7_Pineles

What was Cipe Pineles known for in the design industry?

Where did Cipe Pineles move to from Vienna in 1923?

Who did Cipe Pineles work for in 1932?

What artistic skills did Cipe Pineles develop in her childhood?

Who was the most influential magazine designer in the United States from the 30s through the 50s?

What concept is mentioned as a way for art directors to get their product out quickly?

What magazine did Cipe Pineles become the first woman art director of, for the burgeoning teen market?

In which year was Cipe Pineles inducted into the Art Director’s Club, making her the first woman to receive this honor?

During which period did Cipe Pineles serve as the art director for Mademoiselle magazine?

What type of typography was prevalent in mid-twentieth century fashion and lifestyle magazines?

What did Cipe Pineles learn to manipulate early on, which eventually gave her a feeling for type?

At which magazine did Cipe Pineles serve as the art director from 1950 to 1959?

Where are several examples of Cipe Pineles' layouts as art director at Glamour (1942-1946) found?

What is described as a colorful mix of type and image that did not always fit the standard for the prescribed Modernist aesthetic of Cipe Pineles' time?

What was Cipe Pineles' influence on magazine design?

For what was Cipe Pineles known as a leading woman in design during mid-twentieth century?

What is a notable characteristic of Cipe Pineles' work?

What did Cipe Pineles do after leaving the magazine industry in 1961?

How did Cipe Pineles incorporate computer-generated typography into her work?

What is the main reason Cipe Pineles was celebrated in the design world at the end of her career?

Who was Cipe Pineles married to at one point in her life?

What was the content of Martha Scotford’s monograph about Cipe Pineles?

What does the text suggest about Cipe Pineles' work process?

How did Cipe Pineles view the professional world's segregation of disciplines like illustration, type, and design?

'Couldn’t they find one token woman for this.' What does this quote imply about Cipe Pineles' experience as a designer?

'The Mystery of Condé Nasty.' What does this title likely refer to?

What does the text suggest about Cipe Pineles' mentoring role at Parson's School of Design in the 60s and 70s?

What is highlighted about Cipe Pineles' personal aesthetic in relation to lettering styles?

Typography can be defined as:

What profession did the author originally think typographers belonged to?

What is the author's main guide for selecting a new typeface for a magazine?

What was the primary focus when designing each editorial spread according to the author?

How did the author and her team experiment with typefaces for headlines?

What influenced the author and her team to use brush lettering?

According to the author, what was used to give their designs a casual look?

What did the author consider to be the test of a good brush caption?

What statement best describes the author's experience with type books?

What did the English art director say about the layout using "The most chichi thing I ever saw" headline?

How did the author know when she had exhausted the possibilities of brush lettering?

What did the art department have plenty of according to the author?

What did the author do with the heading in a layout that became a hit?

What did Dr. Agha rule when one of their typographic fashions appeared in advertising pages?

How did the fashion magazines' format change when the war broke out?

What solution did the author think was perhaps an ultimate solution in typography?

How did the author feel about artists and designers feeling convinced about their solutions being final?

What did the author suggest using as a stopperoo to be included in an exhibition?

What was the characteristic of the brush letter mentioned in the text?

What challenge did the author anticipate in evaluating 'big word' posters or booklets in a different language?

In fashion magazines, what type of photographs were being taken when the war broke out?

What change occurred in the editorial pages of fashion magazines during a period of austerity?

What did the author imply about typographic fashions appearing in advertising pages?

What is the author's opinion about modern typographic habits?

What does the author suggest about the European posters?

Why did setting a magazine section in a certain way fail to have the same effect in English?

What does the author imply about the success of visual communication?

What is the author's view on abstract painting's influence on modern graphic design?

What does the author think about designers who feel stuck in the rut of outmoded fashion?

What is the author implying about the Scientific Age?

What is the author's opinion about the electronic machines' ability to communicate with each other?

What does the author suggest about synthetic fabrics in comparison to natural ones?

What does the author imply about fashion according to Mr. Webster?

What is the author's view on modern typographic habits being borrowed or not new?