T'nalak weaving

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Questions and Answers

Which aspect of the T'nalak weaving tradition best exemplifies the interconnectedness of art and culture?

  • Its primary function as a material for clothing.
  • The colors used in the T'nalak, which represent different types of death and aspects of life. (correct)
  • The weaving process, strictly performed by T'boli women.
  • The exclusive use of abaca fibers in creating the textile.

How do 'Emben a Whatok' tattoos differ in purpose and significance from traditional Batok tattoos?

  • 'Emben a Whatok' tattoos are primarily for decoration, unlike traditional Batok which conveys deep cultural meanings. (correct)
  • 'Emben a Whatok' tattoos use different ink compositions compared to traditional Batok.
  • 'Emben a Whatok' tattoos are applied using modern techniques, while traditional Batok uses hand-tapping.
  • 'Emben a Whatok' tattoos are exclusively for men, while traditional Batok is for women.

What is the most accurate interpretation of the role of 'Fu Dalu' in the T'boli weaving tradition?

  • Fu Dalu is believed to physically guide the weaver's hands during the weaving of T'nalak.
  • Fu Dalu dictates the colors that can be used in the T'nalak, based on the weaver's lineage.
  • Fu Dalu is the spirit of the abaca tree, believed to guide the weaving process. (correct)
  • Fu Dalu determines the monetary value of the finished T'nalak.

In what way does the art of Batok serve as a 'cutaneous bodily archive' within Kalinga culture?

<p>By serving as a repository of stored memories, experiences, and information, marking significant life events and achievements. (D)</p> Signup and view all the answers

How does the Batok practice of tattooing reflect the social structure and values of the Kalinga people?

<p>By using tattoos to mark an individual’s achievements, such as bravery in battle for men, and beauty or fertility for women, reflecting gender roles and status. (C)</p> Signup and view all the answers

How does the Javanese tradition of Batik reflect the deep cultural values of its people?

<p>Through the artisan's deep understanding and imbuement of design meanings into the fabric. (B)</p> Signup and view all the answers

Which of the following elements is most essential in distinguishing dance as an art form from ordinary physical movement?

<p>The patterned and rhythmic bodily movements, typically performed to music, for communication and expression. (C)</p> Signup and view all the answers

How do traditional dances like Pagdiwata and Cañao demonstrate the relationship between ritual practices and artistic expression?

<p>They are expressions of gratitude, celebration, and spiritual connection, deeply rooted in cultural beliefs and practices. (D)</p> Signup and view all the answers

What is the significance of the examination of the animal's bile sac in the Cañao ritual?

<p>It foretells whether the celebrants will have good fortune; a blemish-free sac indicates good luck. (D)</p> Signup and view all the answers

In Bharatanatyam, how do mudras and facial expressions collectively contribute to the dancer's storytelling?

<p>Hand gestures (mudras) and facial expressions are the main methods used to convey mood, emotions, and narrative within the dance. (C)</p> Signup and view all the answers

How do Aeta dances like 'Binabayani' and 'Borokil' reflect their cultural identity and way of life?

<p>'Binabayani' reflects bravery and martial traditions, while 'Borokil' shows their connection to the forest and hunting practices. (D)</p> Signup and view all the answers

What distinguishes 'Jatiswaram' from other components of Bharatanatyam?

<p>It focuses purely on rhythmic dance and the execution of movements, rather than emotional expression. (B)</p> Signup and view all the answers

Which element of dance focuses on the force and quality behind a movement, such as whether it is sharp, smooth, tense, or relaxed?

<p>Energy (C)</p> Signup and view all the answers

What is the primary function of 'Anituan,' the ceremonial dance of the Aetas?

<p>To capture the spirit causing illness through a hypnotic spell and perform a healing ritual. (C)</p> Signup and view all the answers

How do strict weaving practices, such as not allowing the cloth to touch the ground, contribute to the cultural significance of T'nalak?

<p>By elevating the weaving process to a sacred act, reinforcing respect for tradition and the spiritual dimensions of the art. (B)</p> Signup and view all the answers

What is the most significant difference between 'Whatok sa Awi' and traditional Batok?

<p>'Whatok sa Awi' serves merely as decorative art for tourists, lacking the deep cultural meanings of traditional Batok. (D)</p> Signup and view all the answers

What aspects of society do dances reflect?

