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Questions and Answers
What does the term 'form' refer to in the context of film, according to the excerpt?
What does the term 'form' refer to in the context of film, according to the excerpt?
What is the primary focus of formalist film theory?
What is the primary focus of formalist film theory?
How do formalists view the film screen?
How do formalists view the film screen?
What filmmaking technique is emphasized as central to formalist theory?
What filmmaking technique is emphasized as central to formalist theory?
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What is 'intellectual montage' as described in the excerpt?
What is 'intellectual montage' as described in the excerpt?
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According to the excerpt, what is the primary goal of film, from a realist perspective?
According to the excerpt, what is the primary goal of film, from a realist perspective?
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Which of the following statements is MOST ACCURATE about the difference between formalist and realist theories?
Which of the following statements is MOST ACCURATE about the difference between formalist and realist theories?
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Which of the following BEST describes the metaphor used in the excerpt to represent the film screen?
Which of the following BEST describes the metaphor used in the excerpt to represent the film screen?
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Which of the following accurately reflects the professor's definition of 'film theory' in this class?
Which of the following accurately reflects the professor's definition of 'film theory' in this class?
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What is the fundamental tenet of Formalism?
What is the fundamental tenet of Formalism?
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What differentiates Sergei Eisenstein's montage from other filmmakers?
What differentiates Sergei Eisenstein's montage from other filmmakers?
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What does Dziga Vertov's concept of 'Kino-Eye' refer to?
What does Dziga Vertov's concept of 'Kino-Eye' refer to?
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What is 'indexicality' within the context of film theory?
What is 'indexicality' within the context of film theory?
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What does Andre Bazin's concept of the 'mummy complex' refer to?
What does Andre Bazin's concept of the 'mummy complex' refer to?
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How do Andre Bazin and Siegfried Kracauer differ in their perspectives on realism?
How do Andre Bazin and Siegfried Kracauer differ in their perspectives on realism?
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According to Bela Balazs, what makes the close-up of a face so significant in cinema?
According to Bela Balazs, what makes the close-up of a face so significant in cinema?
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What is the main idea behind 'photogénie', as described in the text?
What is the main idea behind 'photogénie', as described in the text?
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What is the primary difference between a 'long take' and a 'montage' in filmmaking?
What is the primary difference between a 'long take' and a 'montage' in filmmaking?
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What is the key role of conflict in Sergei Eisenstein's theory of dialectical montage?
What is the key role of conflict in Sergei Eisenstein's theory of dialectical montage?
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What is the significance of the "window" metaphor as it applies to realist filmmaking?
What is the significance of the "window" metaphor as it applies to realist filmmaking?
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Based on Eisenstein's theory, how does the use of editing in dialectical montage function?
Based on Eisenstein's theory, how does the use of editing in dialectical montage function?
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What does 'ontology' refer to in the text?
What does 'ontology' refer to in the text?
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Which of the following best illustrates the concept of 'photogénie' based on the text?
Which of the following best illustrates the concept of 'photogénie' based on the text?
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What is the primary difference between how realists and montage filmmakers view the role of editing?
What is the primary difference between how realists and montage filmmakers view the role of editing?
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What is the main difference between naturalistic acting and method acting, according to the provided text?
What is the main difference between naturalistic acting and method acting, according to the provided text?
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What did Stanislavsky aim to achieve through his "grammar of acting"?
What did Stanislavsky aim to achieve through his "grammar of acting"?
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What does Stanislavsky suggest about the actor's presence on stage?
What does Stanislavsky suggest about the actor's presence on stage?
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According to James Naremore, what significant shift has occurred in acting since the late 19th century?
According to James Naremore, what significant shift has occurred in acting since the late 19th century?
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Which of these is NOT a key element that Stanislavsky sought to develop in actors?
Which of these is NOT a key element that Stanislavsky sought to develop in actors?
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Which of these is a characteristic of method acting, as described in the text?
Which of these is a characteristic of method acting, as described in the text?
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What is the primary distinction between method acting and traditional naturalistic acting?
What is the primary distinction between method acting and traditional naturalistic acting?
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What is Stanislavsky's main contribution to acting techniques?
What is Stanislavsky's main contribution to acting techniques?
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What makes a close-up of a face unique, according to Bela Balazs?
What makes a close-up of a face unique, according to Bela Balazs?
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According to Balazs, what is the primary effect of a close-up on the viewer?
According to Balazs, what is the primary effect of a close-up on the viewer?
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What does Balazs mean when he says, "Good close-ups are lyrical; it is the heart, not the eye, that has perceived them."?
What does Balazs mean when he says, "Good close-ups are lyrical; it is the heart, not the eye, that has perceived them."?
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How does Balazs relate the concept of close-ups to the idea of fetishism?
How does Balazs relate the concept of close-ups to the idea of fetishism?
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What does Balazs say about the role of a close-up in relation to human alienation?
What does Balazs say about the role of a close-up in relation to human alienation?
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Balazs argues that close-ups can reveal "hidden things". What does this reference?
Balazs argues that close-ups can reveal "hidden things". What does this reference?
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According to Balazs, what does the close-up reveal about the subject that cannot be seen from a distance?
According to Balazs, what does the close-up reveal about the subject that cannot be seen from a distance?
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How do the mechanical eye and the human eye differ in their approach to capturing reality?
How do the mechanical eye and the human eye differ in their approach to capturing reality?
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What is the main idea expressed by the quote "The eye is subordinated to the will of the film-camera and directed by it onto those consecutive moments of action, which in the briefest and clearest way lead the cinema-phrase to the heights or depths of resolution." ?
