Philippine Art History Part 3
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Questions and Answers

What does the term 'soulmaking' refer to in the context of Noy Narcisso's art practice?

  • The architectural significance of the torogan.
  • The crafting of images based on personal experiences. (correct)
  • The combination of flora and fauna in artworks.
  • The process of traditional weaving among the T’boli.
  • How do the ukkil motifs of the Sulu archipelago relate to their culture?

  • They are directly derived from Western art influences.
  • They have no significant connection to their traditions.
  • They combine flora and fauna from oral histories and nature. (correct)
  • They are based primarily on modern sculptures.
  • What role does the highly-decorated torogan play in Maranaw culture?

  • It serves primarily as a tourist attraction.
  • It functions solely as a private residence.
  • It represents a communal space central to their lives. (correct)
  • It is used exclusively for government functions.
  • What are the Da Vincian Principles based on?

    <p>The combination of artistic and scientific approaches.</p> Signup and view all the answers

    In what way does soulmaking enhance our understanding of humanity?

    <p>By encouraging a deeper appreciation of life and experiences.</p> Signup and view all the answers

    What material is primarily used by the T’boli weavers to create the t’nalak fabric?

    <p>Abaca fibers</p> Signup and view all the answers

    Which technique is employed by T’boli weavers to enhance the color of the threads?

    <p>Overdyeing</p> Signup and view all the answers

    How do T’boli weavers derive their design patterns for the t’nalak?

    <p>Through ancestral dreams</p> Signup and view all the answers

    What is coated on the surface of the t’nalak to create a smooth sheen?

    <p>Beeswax</p> Signup and view all the answers

    What kind of designs are typical in T’boli weaving?

    <p>Intricate sweeping designs</p> Signup and view all the answers

    What is the primary lifestyle of the T’Boli people apart from weaving?

    <p>Hunting, fishing, and cultivation</p> Signup and view all the answers

    Where do the T’Boli primarily reside?

    <p>Southern coastal areas</p> Signup and view all the answers

    What role does tourism play in the current livelihood of the T’Boli?

    <p>It is a secondary source of income</p> Signup and view all the answers

    What are the primary functions of a torogan?

    <p>Community court and ceremonial hall</p> Signup and view all the answers

    What is the significance of motifs found in okir designs?

    <p>They provide protection against evil spirits</p> Signup and view all the answers

    What does the term 'soul' refer to as per Hillman's perspective?

    <p>A reflective perspective towards events</p> Signup and view all the answers

    Which architectural feature is characteristic of a torogan?

    <p>High ceiling and steep roof</p> Signup and view all the answers

    What is a common use of the ground floor in a torogan?

    <p>Storage and display area</p> Signup and view all the answers

    How does traditional Philippine art develop, as reflected in the study of soulmaking?

    <p>Based on the societal forces that exist</p> Signup and view all the answers

    What does the term 'lama' refer to in the context of a torogan?

    <p>The yard used for activities outside</p> Signup and view all the answers

    What is the role of reflection in Hillman's concept of soulmaking?

    <p>It mediates events and creates differences</p> Signup and view all the answers

    Signup and view all the answers

    Study Notes

    Philippine Art History Part 3

    • The T'boli are a people in the Southern Philippines, centred in the central part of a triangular region.
    • They subsist on hunting, fishing and cultivation.
    • Tourism is part of their livelihood.
    • T'nalak is a traditional cloth associated with life-cycle events like birth, marriage and death.
    • It's made from abaca fiber.
    • T'nalak is used as blankets and clothing, occasionally used in royal weddings.
    • Designs are done without patterns, guided by mental images or dreams.
    • Styles are distinctive; sweeping designs aren't repetitive
    • Dyed twice, a process called overdyeing.
    • Weavers take pride in their work and are respected in their community.
    • T'nalak is now in the market, differentiated from traditional pieces.

    Ukkil of the Sulu Archipelago

    • Ukkil/okil/okir refers to a type of sculpting/carving and a curvilinear design.
    • Used in textiles, garments, boxes, tableware, carpets, and other objects.
    • Motifs in Ukkil include; Sumping (floral), Birdo (tree-plant) and Hashas (serpent).
    • There are similarities with Indo-Persian, Indo-Chinese designs due to trade.
    • Motifs are primarily from flora & fauna in the area.
    • Highly stylized representations of flora and fauna.

    Maranaw Torogan

    • Torogan is a type of architecture in Maranaw society.
    • It's the social centre of Maranaw communities.
    • It denotes social status and identifies a community.
    • Used for important social ceremonies.
    • It has a significant role in community life, where meetings, conflicts and religious/social celebrations are held.
    • It is used as a meeting hall, a court of law and spiritual house for the community.
    • It is designed with specific symbolic elements.
    • Decorated and symbolic to represent the Maranaw culture.

    Soulmaking:

    • Soulmaking is a perspective, not a fixed thing.
    • It's a reflective viewpoint, differentiating between ourselves and the world or events.
    • A psychological concept that involves expressing experiences in art.
    • It’s about respecting different experiences and understanding your humanity more completely, through art.
    • Da Vincian Principles involved: Curiosita, Dimostrazione, Sensazione, Sfumato, Arte/Scienza, Corporalita, and Connessione.

    Cultural Appropriation

    • Cultural Appropriation is when an artist borrows ideas, designs, motifs, plots and techniques from another culture they don't belong to.
    • This can be tangible (objects, art) or intangible (ideas, stories, styles).
    • There can be moral and aesthetic issues, but it isn't always inherently negative.
    • When appropriate, context, power dynamics and perspectives need to be considered to understand the appropriating act.
    • Types of cultural appropriation are; object, content, style, motif and subject appropriation.

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    Related Documents

    Philippine Art History L3-5 PDF

    Description

    Explore the rich traditions of Philippine art focusing on the T'boli people's T'nalak cloth and the Ukkil art of the Sulu Archipelago. Discover how these art forms reflect cultural significance and community pride. Learn about the techniques, designs, and the evolution of these traditional crafts in modern times.

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