Playboy of the Western World MC Questions PDF

Playboy of the Western World by Synge: MC 1 Questions 1. Which of the following best describes the tone of The Playboy of the Western World? A. Optimistic and uplifting B. Dark and tragic C. Satirical and humorous D. Romantic and idealistic 2. How is...

Playboy of the Western World by Synge: MC 1 Questions 1. Which of the following best describes the tone of The Playboy of the Western World? A. Optimistic and uplifting B. Dark and tragic C. Satirical and humorous D. Romantic and idealistic 2. How is The Playboy of the Western World organized? A. Five acts with multiple scenes in each B. Two acts, each divided into three scenes C. Three acts, each one a continuous scene D. A single act with multiple scenes 3. What is significant about The Playboy of the Western World’s rural setting in County Mayo? A. It contrasts with Dublin’s industrialized life. B. It highlights the luxurious lifestyle of Irish peasants. C. It represents Ireland’s technological advances in the 1900s. D. It showcases the growing urbanization of western Ireland. 4. How does Christy Mahon initially impress the villagers? A. He boasts about killing his father. B. He shows great skill in farming and fishing. C. He is more well-dressed and wealthier compared to the villagers. D. He brings valuable goods to trade with them. 5. What role does Widow Quin play in Christy’s story? A. She acts as his main rival for Pegeen’s affection. B. She helps him flee after the villagers turn on him. C. She exposes his lies to the entire village. D. She persuades Shawn to give up Pegeen. 6. What is the relationship between Shawn Keogh and Pegeen? A. They are engaged but lack romantic passion. B. They are siblings with a strong familial bond. C. They are rivals competing for Widow Quin’s approval. D. They are strangers at the start of the play. Playboy of the Western World by Synge: MC 2 Questions 7. What about Synge’s play caused anger from the audience and led to riots when it was first performed in 1907? A. It glorified patricide and mocked Irish rural life. B. It was written in Hiberno-English, which was seen as unpatriotic. C. It attacked Irish nationalism and republican ideals directly. D. It misrepresented Irish folklore and myths. 8. What cultural aspect does Synge emphasize in The Playboy of the Western World? A. Industrialization in Dublin B. Irish folklore and rural life C. Religious practices in Ireland D. Political revolution and independence 9. What main narrative trope influenced Christy Mahon’s character in The Playboy of the Western World? A. The tragic hero B. The outlaw and the hero C. The wise mentor D. The star-crossed lover 10. What kind of language does Synge use in The Playboy of the Western World? A. Modern English with scientific terms B. Gaelic Irish, true to nationalist ideals C. Hiberno-English with lyrical and poetic qualities D. Shakespearean English with elaborate soliloquies 11. What does Shawn offer Christy to persuade him to leave the pub? A. A ticket to America. B. A bag of money. C. A position as his farmhand. D. A blessing from Father Reilly. 12. How does Widow Quin attempt to cover for Christy when Old Mahon appears in Act II? A. She claims Christy is a traveler passing through. B. She says Christy has fled to the coast in a boat. C. She insists Christy is her relative and has left the area. D. She distracts Old Mahon by offering him a drink. Playboy of the Western World by Synge: MC 3 Questions 13. Where does the action of The Playboy of the Western World take place? A. A coastal village in East Ireland B. Michael James Flaherty’s public house in rural County Mayo C. A fishing boat off the coast of Galway D. A church in Dublin 14. What does Synge suggest about the villagers’ hero worship of Christy? A. It reflects their deep understanding of morality. B. It highlights their ability to discern truth from lies. C. It showcases their fascination with sensational stories. D. It demonstrates their disdain for violence. 15. How does Pegeen's character challenge traditional gender roles in the play? A. She takes on a leadership role in the village, influencing decisions. B. She openly defies her father’s authority and societal expectations. C. She is portrayed as an independent and strong-willed woman. D. All of the above. 