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Questions and Answers
Who are the likely authors of La Celestina, and what technique is suggested to explain the work's origin?
Who are the likely authors of La Celestina, and what technique is suggested to explain the work's origin?
The likely authors are Rodrigo de Cota or Juan de Mena for Act I, and Fernando de Rojas for the rest. The work's origin is suggested to involve the 'manuscript found' technique.
What were the major changes between the first version of La Celestina and the second version?
What were the major changes between the first version of La Celestina and the second version?
The major changes include lengthening the love story and introducing a new plot involving the revenge of Celestina's pupils.
How does the structure of La Celestina differ from traditional theater, and why is it significant?
How does the structure of La Celestina differ from traditional theater, and why is it significant?
La Celestina's structure is entirely dialogue-based without a narrator, and its excessive length suggests it was meant for reading rather than performance. This significance points to its novelistic qualities.
What genre does La Celestina represent, combining elements of theater and novel?
What genre does La Celestina represent, combining elements of theater and novel?
In what academic tradition is La Celestina situated, and what influences does it reflect?
In what academic tradition is La Celestina situated, and what influences does it reflect?
What does the term 'tragicomedia' imply about the nature of La Celestina compared to other works?
What does the term 'tragicomedia' imply about the nature of La Celestina compared to other works?
What is one reason La Celestina is considered a pivotal point in Spanish literature?
What is one reason La Celestina is considered a pivotal point in Spanish literature?
How does La Celestina's depiction of the domestic world differ from that of sentimental fiction?
How does La Celestina's depiction of the domestic world differ from that of sentimental fiction?
Flashcards
Comedia
Comedia
The first version of La Celestina, consisting of 16 acts, published around 1499.
Tragicomedia
Tragicomedia
The second version of La Celestina, containing 21 acts, published around 1502.
Manuscript Found Technique
Manuscript Found Technique
A literary technique where an author claims to have found a previously existing manuscript, which they then continue or reinterpret.
Dialogue-Based Structure
Dialogue-Based Structure
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Cantigas
Cantigas
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Novella Dialogada
Novella Dialogada
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Sentimental Fiction
Sentimental Fiction
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Comedia Humanistica
Comedia Humanistica
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Study Notes
La Celestina - Author and Composition
- Rojas claimed to have found an anonymous first act, deciding to continue it due to its quality
- The formal elements and exemplary nature of the first act
- The work likely has dual authorship (Rodrigo de Cota/Juan de Mena and Fernando de Rojas) due to linguistic differences
- The first version, titled "Comedia," had 16 acts and appeared around 1499
- The second version, "Tragicomedia," had 21 acts and was published around 1502
- Significant differences exist between versions: the first version had a shorter love story with a quick death, while the second version had a longer and delayed relationship and a revenge plot
- The play's structure is entirely dialogue-based (no narrator), leading to a dramatic structure (monologue, aside), similar to a play.
La Celestina - Genre
- The structure suggests a possible theatrical nature, but extensiveness suggests a written version meant to be read aloud rather than performed
- Its richness and plot complexity place it more closely with the novel genre, particularly with sentimental fiction
- The work shows a modern and domestic setting, unlike the idealized scenarios in sentimental fiction
- It's rooted in humanist comedy, a popular genre of the 15th century, inspired by the work of Plautus and Terence, though written in Spanish
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Description
Explore the complexities behind the creation of 'La Celestina,' focusing on its dual authorship and structural differences between the first and second versions. Delve into the significance of its dialogue-based format and its impact on the genre of literature during the late 15th century.
