Lesson 1.2 Elements of Art PDF

CONTEMPORARY PHILIPPINE ART FROM THE REGIONS ELEMENTS OF ART  OBJECTIVES Enumerate and distinguish the basic elements of art Enumerate the principles of rt and recognize the different characteristics Understand the basic Elements of art and principles of a...

CONTEMPORARY PHILIPPINE ART FROM THE REGIONS ELEMENTS OF ART  OBJECTIVES Enumerate and distinguish the basic elements of art Enumerate the principles of rt and recognize the different characteristics Understand the basic Elements of art and principles of art in art works Explore different school of thought and styles to see how it has developed through different periods  ELEMENTS OF ART ? building blocks of composition in art stylistic features that are included within an art piece When effectively put together make it pleasing to the senses. LINE  ALSO TERMED AS "STROKES" DISTANCE BETWEEN TWO POINTS WHICH IS USED FOR OUTLINES AND IMPLIED IN IN A DESIGN Types Of Lines Actual Line : are physically present acting as a solid connection Implied Lines : paths that the viewers eye take as they follow through the other components.  Actual Lines Implied Lines THE SCREAM, EDVARD MUNCH, 1895, SAND DUNE BY PLAINS, KGALAGADI TRANSFRONTIER PARK, SOUTH LITHOGRAPH, WORLD HISTORY AFRICA, UNKNOWN ARTIST, 2009, HOBERMAN COLLECTION/UIG VIA GETTY IMAGES ACTUAL LINES ARE REAL MARKS MADE IN A COMPOSITION. IMPLIED LINES ARE LINES THAT ARE SUGGESTED BY CHANGES IN COLOUR, TONE AND TEXTURE OR BY THE EDGES OF SHAPES.  OUTLINES AND CONTOUR LINES Defines a shape by outlining the edge or perimeter of a shape HATCH LINES Short repeated lines typically in a single direction and are used to add volume and texture to a flat surface  DIFFERENT LINES EXPRESSIVE LINE – ARE OFTEN THE ONES WE “SEE IN NATURE”; OFTEN COMPOSED OF CURLY, SWIRLY, OR WAVY LINES. CONSTRUCTIVE LINE - ARE VERY MEASURED, GEOMETRIC, DIRECTIONAL, AND ANGULAR. THESE INCLUDE HORIZONTAL, VERTICAL, DIAGONAL, ZIGZAG, OR JAGGED, AND BROKEN LINES.  WHAT LINES CAN YOU SEE? Note the use of vertical lines connoting power, authority, dignity  WHAT LINES CAN YOU SEE? This residence has many horizontal lines that gives it more of an informal and relaxing feel  Types of LINES Vertical- Represents dignity, formality, stability, and strength. Horizontal- Represents calm, peace, and relaxation.  Types of LINES Diagonal- Represents action, activity, excitement, and movement. Curved- Represents freedom, the natural, having the appearance of softness and creates a soothing feeling or mood.  SHAPE Made when lines are enclosed GEOMETRIC ORGANIC  FORM Three dimensional, perceived volume, mass, depth, width or height. TEXTURE DENOTES THE SMOOTHNESS, RUGGEDNESS OF THE IMAGE OR OBJECT ACTUAL TEXTURE CAN BE FELT TANGIBLY, SPECIFIC USE OF MATERIALS TEXTURE OF VAN GOGH (STARRY NIGHT) VISUAL TEXTURE AN IMPLIED SENSE OF TOUCH MADE BY USING ARTISTIC ELEMENTS SUCH AS LINES , COLORS, SHADES SPACE THE AREA BETWEEN THE OBJECTS Space in a work of art refers to a feeling of depth or three dimensions SHALLOW SPACE Shallow space – objects seem really close to the viewer DEEP SPACE Deep space – objects may look close to the viewer, but some objects are shown as far away LINEAR PERSPECTIVE ATMOSPHERIC PERSPECTIVE TEXT As early as late 1800's the postmodernist works of Henri de toulouse-Lautrec have featured titles in his artworks COLOR  Properties of Color actual color of something degree of purity of color range of tone between black and white when white is added to any hue when black is added to any hue WHY IS VALUE IMPORTANT ? Every child is an artist. PABLO PICASSO COLOR WHEEL  PRIMARY COLOR SECONDARY COLOR THE BUILDING BLOCKS FROM WHICH THESE ARE COLOR COMBINATIONS CREATED ALL OTHER COLORS ARE DERIVED BY THE EQUAL MIXTURE OF TWO PRIMARY COLORS TERTIARY COLOR THE COMBINATION OF PRIMARY AND SECONDARY COLORS COLOR THEORY COLOR THEORY/ SCHEME MONOCHROMATIC – INVOLVES USING THE SAME COLOR BUT WITH DIFFERENT VALUE. ANALOGOUS - USE OF THREE OR FOUR COLOR ADJACENT TO THE COLOR WHEEL COMPLEMENTARY –COLORS THAT IS LOCATED IN THE OPPOSITE SIDES OF THE COLOR WHEEL COLOR THEORY/ SCHEME SPLIT COMPLEMENTARY – TWO COLORS ADJACENT TO THE COMPLEMENT TRIADIC – THREE COLORS THAT ARE EQUAL DISTANCE WITH EACH OTHER TETRADIC- TWO PAIRS OF COMPLEMENTARY COLORS IN THE COLOR WHEEL.