Planning Lesson 1-6 PDF

 ∙ Access to Resource ∙ Surveys ∙ Analysis of tasks ∙ Tree Diagram ∙ Focus group meetings ∙ Needs assessment Orienting Exercises f...

 ∙ Access to Resource ∙ Surveys ∙ Analysis of tasks ∙ Tree Diagram ∙ Focus group meetings ∙ Needs assessment Orienting Exercises for ∙ Force field analysis Development Planning and ∙ Preference ranking ∙ Logical Framework or Action in Community Log Frame ∙ Participant observation Planning ∙ Socio - Cultural Profile Pocket charts ∙ ∙ Village Meeting ∙ Seasonal diagrams or ∙ Identifying Sense of calendars Time and Place Access to Resource A series of participatory exercises allows development practitioners to collect information and raises awareness among beneficiaries about how access to resources varies according to gender and other important social variables. This user-friendly tool draws on the everyday experience of participants and is useful to men, women, trainers, project staff, and field workers. Analysis of tasks A gender analysis tool that raises community awareness about the distribution of domestic, market, and community activities according to gender familiarizes planners with the degree of role flexibility associated with different tasks. Such information and awareness are necessary to prepare and execute development interventions that benefit both men and women. Focus group meetings Relatively low-cost, semi-structured, small group (four to twelve participants plus a facilitator) consultations are used to explore peoples' attitudes, feelings, or preferences, and to build consensus. Focus group work is a compromise between participant observation, which is less controlled, lengthier, and more in-depth, and preset interviews, which are not likely to attend to participants' concerns. Force field analysis A tool similar to one called "Story With a Gap," engages people to define and classify goals and to make sustainable plans by working on thorough "before and after" scenarios. Participants review the causes of problematic situations, consider the factors that influence the situation, think about solutions, and create alternative plans to achieve solutions. The tools are based on diagrams or pictures, which minimize language and literacy differences and encourage creative thinking. Logical Framework or Log Frame A matrix that illustrates a summary of project design, emphasizing the results that are expected when a project is completed. These results or outputs are presented in terms of objectively verifiable indicators. These results or outputs are presented in terms of objectively verifiable indicators. The Logical Framework approach to project planning, developed under that name by the U.S. Agency for International Development, has been adapted for use in participatory methods such as ZOPP (in which the tool is called a project planning matrix) and Team UP. Needs Assessment A tool that draws out information about people’s varied needs, raises participants’ awareness of related issues, and provides the framework for prioritizing needs. This sort of tool is an integral part of gender analysis to develop an understanding of the particular needs of both men and women and to do comparative analysis. Preference Ranking Also called direct matrix ranking, an e people identify what they do and do n class of objects. Ranking allows understand the reasons for local prefer how values differ among local groups.  Participant Observation A fieldwork technique used by anthropologists and sociologists to collect qualitative and quantitative data leads to an in-depth understanding of peoples' practices, motivations, and attitudes. Participant observation entails investigating the project background, and studying the general characteristics of a beneficiary population. Pocket Charts Investigative tools that use pictures as stimuli to encourage people to asses and analyze a given situation. Through a "voting' process, participants use the chart to draw attention to the complex elements of a development issue in an uncomplicated way.  