Descriptive Art Terminology PDF

Page |1 Introduction: In addition to the art terminology you've been learning, please see the fundamental list below, the descriptive terms provided in this document are essential tools for analysing and discussing various elements within an artwork. These terms allow you to articulate the physical...

Page |1 Introduction: In addition to the art terminology you've been learning, please see the fundamental list below, the descriptive terms provided in this document are essential tools for analysing and discussing various elements within an artwork. These terms allow you to articulate the physical characteristics, compositional elements, and emotional qualities of a piece, providing a deeper understanding of both your own work and the work of others. Knowing and practising these descriptive terms are important because they enhance your ability to observe, interpret, and communicate your ideas effectively. For instance, understanding and using terms like "actual texture" or "implied texture" helps you describe the surface quality of an artwork, whether it's something you can physically feel or something that is visually suggested. Similarly, terms like "bold" or "delicate" help convey the strength or subtlety of the textures and forms within a composition. By mastering these descriptive tools, you can critically evaluate artworks, identify key elements that contribute to their impact, and express your own creative intentions more clearly. This practice also prepares you to engage in more meaningful discussions about art, whether in a classroom setting or in your own artistic practice. Ultimately, these terms allow you to break down complex visual experiences into understandable concepts, making art more accessible and enriching your overall appreciation and expression. Fundamental Art Terminology: Atmosphere The mood or feeling conveyed by the artwork: Feeling/Mood: Created through the use of colour, texture, and other elements. Balance Distribution of visual weight in an artwork: Symmetrical Balance: Mirrored elements on either side of a central axis; Asymmetrical Balance: Uneven but harmonious distribution; Imbalance: Used for effect to create tension or movement.  Page |2 Colour Characteristics and effects of colour: Dominant Colour: The primary colour used in the artwork; Primary & Secondary Colours: Basic colours and their combinations; Complementary Colours: Opposite colours on the colour wheel; Psychological Effects: Emotional impact of colours (warm vs. cool); Symbolic Meaning: Use of colour to convey meaning or emotion. Composition The arrangement of elements within an artwork: Format: Horizontal, vertical, or square; Focal Point: Main area of attraction; Geometric Groupings: Triangular, circular, or square arrangements; Balance: Symmetrical or asymmetrical distribution of elements. Emphasis & Contrast Techniques used to highlight and differentiate elements: Emphasis: Created through contrast and isolation; Contrast: Differences in tone, colour, shape, etc. Formal Art Elements Characteristics inherent in an artwork that help define its style and composition. Line Considerations for discussing line in an artwork include: Type: Curved, straight, etc.; Direction: Horizontal, vertical, diagonal; Function: Contour lines, decorative lines, lines formed by objects, etc. Principles of Design Guidelines for arranging and organising visual elements: Balance: Distribution of visual weight; Emphasis: Focus on a particular area; Contrast: Differences in tone, colour, shape, etc.; Rhythm: Movement created by repeating elements; Unity: Cohesion of elements to create a harmonious whole. Rhythm The movement created by repeating elements: Repetition: Creates a sense of movement and rhythm across the artwork. Scale & Proportion Refers to the size and relative dimensions of elements: Scale: The overall size of the artwork or elements within it; Proportion: The relative size of parts within the artwork. Shape & Form Considerations for discussing shape and form include: Positive Shapes: The main, focal images; Negative Shapes: The spaces between positive shapes; Organic Shapes: Natural, curvilinear shapes; Geometric Shapes: Man-made,  Page |3 rectilinear shapes; Form: In sculpture, form is three-dimensional and has mass; surrounding space is negative form. Space The area around, between, and within objects: Actual Space: Real space used in three-dimensional art; Illusionistic Space: Depicted on a flat surface using perspective techniques to create a 3D effect. Subject The genre or category of the artwork. Examples include portrait, still-life, landscape, religious painting, etc. Technique Refers to the method used to create the artwork. Techniques in painting might include smooth, stippled, strong brushstrokes, impasto, etc. Texture Refers to the surface quality of an artwork: Tactile Texture: Actual texture that can be felt (e.g., impasto paint); Implied Texture: Visual texture that appears real but is not (e.g., the appearance of hair in a painting); Trompe l’oeil: Technique used to create the illusion of reality. Tone Refers to the lightness or darkness of a colour: Tone Value: