Islamic Influence on Philippine Art

Study Notes

Islamic Influence in the Philippines

Islam established a presence in the Southern Philippines by the 13th century.
In the 15th century, Sultan Abbubakar of Arabia expanded Islamic influence by marrying Princess Piramisuli, daughter of Rajah Baguinda.
After Rajah Baguinda's death, Sultan Abbubakar founded the Sultanate of Sulu.
He initiated the Madrasa, a religious school promoting Arabic literacy and the spread of Islam.
Sultan Abbubakar also constructed mosques for communal prayer and religious gatherings.

Key Beliefs of Islam in Art

Tawhid (Unity of God): Highlights the importance of the Divine and the transient nature of the material world.
Islamic art often features geometric patterns in mosques, deliberately avoiding human forms to foster contemplation of the Divine.
The art employs abstract forms rather than religious icons to encourage mental focus and spiritual reflection.
Ummah (Community of Believers): Mosques are oriented towards Mecca, symbolizing unity with the global Muslim community.

Interaction with Folk Art

Islamic influences coexist with the remnants of pre-conquest Folk Art, especially in motifs and decorative designs.
Common motifs include Okir/Ukkil, Naga/Serpent, Paco Rabong/Fern, Sarimanok, Sarifish, and the luhul (canopy), many depicting the Tree of Life.
The design of the Torogan incorporates these motifs, showcasing a blend of Islamic and indigenous elements.

Cultural Representation

The Pangalay folk dance reflects fluid movements that symbolize natural elements, drawing a connection to the environment and cultural heritage.

Description

Explore how Islamic beliefs shaped the evolution of art in the Philippines before Spanish colonization. This quiz delves into the core aspects of Islamic influence on artistic creation and interpretation, as well as the relationship between folk art and Islamic aesthetics. Gain insights into the historical context of Islam's impact on Philippine culture.