Dei et Deae: Interactions et Aetates
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Questions and Answers

Quae aera contrāria sunt in textu mentionata?

  • Boreās et Austrō (correct)
  • Mārs et Iūnō
  • Eurus et Zephyrō
  • Aurōra et Scythiam
  • Sānctius animal mentisque capācius altae ante hominem erat.

    False (B)

    Quod animalia in textu non mentionata sunt?

    Cēra et piscēs

    Aurea prīma sata est aetās, quae _ nūllō, sponte suā, sine lēge fidem rēctumque colēbat.

    <p>vindice</p> Signup and view all the answers

    Connecte animalia cum suis locis:

    <p>Hominis = Terrā Pisces = Aqua Aves = Aēr Frīga = Montes</p> Signup and view all the answers

    Quis est opifex rērum, qui hominem creavit?

    <p>Iapetus (A)</p> Signup and view all the answers

    Mundus fuit omnino pacificus prīmā aetā.

    <p>True (A)</p> Signup and view all the answers

    Caelum est _ et frangit

    <p>aether</p> Signup and view all the answers

    Quod elementum aeris in primaria verba expositum est?

    <p>Ventum (B)</p> Signup and view all the answers

    Iuppiter in carmine videtur asserere dominionem et ordinem saeculi reformationem.

    <p>True (A)</p> Signup and view all the answers

    Quis est pater omnipotens in carmine?

    <p>Iuppiter</p> Signup and view all the answers

    Nocens ferrum _____ nocentius aurum prodierat.

    <p>ferrō</p> Signup and view all the answers

    Coniunge partes carminis cum eorum principali argumento:

    <p>Vita ex raptu = Iniquitas in relationibus Fugere dolum = Fractio fidae Domus antra = Locus tranquillitatis Vesperum gigantum = Conatus belli</p> Signup and view all the answers

    Quae proles secunda a prima prōlēs successit?

    <p>Aēnea (D)</p> Signup and view all the answers

    Vēr numquam in carmine describitur.

    <p>False (B)</p> Signup and view all the answers

    Quid fecit pater omnipotens igname doceant?

    <p>Frēgit Olympum</p> Signup and view all the answers

    Quis Iuppiterm vidit fessam et custode vacantem?

    <p>Dianae (C)</p> Signup and view all the answers

    Quis coniunx Iovis in historia descripta est?

    <p>Semelēs (D)</p> Signup and view all the answers

    Diana se occulte ab Iove latuit.

    <p>True (A)</p> Signup and view all the answers

    Quam rem Iuppiter indutus habuit postquam Dianam vidit?

    <p>Faciem cultum Diānae</p> Signup and view all the answers

    Iūno semper probat Semelēs amorem erga Iovem.

    <p>False (B)</p> Signup and view all the answers

    Quid Iūno epistula in sermonibus ad Iovem impetrans optat?

    <p>Optat Iovem, sed metuit repulsam.</p> Signup and view all the answers

    Iuppiter dixit, 'hoc certē fūrtum coniūnx mea _______'.

    <p>nesciet</p> Signup and view all the answers

    Quis secundum narrationem in amore ipsum habet?

    <p>Amor (D)</p> Signup and view all the answers

    Match the following characters with their descriptions:

    <p>Iuppiter = Rex deorum Diana = Dea venationis Arcas = Puer natus ex paelice Cynthia = Nympha, quae Iovem admonuit</p> Signup and view all the answers

    Pēnēia timida est et adulescentem non fugit.

    <p>False (B)</p> Signup and view all the answers

    Iūno est ______ et coniūnx Jovis.

    <p>soror</p> Signup and view all the answers

    Quid Diana timuit postquam nymphas vidit?

    <p>Ne Iuppiter esset in illa (D)</p> Signup and view all the answers

    Coniungere deos cum eorum attributis:

    <p>Iuppiter = Rex deorum Iūno = Regina deorum Saturnus = Deus agriculturæ Venus = Dea amoris</p> Signup and view all the answers

    Quod flūmen Pēnēia invocat ut opem petat?

    <p>flūmina</p> Signup and view all the answers

    Amor, cum iuvenem ______ et ______, suum consilium indicat.

    <p>sequi</p> Signup and view all the answers

    Quis est nutrīx Semelēs?

    <p>Beroē (D)</p> Signup and view all the answers

    Diana cum Iove eleganter et cum laetitia conversata est.

