Salomé by Oscar Wilde Quiz

A style of dialogue characterized by poetic language, vivid imagery, and biblical allusions, as seen in Wilde's 'Salomé'.

In Wilde's 'Salome,' Salome's descriptions of Jokanaan are purely subjective, emphasizing that her perceptions are all she can know of him.

The recurring phrases and motifs in Salome's dialogue, which create a musical effect, contribute to the feeling of a play moving closer to music, as Wilde desired.

The idea that all art forms strive to achieve the qualities of music, where form and sound are paramount.

The artistic movement emphasizing the expression of inner feelings and ideas through symbols and suggestive imagery.

The idea that a work of art is an independent creation rather than being an imitation of reality, as proposed by Maurice Denis.

The principle that the essence of a picture lies in its arrangement of colors and forms, even before its subject matter.

The influence of French Symbolist theories on Wilde's writing, which influenced not only literature, but also painting and other art forms.

Salomé is a complex character who shows disdain for the festivities and the people present at the feast. She expresses disgust towards the Romans, Jews, and others, highlighting a sense of superiority and a desire for something more than the superficiality of the gathering.

Salomé describes the moon as cold, chaste, and a virgin, highlighting her personal values and contrasting them with the hedonistic environment of the feast. This emphasizes her fascination with purity and her desire for something pure and untouched.

Salomé's interest in the prophet Jokanaan stems from curiosity and a desire to learn more about a figure who challenges the authority of her mother, Herodias. This interest is fueled by the Tetrarch's fear of Jokanaan, which further piques her intrigue.

Salomé is warned by the Page of Herodias that something terrible might happen if she continues to speak with the Young Syrian. This foreshadows potential danger and highlights the tension surrounding her interactions.

The Young Syrian attempts to appease Salomé and ensure her comfort by offering to bring her a litter for the night. This suggests a desire to cater to her wishes and potentially further the relationship.

Salomé shows disdain for the drunken revelry, the hypocrisy of religious ceremonies, and the superficiality of the attendees at the feast. This highlights her dissatisfaction with the current situation and her desire for something more meaningful.

Jokanaan's powerful voice and pronouncements about the Lord's arrival create a sense of anticipation, but also suggest a potential threat to the Tetrarch's position and the established order. This highlights the conflict between religious prophecy and worldly power.

The Tetrarch's fear of Jokanaan signifies the prophet's influence and potential to challenge his authority. This establishes a power dynamic between the Tetrarch and Jokanaan, suggesting a future conflict.

A character in Wilde's Salomé who is described as having 'eyes of amber' and a 'strange aspect.' She is captivated by Jokanaan's presence, even though she finds him terrifying.

The prophet in Wilde's Salomé, described as 'terrible' and having 'terrible eyes.' He is a figure of religious zeal and condemnation.

The act of using vivid language and imagery to evoke strong emotions and create a sense of wonder or awe. It is characteristic of Wilde's writing style in Salomé.

In Salomé, Jokanaan's references to Herod's 'cup of abominations' and 'a robe of silver' allude to his future death and the consequences of his actions.

The influence of French Symbolist thoughts and theories on Wilde's literary works, incorporating symbolism and suggestive imagery.

Jokanaan's refusal to acknowledge the world around him is a symbol of his spiritual isolation and commitment to his beliefs.

Salomé's obsession with Jokanaan is described through her repetitive phrase, "I will kiss thy mouth, Jokanaan." It indicates both her desire and the unhealthy nature of her love.

Salomé is presented as a character who desires forbidden knowledge and pleasure, exemplified by her fascination with John the Baptist, a figure of religious devotion.

The play explores themes of death, desire, and the clash between the spiritual and the sensual through the portrayal of Salomé and Jokanaan.

The Syrian captain's suicide, a tragic event in the play, emphasizes the theme of death and serves as a foreshadowing event.

The play's emphasis on the power of words and their ability to influence and manipulate emotions.

The play highlights the themes of spiritual and physical desire contrasted with the dangers of seeking fulfillment in unattainable objects, exemplified by Salomé's pursuit of Jokanaan.

Salomé's monologue highlights her pursuit of Jokanaan, highlighting her obsession.

The belief that a divine figure will come to save humanity.

The belief that a Jewish Messiah has arrived and is performing miracles.

The miracles attributed to the Messiah include changing water into wine and healing lepers.

The events relating to the Messiah are recounted by witnesses, who are then questioned by Herod.

Herod's skepticism about miracles reflects his disbelief and potential fear of the Messiah's rising influence.

The figure of Jokanaan (John the Baptist) is a powerful prophet whose words carry a sense of foreboding and possible danger.

Herod feels threatened by Jokanaan's prophetic pronouncements, fearing a potential challenge to his power.

The tension between Herod's worldly power and Jokanaan's religious authority creates a conflict that further intensifies the drama.

Salome's exaggerated descriptions of Jokanaan's physical beauty, using comparisons like "white like lilies" and "white like snow", showcase her obsession and the play's themes of sensuality and beauty.

Jokanaan's warnings to Salome, like "daughter of Sodom" and "daughter of Babylon", highlight his disgust at her advances and her family's immoral actions.

Jokanaan's belief in the coming 'day of him who shall die in a robe of silver' suggests a foreshadowing of his own death and the play's tragic ending.

Salome's intense focus on Jokanaan's voice, calling it "as music to mine ear", showcases her fascination with him and his seemingly powerful presence.

Jokanaan's warning about the 'angel of death' being in the palace subtly hints at the danger Salome might face, foreshadowing the play's tragic ending.

Jokanaan's rejection of Salome's advances, as seen in his repeated commands "Back! daughter of Babylon" and "Get thee behind me!", fuels the conflict in the play.

The play's use of Biblical imagery, such as Jokanaan's description of Salome's mother filling the earth with "wine of her iniquities", adds a sense of morality and judgment to the story.