Indicates light and dark areas; Chiaroscuro: Use of strong contrasts between light and dark to create volume and mood; Atmosphere: Created by variations in tone. Descriptive Art Terminology: Actual Texture Actual: The true, physical texture of a surface that can be felt by touch. Blurred: An indistinct, unclear texture where edges and details are softened. Bold: A strong, pronounced texture that stands out clearly. Broken: Texture with interrupted or fragmented surfaces. Contour: Texture that follows the shape and outline of an object. Curved: Texture that features smooth, rounded shapes. Delicate: A fine, subtle texture that is intricate and fragile. Diagonal: Texture with slanting lines or shapes. Directional: Texture that guides the eye in a specific direction. Flowing: Smooth, continuous texture that suggests movement.  Page |4 Freehand: Texture created without the aid of tools or rulers, often more organic. Fuzzy: Soft, indistinct texture with a blurred or hairy appearance. Gestural: Texture that reflects the movement or gesture of the artist. Horizontal: Texture with elements that align parallel to the horizon. Implied: Texture suggested through visual cues rather than physically felt. Meandering: Winding, irregular texture that curves in various directions. Ruled: Texture with precise, straight lines typically created with a ruler. Short: Texture with small, close-set elements. Straight: Texture with uninterrupted, linear elements. Stippled: Texture created with small, distinct dots or marks. Strong: Texture that is intense and easily noticeable. Dominant: The most prominent texture in a composition. Thick: Texture with substantial depth or heaviness. Thin: Delicate, minimal texture with less depth. Vertical: Texture with elements that align perpendicular to the horizon. Wavy: Texture with smooth, undulating curves. Weak: Subtle, less pronounced texture that may blend into the background. Wide: Texture with broad, expansive elements. Abstracted Angular: Texture featuring sharp, defined angles and edges. Asymmetrical: Unbalanced texture where elements are unevenly distributed. Biomorphic: Abstract texture inspired by organic forms and shapes. Circular: Texture with round, curved elements. Closed: Texture with contained or restricted shapes. Cubist: Abstract texture that uses fragmented geometric shapes, inspired by Cubism. Curvaceous: Texture featuring smooth, flowing curves. Curvy: Similar to curvaceous, but with less pronounced curves.  Page |5 Distorted: Altered texture that deviates from its original form. Elongated: Extended texture with stretched elements. Flat: Texture with minimal depth or variation, appearing two-dimensional. Geometric: Abstract texture based on geometric shapes and forms. Heavy: Dense, weighty texture. Light: Airy, subtle texture with less visual weight. Linear: Texture created with lines, which may be straight, curved, or a combination. Massive: Large, imposing texture with significant visual impact. Open: Texture with spaced-out, unobstructed elements. Organic: Texture inspired by natural forms and shapes. Repeated: Texture with recurring patterns or motifs. Round: Texture with rounded shapes. Rounded: Smooth, gently curved texture. Square: Texture with angular, box-like elements. Symbolic: Texture with meaning or representation beyond its physical appearance. Proportional: Texture with elements that are in balance and scale with one another. Triangular: Texture featuring triangular shapes and forms. Actual (Surface Quality) Bumpy: Texture with uneven, raised areas. Coarse: Rough texture with a gritty or harsh surface. Corrugated: Texture with parallel ridges and grooves. Fine: Smooth, detailed texture with a refined surface. Flat: Even texture with no noticeable variation in depth. Furry: Texture with a soft, hairy appearance. Granular: Texture with a grainy, sandy surface. Gritty: Rough, grainy texture with a sense of abrasiveness.  Page |6 Hairy: Texture resembling fur or bristles. Leathery: Texture with a tough, flexible surface reminiscent of leather. Prickly: Texture with small, sharp points or spikes. Rough: Uneven texture with a rugged surface. Sandy: Gritty, coarse texture similar to sand. Shiny: Reflective, glossy texture that catches light. Simulated: Texture that imitates another material or surface. Smooth: Even, soft texture with no noticeable roughness. Course: Similar to coarse, with a rough surface. Soft: Gentle, cushioned texture. Sticky: Texture that adheres to surfaces, often with a tacky feel. Tacky: Slightly sticky, with a noticeable adhesive quality. Uneven: Texture with inconsistencies in height or depth. Velvety: Soft, luxurious texture with a plush feel. Colour Value Space Bold: Vibrant, strong colour that stands out. Brash: Harsh, overly strong colour that can be jarring. Bright: Intense, vivid colour that reflects a lot of light. Calm: Soft, soothing colour that evokes tranquillity. Complementary: Colours opposite each other on the colour wheel that enhance each other when used together. Contrasting: Colours with noticeable differences in hue, value, or saturation. Cool: Colours with a calming effect, typically blues, greens, and purples. Dull: Colour with low saturation or intensity, appearing muted. Dusty: Colour with a muted, slightly greyed appearance. Multicolour: Use of multiple colours in a composition. Muted: Subdued colours with less intensity or brightness. Naturalistic: Colours that resemble those found in nature.  