Contemporary Philippine Arts From The Region PPT PDF

CONTEMPORARY PHILIPPINE ARTS FROM THE REGION  LESSON 1: Combination of Different Art forms as seen in Modern times LEARNING COMPETENCIES 1. Identifies various contemporary art forms and their practices from the various regions. 2. Classifies various art forms found...

CONTEMPORARY PHILIPPINE ARTS FROM THE REGION  LESSON 1: Combination of Different Art forms as seen in Modern times LEARNING COMPETENCIES 1. Identifies various contemporary art forms and their practices from the various regions. 2. Classifies various art forms found in the Philippines  ICE BREAKER TITLE: HAMMER CHALLENGE (MECHANICS WILL BE EXPLAINED BY THE TEACHER)  PRE-ASSESSMENT Write a brief explanation of the following definition of Art based on your own understanding. 1. Art is natural human behavior. 2. Art is communication. 3. Art is healing. 4. Art tells our story. 5. Art is a shared experience.  FUNCTIONS OF ART 1. PERSONAL OR INDIVIDUAL FUNCTION 2. SOCIAL FUNCTION 3. ECONOMIC FUNCTION 4. POLITICAL FUNCTION 5. HISTORICAL FUNCTION 6. CULTURAL FUNCTION  FUNCTIONS OF ART 7. RELIGIOUS FUNCTION 8. PHYSICAL FUNCTION 9. AESTHETIC FUNCTION PRE-COLONIAL PERIOD BINURONIS ARCHITECTURE - AN ISNEG HOUSE THAT IS REGARDED AS THE LARGEST AND AMONG THE MOST SUBSTANTIALLY CONSTRUCTED HOUSES IN THE CORDILLERA.  ARCHITECTURE LEAN-TO - A PORTABLE SHELTER OF THE NEGRITOS MADE OF TREE BRANCHES AND TWIGS, USING LEAVES AND FRONDS FOR SIDINGS. BALE OR NO-NAIL ARCHITECTURE - THE TRADITIONAL IFUGAO HOUSES WHICH HAVE BEEN CONSTRUCTED WITHOUT THE USE OF NAILS.  SCULPTURE POTTERY - THE TRADITION OF POTTERY PROVEN BY THE MANUNGGUL JAR WHICH IS DEPICTS ON ITS LID TWO BOATMEN RIDING A BANCA ON THEIR WAY TO THE GREAT DIVIDE. WOOD CARVING SCULPTURE - NATIVE FILIPINOS CARVED BOATS , ARROWS, SPEARS, AND OTHER ESSENTIAL ITEMS, OFTEN CREATING ORNAMENTAL PATTERNS TO CELEBRATE SPECIAL OCCASIONS.  PAINTING TATTOOS - THE PINTADOS (PAINTED ONES), INHABITANTS OF THE VISAYAN ISLANDS USED SHARP METAL INSTRUMENTS PREVIOUSLY HEATED OVER FIRE IN PAINTING THEIR BODIES. CAVE CARVING PAINTING - The Angono Petroglyphs which contains 127 humas and animal figures engraved on the rock wall. WEAVING WEAVING - MEANS TO MAKE CLOTH AND OTHER OBJECTS WHEREIN THREADS AND OR STRANDS OF MATERIAL ARE PASSED UNDER AND OVER EACH MUSIC MUSIC - IN THE CCOUNT OF PIGAFETTA, THE OFFICIAL HISTORIAN OF MAGELLAN EXPEDITION, WOMEN FROM CEBU WERE HARMONIOUSLY PLAYING INSERT VIDEO MUSIC BAYBAYIN SYSTEM OF WRITING - A PRE-SPANISH PHILIPPINE WRITING SYSTEM. IT’S A MEMBER OF BHRAMIC FAMILY AND IS RECORDED AS BEING USE IN TH THE 16 CENTURY.  