<p>Many parts of society (D)</p> Signup and view all the answers

How does dance function as a form of communication within a culture?

<p>By conveying complex narratives, emotions, and social values through movement and symbolism. (B)</p> Signup and view all the answers

What is the role of the 'babaylan' in the Tagbanwa's Pagdiwata ritual dance?

<p>The babaylan leads the Pagdiwata ritual dance. (B)</p> Signup and view all the answers

Why was Bharatanatyam banned by British colonial rule in 1910?

<p>As part of a broader effort to suppress Indian cultural practices and assert colonial dominance. (D)</p> Signup and view all the answers

Flashcards

T'nalak

Woven textile made from abaca fibers by the T'boli people in South Cotabato, Mindanao, used for rituals, offerings, and trade.

Fu Dalu

The spirit of the abaca tree that is believed to guide the weaving process of T'nalak.

White (Bukoy) in T'nalak

Representing the sky and untimely death in T'nalak textiles.

Red (Hulo) in T'nalak

Signifying violent deaths in T'nalak textiles.

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Black (Hitem) in T'nalak

Represents peaceful, natural death in T'nalak textiles.

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Hafak Menaul

A wild eagle stretching its wings, a pattern found in T'nalak textiles.

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Bwengkel

A live crocodile, representing an illicit love affair, a pattern fund in T'nalak textiles.

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Eben Lobun

Nimbus clouds or a baby sling in the sky, a pattern in T'nalak textiles.

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Mugul

A place where souls go after a natural death, a pattern found in T'nalak textiles.

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Batok

Traditional tattoos of the Bisayan people, who were also known as 'Pintados'.

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Apo Whang-Od Oggay

The oldest traditional tattoo practitioner in Kalinga, Philippines.

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Pambabatok Technique

Hand tapped tattoos using a lemon thorn and bamboo stick.

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Tattoos as 'Cutaneous Bodily Archive'

Served as a repository of stored memories, experiences, and information.

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Batok Motifs

Geometric and nature-inspired designs with symbolic meanings, used in traditional tattoos.

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Batik

A cloth decoration technique from the Indonesian word for 'a little bit' or 'a drop' referring to wax resist dyeing.

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Body in Dance

The physical instrument of expression in dance, including posture and body parts movement.

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Action in Dance

Human movement included in a performance, such as walking, twisting, or stretching.

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Space in Dance

The area in which the body moves including direction, level, and proximity.

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Time in Dance

Involves rhythm, speed, duration, and phrasing of the movement

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Energy in Dance

How the movement is executed with qualities like sharp, smooth, tense, or relaxed.

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Study Notes

  • Art is a cultural universal used to manifest and preserve beliefs, customs, and traditions.

T'nalak

  • T’nalak is a woven textile made from abaca fibers.
  • The T’boli people of South Cotabato, Mindanao traditionally craft it.
  • It is used for rituals, offerings, festivals, and barter trade.
  • It also serves as a bridal price and for healing sacrifices.
  • Fu Dalu, the spirit of the abaca tree, is believed to guide the weaving process.
  • Strict weaving practices include not letting the cloth touch the ground and weavers remaining in one place; children and non-weavers are not allowed to touch the fibers.

Color Symbolism in T'nalak

  • White (Bukoy) represents the sky and untimely death.
  • Red (Hulo) signifies violent deaths.
  • Black (Hitem) represents peaceful, natural death.

Patterns and Meanings in T'nalak

  • Hafak Menaul depicts a wild eagle stretching its wings.
  • Bwengkel represents a live crocodile, symbolizing an illicit love affair.
  • Eben Lobun signifies nimbus clouds or a baby sling in the sky.
  • Mugul represents a place where souls go after a natural death.

Batok

  • Batok is the art of tattooing where the human body serves as the surface where pigments are applied.

Bisayans

  • Bisayans are known as Pintados, with tattoos serving as their clothing and ornaments.
  • Tattoos symbolized manliness and bravery for men and enhanced beauty for women.

Kalinga & Butbut Tribe

  • Pambabatok uses Batok/Whatok
  • Ullit, Amamtum, and Ullalim
  • Mambabatok/Manwhatok is a tattoo practitioner.
  • Apo Whang-Od Oggay is the oldest traditional tattoo practitioner in Kalinga, Philippines.
  • The Pambabatok technique involves hand-tapping with a lemon thorn needle attached to a small bamboo stick, using a mixture of water and soot for ink.

