Untitled Quiz

Traditional Folk and Ethnic Dance

• Traditional folk and ethnic dance in the Philippines encompasses rituals, prayers, and celebrations from indigenous tribes.
• Originated from various regions: northern dances were ritualistic, while central and southern dances were influenced by animal movements and Muslim culture.
• These dances predate Christianity and are integral to beliefs and social systems within ethnic Filipino communities.
• Traditional dances provide a sense of determination and courage among performers.

Cariñosa

• Cariñosa translates to "the loving or affectionate one" in Spanish, reflecting its romantic theme.
• This folk dance has roots in the Maria suite of Philippine folk dances and emphasizes the use of fans or handkerchiefs for expressive movement.
• Introduced by Spaniards in the 16th century, Cariñosa is linked to José Rizal's character, Maria Clara, in "Noli Me Tangere."
• During the Marcos regime, Cariñosa was declared the national dance of the Philippines, originating from Panay Island.

Subli

• Subli originated approximately 300 years ago in Alitagtag, Batangas, as a dance to honor the Holy Cross.
• The dance features male leaping and clapper usage, paired with female dancers executing delicate circular movements on their toes.
• Celebrated during the Sublian Festival, held annually on July 23, it reflects the Batangueños' devotion to their patron.
• The Subli combines poetry, music, and movement, celebrating indigenous customs and culture.
• The festival includes various activities like street dancing, serenades, and sharing traditional delicacies.

Tinikling

• Tinikling originated in the 1500s during Spanish colonization, stemming from farmer customs on the Visayan Islands of Leyte.
• The name "Tinikling" refers to the mythical tikling bird, showcasing agility through bamboo poles manipulation.
• The dance is characterized by dancers skillfully stepping over and between large bamboo poles.
• Francisca Reyes Aquino contributed to the documentation and propagation of Tinikling through her educational work in the 1920s.
• Tinikling embodies Filipino resilience and cultural values through its unique props and lively movements.

Pandanggo

• The term "Pandanggo" is derived from the Spanish "fandango," reflecting its lively and rhythmic nature.
• Pandanggo sa Ilaw requires dancers to balance three oil lamps on their heads and hands, emphasizing excellent coordination.
• Danced in pairs, the movement simulates flying fireflies and depicts courtship between a young man and maiden.
• In Lingayen, Pangasinan, the dance is locally known as "Oasiwas" or swinging, showcasing regional variations.