Seasonal diagrams or Seasonal Calendars Show the major changes that affect a household, community, or region within a year such as those associated with climate, crops, labor, availability and demand, livestock, prices, and so on.  Socio - Cultural Profile Detailed descriptions of the social and cultural dimensions that in combination with technical, economic, and environmental dimensions serve as a basis for the design and preparation of policy and project work. Profiles include data about the type of communities, demographic characteristics, economy and livelihood, land tenure and natural resource control, social organization, factors affecting access to power and resources, conflict resolution mechanisms, and values and perceptions. Village Meeting Meetings with many users in participatory development, including information sharing and group consultation, consensus building, prioritization and sequencing of interventions, and collaborative monitoring and evaluation. Identifying Sense of Time and Place A growing number of planners and architects are seeking to design communities that have a stronger "sense of place. Their ideas focus on promoting: a more compact pattern of development; mixed use (where residential areas are not isolated from places of employment and commerce); a strong pedestrian orientation; active civic and community life; closer links between public transit and land use; and higher housing densities. Surveys A sequence of focused, predetermined questions in a fixed order, often with predetermined, limited options for responses. Tree Diagram Multipurpose, visual tools for narrowing and prioritizing problems, objectives, or decisions. Information is organized into a treelike diagram that includes information on the main issue, relevant factors, and influences and outcomes of these factors.  IDENTITY IN COMMUNITY ARCHITECTURE Types of Architectural Forms in Planning Centralized Form- the availability of a single or a few entities that have control over the entire network Radial Form- it's visual material arranged around a central point, taking a roughly circular form Clustered Form- are generally equivalent in size shape and function Grid Form- a foundation for the layout of graphic materials on any given medium Sample buildings CENTRALIZED FORM RADIAL FORM CENTRALIZED FORM Basilica di Santa Maria della Nakagin Capsule Tower St. Lawrence Hospital in Salute -Church in Bodmin England Venice, Italy TYPES OF ARCHITECTURAL FORMS IN PLANNING RADIAL FORM CLUSTERED FORM Inspiria Science Center in Izola Social Housing by Ofis Norway Types of Architectural Forms in Sample buildings Planning CLUSTERED FORM GRID FORM First Indoor Movie Theme Park in Wuhan Fuji TV Building, Tokyo GRID FORM GRID FORM Atelier Villemard in Paros, France Housing in Onmae by VIDZ Architects IDENTITY IN COMMUNITY ARCHITECTURE Building Organization Linear Organization- repetitive spaces which are alike in size, form, and function Centralized Organization- stable, concentrated composition Clustered Organization- the principal work units are permanent and temporary teams of individuals with complementary skills Radial Organization- combines elements of both centralized and linear organizations Grid Organization- a skeletal structural system of columns and beams. Building Organization Sample buildings LINEAR ORGANIZATION CENTRALIZED ORGANIZATION GRID ORGANIZATION Biosciences Research Building Melbourne Cricket Ground, Australia Vantage Point, Archway, London, UK CLUSTERED ORGANIZATION RADIAL ORGANIZATION GRID ORGANIZATION Buildings in the wild Palmanova Star Fort in Palmanova, Italy Washington Ave N, Minneapolis - Laurent Rouquette IDENTITY IN COMMUNITY ARCHITECTURE Visual Properties of Form SHAPE- look from building to SIZE- an item's size in relationship to building something else COLOR- plays a significant role in the TEXTURE- can make or break a perception of space in the human mind structure or building when it comes to design Visual Properties of