Extra Credit Quiz - Race Movies - Popular Art of the Harlem Renaissance

A black filmmaker who explored themes of urban and rural black identity through films like "The Homesteader" and "The Exile."

Films that often explored themes of black life, particularly in the context of migration from rural to urban environments.

The feeling of not belonging anywhere, often experienced by migrants adapting to a new environment.

The process of developing a new sense of self in a different environment, often faced by migrants.

The protagonist in Micho's films, struggling with his black identity and facing a difficult choice.

The practice of using film to express personal experiences and perspectives.

The act of leaving a place, often with a sense of longing or loss.

The act of marrying someone from a different racial background.

Using film to explore various genres and topics, often with a distinct and personal style.

A style of filmmaking that is characterized by personal expression and often provokes reactions.

A genre of film that depicts life in the American West, often featuring cowboys and outlaws.

A film company that produced black versions of popular Hollywood genres, including westerns.

A black cowboy who invented the rodeo trick of bulldogging.

A genre of film that explores fantastical and imaginative worlds and characters.

A black filmmaker who attempted the challenging fantasy genre, striving to create believable and engaging experiences for black audiences.

A fantasy film where the protagonist, Sissy, seeks revenge and addresses social issues in the ghetto.

The villain in "Sissy", representing the corruption and crime that Sissy seeks to overcome.

The act of taking revenge for a wrong that has been committed.

The issue of crime and violence in urban neighborhoods.

Films that attempt to create black versions of existing Hollywood productions but often face criticism for perpetuating stereotypes.

A social drama film that deals with the negative impact of prejudice and classism, featuring a racial angle.

A theatrical company that produced plays with both social and racial themes, blending entertainment and social commentary.

The combination of drawing room drama and a racial uplift angle in the plays of The Color Players Company.

Reasons why some black audiences avoided race movies, including religious beliefs, fear of segregation, and preference for mainstream Hollywood films.

The era before the introduction of sound in films, where race movies lacked critical acclaim.

A call for patience and understanding from black audiences towards race movie producers.

The lack of recognition and respect from prominent figures in the Harlem Renaissance.

The ongoing pursuit to reach and engage a wide audience, despite challenges and criticism.