Chapter 3: Broadcast Production PDF

CHAPTER 3; BROADCAST PRODUCTION  LESSONS Lesson 1: Broadcast Production a. Stages of broadcast Production b. Principles and Guidelines of Script Writing in radio and TV Lesson 2: Striking and angling of development news for broadcast Lesson...

CHAPTER 3; BROADCAST PRODUCTION  LESSONS Lesson 1: Broadcast Production a. Stages of broadcast Production b. Principles and Guidelines of Script Writing in radio and TV Lesson 2: Striking and angling of development news for broadcast Lesson 3: Writing for Radio and TV a. Data gathering (interviews) b. Writing Headlines c. Different types of Lead c. Script editing and writing and producing LESSON 01 Principles and Guidelines of Script Writing in radio and TV  BROADCAST refers to the transmission of audio or video information to a wide audience via electronic means. This typically involves sending signals through the airwaves using radio waves, but it can also be done through cables or the internet. RADIO TELERADYO TV What we already know?  RADIO PRODUCTION Radio production refers to the process of creating audio content for broadcast on radio stations. It involves various stages and techniques to produce high-quality programs, such as radio shows, news broadcasts, interviews, documentaries, and music playlists. What we already know? Pre-Production Production Post-Production Stages Of Radio Production  Pre-Production The first stage before the actual production Stages Of Radio Production  Pre-Production The first stage before the actual production Stages Of Radio Production  Considerations in Pre-production 1. Identifying the Aim and Defining the Pre-Production Scope The first stage before 2. Selection of Format the actual production 3. Content Planning including audience and their needs 4. Selection of Scriptwriter and Other Talents 5. Selection of Time Slot 6. Completing Contractual Formalities Stages Of Radio Production  This is the actual process of recording and editing a radio programme. Proper studios, microphones and computers are required Production to record and edit the programme. The actual production The two important process of production are: rehearsal and recording Stages Of Radio Production  Consideration during Production Production Effective communication and coordination among the production team The actual production are crucial throughout these stages Stages Of Radio Production  Writing to inform people involved in the production is a major activity during this phase. The progamme has to be given publicity both on radio and in other media. This is done to ensure that people know about the programmes and also listen to them. Post-Production After the production Stages Of Radio Production  Consideration during Post-Production a. Openness b. Ready for change c. Implementation of Change Post-Production After the production Stages Of Radio Production  RADIO A medium for hearing that is most widely used among all the mass media Principles of Broadcast for RADIO 1. It is Spoken 2. It is Immediate 3. It is Person to person 4. It is Heard Once 5. It is Sound/ Picture Guidelines of Broadcast for RADIO 1. Write as you speak 2. Test your script as you write 3. Use precise, clear 7. Simplify numbers language 8. Avoid abbreviations 4. Write for one 9. No direct quotation listener 10. Use Active Voice 5. Write news not passive thoughtfully 11. Titles go before 6. It’s not you! It’s your names listener 12. Verb-Object Structure Guidelines of Broadcast for RADIO K Keep I it S Short and S Simple “Write for the EAR not the eye” TELEVISION Principles of Broadcast for TV 1. Showing and telling- The link between words and the pictures on the screen is very crucial. 2. The anchor ingredient- The relationship between the audience and the anchorperson is very important aspect in the TV news communication. 3. Story-telling- the viewer cannot interrupt the flow of the story. Principles of Broadcast for TV 1. Linear Clarity- Viewers get the news in a flow of information that is constantly mobbing forward. Lead, then development of facts and details, and the conclusion. 2. Virtual Structure- The materials that people in the field gather should have the same linear structure as a written story. Comprehension is essential in both words and picture. Guidelines of Broadcast for TV 1. Do not overwrite the text- “three words per second” is a maximum 2. Sentences should be short, but vary the length for better listenability and copy flow. 3. Do not state the obvious. The audience can see what the videotape is showing. Tell the audience what the video material means, not what it shows. 4. The text complement the visual, but also be capable of standing by itself. 5. Write the way people talk. 6. Keep the text lean and loose. Give the audience time to see and listen. TV Acronyms used in Television “Write for the EYES AND EARS” LESSON 02 Script Writing; Format and Structure Development Communication As Dr. Quebral (2012) put it: “Development communication is the science of human communication linked to the transitioning of communities from poverty in all its forms to a dynamic, overall growth that fosters equity and the unfolding of the individual potential.” Community/ Development Broadcasting What we already know? RADIO SCRIPTS Refers to the written material that indicates the verbal and non-verbal actions that have to got into the programs. The radio script contains the various cues for action, voicing, sound effects, music and others. It tells us WHAT TO DO, SAY AND HOW. MESSAGE- Three-fold mission Information Educate What information should you write in COMMUNITY BROADCASTING? Entertain Types of Script for BROADCAST Development News Script Interview Script Drama Script Programs Script Documentary Magazine Musical