16. What tool does Christy claim to have used to commit patricide in The Playboy of the Western World? A. A knife B. A gun C. A loy D. A hammer 17. What is Synge’s likely purpose in emphasizing violence throughout the play? A. To glorify acts of rebellion in rural Ireland. B. To critique the glamorization of violence and its role in storytelling. C. To depict the harsh realities of life in urban Ireland. D. To highlight the villagers’ lack of moral values. 18. What traditional social custom is Michael James participating in at the start of The Playboy of the Western World? A. A wedding B. A wake C. A harvest festival D. A Sunday Mass Playboy of the Western World by Synge: MC 4 Questions 19. Why is Pegeen expected to marry Shawn in The Playboy of the Western World? A. He is well-off and a suitable match by societal standards. B. He has been chosen by her father without her consent. C. She is deeply in love with him. D. He is the only unmarried man in the village. 20. What symbol does Christy use to enhance his story during the play? A. A sword B. A loy C. A ring D. A letter 21. How does Christy’s storytelling evolve throughout the play? A. He becomes more reserved and modest in sharing details. B. He maintains a consistent and truthful narrative. C. He adds theatrical and exaggerated details to entertain the villagers. D. He refuses to retell his story after his initial confession. 22. What does the term "shebeen" refer to in the context of Irish culture? A. A basket used for carrying fish. B. A harbor town in County Mayo. C. An unlicensed drinking establishment. D. A type of drink served only during festivals. 23. Why is the use of Hiberno-English significant in The Playboy of the Western World? A. It adds authenticity to the rural Irish setting. B. It aligns with traditional British theatrical standards. C. It removes the need for poetic devices. D. It distances the play from Irish culture. 24. What prompts the villagers to turn against Christy by the end of the play? A. They discover that Christy's story was entirely fabricated. B. Old Mahon arrives and reveals he is still alive. C. Christy confesses to having committed another crime. D. Pegeen decides to marry Shawn instead of Christy. Playboy of the Western World by Synge: MC 5 Questions 25. How does Christy respond when Old Mahon confronts him in the village? A. He immediately confesses to his deceit. B. He boldly confronts his father and threatens him again. C. He tries to flee the village to avoid punishment. D. He denies knowing Old Mahon. 26. What effect does the use of alliteration in Christy and Pegeen’s dialogue serve? A. It creates tension and discomfort in their conversation. B. It emphasizes the sing-song, musical quality of Irish English. C. It highlights the contrast between the two characters' speech patterns. D. It adds a sense of urgency to their words. 27. What roles do the villagers in The Playboy of the Western World play in shaping Christy’s new identity? A. They challenge his story and expose his lies. B. They remain indifferent to his actions. C. They encourage him to embellish his tale and celebrate him as a hero. D. They reject him outright for his crime. 28. What does Pegeen’s ultimate rejection of Christy reveal about her character? A. She values social stability and tradition over personal passion. B. She fears being associated with a violent man. C. She prefers Shawn's devotion and predictability. D. She regrets having admired Christy in the first place. 29. What role does humor play in the villagers’ reaction to Christy’s crime? A. It diffuses the tension surrounding the act of violence. B. It reflects the villagers’ lack of moral seriousness. C. It satirizes how communities create heroes out of flawed individuals. D. All of the above. 30. Why is Christy’s supposed patricide in The Playboy of the Western World not immediately condemned by the villagers? A. They see it as a sign of his bravery and independence. B. They are skeptical of his story but find it entertaining. C. They are unaware of the moral implications of the act. D. They want to provoke Pegeen’s interest in Christy. Playboy of the Western World by Synge: MC 6 Questions 31. What would "turf" commonly be used for in an Irish household around the time The Playboy of the Western World is set? A. Building small boats. B. Making traditional porridge. C. Fueling fireplaces. D. Weaving wicker baskets. 32. How does Synge use Christy’s evolving narrative to comment on the nature of storytelling? A. He critiques how audiences prefer sensationalism over reality. B. He illustrates how storytelling empowers individuals to reshape their identity. C. He reveals the blurred lines between truth and fiction in constructing myths. D. All of the above. 