Podcast
Questions and Answers
Which choreographer is known for ballet-based jazz?
Which choreographer is known for ballet-based jazz?
- Andy Blankenbuehler
- Susan Stroman
- Bob Fosse
- Jerome Robbins (correct)
Musical theatre dance is primarily focused on entertainment and does not reflect cultural or social politics.
Musical theatre dance is primarily focused on entertainment and does not reflect cultural or social politics.
False (B)
Match the choreographers to their respective styles:
Match the choreographers to their respective styles:
Savion Glover = Street-style hoofin' Bob Fosse = Sexy, nuanced gestures Camille A. Brown = Contemporary moves Susan Stroman = Sophisticated patterns
What is the primary theme emphasized in the musical 'Come from Away'?
What is the primary theme emphasized in the musical 'Come from Away'?
The choreography in 'Come from Away' is primarily based on classical ballet techniques.
The choreography in 'Come from Away' is primarily based on classical ballet techniques.
What effect is achieved by having dancers start a movement phrase a couple of counts after one another?
What effect is achieved by having dancers start a movement phrase a couple of counts after one another?
Match the musicals with their respective dance examples:
Match the musicals with their respective dance examples:
How can dance build excitement and tension in a musical?
How can dance build excitement and tension in a musical?
Flashcards
Ensemble Choreography
Ensemble Choreography
A style of dance where the steps are performed together by a group, but each individual dancer brings their own unique character and physicality to the movement.
Physicalizing Emotion
Physicalizing Emotion
The use of movement and body language to convey emotions, characters, and events.
Welcome to the Rock
Welcome to the Rock
The opening song in Come From Away, which introduces the characters, the setting, and the historical event of 9/11.
Gander
Gander
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Community Choreography
Community Choreography
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What is Musical Theatre Dance?
What is Musical Theatre Dance?
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How does dance affect the audience?
How does dance affect the audience?
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What is Musical Theatre Dance's role beyond entertainment?
What is Musical Theatre Dance's role beyond entertainment?
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Why is Musical Theatre Dance often overlooked?
Why is Musical Theatre Dance often overlooked?
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What is the main goal of this book?
What is the main goal of this book?
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Dance Fusion
Dance Fusion
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Repetitive Movement
Repetitive Movement
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Physical Storytelling
Physical Storytelling
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Community-Specific Dance
Community-Specific Dance
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Weighted Dance
Weighted Dance
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Dance in Musical Theatre
Dance in Musical Theatre
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Ensemble Dance
Ensemble Dance
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Reading Dance in Musical Theatre
Reading Dance in Musical Theatre
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Connecting Dance to Other Elements
Connecting Dance to Other Elements
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Transitioning from Solo to Ensemble
Transitioning from Solo to Ensemble
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Staggered Entry
Staggered Entry
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Musical Revival
Musical Revival
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Choreography in Revivals
Choreography in Revivals
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Studying Choreography in Revivals
Studying Choreography in Revivals
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Ghosts of Choreographers Past
Ghosts of Choreographers Past
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Broadway Dance's Emotional Expression
Broadway Dance's Emotional Expression
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Similarities and Differences in Staggered Entry
Similarities and Differences in Staggered Entry
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Movement in Revivals
Movement in Revivals
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Understanding Choreographic Interpretations
Understanding Choreographic Interpretations
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Historical Context of Dance Moves
Historical Context of Dance Moves
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Dance as Social Commentary
Dance as Social Commentary
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Dance as a Form of Communication
Dance as a Form of Communication
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Laban Movement Analysis
Laban Movement Analysis
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Stereotypes in Choreography
Stereotypes in Choreography
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Cultural Symbolism in Dance
Cultural Symbolism in Dance
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Evolving Gender Norms in Dance
Evolving Gender Norms in Dance
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The Meaning of Dance in Musical Theatre
The Meaning of Dance in Musical Theatre
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Analyzing Musical Theatre Dance
Analyzing Musical Theatre Dance
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Study Notes
Dance in Musical Theatre: A History of the Body in Movement
- The book "Dance in Musical Theatre: A History of the Body in Movement" was published in 2023 by Methuen Drama, London.
- It was edited by Martincich, D., and Rumsey, P.
- The book is part of the Bloomsbury Collections.
- The book explores how dance and movement are used in musical theatre.
- The book examines various aspects of dance, including the use of the body in movement, characteristics, and motivations.
Reading Dance: The Body in Motion Onstage
- Lights rise emphasizing the posture in various positions (standing or seated)
- The music is loud, with folk-meets-pop beats felt throughout the body.
- The choreography displays individuality with emphasis, showcasing the character's presence.
- The choreography features micro-monologues interspersed into the song, the characters repeatedly claim "I am an Islander."
- The townsfolk strike a mid-level crouch in parallel, one foot in front of the other, displaying unison and repeating the steps.
- Physicality, clear character objectives, focus, and commitment are key components of the choreography. This is particularly important in understanding the various characters in the musical.
- The show "Come From Away" (2017), a Tony Award-winning musical, is analyzed, examining its choreography's multiple influences (body percussion, jig, tap dance). The show emphasizes the community, resilience, and goodwill.
A Space for Dance
- Musical theatre can be a "barometer of cultural and social politics."
- Musical theatre can be an avenue to comprehend one's place in the world.
- The book highlights analytical tools for reading movement and dance, drawing upon Foster's ideas as a key starting point, using observation tools to analyze movement.
- The movement and body language in musical theatre are a mode of meaning-making, distinct from literary analysis.
- The book examines how movement can be distinct, detailed, or intuitive.
Revivals and Ghosts of Past Choreographers
- Broadway revivals often have modified dance interpretations; choreographies in revivals are frequently the most exciting aspect.
- Studying revivals offers insight into changing societal views and expectations.
- Original choreographers' (e.g., from Oklahoma!) works can influence subsequent reinterpretations of the same musical, requiring careful consideration of the context.
- Exploring shifts in movement styles or techniques in revivals, showcasing the evolving interpretations of the dance form, is crucial. The historical context behind the use of specific dance styles or techniques should be investigated.
- The use of specific dance styles or techniques to suit narrative moments and evoke emotion.
Conventions and Stereotypes
- Recognizing stereotypes in dance (like "jazz hands" from minstrel shows) provides crucial context.
- Addressing the historical and social context of movements helps to analyze their meaning.
- Choreographic choices provide a lens to explore cultural values, as highlighted by conventions.
- Examining how visual elements support the dance itself allows deeper understanding, drawing on examples where this can be seen.
- The use of dance as a way to reveal character dynamics is important, often used to show conflicting or contrasting characteristics.
Methods and Meaning-Making
- Techniques like Labanotation, which involves describing the qualities of movement (like weight, space, time, and flow), can help readers deeply understand/interpret movement.
- Specific questions to ask about dance movement (e.g., the relationship with lyrics, group dynamics, the use of specific space, etc).
- Analyzing how dance, movement, and gesture support plot development, create character, and reflect the emotions of the piece, with a focus on how different aspects of the movement support the overarching narrative.
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Description
Explore the fascinating interplay between dance and movement in musical theatre through this quiz. Delve into how body mechanics and choreography contribute to storytelling and character presence on stage. Engage with aspects of dance that highlight individuality and community within performance.