Podcast
Questions and Answers
Which of the following statements accurately reflects the relationship between Mewar painting style and subsequent styles?
Which of the following statements accurately reflects the relationship between Mewar painting style and subsequent styles?
- The Mewar style was only prominent during the reign of Maharana Kumbha with no influence after his death.
- The Mewar style saw a decline, leading to the rise of completely new and unrelated painting styles.
- The Nathdwara style is a completely independent style that emerged without influence from Mewar.
- The Nathdwara style represents another significant phase of the Mewar style. (correct)
During whose reign did the Mewar painting style experience its golden age, marked by significant developments in miniature paintings?
During whose reign did the Mewar painting style experience its golden age, marked by significant developments in miniature paintings?
- Maharana Jai Singh (महाराणा जयसिंह)
- Maharana Kumbha (महाराणा कुंभा )
- Maharana Jagat Singh I (महाराणा जगतसिंह प्रथम) (correct)
- Maharana Udai Singh (महाराणा उदयसिंह)
What is a key distinguishing feature of paintings produced in the Nathdwara style?
What is a key distinguishing feature of paintings produced in the Nathdwara style?
- Emphasis on hunting scenes and royal processions.
- Exclusive use of natural dyes and earth tones.
- Elaborate depictions of courtly life and Mughal influence.
- Large-sized cloth hangings ('Pichwai') with decorations behind the idol of Shrinathji. (correct)
Which of the following most accurately describes the subjects commonly depicted in the Nathdwara painting style?
Which of the following most accurately describes the subjects commonly depicted in the Nathdwara painting style?
Who among the following was NOT a prominent painter during the reign of Jagat Singh I, a period known as the golden age of Mewar painting?
Who among the following was NOT a prominent painter during the reign of Jagat Singh I, a period known as the golden age of Mewar painting?
What observation did Al-Biruni make regarding the 'Kalila Damna'?
What observation did Al-Biruni make regarding the 'Kalila Damna'?
Which of the following characteristics is LEAST likely to be found in the depiction of women in the Mewar painting style?
Which of the following characteristics is LEAST likely to be found in the depiction of women in the Mewar painting style?
What type of building was established by Jagat Singh I in Udaipur to promote painting?
What type of building was established by Jagat Singh I in Udaipur to promote painting?
What typically characterizes the depiction of men in the Mewar painting style?
What typically characterizes the depiction of men in the Mewar painting style?
Which of the following colors is LEAST likely to be prominently featured in Mewar style paintings?
Which of the following colors is LEAST likely to be prominently featured in Mewar style paintings?
Flashcards
1426 CE 'Kalpasutra'
1426 CE 'Kalpasutra'
The earliest known painting of Mewar style, featuring Dhansar as the artist.
Maharana Kumbha's Reign
Maharana Kumbha's Reign
Considered the golden age of Rajasthani arts, during the reign of Maharana Kumbha.
"Chiteron ki Orvi"
"Chiteron ki Orvi"
A school of painting established in Udaipur's Royal Palace by Jagat Singh I.