What is the main idea expressed by the quote "The eye is subordinated to the will of the film-camera and directed by it onto those consecutive moments of action, which in the briefest and clearest way lead the cinema-phrase to the heights or depths of resolution." ?
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What is the key concept that connects Vertov's vision of film and the concept of indexicality in photography?
What is the key concept that connects Vertov's vision of film and the concept of indexicality in photography?
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How does the term "indexicality" relate to the concept of a photograph as a "fingerprint"?
How does the term "indexicality" relate to the concept of a photograph as a "fingerprint"?
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What is the main difference between iconic signs and indexical signs, as defined by Peirce?
What is the main difference between iconic signs and indexical signs, as defined by Peirce?
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Based on the text, which of the following would Vertov likely consider a violation of the principles of film?
Based on the text, which of the following would Vertov likely consider a violation of the principles of film?
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How does Bazin's understanding of analog photography relate to the concept of indexicality?
How does Bazin's understanding of analog photography relate to the concept of indexicality?
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What is the main point Bazin emphasizes about analog photography?
What is the main point Bazin emphasizes about analog photography?
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Flashcards
Film Theory Definition
Film Theory Definition
Reflections on the cinematic medium rather than analysis of specific films.
Basic Tenets of Formalism
Basic Tenets of Formalism
Focus on a film's form or structure as primary to its meaning.
Sergei Eisenstein
Sergei Eisenstein
He emphasized montage as a way to create meaning through editing.
Dziga Vertov
Dziga Vertov
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Indexicality
Indexicality
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Mummy Complex
Mummy Complex
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André Bazin vs. Siegfried Kracauer
André Bazin vs. Siegfried Kracauer
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Close-Up Importance
Close-Up Importance
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Ontologically defined
Ontologically defined
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Realists' view of cinema
Realists' view of cinema
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Long take
Long take
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Photogénie
Photogénie
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Montage
Montage
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Dialectical montage
Dialectical montage
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Conflict in Eisenstein's montage
Conflict in Eisenstein's montage
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Collision of ideas
Collision of ideas
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Form in Film
Form in Film
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Formalism
Formalism
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Film as a Canvas
Film as a Canvas
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Film Editing
Film Editing
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Soviet Montage
Soviet Montage
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Intellectual Montage
Intellectual Montage
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Expressive Screen
Expressive Screen
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Realism in Cinema
Realism in Cinema
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Vertov's belief
Vertov's belief
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The mechanical eye
The mechanical eye
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Causal relationship in photography
Causal relationship in photography
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Charles Sanders Peirce
Charles Sanders Peirce
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Iconic signs vs. indexical signs
Iconic signs vs. indexical signs
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Mechanical reproduction
Mechanical reproduction
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Bazin's view on analog photography
Bazin's view on analog photography
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Close-Up Definition
Close-Up Definition
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Significance of Close-Up
Significance of Close-Up
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Fetishism in Close-Ups
Fetishism in Close-Ups
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Balazs' Tender Attitude
Balazs' Tender Attitude
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Human Face Discovery
Human Face Discovery
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Lyrical Quality of Close-Ups
Lyrical Quality of Close-Ups
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Alienation and Connection
Alienation and Connection
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Exploration of Hidden Things
Exploration of Hidden Things
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Method acting
Method acting
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Lee Strasberg
Lee Strasberg
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Constantine Stanislavsky
Constantine Stanislavsky
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Actor's tools
Actor's tools
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Concentration in acting
Concentration in acting
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Psychological performance
Psychological performance
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Daniel Day-Lewis
Daniel Day-Lewis
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Grammar of acting
Grammar of acting
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Study Notes
Film Theory Definitions
- Professor defines film theory for the course, emphasizing its broad overview of cinematic analysis. It's about how filmmakers, critics and scholars view cinema, its strengths, and its limitations.
Formalism
- Formalism prioritizes film form and style over content.
- Formalists focus on how films are constructed, not what the film is about.
- Film is treated as a "canvas," a space to manipulate and create meaning rather than merely record reality.
- Key element of Formalism: Editing techniques.
Realism
- Realists believe film should replicate reality.
- Film should portray events and characters as they occur, capturing time and space.
- Long takes and continuity editing are valued to create a realistic flow within a scene.
- Realists value the film as a "window" into the world.
Sergei Eisenstein
- Eisenstein's theory of montage, which views editing as a method to create conflict and ideas, resulting from the collision between shots and creating meaning.
- He emphasized editing's impact on creating particular emotions.
Dziga Vertov
- Vertov championed the "kino-glaz" (film-eye) concept.
- He believed the camera could see the world in ways humans couldn't, capturing reality in a unique and groundbreaking way.
- His primary concern was that the camera captures reality in a distinct way.
Method Acting
- Method acting emphasizes a performer’s full immersion into a character's psychology and emotions.
- Actors try to embody the character deeply to connect with the audience authentically.
Indexicality
- Indexicality in photography refers to a direct relationship between the image and the object photographed.
- The image captures a trace of the subject.
Mummy Complex
- Bazin suggests that humans are motivated to record reality in art forms due to the desire to counteract reality's decay and preservation.
Bela Balazs
- Balazs argues that close-ups isolate parts of the face or body, detaching them from the world the viewer is familiar with .
- Emphasises how unique close-ups of faces, detached from everyday context, affect viewers emotionally.
Passion of Joan of Arc
- Students should be familiar with the film, including its techniques.
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Description
Explore the foundational concepts of film theory, focusing on Formalism and Realism. Understand how filmmakers and critics analyze cinematic elements through different lenses. This quiz covers key figures like Sergei Eisenstein and essential editing techniques.