Properties & Classification of Colors & Principles of Design

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FineLookingBanshee

Uploaded by FineLookingBanshee

Bicol University

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color theory art principles visual arts design

Summary

This presentation discusses the properties and classification of colors, as well as the principles of design. It covers topics like hue, value, intensity, and various color schemes. Principles such as emphasis, unity, balance, rhythm, and proportion are also explored.

Full Transcript

GROUP 1 PROPERTIES & CLASSIFICATION OF COLORS Properties HUE - the name of the color (red, blue, yellow) VALUE - the lightness & darkness of a color INTENSITY - the purity or brightness of a color (saturation). Classification of Color s Primary Colo...

GROUP 1 PROPERTIES & CLASSIFICATION OF COLORS Properties HUE - the name of the color (red, blue, yellow) VALUE - the lightness & darkness of a color INTENSITY - the purity or brightness of a color (saturation). Classification of Color s Primary Colors - red, blue, yellow Secondary Colors - orange, green violet Tertiary Colors - red-orange & blue-green Warm Colors - red, orange, yellow Cool Colors - blue, green, violet Complementary Colors - red & green Analogous Colors - blue, blue-green, green Principles of Design the guidelines that artists use to organize the elements of art effectively Francisco Goya, The EMPHASIS Third of May 1808, 1814 used by an artist to make an element stand out in a work of art contrast in color isolation placement UNITY achieved when all parts of an artwork look as though they belong together repetition proximity Fernando Botero, The Musicians, 1991 BALANCE the distribution of visual weight in an artwork, ensuring that no part of the American, Cutout of composition overpowers Animals, 19th Century another Symmetrical Balance 3 Main (Formal) when one half of a work Types of art mirrors the other half Asymmetrical Balance (Informal) two unlike objects appear to have equal weight Radial Balance occurs when the elements or objects are PATTERN the repetition of elements like shapes, lines, or colors in a recurring and predictable way Anni Albers, Untitled, 1969 CONTRAST the difference between two or more elements in an artwork light vs dark (color) smooth vs rough (texture) big vs small (size) Caravaggio, Crucifixion of PROPORTION the size relationship between different elements in an artwork exaggerate features create realism Maria Izquierdo, The Indifferent Child, 1947 MOVEMENT guides the viewer’s eye through the artwork, leading them from one element to Hokusai, Ejiri in Suruga Province, another directional lines 1830 rhythmic patterns RHYTHM the repetition of elements to create a sense of organized movement regular rhythm flowing rhythm progressive rhythm Tughra of Sultan Suleiman the Magnificent, 1520-1566 DO YOU HAVE ANY QUESTIONS ABOUT THE TOPIC?

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