    <p>False (B)</p> Signup and view all the answers

    Semelēs Iovem sine nomine petit.

    <p>True (A)</p> Signup and view all the answers

    Coniunge deorum cum eorum actionibus:

    <p>Amor = Sequitur iuvenes Phoebus = Oscula ligno dat Pēnēia = Opem a fluminibus petit Ventus = Corpus nudat et vestes vibrat</p> Signup and view all the answers

    Cynthia iussit nymphas __________ coetū.

    <p>sēcēdere</p> Signup and view all the answers

    Quid fit cum Pēnēia precem finiverit?

    <p>Torpor gravis illum occupat (B)</p> Signup and view all the answers

    Quod facit Iuppiter cum nimbis et fulminibus?

    <p>Iuppiter tormenta et fulmina mittit.</p> Signup and view all the answers

    Pēnēia arboris formam reciperet post invocationem fluminum.

    <p>True (A)</p> Signup and view all the answers

    Quis est collis in cuius dextra Pēnēia sentiat trepidare?

    <p>Phoebus</p> Signup and view all the answers

    Quis character respondit ad adulteram dicens: 'etiam restābat'?

    <p>Iuno (D)</p> Signup and view all the answers

    Arcas erat ignarus de parentis suae identitate.

    <p>True (A)</p> Signup and view all the answers

    Quid Iuno dixit de sua potentia?

    <p>Issa est magna potentia.</p> Signup and view all the answers

    Iuno invocavit _______ ad __________ suae potentiae.

    <p>deorum, reverentiam</p> Signup and view all the answers

    Connecte personae cum eorum actionibus:

    <p>Iuno = Potentiam suae suæ actionis sentit Arcas = Materem in montibus invenit Ursus = Transformatus in ursam Iuppiter = Diligentiam super adulteram custodit</p> Signup and view all the answers

    Quid significabat 'iniūria partū' in contextu narratio?

    <p>Iniuria in partu et nativitate (C)</p> Signup and view all the answers

    Iuno numquam sentiebat poenam pro sua parte.

    <p>False (B)</p> Signup and view all the answers

    Quomodo Arcas sensit cum matrem suam vidit?

    <p>Extimuit et prope advenire volebat.</p> Signup and view all the answers

    Flashcards

    Aurea Aetas

    The first age, characterized by peace, justice, and innocence.

    Homo

    Human being; the pinnacle of creation

    Discordia Fratrum

    Discord among brothers (the gods).

    Mundus

    The world or universe; the great creation

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    Sidera

    Stars; celestial bodies.

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    Aether

    A high, rarefied atmosphere, above the earth.

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    Animalia

    Animals; creatures of various types

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    Tellus

    The Earth; the solid ground

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    Pēnēia

    An epithet referring to the Peneus River in Thessaly, where Daphne was transformed into a laurel tree

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    blanditiās

    Flattering words or enticements

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    vestīgia

    Footsteps or tracks

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    ōra

    Mouth or face; the edge or border of something

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    sparsum

    Scattered or spread out

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    fūga

    Flight or escape

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    placuī

    I pleased or I was pleasing

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    citharae

    A lyre, a musical instrument

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    Argentea Aetas

    Secunda aetas, post Auream Aetatem, minus perfecta et cum difficultatibus.

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    Ferrum

    Metallum durissimum, symbolum violentae et periculosae Aetatis Ferreae.

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    Aurum

    Metallum pretiosum qui cupiditatem et malum adfert.

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    Aetas Ferrea

    Ultima aetas, pessima, plena scelere, fraude, et violentia.

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    Astraea

    Dea iustitiae, quae terram reliquit, significans finem pacis et virtutis.

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    Gigantēs

    Creaturae gigantēs, qui Olympum adfectāvēre.

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    Pharetra

    A quiver for holding arrows, often worn on the shoulder.

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    Cervis

    A deer or stag.

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    Custos

    A guardian or protector.

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    Jurgia

    Arguments or disputes.

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    Comites

    Companions or attendants.

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    Rubor Pudoris

    A blush or red mark of shame.

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    Polluere Fontes

    To contaminate or defile springs or fountains.

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    saevam mentem

    A fierce, wild or angry mind.

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    fēcunda forēs

    Fruitful or fertile doors, referring to Callisto's pregnancy.