Form POSITION- the shape or ORIENTATION- positioning of a configuration of a building building concerning the sun VISUAL INERTIA- the art of designing spaces and constructing buildings under building rules and aesthetic concepts. REFERENCES: https://architecturecompetitions.com/the-role-of-architecture-in-shaping-communities https://pdfcookie.com/documents/orientation-and-identity-in-community-architecturepptx-429jzpm 8kpln?fbclid=IwAR07-jCHleUPnlimQpPz9w9JaWPP-wWPoMDjgqb7sle4RpWu5s1kUi5rE_0 Creating and Identifying the Sense of Place and Sense of Time Ar. Eileen Mei M. Ilagan, UAP Feelings of safety and security, civic participation, voting, recycling and volunteering (Sense of Community Partners, 2004), and improved wellbeing (Davidson & Cotter, 1991), have all been associated with a strong sense of community. Sense of community is often defined as “a feeling that members have of belonging, a feeling that members matter to one another and to the group, and a shared faith that members' needs will be met through their commitment to be together” (McMillan & Chavis, 1986, p. 9). 2 INTRODUCTION In the fabric of every community, architecture serves as a defining thread, intertwining the aesthetic, cultural, and social narratives that shape community identity. The concept of a “sense of place” is essential in understanding how communities perceive themselves and their surroundings. Through thoughtful design, architecture can enhance this sense, fostering a strong sense of belonging and pride among residents. 3 INTRODUCTION All our senses work together to perceive our daily worldly instincts which result in experiences. We experience by what we see, what we hear, smell, taste, and touch. In absence of the sensory perception, there would be no lasting experiences in our lives. Space and Place, a concept of the ways in which people feel and think about space, how they form attachments to home, neighborhood, and nation, and how feelings about space and place are affected by the sense of time. 4  “A sense of place is an extension of the building type, and it’s the job of the designer to identify and develop what’s needed for the demographic that is going to occupy it. It means creating adaptable and flexible spaces that best support the activity the building is meant to host, but it also means looking at the whole site for possibilities in reinforcing the message trying to be sent with the architecture. “ 5 SENSE OF PLACE 6 Proper planning of a structure or structures within the confines of a site can be handled in four ways: to merge to command to face and to surround 7 According to Lynch “Sense is the interaction between person and place…[and]…depends on spatial form and quality, culture, temperament, status, experience and current purpose of the observer”. According to Steele A sense of place can be “created by the pattern of reactions that a setting stimulates for a person” According to Norberg-Shulz “Spaces where life occurs are places” According to Trowbridge “Creating a sense of place can give people the feeling of being at home or having a home that they can go back to while also providing a sense of control over their own fate.” 8 Juhani Pallasmaa Architecture is more than just the construction of buildings; it's a profound form of art that shapes the physical and emotional landscapes of our lives. As the renowned Finnish architect and theorist Juhani Pallasmaa aptly stated, "A building speaks not only of the intellect of its creator but also of the society and culture that produced it." Within this art, there exists a concept that holds immense significance: the sense of place. A sense of place in architecture goes beyond mere aesthetics; it encompasses the deeper connection between people, their environment, and the cultural and historical context that surrounds them. 9 Juhani Pallasmaa Defining the Sense of Place A sense of place can be understood as the emotional and psychological connection people have with their surroundings. Pallasmaa's words resonate with this idea when he noted, "Architecture frames human experience and becomes a vessel of memory and cultural continuity." It's the feeling of belonging, identity, and comfort that arises when we are in a space that resonates with our values and experiences. This concept is not limited to physical structures but extends to entire neighborhoods, cities, and even natural landscapes. 