2nd Quarter Arts Module PDF

8- MAPEH ARTS ELEMENTS AND PRINCIPLES OF ARTS CRAFTS IN EAST ASIAN COUNTRIES QUARTER 2 REVIEW: IDENTIFY THE ELEMENTS AND PRINCIPLES OF ARTS THAT CAN BE FIGURED OUT FROM THE FOLLOWING...

8- MAPEH ARTS ELEMENTS AND PRINCIPLES OF ARTS CRAFTS IN EAST ASIAN COUNTRIES QUARTER 2 REVIEW: IDENTIFY THE ELEMENTS AND PRINCIPLES OF ARTS THAT CAN BE FIGURED OUT FROM THE FOLLOWING PICTURES. REVIEW: IDENTIFY THE ELEMENTS AND PRINCIPLES OF ARTS THAT CAN BE FIGURED OUT FROM THE FOLLOWING PICTURES. PRINCIPLE OF ARTS 1. BALANCE - sense of stability. 2. EMPHASIS - one element of artwork stands out more than the other. 3. MOVEMENT - visual flow of your artwork. 4. PATTERN - regular arrangement of repeated same elements. 5. REPETITION - simply repeating a single element many times in a design. 6. RHYTHM - suggest movements or actions. 7. UNITY - sense of harmony and wholeness, by using similar elements within the composition and placing them in a way that brings them all together. ELEMENTS APPLIED IN KOREAN ARTS The Roles of Colors in Korean Masks 1. Black, Red and White masks – bright and vibrant colors that help establish the age and TAL OR T'AL race of the figure 2. Half Red and Half White mask – symbolizes the idea that the wearer has two fathers, Mr. Red and Mr. White. 3. Dark-faced mask – indicates that the character was born of an adulterous mother ELEMENTS APPLIED IN CHINESE ARTS “THE WAY CHARACTERS ARE WRITTEN IS A PORTRAIT OF THE PERSON WHO WRITES THEM”. The most well-known and popular form of Japanese art is ukiyo-e, which is Japanese for "pictures of the floating world" and refers to a CALLIGRAPHY type of woodblock printmaking that depicts scenes of peace and happy everyday life. Ukiyo-e art was created in a variety of media, including painting, and was first the domain of the higher classes and royalty, but it was gradually adopted by the general public. ELEMENTS APPLIED IN JAPANESE ARTS It is composed of very dramatic lines and shapes KABUKI MAKEUP (KESHO) using colors that represent certain qualities. ORIGAMI Dark red – passion or anger Dark blue – depression or sadness Pink – youth Light green – calm Black – fear Purple – nobility KABUKI MAKEUP IS ALSO ANOTHER WAY OF FACE THE TERM ORIGAMI COMES FROM THE JAPANESE WORDS "ORI" WHICH PAINTING WHICH HAS TWO TYPES: MEANS "FOLDING" 1. STANDARD MAKEUP – APPLIED TO MOST FACTORS AND "KAMI" WHICH MEANS "PAPER." 