Folk Music Of Southeast Asia Quarter 2, PDF

MUSIC AND ARTS QUARTER 2 FOLK ARTS  “LESSON 1: FOLK MUSIC OF SOUTHEAST ASIA” BURMA LAOS VIETNAM PHILIPPINES THAILAND CAMBODIA BRUNEI MALAYSIA...

MUSIC AND ARTS QUARTER 2 FOLK ARTS  “LESSON 1: FOLK MUSIC OF SOUTHEAST ASIA” BURMA LAOS VIETNAM PHILIPPINES THAILAND CAMBODIA BRUNEI MALAYSIA INDONESIA EAST TIMOR  WHAT IS FOLK ARTS? Folk art is defined as a classic decorative, musical, or practical art of different cultures or regions. Folk art is usually unique to the people of a specific location and used as an expression of society.  WHAT IS FOLK ARTS? Folk art is steeped in grassroots history and often distinguished from the academic, self-conscious, or cosmopolitan forms of artistic expression. Folk art is the artistic expression of the various traditions and cultures around the world in simple words. WHAT IS TRADITIONAL FOLK ARTS? Traditional folk art is ingrained in many traditions and customs originating from historically old and important cultures. Traditional folk art expresses a culture's identity by communicating shared aesthetics and values of society. Traditional folk art often consists of utilitarian and ornamental media, including wood, metal, cloth, clay, paper, and more. How will you promote the people’s understanding of the unique characteristics of Southeast Asian countries? “THEMUSIC OF INDONESIA”  INDONESIA ANLEAGM  INDONESIA GAMELAN  INDONESIA GAMELAN Composed of several Indonesian indigenous instrument “Gamel” which means to strike Serve as an accompaniment top dance dramas and theater plays such as wayang kulit  INDONESIA: Instruments of Balinese Gamelan 1. The Vertical Hanging Gongs Gong Ageng Gong Siyem Ke mpul  INDONESIA: Instruments of Balinese Gamelan 1. The Vertical Hanging Gongs A. Gong Ageng Largest among the hanging gongs. Low pitch, very deep sound.  INDONESIA: Instruments of Balinese Gamelan 1. The Vertical Hanging Gongs B. Gong Siyem Medium size hanging gongs. Slightly higher pitch.  INDONESIA: Instruments of Balinese Gamelan 1. The Vertical Hanging Gongs C. Kempul Small hanging gong with set of pitch depending on the scale used.  INDONESIA: Instruments of Balinese Gamelan 2. The kettle gongs K nong Bonang barung e thuk Bonang panerus K mpyang e  INDONESIA: Instruments of Balinese Gamelan 2. The Kettle Gongs A. Kenong Small, deep tuned gongs used as punctuating instrument. Placed on rocks suspended by cords.  INDONESIA: Instruments of Balinese Gamelan 2. The Kettle Gongs B. Kethuk Single-kettle gongs played in different ways. It gives out “thuk” sound, hence its name.  INDONESIA: Instruments of Balinese Gamelan 2. The Kettle Gongs C. Kempyang Set of two kettle gongs set to higher pitch than kethuk. It give out a “pyang” sound.  INDONESIA: Instruments of Balinese Gamelan 2. The Kettle Gongs D. Bonang Barung Composed of dozen kettle gongs One of the primary instrument of gamelan  INDONESIA: Instruments of Balinese Gamelan 2. The Kettle Gongs D. Bonang Panerus It plays a fast melodic pattern based on the melody that the bonang barung plays. ACTIVITY Gong Gong siyem Ageng Kempul Kenong Kethuk Kempyang  INDONESIA: Instruments of Balinese Gamelan 3. The Metallophone Sa ron Demung Ge nder Slenthem Gender Barung Gambang Kayu  INDONESIA: Instruments of Balinese Gamelan 3. The Metallophones A. Saron Demung It produce a low sound It has six to seven thick metallic keys resting over a resonator  INDONESIA: Instruments of Balinese Gamelan 3. The Metallophones B. Gender Slenthem It functions as resonator It is encased in wooden frame 6-7 wide and thin metal keys suspended by a string  INDONESIA: Instruments of Balinese Gamelan 3. The Metallophones C. Gender Barung It has 12-14 narrow and thin metal keys Octave higher than gender slenthem  INDONESIA: Instruments of Balinese Gamelan 3. The Metallophones D. Gambang Kayu It has 17-23 keys resting on a wooden resonator  INDONESIA: Instruments of Balinese Gamelan 4. Zithers Ce lempung Siter Rebab  INDONESIA: Instruments of Balinese Gamelan 4. Zithers A. Celempung Supported by 4 legs with 20-26 metal strings Played by plucking the strings with  INDONESIA: Instruments of Balinese Gamelan 4. Zithers B. Siter It has 10-26 metal strings. Played the same way as the celempung  INDONESIA: Instruments of Balinese Gamelan 4. Zithers C. Rebab Classified as spike fiddle with two strings Played vertically  INDONESIA: Instruments of Balinese Gamelan 5. Aerophones Suling  INDONESIA: Instruments of Balinese Gamelan 5. Aerophones