10 Juhani Pallasmaa Defining the Sense of Place A sense of place can be understood as the emotional and psychological connection people have with their surroundings. Pallasmaa's words resonate with this idea when he noted, "Architecture frames human experience and becomes a vessel of memory and cultural continuity." It's the feeling of belonging, identity, and comfort that arises when we are in a space that resonates with our values and experiences. This concept is not limited to physical structures but extends to entire neighborhoods, cities, and even natural landscapes. 11 Juhani Pallasmaa Cultural Identity and Heritage One of the most profound ways architecture contributes to a sense of place is through the preservation and celebration of cultural identity and heritage. Pallasmaa's perspective, "The most profound architectural experiences arise from a sense of being present in a place," underscores the idea that meaningful architecture speaks to our shared history and cultural roots. Architectural styles, materials, and design elements often reflect the history and values of a community. As our cities and places we live and work change with technology, and time, the layering of the built environment’s history helps tell the story of the past, and present and even can hint at what the future holds. 12 Juhani Pallasmaa Creating a Strong Community Architecture has the power to shape the dynamics of a community. Thoughtfully designed public spaces and buildings can foster social interaction, encourage people to gather, and strengthen the bonds between neighbors. When a community has a sense of place, as Pallasmaa pointed out, "Architecture is a form of art, and buildings should be crafted with the same care and attention to detail as a work of art," its members are more likely to take pride in their environment, engage in local initiatives, and work together to maintain and improve their surroundings. 13 Juhani Pallasmaa Creating a Strong Community Architecture has the power to shape the dynamics of a community. Thoughtfully designed public spaces and buildings can foster social interaction, encourage people to gather, and strengthen the bonds between neighbors. When a community has a sense of place, as Pallasmaa pointed out, "Architecture is a form of art, and buildings should be crafted with the same care and attention to detail as a work of art," its members are more likely to take pride in their environment, engage in local initiatives, and work together to maintain and improve their surroundings. 14 Juhani Pallasmaa Emotional Well-Being Our built environment can have a profound impact on our emotional well-being. Spaces that evoke a sense of place are more likely to be experienced as comforting, inspiring, and meaningful. As Pallasmaa wisely noted, "The best architecture does not represent an abstract ideal; rather, it embodies the peculiarities and idiosyncrasies of the specific place." In contrast, a generic and uninspired space may leave people feeling disconnected and uninspired. 15 Juhani Pallasmaa Environmental Connection A sense of place is not limited to human-made structures. Natural landscapes and open spaces also contribute to this concept. Architecture that integrates with the natural environment, with natural materials, well design site integration, and framed vistas can enhance our connection with nature. These connections not only reduce stress and anxiety, but also create spaces where people can appreciate the beauty and importance of the natural world. In the world of architecture, the importance of a sense of place cannot be overstated. It elevates buildings and spaces beyond mere functionality, turning them into meaningful and cherished parts of our lives. As architects, real estate developers, and urban planners continue to shape our surroundings, they must prioritize the creation of places that resonate with the people who inhabit them, ensuring that the essence of place remains a vital aspect of our built environment. In doing so, we can enrich our lives and strengthen our connection to the world around us. 16 Connecting people to place. 