Page |7 Pale: Light, soft colours with low saturation. Polychromatic: Using many colours in a work. Primary: The basic colours (red, blue, yellow) from which other colours are mixed. Saturated: Colour with high intensity and vividness. Secondary: Colours created by mixing two primary colours (orange, green, purple). Subdued: Quiet, restrained colours that blend rather than stand out. Cast Shadow: The shadow cast by an object onto a surface, showing its form. Dark: Colour with low lightness and high depth. Dramatic: Intense colour use that creates strong visual impact. High Key: Bright colour with little contrast between light and dark areas. Highlight: Areas of an artwork that are brightly lit, often reflecting light. Light: Colour with high brightness and low depth. Low Key: Darker colours with high contrast, creating a moody effect. Medium: Moderate colour value, neither too light nor too dark. Moody: Colours that create a specific emotional atmosphere. Opaque: Colours that do not allow light to pass through. Reflected Light: Light that bounces off surfaces and influences colour perception. Shaded: Areas with reduced light to create depth or form. Subtle: Colour with gentle, nuanced differences. Tinted: Colour mixed with white to lighten its value. Transparent: Colours that allow light to pass through, revealing underlying layers. Ambiguous: Colour that is unclear or has multiple interpretations. Background: The part of an artwork behind the main subject. Closed: Colour or space that is tightly contained or restricted. Deep: Colour with significant intensity and depth.  Page |8 Flat: Uniform colour with minimal variation. Foreground: The part of an artwork that appears closest to the viewer. Middle-ground: The part of an artwork between the foreground and background. Open: Colour or space with expansive, unobstructed elements. Overlapping: When colours or elements cover each other, creating depth. Composition Angled: Composition with lines or shapes set at various angles. Arrangement: The placement of elements within a composition. Background: The part of the artwork that is furthest from the viewer. Circular: Composition featuring rounded, ring-like elements. Diagonal: Lines or shapes arranged at an angle, creating dynamic movement. Directional Lines: Lines that lead the viewer’s eye through the composition. Focal Point: The main area of interest or emphasis in a composition. Foreground: The area of the composition that appears closest to the viewer. Horizontal: Lines or shapes that run parallel to the horizon. Layout: The overall arrangement of elements in a composition. Middle Ground: The part of the composition situated between the foreground and background. Portrait Format: A vertical orientation of the composition. Position: The placement of elements within the composition. Landscape Format: A horizontal orientation of the composition. Square Format: A composition with equal width and height. Structure: The underlying framework or organisation of the composition. Triangular: Composition featuring triangular arrangements or shapes. Vertical: Lines or shapes that run perpendicular to the horizon. Proportion Balance Contrast Out of Proportion: Elements that are not scaled correctly in relation to each other. Realistic Proportion: Proportions that reflect natural, lifelike scales.  Page |9 Exaggerated: Proportions that are magnified or emphasised for effect. Distorted: Proportions that are altered or twisted from their original form. Elongated: Proportions that are stretched or extended. Surrealist: Proportions that are unusual or dream-like, characteristic of Surrealism. Strange: Proportions that are unusual or not immediately recognisable. Unnatural: Proportions that do not conform to natural or expected scales. Asymmetrical: Balance where elements are not evenly distributed but still achieve harmony. Balanced: Even distribution of visual weight in a composition. Equal: Symmetrical balance where elements are mirrored on either side. Even: Balance where elements are uniformly distributed. Unbalanced: Composition where elements are unevenly distributed, creating tension. Radial Balance: Balance where elements radiate from a central point. Symmetry: Balanced composition where elements are mirrored on either side of a central axis. Top Heavy: Balance where the upper part of the composition is visually heavier. Colours – Warm vs. Cool, Complementary, Intense vs. Dull Dramatic: Use of colours to create strong, impactful effects. Form – Real vs. Abstract: Real form represents true-to-life shapes, while abstract form uses stylised or simplified shapes. Line Direction – Horizontal vs. Vertical/Diagonal/Curved: Lines may be straight, slanted, or curved, affecting the composition. Shapes – Geometric vs. Organic/Free: Geometric shapes are precise and mathematical, while organic/free shapes are irregular and natural. Sizes – Large vs. Small: The scale of elements in a composition, affecting perception and impact. Strong: Intense use of colour or elements that command attention. Subtle: Gentle, understated use of colour or elements.  