Pre-Colonial and Colonial Philippine Art PDF
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This PowerPoint presentation explores the evolution of Philippine art throughout various historical periods, from pre-colonial times to the contemporary era. It delves into the influences of indigenous cultures, the Spanish colonial period, American colonization, the Japanese occupation, and the post-war period on the artistic styles and themes prevalent in each era. The presentation showcases various art forms, examples, and significant artists in each period, providing a comprehensive overview of Philippine artistic history.
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Pre Colonial Period Group 3 0 Before Spanish Colonization 0 1 Spanish Colonial Period 0 2 American Colonial Period 0 3 Japanese Occupation 0 Post-War and Modern 0 Period 5 Social Realism and Martial Law 0 Era 6 Contemporary Philippine Art 7 01 BEFORE SPAN...
Pre Colonial Period Group 3 0 Before Spanish Colonization 0 1 Spanish Colonial Period 0 2 American Colonial Period 0 3 Japanese Occupation 0 Post-War and Modern 0 Period 5 Social Realism and Martial Law 0 Era 6 Contemporary Philippine Art 7 01 BEFORE SPANISH COLONIZATION indigenous communities created art rooted in animist beliefs and community life. Early Filipinos produced carved wooden idols : 01 02 03 04 ANITO UKKIL T’NALAK TATTOO OR OF OF T’BOLI (BATOK) BULOL SULU ANITO OR BULOL UKKIL OF SULU T’NALAK OF T’BOLI TATTOO (BATOK) LITERATURE Mainly oral story about hunting, and nature. -Epic poems -Riddles -Wise sayings -Myths Ancient pottery and metalwork reveal artistic sophistication EPIC POEMS AND GODDESS The Ifugao people built the renowned; Banaue Rice Terraces - an engineering marvel and testament to indigenous ingenuity and environmental harmony. Indigenous dance forms singkil of the Maranao 02 SPANISH COLONIAL PERIOD (1521-1898) Spanish colonization introduced Christianity Art reflects Catholic religious themes retablos (altar pieces) santos (saints' statues) Artists adapted Christian iconography to local styles -with statues of the Virgin Mary and Saints. CHURCHES -Baroque -Gothic Art Religious-themed paintings and sculptures emerged by anonymous artisans, who created murals and canvases for churches. CHURCHES GOTHIC ART BAROQUE PERFORMANCE ARTS KOMEDYA SENAKULO PASYON SARSWELA Philippine Revolution and Nationalism Beginning of a national consciousness, partly influenced by Western liberal ideas and the Propaganda Movement, where Filipino intellectuals sought reforms and an end to colonial abuses. Art reflect national pride and a desire for Juan Luna and Félix Resurrección Hidalgo -gained international acclaim for works highlighting social issues and national identity. -Juan Luna's Spoliarium Spoliarium Cristianas Expuestas al Populacho Hidalgo's Las Virgenes 03 AMERICAN COLONIAL PERIOD (1898-1946) promoted democratic values through art, introducing new techniques and subjects, often secular in nature. Art became part of formal education, -University of the Philippines School of Fine Arts established in 1909. Fernando Amorsolo became popular for romanticized depictions of Philippine landscapes, rural life, and idyllic scenes, capturing the everyday lives of Filipino people in a soft, impressionistic style. By the 1930s, artists like Victorio Edades, known as the "Father of Philippine Modern Art," challenged Amorsolo's idealized depictions, introducing expressionist styles 04 JAPANESE OCCUPATION (1941-1945) Art themes include war, survival, and resilience depicting the suffering and brutality of the Japanese. Filipino resistance and patriotism. Japanese forces used propaganda to promote the Greater East Asia Co- Prosperity Sphere, and some artists were commissioned to produce images that aligned with this message. At the same time, underground and resistance art emerged, expressing defiance and nationalism. LITERATURE Publications emerged: Shin- seiki, Liwayway and Tribune. Three types of poems emerged: Haiku, Tanaga, and Karaniwang Anyo. The field of the short story widened. 05 POST-WAR and MODERN PERIOD (1946-1960) Artists depicted a distinctly Filipino identity in art. NEO-REALISM -championed by artists like Vicente Manansala and Cesar Legaspi, highlighted social issues, poverty, and the resilience of the Filipino spirit. -This style used cubist forms earthy colors, portraying urban and rural life. By the late 1950s and 1960s, Filipino artists were experimenting with abstract 06 SOCIAL REALISM and MARTIAL LAW ERA (1979-1980) Artists used social realism to critique government repression, human rights abuses, and poverty in the martial law era. Groups like Kaisahan (Solidarity) and artists like Antipas Delotavo and Pablo Baensantos created powerful works that conveyed social struggles and aspirations for justice. It depicted scenes of resistance, worker solidarity, and the impact of martial law on society, blending realism with 07 CONTEMPORARY PHILIPPINE ART (1990- present) Produced art is characterized by a diversity of styles, media, and themes. Artists now explore a wide range of topics, from personal identity to environmental issues and globalization Using various forms; - installation - digital media - performance art - mixed media Many contemporary Filipino artists reflect on cultural heritage, postcolonial identity, and the experiences of the Filipino diaspora. The tradition of social critique continues, with artists addressing modern-day issues. The work of artists like Kiri Dalena and Manny Garibay offer commentary on national issues and strive to inspire social consciousness. Organizations like the Cultural Center of the Philippines (CCP) and Ateneo Art Gallery. Ukkil of the Sulu Archipelago What is an ukkil? (Fernando-Amilbangsa, 2005) Ukkil are most important to the Tau Sug, Samal, Badjaw, and Jama Mapun of the Sulu archipelago. These ukkil motifs are highly stylized representations of flora and fauna from the environment. To these ethnic Muslims, the term ukkil, okil or okir mean both: Ukkil motifs can Ukkil motifs can be be: found in: Textiles and Carved Garments Painted Boxes and Chests Patched Tableware and Embroidered Kitchenware Cut out Carpets and Prayer Cast Rugs Leather Goods Ceramic wares Holy Qur'an Three types of ukkil motifs: Sumping (Floral Motif) -conventionally embroidered garments, wall coverings, and canopies which usually include sampaka (frangipani) and the sumping kayapu' (lotus flower). Birdo (Tree- plant Motif) -are curvilinear foliate designs associated with fertility or prosperity, and symbolic of life and paradise in Sufism. Hashas (Serpent Motif) -The Maranao naga, or sea serpent, figure is a common motif in okir, an art form that depicts the social and psychological THANKS! CREDITS: This presentation template was created by Slidesgo, and includes icons by Flaticon, and infographics & images by Freepik