17  End of presentation. https://www.studocu.com/ph/document/western-mindanao-state-university/architecture/creating-and-identifying-the-sense-of-place-and-time/78618793 https://www.coursehero.com/file/49103905/3-Sense-of-Place-and-Timepptx/ https://www.coursehero.com/file/146265304/PLAN0413-4CREATING-AND-IDENTIFYING-SENSE-OF-PLACE-AND-TIME-FINALpptx/ 18 https://cognitiveresearchjournal.springeropen.com/articles/10.1186/s41235-020-00243-4 https://jtldesignstudios.com/architecture-and-community-identity-crafting-a-sense-of-place/ https://www.dubbe-moulder.com/blog/sense-of-place  SIGNS AND SYMBOLS IN URBAN DESIGN PREPARED BY: AR. GLADYS P. MATIRA, UAP, INTL. ASSOC. AIA WHAT ARE SIGN AND SYMBOLS? SIGNS ARE USED TO CONVEY INFORMATION IN PICTORIAL FORM SIGNS AND SYMBOLS ARE COMMONLY USED IN EVERY SITUATIONS.  Pictograms and symbols are easier to recognize and understand, cross various language barriers, and often close the communication gap. Symbols are quickly becoming the standard for traffic control devices worldwide.  SEMIOTICS The study of SIGNS and SYMBOLS and their use and interpretation. “Symbolism in Architecture is another form of communication.”- Robert Venturi SAFETY COLORS SAFETY RED SAFETY YELLOW SAFETY ORANGE SAFETY GREEN SAFETY BLUE SAFETY COLORS SAFETY RED- Fire, Danger, Stop SAFETY YELLOW- Caution SAFETY ORANGE- Warning SAFETY GREEN- Safety First SAFETY BLUE- Notice DIFFERENT FAMILIES OF SIGNS MANDATORY SIGNS PROHIBITION SIGNS WARNING SIGNS SAFETY SIGNS DANGER SIGNS  MANDATORY SIGNS Road signs which are used to set the obligations of all traffic which use a specific area of road. Unlike prohibitory signs, mandatory signs tell traffic what it must do, rather than must not do. Most mandatory road signs are circular, may use white symbols on a blue background with white border or black symbols on a white background with a red border, although the letter is also associated with prohibit signs. MANDATORY SIGNS PROHIBITION SIGNS means a safety sign behavior likely to cause a risk to health or safety. generally, use a black safety symbol in a red circle with a diagonal cross through. PROHIBITION SIGNS PROHIBITION SIGNS WARNING SIGNS These signs are yellow type of sign which indicates a potential hazard, obstacle, or condition requiring special attention. Some traffic signs indicate roads that may not be readily apparent to a driver. WARNING SIGNS SAFETY SIGNS medium of communication that conveys information or instructions regarding the physical safety of people Signs in workplaces may be posted in a variety of areas to draw attention to them, such as on walls, on doors, on machinery and products, or as floor makings usually have a symbol and text, although there are safety signs that have only one of the two SAFETY SIGNS DANGER SIGNS Safety signs for warning when a hazard or a hazardous condition is likely to be life-threatening. The word 'Danger' is featured inside a red oval which in turn is inside a black rectangle and often feature other warning symbols. ADDITIONAL SIGN RECYCLED This mark is placed on recycled objects to tell the consumer that they are buying a recycled product This is a big advertising point as companies like their products to be seen as being environmentally friendly ADDITIONAL SIGN FRAGILE This mark is placed on breakable objects packaging to tell people handling the box to treat it. ADDITIONAL SIGN DISABLED This is used to show disabled access. ADDITIONAL SIGNS MALE AND FEMALE These signs are used commonly to distinguish the male and female