P a g e | 10 Textures – Smooth vs. Rough Smooth: Even, soft texture with no noticeable imperfections. Rough: Uneven, harsh texture with noticeable irregularities. Values – Light vs. Dark Light: Colours or tones that reflect a high amount of light. Dark: Colours or tones that absorb more light, creating depth. Emphasis Rhythm & Movement Scale Dominant Feature: The most important element that stands out in a composition. Even Distribution: Balanced placement of elements throughout a composition. Eye-Catching: Elements that attract immediate attention. Focal Point: The area of the composition that draws the viewer’s eye. Leading Lines: Lines that guide the viewer’s eye towards the focal point. Subordinate: Elements that support but are less prominent than the dominant feature. Uneven Distribution: Imbalanced placement of elements creating visual tension. Zooming In: Focusing on specific details within the composition. Continuous: Uninterrupted flow of elements or movement. Directional Lines: Lines that lead the viewer’s gaze in a specific direction. Dramatic: Use of strong contrasts and elements to create intensity. Flowing: Smooth, graceful movement or arrangement. Flowing Lines: Lines that suggest motion and continuity. Optical Illusion: Visual effects that deceive the eye, creating perceived depth or movement. Pattern: Repeated design elements creating a sense of rhythm. Sporadic: Inconsistent or scattered placement of elements. Stillness: Lack of movement or change in the composition. Swirling: Movement that creates a circular, twisting effect.  P a g e | 11 Whirlpool of Colour: A dynamic, circular arrangement of colours creating movement. Intimate: Small-scale, close-up composition that creates a personal connection. Large: Extensive scale that fills a substantial area. Life Size: Elements that are true to actual size. Massive: Very large scale, commanding significant visual presence. Miniature: Small-scale elements creating a detailed, intricate composition. Monumental: Grand and imposing scale, often used to convey significance. Small: Compact elements with a limited scale. Technique – Brushwork/Mark Making Blended: Smooth transition between colours or tones. Bold: Strong, clear mark making with a prominent impact. Cross-Hatching: Technique using intersecting lines to create shading or texture. Dry-Brush: Technique where a brush with minimal paint creates a textured effect. Impasto: Thick application of paint creating a textured surface. Smooth: Even, seamless application of paint or mark making. Thick: Heavy, pronounced application of paint or marks. Thin: Light, delicate application of paint or marks. Timid: Light, hesitant mark making with subtle impact. Heavy: Intense mark making with a strong visual presence. Light: Subtle mark making with minimal impact. Edgy: Sharp, defined mark making with clear boundaries. Glazes: Transparent layers of paint applied over a dry base layer. Scumbling: Technique where a brush with dry paint creates a textured surface. Stippled: Mark making with small dots to create texture. Hatching: Technique using parallel lines to create shading or texture. Splattered: Technique where paint is flicked or splattered onto the surface.  P a g e | 12 Visible: Mark making that is apparent and noticeable in the composition. Aggressive: Forceful, dynamic mark making with strong impact. Mood or Atmosphere Angry: Intense, harsh mood created through strong contrasts and aggressive mark making. Calm: Serene, peaceful mood achieved with soft colours and gentle mark making. Cheerful: Uplifting mood with bright colours and lively elements. Chilling: Eerie, unsettling mood created with cool colours and dark tones. Dark: Mood characterized by deep, sombre colours and tones. Depressed: Gloomy, melancholic mood with muted colours and heavy tones. Distressing: Unsettling mood created with jarring colours and dissonant elements. Dull: Lacklustre mood with muted, low-intensity colours. Energetic: Lively, dynamic mood with vibrant colours and active elements. Exciting: Stimulating mood with bold colours and dramatic contrasts. Frightening: Scary mood created with dark tones and unsettling elements. Gloomy: Dark, melancholic mood with low light and muted colours. Joyful: Happy, positive mood with bright colours and lively composition. Lifeless: Lack of energy or vitality in the composition. Miserable: Depressing mood with dark colours and heavy elements. Peaceful: Calm, tranquil mood achieved with soft colours and gentle lines. Relaxed: Comfortable, easy-going mood with smooth textures and soothing colours. Romantic: Tender, emotional mood with warm colours and soft lines. Sad: Melancholic mood with subdued colours and sombre tones. Sombre: Serious, grave mood with dark colours and restrained elements. Tearful: Emotionally charged mood with expressive elements and muted colours.  