2. KUMADORI MAKEUP – APPLIED TO VILLAINS AND HEROES ELEMENTS APPLIED IN JAPANESE ARTS MANGA – REFER TO BOTH COMICS AND CARTOONING; MANGA ARE COMICS OR ANIME GRAPHIC NOVELS ORIGINATING FROM JAPAN. STYLE OF ANIMATION POPULAR IN JAPANESE FILMS WHAT TO BRING: 1. Plain white mask 2. Painting Materials 3. Colored paper for paper folding ARTS AND CRAFTS IN EAST ASIAN COUNTRIES THE LOCATION OF EACH COUNTRY ALSO PLAYED AN IMPORTANT ROLE TOWARDS THE DEVELOPMENT OF THEIR ARTS. CHINA, JAPAN, KOREA HAS ALWAYS BEEN A NEIGHBORING COUNTRY WHO SHARES ALMOST THE SAME RELIGION, BELIEFS, AND CULTURAL TRADITION. RELIGIOUS BELIEFS HAD ALSO CONTRIBUTED A GREAT INFLUENCE TO THE ORIGIN OF THEIR WIDELY KNOWN ARTS. ARTS AND CRAFTS OF CHINA LANDSCAPE PAINTING IS CONSIDERED THE HIGHEST FORM OF PAINTING IN CHINA WITH A LONG AND INTERESTING HISTORY. DONG YUAN: WINTRY GROVES AND LAYERED BANKS GUO XI: EARLY SPRING ARTS AND CRAFTS OF CHINA TO THE CHINESE, CALLIGRAPHY LITERALLY MEANS ‘BEAUTIFUL HANDWRITING’. THE CALLIGRAPHY EARLIEST ENDURING EXAMPLES OF CHINESE WRITING ARE THE INSCRIPTIONS THAT APPEAR ON SO-CALLED ORACLE BONES (ANIMAL BONES AND TURTLE SHELLS) ARTS AND CRAFTS OF CHINA WOODBLOCK PRINTING IT IS A TECHNIQUE FOR PRINTING TEXT, IMAGES OR PATTERNS USED WIDELY THROUGHOUT EAST ASIA AND ORIGINATING IN CHINA IN ANTIQUITY AS A METHOD OF PRINTING ON TEXTILES AND LATER, PAPER. AS A METHOD OF PRINTING ON CLOTH, THE EARLIEST SURVIVING EXAMPLES FROM CHINA DATE TO BEFORE 220 AD. CHINESE ARCHITECTURE THERE ARE THREE TYPES OF ROOFS IN TRADITIONAL CHINESE ARCHITECTURE WHICH INFLUENCED OTHER ASIAN ARCHITECTURE. CHINESE ARCHITECTURE STRAIGHT INCLINED – MOST ECONOMICAL FOR COMMON CHINESE ARCHITECTURE. CHINESE ARCHITECTURE MULTI-INCLINED – ROOFS WITH TWO OR MORE SECTIONS INCLINED. ROOFS WHICH ARE USED FOR RESIDENCE OF WEALTHY CHINESE PEOPLE. CHINESE ARCHITECTURE SWEEPING – HAVE CURVES THAT RISE AT THE CORNERS OF THE ROOFS. THESE ARE USUALLY SEEN IN TEMPLES AND PALACES; HOWEVER, THESE MAY ALSO BE FOUND IN THE HOMES OF WEALTHY CHINESE FAMILY. PAPER ARTS OF CHINA PAPER WAS MADE OUT OF PLANT LIKE FIBERS AND WAS FIRST INVENTED BY THE CHINESE CAI LUN OF THE EASTERN HAN DYNASTY. IT IS INDEED ONE OF THE GREATEST CONTRIBUTIONS OF ANCIENT CHINA IN THE DEVELOPMENT OF ARTS. PAPER FOLDING THE ART OF FOLDING PAPER IS REFERRED TO BY THE CHINESE NAME ZHEZHI. IN CHINA, TRADITIONAL FUNERALS INCLUDE BURNING YUANBAO WHICH IS A FOLDED PAPER THAT LOOKS LIKE GOLD NUGGETS OR INGOTS CALLED SYCEE. THIS IS ALSO USED FOR OTHER CEREMONIAL PRACTICES MAKING IT POPULAR INTERNATIONALLY IN THE MID-1900S. THIS KIND OF BURNING IS COMMONLY DONE AT THEIR ANCESTOR’S GRAVES DURING THE GHOST FESTIVAL.  