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    iniūria partū

    An injury or insult caused by birth.

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    testātum dēdecus

    A proven or known disgrace.

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    haud inpūne ferēsadimam tibi namque figūram

    You will not go unpunished for your shameless figure.

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    prōnam strāvit humī

    She laid her prostrate on the ground.

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    bracchia nigrīs horrēscere villīs

    Her arms began to grow with black, bristly hairs.

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    ōra Iovī lātō fierī dēfōrmia rictū

    Her once beautiful face became deformed with a wide, gaping mouth.

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    Juno, dea

    Iuno est dea matrimoniī et fēminārum et māter familiae.

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    Semelē, filia Cadmi

    Semelē erat filia Cadmi, rēgis Thēbārum, et amābat Iovem.

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    Iuppiter, rex deōrum

    Iuppiter est rēx deōrum et est pater hominum.

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    Beroē, nūtrīx Semelēs

    Beroē erat nūtrīx Semelēs, et erat māter Agave.

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    Invidia, sentimentis Iūnōnis

    Invidia est sentimentis Iūnōnis erga Semelēn.

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    Fulmen, tēlum Iovis

    Fulmen est tēlum Iovis, et est sīmbolum suae potēstatis.

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    Amor, cāusa Semelēs mortis

    Amōr Semelēs pro Iovis erat cāusa mortis eius.

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    Consequēntiae dōnō Iovis

    Dōnum Iovis causāvit mortem Semelēs et nāscētur Bacchus.

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    Study Notes

    Dei et Deae

    • Jupiter, Juno, Venus, Diana, Apollo, et alii: These are major deities in the text, with varied interactions and roles.
    • Saturn, a predecessor of Jupiter: Illustrates a cyclical concept of time/power shifts.
    • Mortals respond to the actions of these deities: Human agency and divine intervention are intertwined
    • Deities' influence on natural world: Depicted as powerful forces shaping weather, seasons, and fertility.
    • Moral and ethical considerations: Stories highlight choices and consequences, particularly those involving love, loyalty, and deception.

    Human Experience

    • Golden Age: A time of peace and abundance, contrasted with later ages.
    • Silver Age: Quality of this age is inferior to the golden age, characterized by toil and conflict, but not entirely evil
    • Bronze Age: More violent and warlike, but not completely corrupt.
    • Iron Age: Marked by wickedness, betrayal, and the disintegration of morality.
    • Human flaws and weaknesses: The characters reveal hubris, deceit, jealousy, and other failings. This leads to suffering and conflict.
    • Interaction between gods and humans: The relationship is complex and often fraught with danger and consequence.

    Mythological Events

    • Creation myth of humans: Humans are viewed as a culmination of divine creation, with unique properties.
    • The myth of Phaethon & transformation of nymphs: A tale of transformation, emphasizing the power and arbitrary nature of divine action.
    • Stories of punishment and retribution: Stories highlight the divine justice and consequence for transgression. (Various instances throughout the passage)
    • Wars between gods and giants: An event marking the establishment of Olympian power.
    • Myths of jealousy and love: Illustrates the complex emotions and motivations of the gods.
    • Stories of metamorphosis: Transformations from human to animal, or vice versa.
    • The myth of Phaethon and the origins of the constellation: This event highlights the limits of human ambition.

    Divine intervention in human lives

    • The stories in the provided text demonstrate gods' ability to affect the lives of mortals directly, such as through intervention in weather patterns or actions.
    • Examples from the text show manipulation of human emotions and interactions.
    • The changing fates or misfortunes of humans are linked to actions or choices of the gods.
    • Consequences of human actions directly resulting from divine anger or favour.

    Style and Structure

    • Epic poetry style: The text employs epic, narrative structure, highlighting epic scope and details.
    • Use of similes/metaphors: Comparison used to further emphasize descriptions.
    • Emphasis on cyclical patterns: Emphasis on cyclical patterns and recurring themes related to human development.
    • Narrated by a poet/author: Poet or author recounts the stories through verse.

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    Description

    Exploramus deorum et dearum principalium in mythologia, ut Jupiter et Juno, et eorum influentiam in vita mortali. Discutimus etiam varias aetates humanitatis, ab Aetate Aurea ad Aetatem Ferream, et quid significet in contextu moralitatis et humanitatis. Quodlibet exemplum ostendit confluentiam inter deos et mortales.

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