SPANISH COLONIAL PERIOD  ARCHITECTURE BARASOAIN CHURCH IN MALOLOS  ARCHITECTURE ST. AUGSUTINE CHURCH IN PAOAY  ARCHITECTURE MANILA CATHEDRAL  ARCHITECTURE JOSE RIZAL’S HOME IN CALAMBA, LAGUNA  SCULPTURE SPANISH COLONIAL CARVED AND POLYCHROMED SANTOS  SCULPTURE ST. JOHN THE BAPTIST BY ALONSO CANO  PAINTING OLD SPANISH CHURCH, OIL IN CANVAS, BY FERNANDO AMORSOLO  PAINTING LANGIT, LUPA, IMPYERNO BY JOSE LUCIANO DAN KOMEDYA (COMEDIA) THEATER IN THE SPANISH GOLDEN AGE (SIGLO DE ORO) TRADITION, A COMEDIA IS A THREE-ACT PLAY COMBINING DRAMATIC AND COMIC ELEMENTS. ZARZUELA THEATER A SPANISH LYRIC-DRAMATIC GENRE THAT ALTERNATES BETWEEN SPOKEN AND SUNG SCENES. SENAKULO THEATER A PLAY DEPICTING THE LIFE AND SUFFERINGS OF JESUS CHRIST. MORO-MORO THEATER THE PLAY THAT BECAME POPULAR IN THE PHILIPPINES DURING SPANISH COLONIAL PERIOD. AMERICAN COLONIAL PERIOD  INDEPENDENCE OF THE PHILIPPINES THE PHILIPPINES GAINED INDEPENDENCE AFTER THE REVOLUTION WAS CUT SHORT WITH THE ESTABLISHMENT OF THE AMERICAN COLONIAL GOVERNMENT. NEOCLASSIC ARCHITECTURE THIS ARCHITECTURE MAY INCORPORATE DECORATIVE SCULPTURAL ELEMENTS HOSED IN A PEDIMENT AS EXEMPLIFIED BY THE NATIONAL ART GALLERY. FILIPINO ARCHITECTURE ARCHITECTS THESE ARE THE FILIPINO ARCHITECTS DURING THIS PERIOD. TOMAS MAPUA JUAN ARELLANO ANDRES LUNA DE SAN PEDRO ANTONIO TOLEDO ART MOVEMENTS SCULPTURE THE WEST INFLUENCED OUR FILIPINO ARTISTS AND AS A RESPONSE, THEY DEVELOPED THEIR OWN STYLE IN CONFORMITY WITH THE INTERNATIONAL STANDARDS. CLASSICAL AND ABSTRACT STYLE WAS ADAPTED. FILIPINO SCULPTURE ARCHITECTS THESE ARE THE FILIPINO ARCHITECTS DURING THIS PERIOD. TOMAS MAPUA JUAN ARELLANO ANDRES LUNA DE SAN PEDRO ANTONIO TOLEDO  PAINTING AMERICANS BROUGHT A NEW SOURCE OF PATRONAGE FOR PHILIPPINE ARTISTS AS WELL AS DEMAND FOR DIFFERENT SUBJECT MATTER. IN THE 1920’S AMERICANS INFLUENCED PHILIPPINE ARTISTS OF MODERN ART TRENDS FROM AMERICA AND EUROPE.  POST- COLONIAL PERIOD IT REFERS TO ART POST-COLONIAL ART PRODUCED IN RESPONSE TO THE AFTERMATH OF COLONIAL RULE. BEGAN IN 1946-1970, THE PERIOD AFTER THE WAR AND THE TIME OF GROWING AND EXPANDING OF PHILIPPINE ART. ALSO CALLED THE MODERN ART. THE INDEPENDENT 1946 PHILIPPINES EXPRESSED ITS IDENTITY BY IMPLEMENTING MODERNISM THROUGH THE UTILIZATION OF REINFORCED CONCRETE, STEEL AND GLASS, PREDOMINANCE OF CUBIC FORM, GEOMETRIC SHAPES, CARTESIAN