P a g e | 13 Tranquil: Serene, calm mood with harmonious colours and smooth textures. Unhappy: Mood characterized by dissatisfaction and low energy. Violent: Intense, aggressive mood with harsh colours and dynamic elements. Subject Matter Abstract: Art that does not represent recognizable objects or forms. Cityscape: Depictions of urban environments and city scenes. Buildings: Architectural structures featured in art. Domestic: Art depicting everyday life and home environments. Landscape: Depictions of natural scenery such as mountains, forests, and rivers. Imaginary: Art depicting invented or fantastical scenes. Industrial: Art focusing on industrial settings, machinery, and technology. Fantasy: Art featuring fantastical, magical elements and scenes. Invented: Art based on created or invented concepts rather than real life. Man-Made: Art depicting objects or scenes created by humans. Mythological: Art based on myths and legends from various cultures. Figurative: Art that represents real-life figures or objects. Portraits: Depictions of individuals, often focusing on their likeness and character. Interiors: Art depicting indoor spaces and domestic scenes. Seascape: Depictions of the sea and coastal environments. Still Life: Art featuring inanimate objects arranged for artistic purposes. Urban: Art focusing on city life and urban environments. Visual Arts Illustration Worksheet Instructions for Visual Arts Illustration Worksheet Objective: This exercise is designed to help you explore and illustrate various artistic concepts, such as texture, colour, composition, and subject matter. This task is essential because it deepens your understanding of fundamental art concepts that are the building blocks of visual communication. By actively engaging with these terms through illustration, you  P a g e | 14 move beyond theoretical knowledge and develop practical skills that are crucial for your growth as an artist. Here’s why this is important. You are encouraged to experiment with different media and techniques to create visual representations that align with the definitions provided. Materials: Any media you are comfortable with (e.g., pencils, pens, paints, pastels, digital tools, collage materials). Paper or canvas for traditional media, or a digital platform for digital media. Optional: Additional materials such as textured fabrics, sandpaper, or other objects to create actual textures. Instructions: 1. Review the Terms and Definitions: o Go through each term and its definition carefully. Understand the concept behind each term before beginning your illustration. 2. Illustrate the Terms: o For each term, create an illustration that visually represents its definition. For example, for "Bumpy," you might create an actual textured surface using collage materials or thick paint. o Use any media of your choice. Feel free to experiment with different techniques, such as blending, hatching, impasto, or digital effects. o Ensure that each illustration effectively communicates the concept of the term. 3. Experimentation: o Don't hesitate to try out different approaches for each term. Experiment with combining different media or using unconventional tools. o If you are illustrating a texture, you may use real objects to create texture or simulate it through detailed drawings or digital effects. 4. Presentation: o Once all terms are illustrated, arrange your work neatly on a sheet of paper or in a digital file. o Label each illustration clearly with the corresponding term.  P a g e | 15 Rubric: Your work will be evaluated according to the following criteria: Criteria Points Description Creativity & Demonstrates a high level of creativity and willingness 30 Experimentation to experiment with various media and techniques. Accuracy of Accurately reflects the definitions of the terms in the 25 Representation illustrations. Effectively uses a range of artistic techniques and Variety of Techniques 15 media to represent the concepts. Neatness & Work is presented neatly and professionally, with clear 10 Presentation labelling. Effort & All terms are illustrated, and there is evident effort in 20 Completeness the execution of each piece. Total 100 Comments: Term Definition Illustration Actual Texture Texture with uneven, raised Bumpy areas. Rough texture with a gritty or Coarse harsh surface.  P a g e | 16 Even, soft texture with no Smooth noticeable roughness. Smooth, detailed texture with Fine a refined surface. Reflective, glossy texture that Shiny catches light. Texture with a grainy, sandy Granular surface. Texture with a tough, flexible Leathery surface reminiscent of leather. Soft, luxurious texture with a Velvety plush feel.  P a g e | 17 Texture that adheres to Sticky surfaces, often with a tacky feel. Texture with small, sharp Prickly points or spikes. Abstracted Texture Texture featuring sharp, Angular defined angles and edges. Texture featuring smooth, Curvy flowing curves. Altered texture that deviates Distorted from its original form. Abstract texture based on Geometric geometric shapes and forms.  P a g e | 18 Abstract texture inspired by Biomorphic organic forms and shapes. Texture with recurring patterns Repeated or motifs. Texture with meaning or Symbolic representation beyond its physical appearance. Extended texture with Elongated stretched elements. Texture inspired by natural Organic forms and shapes. Texture with round, curved Circular elements.  