33. How does Synge critique religious hypocrisy through the villagers’ shifting reactions to Christy? A. By showing their admiration for Old Mahon’s treatment of Christy. B. By highlighting their use of religion to justify gossip and spectacle. C. By contrasting their outward religiosity with their fascination with rebellion. D. By portraying Christy as a devout figure misunderstood by the villagers. 34. How does religion influence Shawn’s hesitation to marry Pegeen? A. He believes that defying Father Reilly’s advice would be sinful. B. He uses religion as an excuse to mask his deeper insecurities. C. He prioritizes religious approval over his personal desires. D. He sees Father Reilly as an advocate for his marriage to Pegeen. 35. How does the relationship between Christy and Old Mahon reflect broader societal struggles with authority and tradition? A. It highlights the tension between younger generations and patriarchal authority. B. It demonstrates how oppressive power structures provoke rebellion. C. It portrays Old Mahon as a benevolent figure misunderstood by Christy. D. It symbolizes the peaceful resolution of familial conflict. Playboy of the Western World by Synge: MC 7 Questions 36. How does the ambiguous ending of the play suggest a potential shift in the father-son dynamic between Christy and Old Mahon? A. It hints at Christy gaining the upper hand in their relationship. B. It suggests that Old Mahon’s authority will be permanently undermined. C. It leaves open the possibility of reconciliation or renewed conflict. D. Both A and C. 37. How does Pegeen’s rejection of Shawn challenge traditional views on arranged marriages? A. It reflects her desire for personal fulfillment and passion over obligation. B. It critiques the emphasis on financial stability in choosing a spouse. C. It highlights her faith in Father Reilly’s ability to guide her decisions. D. It supports the idea that marriage should always align with societal norms. 38. How does Christy’s arrival change Pegeen’s perspective on marriage? A. It reinforces her belief in the importance of marrying someone respectable. B. It inspires her to consider love and passion as essential components of marriage. C. It makes her question whether Father Reilly’s approval is necessary for happiness. D. It convinces her that Shawn’s devotion outweighs his cowardice. 39. How does the loy function as a symbol throughout the play? A. It represents Christy's attempt to break free from his father’s control. B. It symbolizes Christy’s connection to traditional Irish farming practices. C. It serves as a metaphor for the bond between Christy and the Widow Quin. D. It highlights the villagers’ reverence for tools of labor and craftsmanship. 40. Why is the villagers’ admiration for Christy’s use of the loy significant? A. It reflects their glorification of physical strength and bravery. B. It reveals their romanticized and shallow understanding of violence. C. It highlights their fascination with tools of labor being transformed into symbols of power. D. It emphasizes their collective dissatisfaction with their own lives. Playboy of the Western World by Synge: MC 8 Questions 41. How does Christy’s repeated use of the loy, both as a weapon and a prop, reflect his changing identity? A. It illustrates his growing awareness of the power of storytelling. B. It underscores his reliance on physical acts to validate his newfound confidence. C. It signals his desire to fully embody the heroic image projected onto him. D. It demonstrates his ambivalence toward violence as a solution. 42. What does Christy’s fascination with the looking glass reveal about his evolving self- perception? A. It reflects his surprise at being seen as attractive and desirable. B. It highlights his transformation from a submissive figure to a confident “playboy.” C. It demonstrates his growing vanity and preoccupation with appearances. D. It shows his detachment from the person he was before arriving in the village. 43. What does the expression "the divil a one" mean in Irish English, as used in The Playboy of the Western World? A. It refers to a mischievous or playful person. B. It means "none" or "not a single one." C. It refers to someone who is angry or upset. D. It is an expression used to show surprise or disbelief. 