PAPER CUTTING PAPER-CUT IS A VERY DISTINCTIVE VISUAL ART OF CHINESE HANDICRAFTS. IT ORIGINATED FROM THE 6TH CENTURY WHEN WOMEN USED TO PASTE GOLDEN AND SILVER FOIL CUTTINGS ONTO THEIR HAIR AT THE TEMPLES, AND MEN USED THEM IN SACRED RITUALS. LATER, THEY WERE USED DURING FESTIVALS TO DECORATE GATES AND WINDOWS. JIANZHI IS THE FIRST TYPE OF PAPER CUTTING DESIGN INVENTED BY THE CHINESE. THE CUTOUTS ARE ALSO USED TO DECORATE DOORS AND WINDOWS. THEY ARE SOMETIMES REFERRED TO AS CHUANGHUA, MEANING WINDOW FLOWER. PAPER CUTTING KITE MAKING KITES WERE INVENTED BY THE ANCIENT CHINESE ABOUT 2,300 YEARS AGO. IN ANCIENT CHINESE, KITES WERE USED BY THE MILITARY. THEY WERE USED AS MESSAGES AND FOR MEASURING DISTANCES. ACCORDING TO JOSEPH NEEDHAM, ONE OF THE MOST IMPORTANT CONTRIBUTIONS OF CHINESE IN SCIENCE AND TECHNOLOGY TO EUROPE IS THE KITE KNOT TYING ZHOGGUO IS A DECORATIVE HANDICRAFT ART THAT BEGAN AS A FORM OF CHINESE FOLK ART IN THE TANG AND SONG DYNASTY (960- 1279 CE) IN CHINA. THE TECHNIQUE WAS LATER POPULARIZED IN THE MING DYNASTY AND SPREAD TO JAPAN AND KOREA. KNOT KNOT TYING (JAPAN) HANAMUSUBI IS THE KNOT TYING OF JAPAN WHICH WAS INFLUENCED BY THE CHINESE. IT EMPHASIZES ON BRAIDS AND FOCUSES ON INDIVIDUAL KNOTS. KOREAN KNOT MAEDEUP OR DORAE IS A TRADITIONAL KOREAN ORNAMENTAL KNOT. THIS KNOT HAS THE SAME SHAPE AT THE FRONT AND AT THE BACK, HAS BILATERAL SYMMETRY, AND CAN BE MADE USING ONE OR TWO THREADS. THIS PRACTICE OF KNOTTING IS COMPARABLE TO CHINESE KNOTS, MAEDEUP DIFFER ONLY IN THEIR BRAIDING TECHNIQUE AND ARE TIED WITHOUT THE USE OF TOOLS PAINTING OF EAST ASIA PAINTING STARTED FROM PREHISTORIC PERIOD. EARLY PAINTINGS WERE PEOPLE AND ANIMALS THAT WERE DRAWN ON THE WALLS OF CAVES AND STONES. IN EAST ASIA, PAINTING IS AN OLD TYPE OF ART WHICH IS AS OLD AS THE CIVILIZATION OF CHINA. EAST ASIAN COUNTRIES CONTINUED TO INFLUENCE EACH OTHER’S PRODUCTION OF ARTS OVER THE CENTURIES. PAINTING OF EAST ASIA CRAFTS OF EAST ASIA THE GŌNGYÌ OF CHINA A STRAIGHT CUT AND WERE LOOSE IN SHAPE ARE USUALLY ADOPTED IN TRADITIONAL CHINESE CLOTHES. WOMEN'S CLOTHING HAD MORE ORNAMENTS, ITEMS AND STYLES THAN TO MEN'S CLOTHING. EMPEROR’S CLOTHES ARE ONE OF THE MOST EXPENSIVE BECAUSE THEY WERE DECORATED WITH PRECIOUS STONES. RED IS FAVORITE FOR MOST CHINESE PEOPLE SINCE IT IS CONSIDERED AS LUCKY, HAPPY AND AUSPICIOUS. WHITE CLOTHING WAS NORMALLY WORN AT A FUNERAL. TYPES OF CHINESE CLOTHING HANFU THIS IS THE OLDEST TRADITIONAL COSTUME AND IT HAS TWO MAIN STYLES: SKIRT/TROUSERS COMBO AND A ONE PIECE DRESS. IT ALSO HAS THREE LAYERS – UNDERWEAR, AN