Quebec National Cinema Quiz

A dominant theory in Quebec film that blends documentary and social commentary into realist narratives about the lives of ordinary people.

A style of filmmaking that emphasizes direct observation and minimal intervention, using real locations and non-professional actors.

A period of rapid social and cultural change in Quebec, marked by a growing sense of national identity and a rejection of traditional values.

Films that focus on erotic themes and often feature sexually suggestive content, often regarded as less intellectually stimulating.

The practice of analyzing films in a scholarly way, using a framework of critical theory and historical context.

The idea that women's cinema is often marginalized and categorized as a 'cinema of the body', focusing on personal experiences rather than national narratives.

A concept that emphasizes the linkage between nationhood and masculine identity in Quebec cinema.

A form of social and political activism that aims to promote gender equality and challenge patriarchal structures.

The belief that Quebec's cultural preservation rested on a rural, agrarian society, not the cities, and that the peasantry represented the true spirit of Quebec.

An idealized image of the French Canadian peasant, representing the rural and traditional values of Quebec, particularly during the Duplessis era.

This theory suggests that the Quiet Revolution was led by a new, urbanized, and educated Francophone middle class.

The process of a society moving from agricultural dependence to industrial production, typically accompanied by urbanization.

A management philosophy that emphasizes efficiency, standardization, and scientific methods in the workplace.

Refers to the educational and cultural reforms implemented by the Parti Libéral in Quebec, reflecting the province's transformation into an urban, industrial society.

This theory emphasizes the role of class conflict and economic restructuring in the Quiet Revolution.

The rise of a French-speaking middle class in Quebec. This development provided a crucial foundation for the cultural shifts that characterized the Quiet Revolution.

A movement that brought together artists and intellectuals in Quebec who rejected traditional values and the influence of the Catholic Church in favor of artistic freedom and modernism.

The shift from traditional values rooted in religion and rural life to a more modern outlook focused on economic and social progress. This change was influenced by the rise of the francophone middle class.

The idea that the Quiet Revolution was not just a spontaneous outburst of artistic and intellectual rebellion but also a result of deliberate policy initiatives aimed at fostering economic growth and social change. This perspective suggests that government and industry collaborations played a significant role.

The view that popular cinema in Quebec, instead of being solely focused on artistic expression, often aimed for commercial success, reflecting the burgeoning consumerism and entertainment preferences of the time.

Recognizing the complex interplay of socio-economic shifts, policy initiatives, and cultural movements that led to the broader cultural awakening of the Quiet Revolution in Quebec, emphasizing how various factors contributed to its transformative nature.

A film that, through its portrayal of a young woman's changing lifestyle, reflects the shifting social norms and morals of Quebec society in the late 1960s. It highlights the rise of consumerism and the evolving roles of women in a society transitioning from traditional values.

The film's representation of female characters as ultimately seductive consumers rather than independent individuals. It highlights a shift from tradition where women were seen as productive members of society.

The depiction of the sex trade as a potential path out of poverty for working-class women, as illustrated by the example of Marie, a single mother on welfare, who used her earnings as a go-go dancer to support herself.

The film's use of soft-core elements, although considered highly provocative at the time, was seen by some as a reflection of changing social attitudes and a shift in the traditional moral landscape, particularly in Quebec.

Valérie's decision to leave the convent symbolizes a rejection of traditional education and the expectations of a respectable career path in favor of a more glamorous and potentially carefree life.

The film's portrayal of Quebec society as evolving from a traditional, Roman Catholic perspective, with a growing emphasis on consumerism and a new interpretation of women's roles.

The comparison of Valérie's working-class lifestyle to the film "Breathless" (1960). Both films, separated by a decade, offer contrasting perspectives on women's roles and aspirations within their respective societies.

The film's depiction of women's transition from a focus on being productive members of society to being seen as seductive consumers, offering a lens into the evolving role of women in Quebec society.

The concept that traditional bourgeois values, as represented in the film "Valérie," are being abandoned in favor of a more authentic and socially conscious perspective on Quebec society.

The idea that films from Quebec, even those with controversial themes, often reflect the region's Jansenist Catholic heritage, which emphasizes strict moral dichotomies.

The exploration of how female characters and their bodies are depicted in Quebec cinema, often seen as mirroring societal views on sexuality and feminism.

The argument that women's cinema in Quebec, focusing on personal stories and experiences, is often marginalized and treated as less important than national narratives.

A critique of the common portrayal of male characters in Quebec Cinema as embodying the values of a nation, often reflecting traditional masculine ideals.

This movement involved filmmakers creating films that were more closely aligned with Quebec's social and economic realities. They sought to bridge the gap between filmmaking and intervention in social issues.

In Quebec cinema, the traditional, objectified image of the female star is seen clashing with the emerging image of the modern, liberated woman.

The traditional 'star system' of cinema, where women are seen as objects for male gaze, no longer aligns with the ideals of the modern, liberated woman.

The term refers to a period of social and cultural change in Quebec, which coincided with the emergence of a distinctive film industry.

This concept suggests a linkage between nationhood and masculine identity in Quebec cinema. Many films explore this theme through their portrayal of male characters.

A movement in Quebec cinema that aimed to portray women in more realistic and authentic ways, often focusing on their personal experiences and struggles.

Quebec cinema, particularly in the context of the Quiet Revolution, has increasingly focused on addressing real social and economic issues, promoting social change, and exploring identity formation.