44. What does Jimmy’s line, “Bravery’s a treasure in a lonesome place,” reveal about the villagers’ worldview? A. It demonstrates their admiration for acts of courage as a form of escapism. B. It reflects their limited experiences and longing for excitement. C. It reveals their belief that heroism can transform a person’s status in society. D. It underscores their simplistic view of morality and bravery. 45. How does Widow Quin’s remark about Christy “saying his catechism” challenge his heroic persona? A. It mocks Christy’s lack of genuine courage. B. It questions the plausibility of his story by contrasting his demeanor with his claims. C. It highlights Widow Quin’s role as the most skeptical and pragmatic character. D. It suggests Christy’s story is a fantasy meant to impress the villagers. Playboy of the Western World by Synge: MC 9 Questions 46. What does Christy’s remark about wishing he had killed his father earlier reveal about his character? A. It suggests that Christy regrets not committing the act in a more dramatic fashion. B. It indicates that Christy views violence as a path to wealth and material success. C. It shows that Christy’s primary motivation is to avoid returning to farm work. D. It underscores his recognition of the social power of storytelling. 47. How does Pegeen’s observation about the “gap between a gallous story and a dirty deed” highlight the villagers’ evolving view of Christy? A. It reflects their disillusionment with the romanticized version of heroism. B. It underscores their unwillingness to confront the reality of violence. C. It demonstrates their fickle admiration, which shifts when faced with consequences. D. It signals their growing recognition of Christy’s deception. 48. What does Christy’s decision to leave with his father at the end signify about his personal growth? A. He has reclaimed power in their relationship and asserts his independence. B. He chooses to confront his father on equal terms, signaling a new dynamic. C. He recognizes the futility of staying in a place that no longer admires him. D. He embraces his identity as someone who can redefine himself outside of the village. 49. Which of the following best describes "poteen"? A. A traditional Irish dance performed at festivals. B. A type of illegal home-distilled alcohol. C. A spade used to dig potatoes. D. A boy who assists in a pub. 50. How does Old Mahon’s disbelief in Christy’s newfound confidence reflect generational conflicts in the play? A. It highlights the older generation’s inability to recognize change in younger individuals. B. It reflects Old Mahon’s insistence on maintaining control over Christy. C. It underscores the father’s dismissive view of his son as incapable of success. D. Both A and C. Playboy of the Western World by Synge: MC 10 Questions 51. “You should have had great people in your family, I’m thinking, with the little, small feet you have, and you with a quality name, the like of what you’d find on the great powers and potentates of France and Spain.” What does Pegeen’s comment about Christy’s “small feet” and “quality name” reveal about her perspective on him? A. She is mocking Christy’s attempts to seem noble and heroic. B. She sees in Christy a reflection of her own romanticized ideals of heroism and nobility. C. She values physical appearance over true courage and strength. D. She is trying to undermine Christy’s confidence by belittling him. 52. “…but I never till this day confused that dribbling idiot with a likely man. I’m destroyed surely.” How does Old Mahon’s disbelief in Christy’s transformation reflect broader themes of the play? A. It shows how deeply Christy has changed, surprising even his father. B. It highlights Old Mahon’s refusal to acknowledge his son’s potential. C. It reflects Synge’s critique of how society idolizes violence over real growth. D. It suggests Old Mahon has always secretly admired Christy. 53. “Bravery’s a treasure in a lonesome place, and a lad would kill his father, I’m thinking, would face a foxy divil with a pitchpike on the flags of hell.” How does Jimmy’s comment romanticize Christy’s supposed act of patricide? A. It portrays patricide as a noble and courageous act. B. It shows the villagers’ admiration for Christy is purely theatrical. C. It highlights the villagers’ need for a hero, regardless of morality. D. It mocks Christy’s act as being overhyped. 