P a g e | 19 Colour Vibrant, strong colour that Bold stands out. Subdued colours with less Muted intensity or brightness. Colours opposite each other Complementary on the colour wheel that enhance each other. Colours with noticeable Contrasting differences in hue, value, or saturation. Colours like reds, oranges, and Warm yellows that evoke warmth. Colours like blues, greens, and Cool purples that evoke calmness.  P a g e | 20 Light, soft colours with low Pale saturation. Intense, vivid colour that Bright reflects a lot of light. Colour with a muted, slightly Dusty greyed appearance. Intense colour use that creates Dramatic strong visual impact. Composition Even distribution of visual Balanced weight in a composition. Balanced composition where Symmetry elements are mirrored on either side.  P a g e | 21 The main area of interest or Focal Point emphasis in a composition. Lines or shapes arranged at an Diagonal angle, creating dynamic movement. Lines or shapes that run Horizontal parallel to the horizon. Lines or shapes that run Vertical perpendicular to the horizon. The area of the composition Foreground that appears closest to the viewer. The part of the composition Background that is furthest from the viewer.  P a g e | 22 Composition featuring Triangular triangular arrangements or shapes. Composition featuring Circular rounded, ring-like elements. Proportion & Balance Realistic Proportions that reflect Proportion natural, lifelike scales. Proportions that are magnified Exaggerated or emphasised for effect. Balance where elements are Asymmetrical not evenly distributed but still achieve harmony. Balance where the upper part Top Heavy of the composition is visually heavier.  P a g e | 23 Balance where elements Radial Balance radiate from a central point. Symmetrical balance where Equal elements are mirrored on either side. Proportions that are altered or Distorted twisted from their original form. Composition where elements Unbalanced are unevenly distributed, creating tension. Elements that are not scaled Out of Proportion correctly in relation to each other. Balanced composition where Symmetry elements are mirrored on either side of a central axis.  P a g e | 24 Emphasis, Rhythm & Movement The most important element Dominant Feature that stands out in a composition. Elements that attract Eye-Catching immediate attention. The area of the composition Focal Point that draws the viewer’s eye. Lines that guide the viewer’s Leading Lines eye towards the focal point. Lines that suggest motion and Flowing Lines continuity. Repeated design elements Pattern creating a sense of rhythm.  P a g e | 25 Uninterrupted flow of Continuous elements or movement. Movement that creates a Swirling circular, twisting effect. Lack of movement or change Stillness in the composition. A dynamic, circular Whirlpool of arrangement of colours Colour creating movement. Technique – Brushwork/Mark Making Smooth transition between Blended colours or tones. Strong, clear mark making with Bold a prominent impact.  P a g e | 26 Thick application of paint Impasto creating a textured surface. Technique where a brush with Dry-Brush minimal paint creates a textured effect. Technique using parallel lines Hatching to create shading or texture. Technique using intersecting Cross-Hatching lines to create shading or texture. Mark making with small dots to Stippled create texture. Technique where a brush with Scumbling dry paint creates a textured surface.  P a g e | 27 Even, seamless application of Smooth paint or mark making. Technique where paint is Splattered flicked or splattered onto the surface. Mood or Atmosphere Serene, peaceful mood Calm achieved with soft colours and gentle mark making. Mood characterised by deep, Dark sombre colours and tones. Lively, dynamic mood with Energetic vibrant colours and active elements. Dark, melancholic mood with Gloomy low light and muted colours.  P a g e | 28 Happy, positive mood with Joyful bright colours and lively composition. Tender, emotional mood with Romantic warm colours and soft lines. Serene, calm mood with Tranquil harmonious colours and smooth textures. Uplifting mood with bright Cheerful colours and lively elements. Depressing mood with dark Miserable colours and heavy elements. Lacklustre mood with muted, Dull low-intensity colours.  P a g e | 29 Subject Matter Art that does not represent Abstract recognisable objects or forms. Depictions of natural scenery Landscape such as mountains, forests, and rivers. Art featuring inanimate objects Still Life arranged for artistic purposes. Depictions of individuals, often Portraits focusing on their likeness and character. Depictions of urban Cityscape environments and city scenes. Art featuring fantastical, Fantasy magical elements and scenes.  P a g e | 30 Art based on myths and Mythological legends from various cultures. Depictions of the sea and Seascape coastal environments. Art depicting everyday life and Domestic home environments. Art depicting invented or Imaginary fantastical scenes.