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Questions and Answers
What was the transformation of contracts experienced by European musicians in the 18th century, and how did it relate to their patrons?
What was the transformation of contracts experienced by European musicians in the 18th century, and how did it relate to their patrons?
Their contracts transformed from a relation of domesticity to one of exchange.
What were the key characteristics of the ideal cultural producer in the new musical system?
What were the key characteristics of the ideal cultural producer in the new musical system?
A musician who could measure and serve the public's taste, exercise a keen business sense, and possess supreme adaptability.
How did the emergence of the upper and middle classes impact the music industry?
How did the emergence of the upper and middle classes impact the music industry?
They paved the way for the commodification of music, determining the direction of production, distribution, and consumption.
What was the difference between producing music in a market-driven economy versus writing for a patron in the feudal era?
What was the difference between producing music in a market-driven economy versus writing for a patron in the feudal era?
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What types of music proliferated in the late 19th century due to the new market-driven economy?
What types of music proliferated in the late 19th century due to the new market-driven economy?
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What was the impact of the shift from patronage to market-driven music on indigenous musicians?
What was the impact of the shift from patronage to market-driven music on indigenous musicians?
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How did the capitalist system influence the concept of musical labour and performances?
How did the capitalist system influence the concept of musical labour and performances?
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Why were organizations formed to support musical performances?
Why were organizations formed to support musical performances?
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What role did the rising culturally supportive elite and middle-class play in the formation of organizations?
What role did the rising culturally supportive elite and middle-class play in the formation of organizations?
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How did the shift from patronage to market-driven music impact indigenous musicians?
How did the shift from patronage to market-driven music impact indigenous musicians?
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What is the purpose of patrons giving to cultural organizations?
What is the purpose of patrons giving to cultural organizations?
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What is the result of the coordination of collaboration among patrons to support cultural organizations?
What is the result of the coordination of collaboration among patrons to support cultural organizations?
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What was the primary reason for musicians to organize themselves and establish relations with a new kind of patronage system?
What was the primary reason for musicians to organize themselves and establish relations with a new kind of patronage system?
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What are some examples of 'forces of production' mentioned in the text?
What are some examples of 'forces of production' mentioned in the text?
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What kind of businesses did peninsulares establish in Manila during the 19th century?
What kind of businesses did peninsulares establish in Manila during the 19th century?
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What services did music shops in Manila offer during the late 19th century?
What services did music shops in Manila offer during the late 19th century?
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What was the cultural impact of the rise of middle-class cultural institutions like theatres and music shops?
What was the cultural impact of the rise of middle-class cultural institutions like theatres and music shops?
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How did the shift from a patronage system to a market-driven music economy affect indigenous musicians?
How did the shift from a patronage system to a market-driven music economy affect indigenous musicians?
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