54. “Go with you, is it? I will then, like a gallant captain with his heathen slave.” How does Christy’s declaration at the end reflect his transformed sense of self? A. It shows his newfound confidence in controlling his fate. B. It reflects his willingness to leave the village behind. C. It emphasizes his desire to reconcile with Old Mahon. D. It signals his rejection of the villagers’ admiration. Playboy of the Western World by Synge: MC 11 Questions 55. Philly says, “If he was, he’ll be rightly hobbled yet, and he not able to say ten words without making a brag of the way he killed his father, and the great blow he hit with the loy.” What does Philly’s observation indicate about Christy? A. He admires Christy’s storytelling abilities. B. He finds Christy’s constant boasting suspicious and tiresome. C. He believes Christy deserves a reward for his courage. D. He thinks Christy is modest about his actions. 56. In Sara’s toast in The Playboy of the Western World, who does she group together as “wonders of the western world”? A. Lawmakers, policemen, and soldiers. B. Pirates, preachers, and poteen-makers. C. English juries, rural farmers, and noblemen. D. Heroes, villains, and law-abiding citizens. 57. What does Pegeen’s final statement about the gap between a “gallous story” and a “dirty deed” reveal about her development by the end of the play? A. She regrets encouraging Christy’s behavior. B. She realizes that fantasy is more appealing than reality. C. She understands the consequences of hero-worship. D. All of the above. 58. What does "boreen" mean? A. A spiny yellow shrub found in rural areas. B. A small hill in Irish Gaelic. C. A narrow lane in the countryside. D. A two-pronged fork used for hay. 59. “I killed my poor father, Tuesday was a week, for doing the like of that.” What does Christy’s casual admission of patricide reveal about his perception of violence? A. He sees violence as a means of asserting his independence. B. He views his act as justified, showing a lack of remorse. C. He uses the act as a tool to gain admiration and authority. D. All of the above. Playboy of the Western World by Synge: MC 12 Questions 60. In Act II of The Playboy of the Western World, one of the village girls says, “…and drove ten miles to set your eyes on the man bit the yellow lady’s nostril on the northern shore.” To what real-life figure and event does this line allude? A. Cuchulainn, a legendary Irish hero B. James Lynchehaun, who attacked his employer Agnes MacDonnell C. Michael Davitt, a leader of the Irish Land League D. Robin Hood, a famous outlaw romanticized in folklore 61. Why does Pegeen want Shawn Keogh to stay at the pub in Act I? A. She fears being alone while her father is at a wake. B. She wants Shawn to meet Christy Mahon. C. She needs help managing the pub. D. She is trying to avoid her upcoming wedding. 62. What does the Widow Quin’s backstory of murdering her husband reveal about the normalization of violence in the play? A. It reflects the absurdities of rural Irish life, because he died due to her cooking. B. It highlights the contrast between acceptable and unacceptable violence in the community’s eyes. C. It adds a comedic yet dark tone to the play, illustrating Synge’s satirical lens. D. Both B and C. 63. “They’ll hang him surely if they catch him, and myself won’t stretch out a hand to save him.” What does Pegeen’s reaction to Christy’s second attempt at patricide suggest about her changing attitude toward violence? A. She views violence as necessary only when justified. B. She begins to see Christy as a coward rather than a hero. C. She distances herself from glorifying any form of violence. D. She secretly wishes to protect Christy but cannot admit it. 64. “It’s the like of you that are doing destruction in the world.” How does Old Mahon’s condemnation of Christy reflect Synge’s critique of the play’s celebration of violence? A. It accuses Christy of embodying societal failure. B. It exposes how the villagers’ admiration is misguided. C. It challenges the community to accept responsibility for their views. D. It glorifies Old Mahon’s traditional moral stance. Playboy of the Western World by Synge: MC 13 Questions 65. What does Michael Flaherty’s statement about preferring “grandsons growing up little gallant swearers” over “puny weeds” reveal about his views on Pegeen’s potential marriage to Christy? A. Michael values bravery and gallantry over moral conduct, even if it means supporting a man who killed his father. B. Michael is more concerned about Christy’s financial prospects than his character. C. Michael prefers Christy because he believes Christy will be a peaceful and obedient husband. D. Michael views Christy as a temporary solution and expects Pegeen to eventually marry Shawn. 