INNER LAYER AND OVERCOAT. THE EMBROIDERY PATTERNS REFLECT ON THE SOCIAL STANDING OF THE PERSON WHO WEARS THE CLOTHING. SUN, MOON OR ANIMALS LIKE TIGERS, DRAGONS AND BIRDS ARE OFTEN DECORATED. THESE ARE USUALLY A LUXURY MATERIALS TYPES OF CHINESE CLOTHING ZHONGSHAN SUIT THE FOUR POCKETS REPRESENT LOYALTY, BENEVOLENCE, DECENCY AND SHAME. THE BIG BUTTONS MEAN THE FIVE SEPARATED POWERS. THESE ARE ADMINISTRATION, JURISDICTION, LEGISLATION, SUPERVISION AND EXAMINATION. SMALLER SLEEVE BUTTONS SIGNIFY THE THREE SOCIAL PRINCIPLES: NATIONALISM, DEMOCRACY AND THE NATION’S LIVELIHOOD. THE TURNED-DOWN CLOSED COLLAR IS A SYMBOL OF CAREFUL RULING. ALTOGETHER, THESE FEATURES SYMBOLIZE THE UNITY OF CHINA. TYPES OF CHINESE CLOTHING TANGZHUANG OR TANG SUIT IT IS ORIGINATED DURING TANG DYNASTY WHICH IS REPRESENTED ONLY BY ONE JACKET. THE DESIGN IS OFTEN CONSISTING OF A PATTERN OF CHINESE CHARACTERS, 福 (MEANING HAPPINESS) AND 寿 (MEANING LONGEVITY). THESE CHINESE CHARACTERS WERE BELIEVED TO ATTRACT FORTUNE AND HAPPINESS TO THE WEARE TYPES OF CHINESE CLOTHING CHEONGSAM OR QIPAO IT IS A TRADITIONAL CLOTHING OF THE QING DYNASTY WHICH IS A ONE-PIECE GARMENT EXTENDING FROM THE SHOULDERS ALL THE WAY TO THE HEELS. THE KŌGEÌ OF JAPAN KIMONO IS THE TRADITIONAL AND A NATIONAL DRESS OF JAPAN. IT IS FROM THE VERB “KI” – TO WEAR AND THE NOUN “MONO” – THING, WHICH MEANS “THING TO WEAR”. IT IS A WRAPPED-FRONT GARMENT WITH SQUARE SLEEVES, A RECTANGULAR BODY AND A T-SHAPED. IT IS USUALLY WORN WITH BELT. THE GONG-YE OF KOREA THE HANBOK (LITERALLY MEANS “KOREAN CLOTHING”) IS A TRADITIONAL OUTFIT OF THE KOREAN PEOPLE. THIS IS CHARACTERIZED BY VIBRANT COLORS AND SIMPLE LINES WITHOUT POCKETS. THE GONG-YE OF KOREA THE BELL-SHAPED SKIRT CALLED “CHIMA” IS ONE OF THE MAIN CHARACTERISTICS IN WOMEN'S HANBOK. THE SMALL BLOUSE OR JACKET IS CALLED “JEOGORI” AND A LOOSE PANTS “BAJI” FOR MEN. THE GONG-YE OF KOREA EACH PATTERN SIGNIFIED DIFFERENT ROLE IN THE SOCIETY WHICH MEANS LONGEVITY, GOOD LUCK, WEALTH AND HONOR. AN EMPEROR IS REPRESENTED BY A DRAGON. A QUEEN IS REPRESENTED BY A PHOENIX. A PRINCESS AND A KING'S DAUGHTER BY A CONCUBINE ARE REPRESENTED BY FLORAL PATTERNS. HIGH RANKING COURT OFFICIALS ARE REPRESENTED BY CLOUDS AND CRANES. THE GONG-YE OF KOREA WHITE COLOR IS THE MOST COMMON WHICH REPRESENTS PURITY, INTEGRITY AND CHASTITY. THE UPPER CLASS AND COURT FIGURES WORE RED, YELLOW, BLUE AND BLACK IN ADDITION TO WHITE. THESE SYMBOLIZE THE FIVE TRADITIONAL ELEMENTS IN ORIENTAL COSMOLOGY: FIRE, EARTH, WATER, METAL AND WOOD. THE GONG-YE OF KOREA