PTT Program 5 Day 4 Video 1
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Questions and Answers

What is a key aspect to discuss with the director before the first rehearsal?

  • Special needs for the production (correct)
  • The actors' performances from previous plays
  • The audience's expectations
  • Financial budget for the production

What is a common component of most first rehearsals?

  • Costume fittings
  • Audience feedback sessions
  • Read through of the script (correct)
  • Set construction planning

How should the director's preferences for the rehearsal structure be approached?

  • With personal judgments about effectiveness
  • With flexibility and openness to their wishes (correct)
  • With strict adherence to a pre-planned schedule
  • With a demand for outlined objectives in advance

What should be prioritized when communicating with the actors regarding the rehearsal schedule?

<p>Establishing yourself as the main point of contact (D)</p> Signup and view all the answers

What might the director want to do during the first rehearsal aside from a read through?

<p>Engage in research and improvised activities (C)</p> Signup and view all the answers

Why is making a good first impression during the first rehearsal important?

<p>It affects the dynamics of working relationships (B)</p> Signup and view all the answers

How should the assistant director respond to the director's rehearsal demands?

<p>By fully complying with their comfort levels (B)</p> Signup and view all the answers

What element is crucial for the assistant director to clarify with the director regarding equipment?

<p>What specialized equipment might be required (D)</p> Signup and view all the answers

What items should be set out at each actor's station before their arrival?

<p>A performance calendar, a contact sheet, a contact card, and a sharpened pencil (B)</p> Signup and view all the answers

What is one of the primary roles of the director at the beginning of rehearsal?

<p>To discuss production choices and how they affect the audience (C)</p> Signup and view all the answers

What should the stage manager confirm about the rehearsal schedule?

<p>How the schedule will be communicated to the actors (A)</p> Signup and view all the answers

What typically varies between directors regarding the stage manager's involvement during a read through?

<p>Whether the stage manager reads stage directions (C)</p> Signup and view all the answers

What action should the stage manager take to track the duration of the first read through?

<p>Use a stopwatch to time it (B)</p> Signup and view all the answers

During the rehearsal, what is important for the costume designer to do?

<p>Present renderings and detail the design process (B)</p> Signup and view all the answers

Which types of stage directions are generally not read by the stage manager according to most directors?

<p>Directions that affect the way an actor delivers lines (D)</p> Signup and view all the answers

What is a practical reason for the director and stage manager to coordinate before the first read through?

<p>To decide on the level of stage manager involvement (C)</p> Signup and view all the answers

What does the symbol 'x' represent in the blocking notation?

<p>A character moving across the stage (D)</p> Signup and view all the answers

Which symbol represents 'sit' in the blocking notation?

<p>s with a tail pointing down (D)</p> Signup and view all the answers

What should you use for making blocking notations?

<p>A pencil (B)</p> Signup and view all the answers

How does the notation indicate the first move on any page?

<p>Starts with the letter 'a' (B)</p> Signup and view all the answers

Which of the following is not a symbol used in the described blocking notation?

<p>A straight line for pause (C)</p> Signup and view all the answers

What does the curved arrow in the notation signify?

<p>Direction of the character's movement as they face towards (A)</p> Signup and view all the answers

What does the ampersand symbol (&) represent in the initials notation?

<p>Continuation of the movement description (D)</p> Signup and view all the answers

If the first move on a page is character Ben crossing stage right and sitting, how would you denote this?

<p>a b x curved arrow, s with tail, chair symbol (B)</p> Signup and view all the answers

What is the primary responsibility of the stage manager at the end of the meeting?

<p>To summarize the discussion in production meeting notes. (C)</p> Signup and view all the answers

Why is it important for the stage manager to ensure everyone understood the meeting discussions?

<p>To avoid confusion during the production. (D)</p> Signup and view all the answers

How should the stage manager decide on symbols for characters?

<p>By initially using the first letter of the character's name. (C)</p> Signup and view all the answers

What should a stage manager do if there are multiple characters with names starting with the same letter?

<p>Use the first two letters for minor characters. (B)</p> Signup and view all the answers

What is essential to do before adjourning the meeting?

<p>Ensure that the next meeting date is agreed upon. (A)</p> Signup and view all the answers

What aspect of blocking can vary between stage managers?

<p>The way blocking is visually represented in notes. (D)</p> Signup and view all the answers

What might a stage manager do to differentiate between three characters with names starting with 'S'?

<p>Create distinct symbols such as variations of the letter 'S'. (C)</p> Signup and view all the answers

What should be included at the beginning of the script for reference?

<p>A key to translate the notations and symbols used. (B)</p> Signup and view all the answers

What does the notation 'b' signify in the movement description?

<p>It indicates the second move. (B)</p> Signup and view all the answers

How can a cross be indicated if it is made downstage of a chair?

<p>An arrow curving below the chair symbol. (B)</p> Signup and view all the answers

What notation should be added if a new move occurs between two existing moves?

<p>Label it as 'a1' to denote its sequence. (C)</p> Signup and view all the answers

What is indicated by an up arrow above the chair symbol?

<p>The actor moves upstage around the chair. (A)</p> Signup and view all the answers

What does the notation 'abx' signify when describing an actor's movement?

<p>An actor crossing to the right side. (B)</p> Signup and view all the answers

Why is it important to keep a key for symbols used in blocking?

<p>To help with easing the rehearsal process. (B)</p> Signup and view all the answers

How do you know which character is moving in the notation?