66. “They’ll be hanging you surely for your mighty deed." How does the villagers’ admiration for Christy’s patricide parallel attitudes toward political violence in Ireland during the late 19th and early 20th centuries? A. It mirrors how acts of rebellion against authority were often romanticized. B. It critiques the tendency to equate violence with heroism in nationalist struggles. C. It reflects the influence of folk tales where defiance against oppressive forces was celebrated. D. All of the above. 67. The reference to James Lynchehaun’s crime in Act II connects the play to real events in Irish history. What does this allusion reveal about Synge’s critique of Irish society? A. It highlights how stories obscure the true cost of violence. B. It suggests that folklore is disconnected from real events. C. It condemns rural life for its obsession with gruesome tales. D. It praises Irish resilience in the face of hardship. 68. “You’d swear the hills beyond were flooded over with the wings of angels." How does Christy’s transformation from timid fugitive to confident "hero" reflect the influence of Irish folklore on rural attitudes toward violence? A. It echoes folk tales where ordinary individuals become extraordinary through bold acts. B. It showcases the villagers’ desire to see their lives reflected in larger-than-life stories. C. It illustrates how folklore romanticizes violence as a tool for personal transformation. D. All of the above. Playboy of the Western World by Synge: MC 14 Questions 69. How does Christy respond when the villagers tie him up to hang him? A. He begs for forgiveness. B. He curses the entire village. C. He fights back fiercely. D. He tries to bribe them to let him go. 70. In Act I of The Playboy of the Western World, the Widow Quin proposes that Christy ________. A. leave the village immediately. B. marry her instead of Pegeen. C. sell her goods from the pub. D. hide from the law in her house. 71. In The Playboy of the Western World, Pegeen says, “You’ve told me that story six times since the dawn of day.” What does this quote suggest about her attitude toward Christy’s repeated story? A. She admires his bravery for telling it so often. B. She finds it suspicious that he keeps repeating the story. C. She encourages him to tell the story more dramatically. D. She feels indifferent about his storytelling. 72. “You’re the lad I’m seeking only, young fella, and we’ll have great times from this out, the way we had of old.” How does the physical and emotional conflict between Christy and his father reflect broader patriarchal tensions in Irish rural life? A. It emphasizes that familial violence is the primary form of conflict resolution in rural societies. B. It critiques the idea that rural Irish men were incapable of resolving conflicts peacefully. C. It shows the intergenerational struggle for authority and independence as a central point of conflict. D. It proves that Christy was justified in his original act of violence. 73. What is Pegeen’s reaction when Christy leaves with his father at the end of the play? A. She is relieved and agrees to marry Shawn. B. She is devastated and laments losing Christy. C. She threatens to leave the village herself. D. She begins to plan her next engagement. Playboy of the Western World by Synge: MC 15 Questions 74. What does Shawn’s reliance on Father Reilly's guidance reveal about the villagers’ relationship with religious authority? A. It indicates that personal decisions are frequently deferred to religious leaders. B. It highlights a strong dependence on the church for moral direction. C. It contrasts with the villagers’ tendency to overlook religious rules when it suits them. D. Both A and C. 75. What does Pegeen’s need for her father’s approval to marry Shawn reveal about the gender and familial expectations of the time? A. It highlights the lack of autonomy women had in choosing their life partners. B. It reflects the transactional nature of marriage as a social institution. C. It contrasts sharply with Christy’s rebellion against his father. D. All of the above. 76. Who are the "scraptinkers" referred to in The Playboy of the Western World? A. Individuals who illegally distill alcohol. B. Itinerant menders of household utensils. C. Farmers who specialize in harvesting turf. D. Young boys who work in public houses. 