A. Suling End-blown bamboo flute ACTIVITY Saron Gender Demung Slenthem Gambang Kayu Gender Barung Siter Rebab Celempung Suling  INDONESIA: Instruments of Balinese Gamelan 6. Percussion instruments Kendhang3Be Kendhang d gendhing Kendhangciblon Kendhangketipung Bedhug  INDONESIA: Instruments of Balinese Gamelan 6. Percussion instruments A. Kendhang Gendhing Largest hand-played drum with two heads placed on opposite ends of a barrel-shaped shell  INDONESIA: Instruments of Balinese Gamelan 6. Percussion instruments B. Kendhang Ciblon Middle-sized shape barrel used to accentuate the movements of the dancers  INDONESIA: Instruments of Balinese Gamelan 6. Percussion instruments C. Kendhang Ketipung Smallest barrel-shaped drum played along with the kendhang gendhing  INDONESIA: Instruments of Balinese Gamelan 6. Percussion instruments D. Bedhug Large stick-beaten barrel drum, with heads placed on the cylindrical body suspended in a wooden frame. It is played to  INDONESIA: Folk Song Burung Kakak Tua Indonesian Traditional children’s song. A story about a kakatua (cockatoo) and the village grandmother who  INDONESIA: Folk Song What are the musical elements found in the song in terms of: A. Texture B. Type of Vocal form C. Manner of singing D. Tempo ACTIVITY THAILAND THAILAND PTHIAP THAILAND PIPHAT  THAILAND PIPHAT Used in royal ceremonies and dances, as well as in entertainment purposes  THAILAND: The Piphat Ensemble 1. Percussion Ranat ek Ranat ek lek Ranat thum lek  THAILAND: The Piphat Ensemble 1. Percussion A. Ranat ek Principal in the piphat ensemble. Wooden xylophone with 22 wooden slants suspended by a cord over a boat-shaped  THAILAND: The Piphat Ensemble 1. Percussion A. Ranat ek Two mallets are used to play this instrument  THAILAND: The Piphat Ensemble 1. Percussion B. Ranat ek lek It is placed over a wood resonator Uses metal slants  THAILAND: The Piphat Ensemble 1. Percussion C. Ranat thum lek Similar to ranat ek lek but has bigger metal slants Played using two bamboo mallets with  THAILAND: The Piphat Ensemble 2. Wind Pi nai  THAILAND: The Piphat Ensemble 2. Wind A. Pi nai Reed instrument made of wood with six holes Considered a Thai oboe  THAILAND: The Piphat Ensemble 3. Gongs Khon wong yai g wong lek Khon g  THAILAND: The Piphat Ensemble 2. Gongs A. Kong wong yai Circle of 16 bossed gongs Circular base is usually made of rattan  THAILAND: The Piphat Ensemble 2. Gongs B. Khong wong lek Similar to khong wong yai but smaller in size Consists of 18 gongs  THAILAND: The Piphat Ensemble 4. Drums Ta phon Glong khaek  THAILAND: The Piphat Ensemble 4. Drums A. Ta phon Placed on a stand and played by hand on both ends with palms and fingers  THAILAND: The Piphat Ensemble 4. Drums B. Glong Khaek Made of long cylindrical hardwood Used in pairs with different pitches Played by hands and finger on both ends “THE MUSIC OF PHILIPPINES”  FOLK SONGS Popular folk songs of Luzon is “MAGTANIM AY DI BIRO” that describes the tedious task of rice planting. It also expresses the hope of a bright future if you are prepared for the challenges ahead.  FOLK SONG Another example of folk song from Luzon is the “Manang Biday” courtship song wherein the name of the lady is Biday, is requested to open the window to see and hear the good intentions of the man courting her.  KUMINTANG Kumintang is a song and dance style th from the 19 century. It is the former name of Batangas. It is considered as a war song. Performed by a man and woman who exchange musical phrases concern love and courtship.  KUMINTANG While the exchange of music is going on dancers and members of the audience would pass around a glass of lambanog, a filipino native wine made from coconut sap. Example of kumintang songs is entitled “PRINSESA DE KUMINTANG”  KUNDIMAN Kundiman is about love, some songs express nationalism. The popular Kundiman song is the “BAYAN KO” during the 1986 EDSA Revolution. “Ang Kundiman ng Himagsikan” which is considered as Kundiman of the Katipuneros.  SALIDUMMAY Refers to a song that is identified with the Cordilleras. Each song is characterized by seven syllables made per line. These songs may be sung for any occasion. Usually sung by children.  OGGAYAM Kalinga chant that greets visitors in a celebration. Serves as an opening prayer in gatherings and a prayer for blessing houses, peace pacts and weddings.  BADIW Ibaloi chant directed to the spirit of a dead person. Usually delivered by an elder of a community to ask for guidance for a particular occasion.