School-on-the-Air Types of Script for BROADCAST Development News Script News must report the facts about the events and issues in the community and not the broadcasters’ interpretation of the significance of the events. Agriculture Environment Social Issues Community Development Performance of Government services Public Servants Science and Technology Nutrition News Script Structure for BROADCAST HEADLINE -Title of the story -Provide an overview of the topic answers 5W’s LEAD -Start a strong lead - Tell them what you are going to tell them -Detail about the topic, answers the Why and How BODY -Tell them about the content CONCLUSION -Summary of the topic - Tell them what you told them News Script Structure for BROADCAST HEADLINE The headlines are what the listener will hear first and they’ll be a deal breaker in convincing him to keep listening. They can be compared to the first sentence of an anchor intro or a copy. They give the most important news and catch the listener’s ear. A good headline should be concise, engaging, and accurately reflect the main point of the story. Use strong verbs and vivid language to make your headline stand out and entice viewers to continue watching or listening. HEADLINE Sensationalized Headline EX. Isang lalaki sinaksak, grabe! Mainstream Headline EX. Isang lalaki sa Baguio City, sinaksak EX. Imbestigasion ng mga kapulisan sa pananaksak Updated Headline sa isang lalaki, nagpapatuloy EX. Kaayusan at kapayapaan sa lungsod ng Baguio, tinitiyak ng mga kapulisan matapos ang insindente Development News Headline ng pananaksak News Script Structure for BROADCAST The first sentence of your story The best opportunity to grab a viewer’s attention Similar to a headline LEAD 3 ingredients of a well-written lead 1.Capture the essence of the story. What’s the point? 2.Conversational writing. The anchor sounds like they’re speaking with someone, rather than reading a script at them. 3.Most important facts of the story presented in a narrative. Remember how impact and emotion drive good storytelling. News Script Structure for BROADCAST The art of the lead Use clear and powerful statements so viewers know why they should care. LEAD Always understand how your story affects viewers before writing your lead. Active writing. New, Now, Next. Mom rule: write the way you’d talk to your mom. News Script Structure for BROADCAST Ask yourself: Does this story affect people? LEAD How many people does it affect? How long will the story affect people? Does it have legs? News Script Structure for BROADCAST Ask yourself: Does this story affect people? LEAD How many people does it affect? How long will the story affect people? Does it have legs? News Script Structure for BROADCAST Avoid: Using a person’s name in the lead line, unless that person is known to every viewer. LEAD Using too many facts or numbers in your lead line. Assuming the viewers know what you’re talking about. Passive writing. Past tense. Long sentences. LEAD Sensationalized Lead EX. Patay ang isang lalaki matapos itong pinagtataga at pinagkakatay hanggang lumabas ang lamang loob nito sa Baguio City kaninang madaling araw. Mainstream Lead EX. Kasalukuyang iniimbestigahan ang pagkamatay ng isang lalaki sa lungsod ng Baguio matapos itong pagsasaksakin ng hindi pa nakikilalang suspek na nangyari kaninang masaling arawe. Development News Lead EX. Tinitiyak ng mga kapulisan ang kapayapaan at kaayusan sa lungsod ng Baguio matapos ang insindente ng pananaksak sa isang lalaki kaninang madaling kung saan kasalukuyang iniimbestigahan ang naturang krimen at ipinasigurado rin ng mga otoridad ang pagkahuli ng suspek. News Script Structure for BROADCAST The body of the script is where you provide the details and context of the story. Keep your sentences short and to the point, BODY using simple and easily understandable language. Include relevant facts, quotes, and statistics to support your story, but avoid overwhelming the audience with unnecessary information. News Script Structure for BROADCAST Use Active Voice and Present Tense To make your script more engaging and impactful, use active voice and present tense whenever possible. Incorporate Visual and Audio Cues Broadcast news is a visual and auditory medium, so it’s important to incorporate visual and audio cues into your script. Describe relevant BODY visuals, such as video footage or images, and include sound cues for audio elements like interviews or natural sounds. Keep it Conversational Broadcast news scripts should sound conversational as if the anchor or reporter is speaking directly to the audience. Avoid using overly formal or technical language that might alienate viewers News Script Structure for BROADCAST The ending Always end your script with a fact and not CONCLUSION a vague line such as “we will have to wait to see”. Your audience wants information, not clichés. Consider asking your interviewees what’s likely to happen next and summaries their expectations in your last paragraph. CONCLUSION Sensationalized Conclusion EX. Sa ngayon ay nagsama-sama na lahat ng kapulisan sa paghahanap ng suspect at sobra naman ang iyak ng pamilya ng biktima at sinabing “papatayin kitang hayop ka” Mainstream Conclusion EX. Nagdadalamhati naman sa ngayon ang pamilya ng biktima at umaasang mahuli ang suspek sa lalong madaling panahon. Development News EX. At sa kasalukuyan, nagbigay naman ng tulong ang LGU Conclusion sa pamilya ng biktima at nangakong papabilisin ang paghahanap sa suspek na pumatay sa biktima kasabay ng siguridad na maibibigay sa kanila. News Script FORMAT for BROADCAST RADIO TV BROADCAST RADIO-REPORTERS-SCRIPT.docx..\..\DEVC 136 WRITING FOR TV\LECTURE AND ACTIVITES\SAMPLE SCRIPTS\SAMPLE-OF- VO-PACKAGE- NEWS.docx  QUESTIONS? NONE? BE READY FOR A CHAPTER TEST