77. Why was Synge’s use of Hiberno-English controversial? A. It was considered an insult to the Gaelic Irish language. B. It did not accurately represent Irish peasants. C. It was too difficult for audiences to understand. D. It was full of inaccuracies and mistranslations. 78. What transformation does Christy undergo in The Playboy of the Western World? A. He becomes a skilled farmer through hard work. B. He transitions from a meek, downtrodden man to a confident and admired figure. C. He gains physical strength after rigorous training. D. He becomes a respected village elder. Playboy of the Western World by Synge: MC 16 Questions 79. Widow Quin remarks to Shawn, “It’s true all girls are fond of courage and do hate the like of you.” What does this comment reveal about Widow Quin’s view of Shawn? A. She thinks Shawn is brave but misunderstood. B. She sees Shawn as cowardly and unattractive to women. C. She believes Shawn is a suitable match for Pegeen. D. She feels Shawn is being unfairly judged. 80. Which character in The Playboy of the Western World acts as a foil to Christy Mahon? A. Widow Quin B. Pegeen Flaherty C. Shawn Keogh D. Michael James Flaherty 81. What role does Christy’s eloquence play in his rise to fame in the village? A. It allows him to manipulate the villagers into believing his story. B. It helps him convince the villagers to see him as a victim. C. It makes the villagers dismiss him as a liar and coward. D. It helps him escape the village without facing consequences. 82. What is the significance of the sporting events in The Playboy of the Western World, particularly in relation to Christy? A. They provide Christy with an opportunity to gain the villagers’ respect through physical prowess. B. They symbolize the villagers’ desire for conflict and chaos in their lives. C. They demonstrate the futility of Christy’s actions and his inability to be a true hero. D. They act as a backdrop for the romantic tension between Christy and Pegeen. 83. Which of the following events happens shortly after Christy arrives at the pub? A. Old Mahon arrives and beats Christy. B. Christy is introduced to Widow Quin, who offers him a place to stay. C. Pegeen accepts Christy’s marriage proposal. D. Shawn tries to bribe Christy to leave the village. 84. In what way does the language used by the villagers contribute to the play’s themes of myth versus reality? A. The villagers speak in exaggerated, colorful language that amplifies Christy’s story and turns him into a mythic figure. Playboy of the Western World by Synge: MC 17 Questions B. The villagers use blunt, factual language, which contrasts the mythical nature of Christy’s story. C. The villagers speak in a detached, academic tone, showing their disbelief in Christy’s tale. D. The villagers speak in monotonous, lifeless language, demonstrating their apathy toward the events. 85. How does Christy react when he finds out his father is still alive? A. He denies it and continues with his hero persona. B. He panics and tries to flee the village. C. He decides to tell the villagers the truth. D. He hides and hopes the villagers won’t find out. 86. What does the phrase “I’m after” in Irish English typically mean (as used in The Playboy of the Western World)? A. It means that someone is chasing or following something. B. It indicates that something happened just a few moments ago. C. It refers to a past event that happened some time ago. D. It suggests that someone is still in the process of doing something. 87. What does the resolution of the play suggest about Christy’s character? A. He reverts to his original timid nature. B. He seeks revenge on the villagers for their betrayal. C. He realizes the futility of storytelling and vows to live honestly. D. He emerges more confident and assertive, ready to take control of his life. 88. In the metaphor used by Christy Mahon when discussing his father, “could have bought up the whole of your old house a while since, from the butt of his tailpocket, and not have missed the weight of it gone,” what does the exaggeration serve to highlight? A. Christy’s self-loathing and guilt. B. Christy’s father's immense wealth and power. C. Christy’s desire to buy more land. D. Christy’s contempt for Michael Flaherty’s house. 89. How does the looking glass serve as a point of tension between Christy and his father? A. It symbolizes Christy’s vanity, which his father resents. B. It represents Christy’s attempt to disguise himself as Old Mahon. C. It highlights Old Mahon’s belief in traditional Irish superstition. Playboy of the Western World by Synge: MC 18 Questions D. It serves as an object of admiration for both Christy and his father, creating rivalry. 