Music Appreciation: Key Concepts in Music History

Concepts : key a reciting toneAsinglenoteusedfor "Recitation musical modal - characteristic of Plainchant ,...

Concepts : key a reciting toneAsinglenoteusedfor "Recitation musical modal - characteristic of Plainchant , uses no Particular arrangmentof notes or scales Sequence : In middle A of Plainchant in which type ages , successive phrases of text Received equal melodic treatment Strophic : 7 stanzas with theSame music sung for Stanza ; as opposed to through-composed Song each Renaissance(1450-1600) "Rebirth" increase ingreek + Roman ideas high Renaissance Style (1500) > - imitative counterpoint + homophony Paraphrase ', the embellishment of chants with extra notes , set them in and Smoothed graceful Rhythms es awkward outdated or passag mass: Main church services ;5 large sections dei Angus credo Sanctus Kyrie Kategloria , got , caty , shittys + apples motet - short , Sacred Latin peice , Polyphonic + homophonic I major development in polyphonic music - unaccompied madrigal : Thomas Welkes (AveVesta from Latmos hit was -Secular work love poem wo istruments) voices 4Polyphonic 7 ~ 6 Voices per - English madgrical stanza one decending Renaisance  Pavan: Solemn dance duple meter galliard : Fast leaping dance in triple meter Baroque(1600-1750) Bold forms and ortementationa complex style features : italy Rhythm stylistic meter Regular ,emphasis on followed by chords - Basso continuebasssound - O n a harpsicord or organ M ↳ Ground base or basso ostinato : A motive or phrase Continously Repeated through bass. Passacaglia - Repition of more complex bass theme & Functional Relation Chords have to the harmony -. tonic COperartic work ↳ Recitative: half Speech accents singing + half , speech RecitingFollowinga typically Aria: Operatic solo : accomplied by Orchestra Dido and Aenas-henry before (Early Baroque purcell greatest english operas 20th century Aenas escapes from troy when greeks invade travels to a widow Quely guidedin Jove-meets did t but jove says he must on go Act 111-dido prepares for her Suicide 12 fencia" to Celebrate -based Roman empire on by Virgil  - inagurated public C Opera Popea" -Claudio Monteverdi Coronation of Cearly barogoe) Roman Emperor Poppea mistress of Nero ~ , Poppea Schemes to Ottavia and his get advisor killed , She succeeds Ottavia blackmails oftone on an attempt on poppeas life Ottone tries yet fails Poppea wants to be crowned Roman Emperors guided by gods of love and fame. Recitative: Poppea Stay Convincing that she has Nero to Aria : Rejoicing succeeded Rise of instrumental music - Virtuosity - Vocal (music Opera ( - Dance (Dance Suits ( Fugue : Subject" Systemized polyphony main theme "Fuge Arcangelo Callit standardization of two major Concerto genres Sonata + ↓ Lead instrument meansPiece Playea followed typically others by basRegisterwitting in Repetition harmonic & Chaconne > - of phrases ↑  notes from activity long Routine texts in the liturgical service were Sung in Gregorian Recitation & in which all syllabals the Same pitch Versus Sung on more elaborate lines Called gregorionmelody which were for used more signifigant prayers. Summer is icumen in in mode 6 Voices major & isoRythmic - Same Rythmatic Pattern over and over (a) different pitches Ya sin -(Recitative) Drone Single two note chord Running Continuously  keyConcepts Late Baroque Period 11600-1750) Absolutism-Age of Science Features : Regular Rhythms continous expansion · · tone color (distinct) melody Complex - · requence , · ornamentation addition of fastnotes to a contra are · polyphonic melody t Vocal effects improvised in western music + - · Doctrine of affect - 11A : /1 : B1 Binary I full peice - Concemento -> one solo instrument leads other's in orchestra f↳ConcerentGrossomelodicontentassigned G Cadenza to Play contained within where Soloist work wo accompliament 1 solo section) mea whole Virtuistic movement -> self contained Section in a Baroque had 3 larger peice 2 musical ideas Ritronello > Contrast between - to soloist other to the orchestra. Antonio Vivaldie" Red hair Preist" ↳ seasons in theledgroup croque of Orphan a C girls Violin Concernto period Spring &magor example of program Ritronello music 3 movements - (Birds I movement allegro Chirping thunderstorm) + 2 movement large (sheperd sleeps withhis movement -allegro dog) 3 > Country Round - Pipe-Ritronello dance to bag  fugue > - systamize imitative polyphony Centers around a theme called - the fuge subject - Ist section called a Fugue Exposition subject is introduced establishes the theme Devices used to derope theme that 1 Counter. subject : Secondary theme (melody) appears Regularly in Counterpoint /subject. intraversion : Subjects Flipped 2 Melody moves up oppose to down. Stretto 3. Subject enters in different Voices before previous statment is finished , creates tension. & a suite: Collection of instrumental dances each their own distinctive character Rhythm wi , + All dances in Same Key - gigue-Bargoe dance in lively compound meter minuet: Slow dance in triple time has a moderate tempo A Gabb 1 : all :b : Slow dance ; triple meter , Sarabande on 2nd beat : Secondary accent trio B add 1: c : /l : di)  Glen Yould - Canadian Pianist made johanne Sebation backs work popular in 50's elisabeth jaquet de la gurre : first composers One of the lady