The Rise of Rock and Roll in the 1950s

Rock and roll dominated popular music in the mid 1950s and late 1950s, and quickly spread to much of the rest of the world.
Rock and roll's immediate origins lay in a mixing together of various black musical genres of the time, including rhythm and blues and gospel music; with country and western and Pop.
In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, and is credited with first using the phrase "rock and roll" to describe the music.
Rock and roll forerunners in the popular music field included Johnnie Ray, The Crew-Cuts, The Fontane Sisters, and Les Paul and Mary Ford.
Rock and roll became more popular in the 1950s as teenagers began dancing in the aisles to its music.
Elvis Presley, who began his career in the mid-1950s, was the most successful artist of the popular sound of rock and roll.
Elvis popularized the four-man group and also brought the guitar to become the lead instrument in rock music.
Presley popularized rockabilly, a genre that combined country with rhythm and blues which some claimed it was a new sound.
Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis, Big Joe Turner, and Gene Vincent released the initial rhythm and blues-influenced early rock and roll hits.
Pat Boone became one of the most successful artists of the 50s with his heavily Pop-influenced "covers" of R&B hits like "Two Hearts, Two Kisses (Make One Love)", "Ain't That a Shame", and "At My Front Door (Crazy Little Mama)".
Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis, and Big Joe Turner are considered to be the fathers of rock and roll.
Rock and roll became more mainstream in the 1950s as teenagers began dancing in the aisles to its music.
Rock and roll emerged as a popular genre in the 1950s and its popularity grew throughout the decade.
Teen idols like Bobby Darin, Ricky Nelson, Frankie Avalon, Paul Anka, Neil Sedaka, Bobby Rydell, Connie Francis, and Fabian Forte were popular during the 1950s.
Some commentators have perceived the 1950s as the decline of rock and roll because of the deaths of Buddy Holly, The Big Bopper, and Ritchie Valens in a tragic plane crash, and Elvis Presley's departure for the army.
Rock and roll continued to be popular throughout the 1950s and spawned a number of distinct subgenres including rockabilly.
Classic pop dominated the charts throughout the 1950s and its popularity was based on the song's story and/or the emotion being expressed.
Pop music played a significant role in the development of rock 'n' roll as well: Frankie Laine's 1949 hits, "That Lucky Old Sun (Just Rolls Around Heaven All Day)" and "Mule Train", were still riding high on the charts when the decade began. Johnnie Ray had a long run of hits in the early half of the decade, often backed by The Four Lads, including: "Cry", "The Little White Cloud That Cried", "Walking My Baby Back Home", "Please, Mr. Sun", and "Just Walkin' in the Rain".
Other major stars in the early 1950s included Frank Sinatra ("Young at Heart", "Three Coins in the Fountain", "Witchcraft"), Tony Bennett ("Cold, Cold Heart", "Because of You", "Rags to Riches"), Kay Starr ("Bonaparte's Retreat", "Wheel of Fortune", "Rock and Roll Waltz"),[9] Rosemary Clooney ("Come On-a My House", "Mambo Italiano", "Half as Much", "This Ole House"), Dean Martin ("That's Amore", "Return to Me", "Sway"), Georgia Gibbs ("Kiss of Fire", "Dance With Me, Henry", "Tweedle Dee"), Eddie Fisher ("Anytime", "Wish You Were Here", "Thinking of You", "I'm Walking Behind You", "Oh! My Pa-Pa", "Fanny"), Teresa Brewer ("Music! Music! Music!", "Till I Waltz Again With You", "Ricochet(Rick-O-Shay)"), Doris Day ("Secret Love", "Whatever Will Be Will Be (Que Sera Sera)", "Teacher's Pet"), Guy Mitchell ("My Heart Cries for You", "The Roving Kind", "Pittsburgh, Pennsylvania", "Singing the Blues"), Bing Crosby ("Play a Simple Melody with son Gary Crosby, "True Love with Grace Kelly), Dinah Shore ("Lavender Blue"), Kitty Kallen ("Little Things Mean a Lot"), Joni James ("Have You Heard", "Wishing Ring", "Your Cheatin' Heart"), Peggy Lee ("Lover", "Fever"), Julie London ("Cry Me a River"), Toni Arden ("Padre"), June Valli ("Why Don't You Believe Me"), Arthur Godfrey ("Slowpoke"), Tennessee Ernie Ford ("Sixteen Tons"), Les Paul and Mary Ford ("Vaya Con Dios", "Tiger Rag"), and vocal groups like The Mills Brothers ("Glow Worm"), The Weavers "(Goodnight Irene"),[7] The Four Aces ("Love Is a Many-Splendored Thing", "(It's No) Sin"), The Chordettes ("Mister Sandman"), Fontane Sisters ("Hearts of Stone"), The Hilltoppers ("Trying", "P.S. I Love You"),
In 1951, Little Richard Penniman began recording for RCA Records in the late-1940s jump blues style of Joe Brown and Billy Wright.
It wasn't until he prepared a demo in 1954, that caught the attention of Specialty Records, that the world would start to hear his new, uptempo, funky rhythm and blues.
A rapid succession of rhythm-and-blues hits followed, beginning with "Tutti Frutti" and "Long Tall Sally", which would influence performers such as James Brown, Elvis Presley, and Otis Redding.
At the urging of Leonard Chess at Chess Records, Chuck Berry had reworked a country fiddle tune with a long history, entitled "Ida Red". The resulting "Maybellene" was not only a #3 hit on the R&B charts in 1955, but also reached into the top 30 on the pop charts.
Stax Records was founded in 1957 as Satellite Records. The label was a major factor in the creation of the Southern soul and Memphis soul styles.
In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke's Sar, and Berry Gordy's Motown Records.
Blues had a huge influence on mainstream American popular music in the 1950s with the enthusiastic playing styles of popular musicians like Bo Diddley and Chuck Berry, departed from the melancholy aspects of blues and influenced Rock and roll music.
Ray Charles and Fats Domino help bring blues into the popular music scene. Domino provides a boogie-woogie style that heavily influences rock 'n' roll.
Big Mama Thornton records the original version of "Hound Dog".
Country music stars in the early 1950s included Hank Williams, Patsy Cline, Bill Monroe, Eddy Arnold, Gene Autry, Tex Ritter, Jim Reeves, Tennessee Ernie Ford, Chet Atkins and Kitty Wells.
Wells' 1952 hit "It Wasn't God Who Made Honky Tonk Angels" became the first single by a solo female artist to top the U.S. country charts. "It Wasn't God ... " was a landmark single in several ways; it began a trend of "answer" songs, or songs written and recorded in response to (or to counterpoint) a previously popular song – in this case, "The Wild Side of Life" by Hank Thompson – and for Wells, began a trend of female singers who defied the typical stereotype of being submissive to men and putting up with their oft-infidel ways, both in their personal lives and in their songs.
Early in the decade, the honky-tonk style dominated country music, with songs of heartbreak, loneliness, alcoholism and despair the overriding themes.