90. In Christy’s description, “a loud lonesome snore he’d be making all times, the while he was sleeping,” what literary device is used to describe Christy’s father? A. Hyperbole B. Simile C. Personification D. Alliteration 91. What is the role of poetic language in Christy’s tale of his past? A. It serves to undermine the seriousness of his actions. B. It creates a sense of exaggeration and distortion, making his story larger-than-life. C. It offers a straightforward, factual recounting of events. D. It highlights his fear and uncertainty about the truth. 92. Why does Synge specifically mention that Christy used a loy to kill his father instead of a knife or gun? A. To emphasize Christy’s need for a weapon. B. To highlight the effort required for the act. C. To show that Christy acted in self-defense. D. To contrast rural life with more sophisticated tools. 93. Which of the following is NOT an example of violence depicted in the play? A. Christy murdering his father. B. Pegeen hitting Shawn on the head. C. Widow Quin killing her husband with a rusty nail. D. The police dragging Christy down the main street. 94. In Act II of The Playboy of the Western World, when Christy performs his story for the village girls, what key addition does he make to his narrative? A. He describes how he buried his father. B. He explains how he felt remorse after killing his father. C. He reveals that he killed his father in self-defense. D. He confesses that his father was already dead when he struck him. Playboy of the Western World by Synge: MC 19 Questions 95. Which of the following lines demonstrates the use of a distinct Irish English dialect as used in The Playboy of the Western World? A. “I’ll find him and take him home.” B. “What would I want wedding so young?” C. “I am looking for my son.” D. “He’s running away to the city.” 96. Which element of the setting is most reflective of the villagers' resistance to change? A. The local pub as the center of village life. B. The wild and desolate expanse of the Mayo coast. C. The small cottages scattered throughout the village. D. The unpredictable weather conditions. 97. What does Pegeen mean when she says, “Would you have me think a man never talked with the girls would have the words you’ve spoken to-day?” A. She is jealous of how Christy is interacting with the other girls. B. She is surprised at how smoothly Christy talks to her despite his claim of having no experience. C. She believes Christy is exaggerating his accomplishments. D. She wants Christy to stop bragging about his past. 98. What does Christy’s transformation suggest about the nature of identity in the play? A. That identity is fixed and cannot be changed through actions. B. That identity is entirely determined by others’ opinions of us. C. That identity can be molded by the roles we play. D. That identity is irrelevant as long as one achieves success. 99. What does the multiple meanings of "playboy" suggest about Christy’s identity in the play? A. His identity is fluid and shaped by the roles he chooses to play. B. He is a static, predictable character with little room for change. C. His identity is defined solely by his actions toward women. D. He is a victim of circumstance and does not have control over his identity. Playboy of the Western World by Synge: MC 20 Questions 100. What does Michael’s description of the police in Act I suggest about the village’s attitude toward authority? A. The villagers see the police as a genuine threat. B. The villagers respect the law but avoid confrontation. C. The villagers view the police as ineffective and harmless. D. The villagers rely on the police to maintain order. ANSWER KEY 1. C 2. C 3. A 4. A 5. B 6. A 7. A 8. B 9. B 10. C 11. A 12. B 13. B 14. C 15. D 16. C 17. B 18. B 19. A 20. B 21. C 22. C 23. A 24. B 25. B 26. B 27. C 28. A 29. D 30. A 31. C 32. D 33. C Playboy of the Western World by Synge: MC 21 Questions 34. B 35. A 36. D 37. A 38. B 39. A 40. B 41. A 42. B 43. B 44. A 45. B 46. D 47. A 48. B 49. B 50. D 51. B 52. A 53. C 54. A 55. B 56. B 57. D 58. C 59. D 60. B 61. A 62. D 63. C 64. B 65. A 66. D 67. A 68. D 69. C 70. D 71. B 72. C 73. B 74. D 75. D 76. B 77. A 78. B 79. B Playboy of the Western World by Synge: MC 22 Questions 80. C 81. A 82. A 83. B 84. A 85. D 86. B 87. D 88. B 89. A 90. A 91. B 92. B 93. D 94. A 95. B 96. B 97. B 98. C 99. A 100. C