaw (correct)
  • Two-hander
  • Unity of time
  • Tragic hero
  • Which of the following is an example of a tragic hero?

  • Othello (correct)
  • Hamlet
  • Macbeth
  • All of the above
  • What is the term for a play that features only two actors?

    <p>Two-hander</p> Signup and view all the answers

    What is the term for the concept that a play should have a single storyline, occur in a single location, and take place within a short time period?

    <p>The unities</p> Signup and view all the answers

    Which of the following is an example of a play that embodies the unities?

    <p>Oedipus the King</p> Signup and view all the answers

    Who argued that Oedipus the King embodies the unities?

    <p>Aristotle</p> Signup and view all the answers

    What is the term for a privileged, exalted character of high repute who suffers a fall from glory into suffering?

    <p>Tragic hero</p> Signup and view all the answers

    What is the term for the idea that a character's downfall is the result of their own error or flaw?

    <p>Hamartia</p> Signup and view all the answers

    What is the term for a dramatic genre that presents a conflict between a heroic individual and a superior force?

    <p>Tragedy</p> Signup and view all the answers

    Study Notes

    Conflict in Drama

    • Inner Conflict: Characters, such as the Policeman in Lady Gregory's The Rising of the Moon, grapple with moral dilemmas and personal struggles.
    • Antagonism: Conflict often manifests through confrontations with opposing characters, such as the dynamic between the Policeman and the ballad singer.

    Denouement

    • Definition: Resolution phase of a narrative where the plot is unraveled.
    • Example: In Hamlet, the denouement occurs amidst a scene of death and chaos, featuring speeches from Fortinbras and Horatio.

    Dialogue

    • Structure: Character speech is typically indicated by their names in plays, aiding in clarity and character development.

    Diction

    • Significance: The choice of words reflects character traits, attitudes, themes, and values.
    • Character-Specific Diction: For instance, Iago's and Desdemona's contrasting speech styles in Othello illustrate differing character perspectives.

    Dramatic Monologue

    • Concept: A speech delivered by a character addressing a silent listener, allowing insight into their thoughts.

    Dramatic Irony

    • Definition: A situation where the audience possesses knowledge that the characters do not, creating tension and anticipation.
    • Example: In Macbeth, the title of Thane of Cawdor is a point of dramatic irony.

    Exposition

    • Purpose: Introduces background information essential for understanding plot dynamics, as seen in Ibsen's A Doll's House.

    Falling Action

    • Definition: The events that follow the climax, steering the narrative towards its resolution; in Othello, it begins after Othello uncovers Iago's deceit.

    Farce

    • Characteristics: A comedic genre marked by exaggerated situations, buffoonery, and absurdity.

    Flashback

    • Function: An interruption to present past events, enriching character backgrounds and plot complexity; used by Faulkner in A Rose for Emily.

    Foil

    • Role: A character designed to highlight contrasting attributes of another character, enhancing thematic elements.

    Motif vs. Theme

    • Motif: A recurring element that may be captured in a word or phrase, like blood in A Tale of Two Cities.
    • Theme: A complete statement expressing a significant idea.

    Multiple Roles

    • Concept: One actor portraying several characters, which can enhance narrative depth or arise from production constraints.

    Pathos

    • Definition: An emotional appeal that evokes pity, commonly found in tragic narratives.

    Recognition

    • Moment of Clarity: When a character gains a true understanding of their circumstances, exemplified by Oedipus in Oedipus the King.

    Resolution

    • Function: The concluding portion of a story where plot details are resolved.

    Reversal

    • Definition: An unexpected turn in the narrative that alters the protagonist's path, often linked to moments of recognition.

    Rising Action

    • Definition: The build-up of events leading to the climax, establishing stakes and direction.

    Setting

    • Context: The specific time and place establishing the backdrop of the narrative, essential for thematic development; e.g., Cisneros's works set in the American Southwest.

    Slapstick

    • Definition: A type of comedy characterized by exaggerated physical actions.

    Soliloquy

    • Definition: A dramatic device where a character speaks thoughts aloud for the audience's insight.

    Stage Direction

    • Purpose: Descriptive comments by playwrights that guide performance aspects like movement, dialogue, and setting.

    Staging

    • Elements: The combination of actors' positions, scenic backgrounds, props, costumes, and effects contributing to the theatrical presentation.

    Subplot

    • Concept: A secondary plot running parallel to the main storyline, enriching the overarching narrative, as seen with Rosencrantz and Guildenstern in Hamlet.

    Symbol

    • Definition: An object or action representing broader ideas or themes within a narrative, like the glass unicorn in The Glass Menagerie.

    Tragic Flaw

    • Concept: A character's intrinsic weakness leading to their downfall, exemplified by Othello's jealousy.

    Tragic Hero

    • Definition: A noble character whose downfall is attributed to a tragic flaw, like Oedipus.

    Two-Hander

    • Definition: A play designed for two actors, often focusing on dialogue and interaction.

    Unities

    • Principles: The classical idea that a play should maintain unity of time, place, and action, advocating for a single, coherent narrative experience.

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    Description

    Test your understanding of literary devices in Lady Gregory's one-act play The Rising of the Moon. Identify the types of conflict, denouement, and dialogue in this literary work.

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