<p>The second letter in the notation indicates the character. (D)</p> Signup and view all the answers

What does the 'light slash off' notation imply in the blocking?

<p>The character is turning off the lights. (A)</p> Signup and view all the answers

Flashcards

Pre-Rehearsal Prep

Collaborating with the director to identify production-specific needs like props and costumes, and discussing rehearsal structure.

Actor Communication

Clearly informing actors about the rehearsal schedule and expectations.

First Rehearsal Structure

Often includes a read-through, potentially exploring other activities like research or improvisation.

Actor's Station Setup

Organizing essential materials for actors (calendar, contact sheet, contact card) at designated stations.

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Director/Designer Interaction

Providing time for the director to discuss production choices, and designers to present their designs to the cast.

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Rehearsal Schedule Distribution

Establishing a method, like posting or calling, for actors to receive the rehearsal schedule.

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Stage Directions Read-Through

Determining if and how to read stage directions during the read-through, based on the director's preference.

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Read-Through and Timing

Using a stopwatch to track time during initial read-throughs to understand performance timing.

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Meeting Documentation

Summarizing meeting decisions, questions, and requests and distributing notes to attendees.

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Blocking Notation System

Developing a unique blocking system combining various methods and personal touches.

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Character Symbols in Blocking

Using symbols for each character (e.g., first letter of their name) in blocking notation.

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Blocking Notation Key

Creating a key for symbols used in the script for clarity of blocking notations.

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Symbols for Actions/Objects

Using unique symbols for character actions and objects (e.g., 'x' for cross, 's' for sit).

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Flexibility in Blocking

Recognizing the need for blocking adjustments during rehearsals.

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Supplemental Blocking Notations

Creating a way to indicate extra movements within the blocking notation system.

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Movement Notations and Script

Notating character movements alongside corresponding script references.

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Directional Arrows in Blocking

Using directional arrows to illustrate upstage/downstage movement in relation to stage furniture.

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Dynamic Blocking Key

Maintaining a continuously updated key for symbols and movements, adapting to new directions.

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Evolving Blocking

Tailoring the blocking process based on changes in rehearsals.

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Performance Calendar

A schedule that tracks rehearsal and performance dates.

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Production Meeting Notes

Records of decisions, questions, and requests from production meetings.

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Contact Sheet

A list of contacts for cast and crew.

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Contact Card

A card holding contact information for individuals in a production.

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Sharpened Pencil

A necessary tool for writing during rehearsals.

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Study Notes

Pre-Rehearsal Preparation

  • Collaborate with the director to identify any production-specific needs, such as additional props or costume changes not in the script.
  • Discuss the structure of the first rehearsal, including elements like read-throughs, design presentations, and research time.
  • Confirm any special equipment the director may require, such as a CD player.

Communication with Actors

  • Inform actors of the rehearsal schedule promptly and courteously, establishing yourself as the primary point of contact.
  • Prepare actors for the expectations and format of the rehearsal to create a positive first impression and foster a good working relationship.

First Rehearsal Structure

  • The first rehearsal typically includes a read-through, although some directors may opt for research activities or improvisation during the initial days.
  • Utilize the first rehearsal to solidify team dynamics as actors meet each other and the stage manager.

Actor's Station Setup

  • At each actor's station, organize essential materials: performance calendar, contact sheet, contact card, and sharpened pencil for ease of access.

Director and Designer Interaction

  • Allow the director ample time to discuss the production choices and artistic vision with the entire team.
  • Designers should present their designs, explaining the rationale behind their choices to the cast.

Rehearsal Schedule Distribution

  • Clarify how actors will receive the rehearsal schedule, ensuring communication methods are established for posting or calling.

Stage Directions and Read-Throughs

  • Discuss with the director about reading stage directions during the read-through; preferences vary with some directors wanting all and others preferring just key directions.
  • Use a stopwatch to track time, as initial read-throughs often reflect close performance time.

Meeting Documentation

  • Compile and summarize all decisions, questions, and requests from production meetings into production meeting notes to distribute to attendees.
  • Ensure the next meeting's date is established before concluding each meeting.

Blocking Notation Techniques

  • Develop a personalized blocking notation system, combining various methods learned from others with original ideas.
  • Use symbols for each character, typically the first letter of their name, adapting as necessary for similar initials.
  • Create a key for symbols in the script for clarity in notation.

Specific Symbols for Blocking

  • Implement unique symbols for actions and objects; for example:
    • "x" for crossing the stage, "s" with a tail for sit, "r" for rise, chair and table symbols for furniture.
  • Document blocking notations side-by-side with the text to maintain consistency and context of character movements.

Flexibility in Blocking

  • Recognize that blocking is not static; adjustments can and should be made as needed during rehearsals.
  • Create a method to indicate supplemental movements within your existing notation system (e.g., using "a1" for an added move).

Detailed Movement Notations

  • Structure notations to reflect character movements in tandem with script references, ensuring clarity and ease of adjustments.
  • Use directional arrows to denote upstage/downstage movements in relation to furniture placements.

Continual Development of Symbols

  • Keep a dynamic key for symbols and movements, allowing for easy updates as new directions are introduced during rehearsals.
  • Tailor the blocking process based on the evolving dynamics of the rehearsal, adapting symbols and notation techniques to suit the production's needs.

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Description

This quiz explores the key considerations for working with a director on a play. You'll discuss special needs for the production, rehearsal structuring, and integrating design elements into your preparation. Understanding these dynamics is essential for a successful theatrical experience.

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