Paintings in Nathdwara Style
Paintings in Nathdwara Style
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Panchatantra
Panchatantra
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Kalila Damna
Kalila Damna
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Main Theme of Mewar Style
Main Theme of Mewar Style
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Male Figures in Mewar Style
Male Figures in Mewar Style
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Female Figures in Mewar Style
Female Figures in Mewar Style
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Origin of Nathdwara Style
Origin of Nathdwara Style
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Study Notes
Mewar Style
- A prominent style of painting, considered one of the earliest styles
Key Facts
- The 'Kalpasutra' text (1426 AD) by painter Dhansar is notable
- Douglas Barrett and Basil Grey consider the original form of Mewar style to be in 'Chaur Panchashika,' painted in Pratapgarh in 1540 AD
- The reign of Maharana Kumbha is considered the golden age of arts in Rajasthan, and Kumbha is known as the 'father of painting in Rajasthan'
- Paintings from the time of Maharana Udai Singh, like the 'Parijat Avataran' (1540 AD) of Bhagwat Purana, are creations by the Mewar painter Nanaram
- The golden age of Mewar style of miniature painting is during the time of Maharana Jagat Singh I (1628-1652 AD)
- During this time, Ragmala (1628), Rasik Priya (1628-30), Geetgovind (1629), Bhagwat Purana (1648 AD, by Sahibdin), Ramayan (1649, by Manohar), and Arsh Ramayan (1649-1653, by Sahibdin) were created
- Mughal style influenced Mewar style for the first time in this period
- Key painters during Jagat Singh's time were Nasiruddin, Sahibdin, and Manohar
- Jagat Singh I established the 'Chiteron ki Ovari' (Picture Gallery) school of painting in the Udaipur royal palace
- Miniature paintings were produced more during the reign of Maharana Jai Singh (1680-1698 AD)
- 40 miniature paintings of 'Rasik Priya' are noteworthy in the paintings created during the time of Maharana Amar Singh II (1698-1710 AD)
- Paintings based on Geetgovind, Bihari Satsai, Sundar Shringar, Mulla Do Pyaza ke Latife, and Kalila Damna texts are prominent during the reign of Maharana Sangram Singh II (1710-34 AD)
- 'Nuruddin' was the main painter of this period who created paintings based on 'Panchatantra' (Kalila Damna)
Panchatantra
- Composed by Vishnu Sharma
- Kalila Damna, Anware-Suheli, Ayare Danish are all translated versions of Panchatantra
- The Persian translation of Panchatantra is 'Anware Suheli' by Mulla Hussain Vaiz Kashifi, and Abul Fazal translated it as 'Ayare Danish'
- Kalila Damna is a symbolic story with two characters, two jackals named Kalila and Damna, where Kalila is simple and Damna is cunning
- Based on Kalila Damna, the illustrated book was first published in Baghdad in 1258 AD
- Al-Biruni first discovered that Kalila is a translation of Panchatantra
Mewar Style Details
- Main theme includes devotion to Krishna
- Main texts include Sursagar, Geetgovind, Bihari Satsai, Bhagwat Purana, Madhu-Malati, Rasik Priya, Kavi Priya, Ramayana, Kadambari, Nal Damyanti, with detailed depictions of devotion to Krishna
- Other painters from the time include Sahibdin, Nasiruddin, Nuruddin, Kripa Ram, Bhairuram, Manohar, Shyobaks, Jivaram, Umra, Rampratap, Nayanachandra, Shivdayal
- Mewar style has the largest collection of texts in painting styles
- Udaipur's Government Museum has an enormous collection of Mewar painting style pictures
- The main image of Mewar painting style, 'Ragmala painting,' is preserved in the Delhi Museum
Mewar Style Characteristics
- Men are depicted with full faces, large eyes, open lips, short necks, and short stature, wearing a Udaipuri turban and long scarf
- Women are portrayed with simplicity, lotus-like, with mina-like eyes, straight long noses, full double chins, short stature, dressed in traditional Rajasthani attire with lugdi-ghagra and kanchuki
- Main animals and birds featured are elephants and chakors
- The main tree depicted is the kadamba tree
- Main colors used are red (with red and black on the edges), along with yellow, green, blue, and white
Nathdwara Style
- Nathdwara style originated during the time of Mewar Maharana Raj Singh in 1672 AD with the establishment of the idol of Shrinath in Sihada village (Nathdwara)
- The second major phase of Mewar style is seen in Nathdwara style
- Nathdwara is the main center in India, famous for the Pushtimarg sect
- This style is a combination of Udaipur and Brij styles
- The unique contribution of Nathdwara style is the paintings made on large cloth screens behind the idol of Shrinath, known as 'Pichhwais'
- Depicted Childhood pastimes of Krishna, pictures of Krishna-Yashoda, Nand, cowherd boys, Yashoda, Gopis, Govardhan mountain, idols of Shrinathji, delightful depictions of cows, gods in the sky, dense vegetation in the background, banana trees, and saints of the Vallabh sect
- Main paintings include Kadambari, Panchatantra, Malti Madhav, Ekadashi Mahatya, Prithviraj Ri Vel
- The golden age of this style was during the reign of Maharana Raj Singh
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