Italian Renaissance Art

Parmigianino worked in the Mannerist style, characterized by elongated forms, exaggerated poses, and dramatic use of color.

The church of San Lorenzo was the Medici family church, serving as their parish church and burial site.

Pontormo's Pietà was painted in the Mannerist style, known for its emotional intensity and distortion of figures.

The Uffizi was built to house the bureaucracies of the Medici, showcasing their power and control.

In addition to scenic vistas, the Boboli Gardens were often a stage setting for ducal events, displaying Medici wealth and power.

When Bologna created The Rape of the Sabine Women, he had no specific theme in mind, allowing viewers to interpret its meaning.

Michelangelo's The Last Judgment was commissioned by Pope Paul III, reflecting the Church's reform efforts.

The Palazzo del Te is located outside the city of Mantua, serving as a pleasure palace for the Gonzaga family.

The meaning of the monogram in Anguissola's Self-Portrait refers to the artist's father, honoring his support.

The Street-level arcade of the Library of St. Mark's in Venice was inspired by the Colosseum.

Palladio's Church of San Giorgio Maggiore is located in Venice, showcasing his classical architectural style.

Titian's Venus of Urbino was commissioned by the duke of Urbino, as a symbol of wealth.

Images such as Titian's Rape of Europa were referred to as poesie, meaning mythological paintings.

The title of Veronese's The Feast in the House of Levi was changed by the artist after being summoned by the religious tribunal of the Inquisitor.

In The Last Supper the artist, Titoretto, was especially concerned with making visible the miracle of the Eucharist, emphasizing its divine nature.