Philippine Folk Dance Chapters 5 & 6

Behaviors that enhance folk dancing, like natural movement and proper costumes.

Behaviors to avoid in folk dancing, including exaggerated steps and gracefulness like ballet.

A bow performed at the beginning and end of a dance.

A dance move where one arm is in front and the other at the back.

A hip movement in dance involving knee bending and weight transfer.

Informal dances for enjoyment at social gatherings, like weddings or nightclubs.

A polite gesture bowing or curtsying to acknowledge your dance partner.

The creative process of designing a dance routine by combining steps and patterns.

A traditional dance from common people, passed down generations to reflect culture.

Community members taking part without formal training, emphasizing inclusivity.

Promotes patriotism, cultural appreciation, and physical well-being.

Pioneer in researching and promoting Philippine folk dance.

Categorized as National, Regional, and Character dances based on origin and performance context.

Influenced by geography, economy, climate, and historical context affecting style and costume.

Folk dances are classified as National or Local based on their geographic roots.

Folk dances can serve various purposes like occupational, religious, comic, and game-related activities.

Partners face each other, man's hand on woman's waist, and woman's hand on man's shoulder.

Partners stand side by side, facing the same direction, with woman's hand on man's waist and shoulder.

Partners stand side by side, holding hands in front and facing the same direction.

Guidelines to ensure enjoyable dancing for everyone, like maintaining posture and adapting to your partner.

Stand upright with weight over the balls of your feet for a light and quick appearance.

Different traits exhibited on the dance floor, like Overconfident or Shy dancers.

Dances like Slow Waltz or Tango, performed counter-clockwise in a smooth style.

Dances with rhythmic and percussive movements, performed with Latin music.