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Renaissance art art history fresco techniques historical art

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These notes provide an overview of Renaissance art, focusing on techniques like linear perspective and fresco, and subject matter, such as religious scenes. The text discusses the Arena Chapel and Giotto's work.

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Renaissance Notes: Techniques: Linear perspective: A system of creating an illusion of depth on a flat surface. Aerial Perspective: The technique of creating an illusion of depth by depicting distant objects as paler, less detailed, and usually bluer than near objects....

Renaissance Notes: Techniques: Linear perspective: A system of creating an illusion of depth on a flat surface. Aerial Perspective: The technique of creating an illusion of depth by depicting distant objects as paler, less detailed, and usually bluer than near objects. Trompe l’oeil: A technique used in art in which objects are painted their normal size in a very realistic way, to make people think that the objects are solid and rea Fresco Technique: Definition: Mural painting done on freshly laid, or wet lime plaster. Process: 1. Arriccio: Rough layer of plaster applied to a wet masonry wall. 2. Sinopia: Design drawn in charcoal and painted over with red paint. 3. Intonaco: Fine plaster layer applied in sections (one day’s work at a time). 4. Giornata: Each section of the fresco is painted while the intonaco remains damp. Result: Pigment merges with plaster as it dries, becoming embedded in the wall. Renaissance Art: Subject Matter: o Shift from abstract medieval forms to representational forms of the 15th century. o Subjects evolved from biblical scenes to include portraits, Classical religion episodes, and contemporary life events. o Human figures rendered in dynamic poses, showing expression and gesture, and interacting with one another. o Figures suggest mass and often appear in a realistic landscape rather than a flat gold background. Material/Technique: Fresco Lamentation of The Death of Christ: Panel Details: o Part of a cycle of frescoes depicting Christian Redemption by Giotto di Bondone. o Integrated into the interior architecture of the Cappella degli Scrovegni (Arena Chapel), Padua. o Panels depict key events: Passion, Crucifixion, and Resurrection of Christ. o Scene of mourning: Virgin Mary, Christ's disciples, Mary Magdalene, and other holy women grieve over Christ’s body before entombment. Artistic Features: o Simplified narrative focuses on the most intense moment of the drama. o Faces of sculpted figures are animated and natural. o Angels’ distress is depicted as theatrical and chaotic. o Figures are united by a diagonal line of the hill, showcasing Giotto’s dynamic use of space. o Giotto’s use of light and shade enhances realism, elevating the status of early 14th-century painting to rival architecture. Arena Chapel Overview: Location: Next to an ancient Roman arena. Therefore it is called the Arena Chapel Commissioned by: The Scrovegni Family, specifically Enrico Scrovegni. Decorated by: Giotto di Bondone with frescoes. Architectural and Artistic Features: Interior: Tall, enclosed space covered entirely with frescoes. Decoration: Includes trompe l'oeil faux marble panels and a star-studded blue sky on the ceiling. Organization: o Three Registers: ▪ Top Register: Christ's grandparents, the birth of Mary, and her marriage. ▪ Middle Register: Christ's life and ministry. ▪ Bottom Register: The Passion (events of Christ's death and after). Historical Context: Enrico Scrovegni: Commissioned the chapel as an act of atonement for the sin of usury (charging interest). Sin of Usury: Seen as a grave sin in Catholic belief, leading to a poor afterlife according to Dante’s The Divine Comedy. Significant Features: Last Judgment Scene: Enrico Scrovegni depicted kneeling and presenting the chapel to the three Marys, positioning himself among the blessed. Triumphal Arch: Features God calling Gabriel to announce the birth of Christ to the Virgin Mary. Use of Panels: Giotto inserted a panel painting for the depiction of God, using a more conservative style compared to the frescoes. Artistic Techniques: Architectural Illusionism: Giotto created realistic architectural spaces for figures, avoiding traditional gold backgrounds. Naturalism: Scenes depict detailed architectural spaces with oil lanterns, showcasing light, shadow, and a realistic sense of space.

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