GRIDS AND ABSENCE OF APPLIED DECORATION. ARCHITECTS AND ENGINEERS WERE 1947 TASKED TO STUDY MODERN USA AND LATIN AMERICAN CAPITALS AND FORMULATE MASTER PLAN FOR MANILA. FEDERICO ILUSTRE, ARCHITECT WHO WORKED ON THE ELLIPTICAL ROAD BUILDING IN QUEZON CITY.  1950’S AND 1960’S STAPLE ARCHITECTURAL ELEMENTS WERE THE BRISE-SOLEIL, GLASS WALLS, PIERCED SCREENS AND THIN CONCRETE SHELLS. SPACE AGE AESTHETICS AND SOFT 1950’S MODERNISM, A SCULPTURAL PLASTICITY OF POURED CONCRETE TO COME UP WITH SOFT AND SINUOUS ORGANIC FORM USING THIN SHELL TECHNOLOGY. ONE OF EXAMPLE IS SPACE AGE AESTHETICS REFERS TO ARCHITECTURAL VICTOR TIOTUYCOS’ UP ELEMENTS THAT ARE INSPIRED BY THE SHAPE OF UNIDENTIFIED FLYING OBJECTS (UFO), ROCKET SHIPS INTERNATIONAL AND NEEDLE OR TOWER SHAPES. CENTER DURING THIS TIME THE BUILDINGS ‘ HEIGHTS 1950’S WAS LIMITED TO 30 METERS BY LAW. WITH THE AMENDMENT OF MANILA ORDINANCE NO. 4131, HIGH-RISE FEVER REDEFINED MANILA’S SKYLINE. PICACHE BUILDING (1st skyscraper in the Philippines with 12-storeys) INSULAR LIFE Picache Building in Quiapo Manila Insular life building in Makati BUILDING (1st office building to surpass 30-meter height restriction)  1960’s 1969, THE PHILIPPINE GOVERNMENT SUPPORTED THE ARTS VIA THE CREATION OF THE CULTURAL CENTER OF THE PHILIPPINES (CCP COMPLEX) WHICH GAVE A VENUE TO ALL ARTISTS TO EXPERIMENT AND EXPLORE DIFFERENT ART MEDIUMS.  1960’s MOST OF THE ARTISTS DURING THIS PERIOD CONTINUED TO PRODUCE IMPORTANT WORK IN THIS PERIOD. THE DIFFERENT MOVEMENTS SUCH AS PEOPLE’S ART, PROTEST ART, SOCIAL REALISM, AND THE INSTITUTIONALIZATION OF THE NATIONAL ARTIST AWARD (1972) EMERGED. 11 NATIONAL ARTISTS WHOSE WORKS ARE REPRESENTED IN THE COLLECTION FERNANDO C. AMORSOLO CARLOS V. FRANCISCO 1972 - PAINTING 1973 - PAINTING ANTIPOLO MARKET SCENE WAWA, ANGONO RIZAL GUILLERMO E. TOLENTINO VICTORIO C. EDADES 1973 - SCULPTURE 1974 - PAINTING FILIPINAS IN BONDAGE BARRIO SCENE NAPOLEON V. ABUEVA VICENTE S. MANANSALA 1976 - SCULPTURE 1981 - PAINTING THE PEGARAW MANILENYA CESAR T. LEGASPI HERNANDO R. OCAMPO 1990 - PAINTING 1991 - PAINTING SEA OF GOLD A SONATA IN SEPTEMBER ARTURO V. LUZ JERRY E. NAVARRO 1997 - PAINTING 1999 – PAINTING AND SCULPTURE STREET MUSICIANS VARIOUS VOICES, VARIOUS ROOMS ANG KIUKOK 2001 - PAINTING THE FISHERMEN  OVERVIEW Art allows people to express themselves across different places and times. By looking at artworks from around the world, we can learn about different cultures and understand the diversity of human creativity.