toilets. In public toilets, a triangle (represents a skirt or dress) is used for female toilets, and an inverted triangle (represents a broad-shouldered tuxedo) for male toilets. Road Signs in the Philippines https://lto.gov.ph/images/Advisory/road-traffic-signs-pavement-markings.pdf Regulatory signs  Priority signs Direction signs  Restrictive signs Speed signs  Parking signs Miscellaneous signs Warning signs Horizontal alignment signs  Road obstacle signs Pedestrian signs Guide or Information Signs  Advance direction signs Reassurance direction signs  Service signs Tourist information and tourist destination signs Expressway Signs  Expressway approach signs Expressway information signs Traffic Instruction The meaning of colors on road signs.  Red: Red generally means stop. The use of red on signs is limited to stop, yield, and prohibition signs. White: A white background indicates a regulatory sign. https://www.accuform.com/news/Road-Signs-and-Meanings-What-Do-Signs-Mean  Yellow: conveys a general caution message. Green: shows permitted traffic movements or directional guidance https://www.accuform.com/news/Road-Signs-and-Meanings- What-Do-Signs-Mean  Fluorescent yellow/green: Indicates pedestrian crossings and school zones. Blue indicates road user services, tourist information, and evacuation routes. https://www.accuform.com/news/Road-Signs-and-Meanings-What-Do-Signs-Mean  Orange: Orange is Coral: Coral isused for Brown: Brown is used used for warning and incident management signs. to showing guidance to guidance in roadway sites of public recreation work zones. or cultural interest. The meaning of the shape of road signs. The meaning of the shape of road signs An octagon road sign conveys the need to stop. A stop sign is the only sign that uses this shape. An upside-down triangle road sign always means “yield.” Pennant-shaped road signs warn drivers of no-passing zones.  Diamond-shaped road signs always warn of possible hazards ahead. Round-shaped signs are used for railroad signs. A pentagon-shaped road sign provides a warning that a school zone is ahead, or a school crossing zone is approaching.  A HORIZONTAL RECTANGLE-SHAPED ROAD SIGN USUALLY PROVIDES GUIDANCE TO DRIVERS BUT CAN BE USED FORA VARIETY OF NEEDS. VERTICAL RECTANGLE ROAD SIGNS ARE TYPICALLY USED TO INFORM DRIVERS OF REGULATORY NOTICES, SUCH AS SPEED LIMITS. END OF PRESENTATION! THANK YOU FOR LISTENING. ELEMENTS OF URBAN DESIGN Prepared by: AR. GLADYS P. MATIRA, UA, INTL. ASSOC. AIA What are the elements of URBAN DESIGN? ELEMENTS OF URBAN DESIGN BUILDINGS PUBLIC SPACES STREETS TRANSPORT LANDSCAPE BUILDINGS BUILDINGS ARE THE MOST PRONOUNCED ELEMENTS OF URBAN DESIGN. BUILDINGS SHAPES AND ARTICULATE SPACE BY FORMING THE STREET WALLS OF THE CITY. WELL-DESIGNED BUILDINGS AND GROUPS OF BUILDINGS WORK TOGETHER TO CREATE A SENSE OF PLACE. SAMPLE OF A BUILDING RESIDENTIAL BUILDINGS THESE ARE BUILDINGS WHICH ARE USED FOR NORMAL RESIDENTIAL PURPOSES AND SHOULD FACILITATE ACTIVITIES SUCH AS SLEEPING, LIVING AND COOKING. SAMPLE OF A BUILDING EDUCATIONAL BUILDINGS THESE ARE BUILDINGS HOUSING EDUCATIONAL INSTITUTIONS SUCH AS SCHOOLS OR COLLEGES WHICH ARE AFFILIATED AND RECOGNIZED BY AN APPROPRIATE BOARD, UNIVERSITY OR ANY SIMILAR AFFILIATION AUTHORITY. SAMPLE OF A BUILDING INSTITUTIONAL BUILDINGS THESE TYPES OF BUILDINGS CONSIST OF BUILDINGS THAT ARE CONSTRUCTED BY THE GOVERNMENT, SEMI- GOVERNMENT ORGANIZATIONS OR REGISTERED TRUSTS FOR SPECIFIC PURPOSES. SAMPLE OF A BUILDING COMMERCIAL BUILDINGS BUILDINGS WHERE COMMERCIAL ACTIVITIES TAKE PLACE. A COMMERCIAL BUILDING COULD CONTAIN ONE OR MORE OF MANY TYPES OF BUSINESSES, INCLUDING RETAILERS, RESTAURANTS, OFFICES OR MANUFACTURING. SAMPLE OF A BUILDING INDUSTRIAL BUILDINGS TYPES OF COMMERCIAL PROPERTIES USED FOR BUSINESS PURPOSES. SIMPLY PUT, ARE FACTORIES OR OTHER LARGE PREMISES PRIMARILY USED FOR MANUFACTURING OR STORING RAW MATERIALS, GOODS, OR SERVICES FOR ECONOMIC PURPOSES. PUBLIC SPACES PUBLIC SPACES ARE THE LIVING ROOMS OF THE CITY AND WHERE PEOPLE COME TOGETHER TO ENJOY THE CITY. PUBLIC SPACES MAKE HIGH QUALITY IN THE CITY POSSIBLE. PUBLIC SPACES RANGE FROM GRAND CENTRAL PLAZAS AND SQUARES TO SMALL LOCAL NEIGHBORHOOD PARKS.  