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PHYSICAL EDUCATION AND HEALTH MS. CHERILYN R. VILLANUEVA TRADITIONAL (FOLK AND ETHNIC) At the end of the lesson, the students are expected to; 1. Define and understand the Traditional folk and ethnic dance 2. Explain how traditional dance are imported to the lif...

PHYSICAL EDUCATION AND HEALTH MS. CHERILYN R. VILLANUEVA TRADITIONAL (FOLK AND ETHNIC) At the end of the lesson, the students are expected to; 1. Define and understand the Traditional folk and ethnic dance 2. Explain how traditional dance are imported to the life of Filipino people 3. Appreciate the lesson by expressing their ideas and perception about the traditional folk and ethnic dance. TRADITIONAL FOLK AND ETHNIC DANCE  The Philippine folk dance originated from the rituals, prayers, and celebrations of tribes in the northern mountainous regions. Dances in central and southern regions were influenced by animal movements and Muslim culture, respectively. These tribal dances predated Christianity and were performed for gods and nature.  TRADITIONAL FOLK AND ETHNIC DANCE Rites and dances are still being performed because they serve the believe ad social system of ethnic Filipinos, Sometimes the traditional dances give them determination and courage.  DIFFERENT TYPES OF TRADITIONAL FOLK AND ETHNIC  HISTORY OF CARIÑOSA Spanish Pronunciation: KARI - the loving or affectionate one. NYOSA, meaning Is a Philippine Dance of hispanic origin from the Maria suite of the philippine folk dances, where the fan or handkerchief plays an instrumental role as it places the couple romance scenario.  The cariñosa is a popular folk dance that was introduced to the country by the spaniards when they arrived in the 16th century. The cariñosa dance is belongs to Maria Clara, who was the main character of Jose Rizal Novel name Noli Me Tangere (Dont Touch Me) about the colanization of the philippines by the spaniards. During the marcos regime, the cariñosa was named the national dance of the philippines that is originated in Panay Island.  HISTORY OF SUBLI It originated around 300 years ago in Alitagtag, Batangas and is a ceremonial worship dance performed in honor of the Holy Cross. The dance involves both male and female dancers with distinct movements - the males leap and use clappers while the females circle on their toes with delicate hand gestures.  The Sublian festival, a two week long celebration which culminates every year on the 23rd of July, is rooted in the Batangueños devotion to the town’s patron: the Holy Cross in Bauan and Agoncillo, and the Sto. Niño in Batangas City. This religious devotion translated to a dance from indigenous to Batangas: the Subli. Traditionaly performed to the accompaniment of drums and chanting, the Subli praises the Patron in a combination of poetry, movement and music. The Sublian Festival was started by the city Mayor Eduardo Dimacuha on July 23, 1988 on the annual observation of the city hood of Batangas City. The objective is to renew the practice of the subli.  The Sublian festival features not just devotional dance-song but street dancing indigenous Filipino games, Harana (serenades), the Lupakan, Awitan at Sayawan: an event which combines the sharing of Nilupak (local delicacy made of bananas and sweet potato) with folk songs and dancesand even a Malunggayan Fiesta, a day that celebrates the nutritional benefits of the malunggay (moringa) plant. The Sublian Festival also coincides with the city’s founding anniversary.  HISTORY OF Tinikling originated during the 1500s when the Spaniards tinikling conquered the Philippines. It was started by farmers on the Visayan Islands of Leyte. The dance has also been said to have derived from a punishment that the Spaniards practiced. The term tinikling literally means "to perform it 'tikling-like." The dance originated in Leyte, an island in the Visayas in the central Philippines. Dancers imitate the tikling bird's legendary grace and speed by skillfully maneuvering between large bamboo poles. Today tinikling is taught throughout the United States.  Francisca Reyes Aquino - discovered and taught dances through her books such as Tinikling, Maglalatik, Lubi-lubi, Polka sa Nayon. Her thesis was made with teachers and playground instructors from both public and private institutions in mind. This work was expanded with the official support of UP President Jorge Bocobo in 1927. The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.  The importance of Tinikling can be seen through the unique props, attire, and entertaining dance moves, as it represents many of the values that are important to the Philippines like nature and life. Some also say that Tinikling represents most of the Filipinos main character traits such as resilience and fun-loving.  HISTORY OF pandanggo The word "pandanggo" is derived from the Spanish word "fandango," which is also a popular dance in Portugal. Similar to the original fandango folk dance, Pandanggo sa Ilaw requires excellent balance and incorporates clapping and lively steps danced in a three-fourths beat. The light refers to three oil lamps that the women dancers balance on the head and at the back of each hand. Candles in clear glasses have long replaced the oil lamps. Pandanggo sa Ilaw is usually danced in couples, with both the women and men wearing traditional dresses.  Pandanggo sa Ilaw simulates the light and flight of fireflies at dusk or dawn. It depicts the courtship of a young man to a maiden that captured his interest. In Lingayen, Pangasinan, Pandanggo sa Ilaw is called "Oasiwas," or swinging. Colonel Antonio R. Buenaventura, a National Artist and a professor at the Conservatory of Music in the University of the Philippines, composed the music that accompanies the Pandanggo sa Ilaw dance. Also Pandanggo sa Ilaw, which translates as Dance of Lights, is a waltz- style, playful folk dance that showcases a unique fusion of local and western indigenous dance forms. Originating in Lubang Island, Mindoro in the Philippines, it is usually performed during festivities and special occasions