Significance of Batok

  • Batok is referred to as the "cutaneous bodily archive".
  • Tattoos served as a repository of stored memories, experiences, and information.
  • Batok motifs include warriors, voting, weaving instructions, and wealth, with traditional designs featuring symbols of nature and geometric figures.

Symbolic Meanings of Batok

  • Served a rite of passage
  • Used as a body decoration
  • Offered protection against evil
  • Signified Religious/political affiliations
  • Signified bravery
  • Showed Status/affluence
  • Indicated Gender: Women - Beauty, marriage eligibility, fertility, and Men - Triumph in war.
  • "Emben a Whatok" or invented tattoos are for tourists
  • "Whatok sa Awi" or tattoos of the past, are for tourists for decorative purposes only.

Batik

  • Batik is the art of cloth decoration
  • "Batik" comes from the Indonesian root word "titik" or "tik," meaning "a little bit" or "a drop."
  • "Ambatik" means "a cloth with little dots," while "wax writing" refers to the process.
  • Processes of Batik include Stamping, Painting, Printing, Embroidery, and Written
  • Javanese designs found in 12th-century temple sculptures in Java
  • Batik was considered one of the "high arts" studied by the cultured Javanese gentry, with designs deeply meaningful to the artisan.

Dance

  • Dance is defined relatively and varies from one society to another.
  • It is patterned and rhythmic bodily movements, normally performed to music, and used for communication and expression.

Elements of Dance

  • Body: The physical instrument of expression in dance, including posture, shape, and body parts involved.
  • Action: Any human movement included in the performance, such as locomotor (walking, running) and non-locomotor (twisting, bending) movements.
  • Space: The area in which the body moves, including direction, level, pathways, and proximity to others.
  • Time: The rhythm, speed, duration, and phrasing of movement.
  • Energy: How the movement is executed, including the quality or force behind it (sharp, smooth, tense, relaxed).

Dance and Culture

  • Dance connects people and shows their culture.
  • It changes over time.
  • It reflects many parts of society.
  • It is a form of communication.
  • It shows cultural differences.
  • Dance can show political ideas.

Traditional Dances

  • Pagdiwata is a Thanksgiving dance performed by the Tagbanwa dedicated to Mangindusa.
  • It expresses gratitude for a good harvest and well-being.
  • It is held three times a year and led by a ritual practitioner called babaylan.
  • Cañao is a ritual dance of Cordillerans used for Thanksgiving and Offering, Life Cycle Celebrations, Political Gathering, and Pre- and Post-Conflict Rituals.
  • Animal Sacrifice: Pigs, chickens, and carabaos are sacrificed as symbolic offerings; examination of the animal's bile sac determines luck.
  • A blemish-free bile sac signifies good luck, if not it serves as a warning and another ritual may be needed.

Bharatanatyam

  • Bharatanatyam means (Bhava + Raga + Tala) + Natyam (dance).
  • It is the oldest classical dance heritage of India
  • Its expression includes Bhava (emotion), Raga (melody), and Tala (rhythm).
  • It originated in Hindu temples of Tamil Nadu and associated with Devadasi culture
  • Devadasis = “Servants of the Lord”
  • It was banned in 1910 by British colonial rule.
  • It was originally performed by female temple dancers
  • It features low squat stances with intricate arm and neck movements
  • It involves hand gestures (mudras): 11 symbolic gestures in pure dance
  • Facial expressions convey mood and story.

Bharatanatyam dance performances

  • Alirippu means to adore with flowers is performed at the beginning of the recital
  • Jatiswaram is a rhythmic dance form focusing on the execution of the movements, and expressing emotions.
  • Shabdam dance is with accompanying song in adoration of the supreme being.
  • Tillana is a rhythmic dance performed at the end of the concert.

Indigenous Dance of the Aetas

  • Festive Dancing:
  • Binabayani reflects bravery, heroism, and martial tradition.
  • Borokil reflects their connection to the forest and hunting practices.
  • Talbeng imitates animals of the region, particularly monkeys.
  • Ceremonial Dance:
  • Anituan captures the spirit who causes illness using a hypnotic spell.
  • Pag aanito (Healing Ritual)
  • Traditional Dance:
  • Ehad (Planting Dance) shows how the aetas plant seeds on the hillside.
  • Sayaw Palo-Palo (Butterfly Dance) shows the love of Aetas for nature.

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