SAMPLE OF A PUBLIC SPACE PUBLIC SQUARE MOST SQUARES ARE HARDSCAPES SUITABLE FOR OPEN MARKETS, CONCERTS, POLITICAL RALLIES, AND OTHER EVENTS THAT REQUIRE FIRM GROUND. BEING CENTRALLY LOCATED, TOWN SQUARES ARE USUALLY SURROUNDED BY SMALL SHOPS SUCH AS BAKERIES, MEAT MARKETS, CHEESE STORES, AND CLOTHING STORES. AT THEIR CENTER IS OFTEN A WELL, MONUMENT, STATUE OR OTHER FEATURE. URBAN DESIGN MAP (LOCAL) LOCATION: RIZAL PARK, MANILA https://www.theguardian.com/cities/2015/aug/04/pops-privately-owned-public-space-cities-direct-action STREETS THESE ARE THE CONNECTIONS BETWEEN SPACES AND PLACES, AS WELL AS BEING SPACES THEMSELVES. THEY ARE DEFINED BY THEIR PHYSICAL DIMENSION AND CHARACTER AS WELL AS THE SIZE, SCALE AND CHARACTER OF THE BUILDING THAT LINE THEM. THE PATTERN OF THE STREET NETWORK IS PART OF WHAT DEFINES AS A CITY AND WHAT MAKES EACH CITY UNIQUE. SAMPLE OF A STREET MAIN STREET IT IS USUALLY A FOCAL POINT FOR SHOPS AND RETAILERS. SAMPLE OF A STREET HIGH AND FORE STREET HIGH STREET FREQUENTLY USED FOT THE STREET NAME OF THE PRIMARY BUSINESS STREET OF TOWNS OR CITIES. FORE STREETS ARE OFTEN USED FOR THE MAIN STREET. SAMPLE OF A STREET SKYWAY SKYWAY IS USUALLY USED FOR LONG OR HIGH BRIDGES FOR TRAFFIC SAMPLE OF A STREET BOULEVARD MULTILANE ARTERIAL THOROUGHFARE, DIVIDED WITH A MEDIAN DOWN THE CENTER, AND PERHAPS WITH ROADWAYS ALONG EACH SIDE DESIGNED AS SLOW TRAVEL AND PARKING LANES AND FOR BICYCLE AND PEDESTRIAN USAGE, OFTEN WITH ABOVE-AVERAGE QUALITY OF LANDSCAPING AND SCENERY. SAMPLE OF A STREET ESPLANADE LONG, OPEN, LEVEL AREA, USUALLY NEXT TO RIVER OR LARGE BODY OF WATER, WHERE PEOPLE MAY WALK. SAMPLE OF A STREET ALLEY A NARROW PASSAGEWAY BETWEEN OR BEHIND BUILDINGS. URBAN DESIGN MAP (FOREIGN) LOCATION: CALIFORNIA, USA (SKYWAY) https://www.theatlantic.com/technology/archive/2012/09/how-google-builds-its-maps-and-what-it-means-for-the-future-of-everything/261913/ URBAN DESIGN MAP (LOCAL) LOCATION: KALAKLAN – SBFZ O LO N GAPO CITY (FREEWAY) http://philippine-sailor.net/2019/07/28/kalaklan-point-sbfz-kalaklan-gate-area-2019-03-14/  TRANSPORT TRANSPORT SYSTEMS CONNECT THE PARTS OF CITIES HELP SHAPE THEM AND ENABLE MOVEMENT THROUGHOUT THE CITY. THEY INCLUDE ROAD, RAIL, BICYCLE AND PEDESTRIAN NETWORKS TOGETHER FORM THE TOTAL MOVEMENT SYSTEM OF A CITY. THE BALANCE OF THESE VARIOUS TRANSPORT SYSTEMS IN HELPS DEFINE THE QUALITY AND CHARACTER OF CITIES AND MAKES THEM EITHER FRIENDLY OR HOSTILE TO PEDESTRIANS. SAMPLE OF A TRANSPORT TRAIN BUS JEEPN EYS TAXIS TRICYCLES PRIVATE AUTOM OBILES BICYCLE SIDEWALK URBAN DESIGN MAP (FOREIGN) TRAIN STATION AIRPLANE ETC. https://www.smashingmagazine.com/2017/07/transportation-map-design/ URBAN DESIGN MAP (LOCAL) LO CATION : MANILA CITY (TRAIN STATION) https://www.smashingmagazine.com/2017/07/transportation-map-design/ LANDSCAPE IT IS THE GREEN PART OF THE CITY THAT WEAVES THROUGHOUT, IN THE FORM OF URBAN PARKS, STREET TREES, PLANTS, FLOWERS, AND WATER IN MANY FORMS. THE LANDSCAPE HELPS DEFINE THE CHARACTER AND BEAUTY OF A CITY AND CREATES SOFT, CONTRASTING SPACES AND ELEMENTS. SAMPLE OF A LANDSCAPE CENTRAL PARK ONE OF THOSE PLACES THAT MAKE NEW YORK SUCH GREAT PLACE TO LIVE. THE HUGE PARK. 341 HECTARE LARGE (843 ACRES). IS LOCATED IN THE CENTER OF MANHATTAN. ITS DESIGN HAS SERVED AS AN EXAMPLE FOR CITY PARKS AROUND THE WORLD. SAMPLE OF A LANDSCAPE POCKET PARK SMALL PARK ACCESSIBLE TO THE GENERAL PUBLIC. POCKET PARKS ARE FREQUENTLY CREATED ON A SINGLE VACANT BUILDING LOT OR SMALL, IRREGULAR PIECES OF LAND. THEY ALSO MAY BE CREATED AS A COMPOMENT OF THE PUBLIC SPACE REQUIREMENT OF LARGE BUILDING PROJECTS. URBAN DESIGN MAP (FOREIGN) LOCATION: WASHINGTON, USA (PO CKET PARK) https://worldlandscapearchitect.com/design-concept-selected-for-community-connector-project-city-of-vancouver-washington-usa/#.YVyfEJpBxPY END OF PRESENTATION! THANK YOU FOR LISTENING.