Cultural Iceberg and Indigenous Development
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Questions and Answers

What is the significance of the 'seven stopping places' mentioned in the text?

  • They represent the seven stages of spiritual growth and development. (correct)
  • They are the seven key locations where the Anishinaabe people originated.
  • They are the seven sacred mountains of the Anishinaabe people.
  • They are the seven sacred animals of the Anishinaabe people.

What does the text suggest is the significance of the 'Proclamation Act 1763' in relation to Indigenous peoples?

  • It marked the beginning of peaceful and productive interactions between European settlers and Indigenous peoples.
  • It allowed Indigenous peoples to maintain control over their land and resources.
  • It represents a shift in power dynamics, marking the beginning of colonization and restrictions on Indigenous lands. (correct)
  • It was a legal document that enshrined the rights of Indigenous peoples in colonial society.

How does the colonial perspective differ from the Indigenous perspective in understanding cultural artifacts?

  • The colonial perspective views artifacts as objects of scientific study, while the Indigenous perspective views them as tools for everyday life.
  • The colonial perspective sees artifacts as representative of a 'lost civilization', while the Indigenous perspective sees them as evidence of a thriving and ongoing culture.
  • The colonial perspective focuses on the acquisition and collection of artifacts, while the Indigenous perspective emphasizes their role in cultural continuity and identity. (correct)
  • The colonial perspective emphasizes the practical uses of artifacts, while the Indigenous perspective focuses on their spiritual and symbolic meanings.

What is the primary difference between the artistic works of Allan Houser and Preston Singletary as depicted in the text?

<p>Houser's work primarily depicts traditional Apache themes, while Singletary's work focuses on contemporary issues. (B)</p> Signup and view all the answers

What is the key message conveyed by the use of the term "Balance of Power" in the title of an art piece?

<p>It highlights the power dynamics and struggles that exist between different groups of people. (A)</p> Signup and view all the answers

What is the main focus of this document?

<p>The traditional importance of wild rice to Indigenous communities. (D)</p> Signup and view all the answers

Why is the timing of the stalks emerging above the water significant?

<p>It allows the roots to develop fully before harvesting begins. (A)</p> Signup and view all the answers

What is the central concept of the article?

<p>How the Anishinaabe view and experience nature through art and practice (B)</p> Signup and view all the answers

What is a key factor in the effectiveness of the fork as a tool in harvesting wild rice?

<p>Its ability to penetrate the muddy bottom without disturbing the roots. (B)</p> Signup and view all the answers

How does the 'knocking' of the rice relate to European involvement in harvesting?

<p>The 'knocking' process was introduced by Europeans to replace traditional methods. (D)</p> Signup and view all the answers

What is the significance of the potlatch in the context of the article?

<p>All of the above. (D)</p> Signup and view all the answers

What does the term "artistic sovereignty" refer to in the context of Indigenous art?

<p>All of the above. (D)</p> Signup and view all the answers

Which element is described as essential for dried wild rice but not mentioned for the stalks growing in the water?

<p>Fire. (A)</p> Signup and view all the answers

According to the article, what is the significance of 'manoominike' (the harvesting of wild rice) in Anishinaabe culture?

<p>All of the above. (D)</p> Signup and view all the answers

Why is hulling the rice described as a particularly demanding task?

<p>It is a continuous and physically exhausting process. (B)</p> Signup and view all the answers

How does the article emphasize the importance of Indigenous storytelling?

<p>All of the above. (D)</p> Signup and view all the answers

What is the significance of the amount of rice stored in birchbark containers?

<p>It demonstrates the importance of long-term food security. (C)</p> Signup and view all the answers

What is the purpose of the author using the phrase “our cannon of work is missing much”?

<p>All of the above. (D)</p> Signup and view all the answers

What is the main message conveyed through the narrative about the knowledge passed down through generations?

<p>The interconnectedness of generations and the preservation of cultural identity. (D)</p> Signup and view all the answers

What is the key takeaway from the James Redsky scroll example?

<p>All of the above. (D)</p> Signup and view all the answers

Which of the following is not considered a central tenet of Indigenous art?

<p>Art is solely a form of aesthetic expression. (C)</p> Signup and view all the answers

Flashcards

Wild Rice Emergence

The period during which wild rice stalks emerge above the water, typically occurring in July.

Binding Wild Rice

A traditional practice involving binding wild rice stalks together to secure ownership and preserve resources.

Fork for Harvesting Wild Rice

A tool used for harvesting wild rice, characterized by its ability to grip the muddy bottom without disturbing the root bed.

Knocking Wild Rice

The act of striking the rice stalks to loosen the grains, traditionally done by hand or using a mechanical method.

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Drying Wild Rice

A traditional practice of drying wild rice after harvest to remove moisture and ensure preservation.

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Parching Wild Rice

The process of heating wild rice over fire or using other methods to separate the hull from the grain.

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Hulling Wild Rice

The removal of the outer hull from the parched rice, a laborious task often requiring multiple individuals working together.

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Storing Wild Rice

The preservation of wild rice through storage in birchbark containers buried below the frost line.

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N'swi-ish-ko-day-kawn Anishinabeg O'dish-ko-day-kawn

Anishinaabe oral tradition that tells the story of their migration from their original home to their current territories. It describes the seven stopping places along the way, each with a unique spiritual significance.

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Proclamation Act of 1763

The Proclamation Act of 1763 was a British proclamation that aimed to prevent further conflict between European settlers and Indigenous peoples by prohibiting colonists from settling west of a line drawn along the Appalachian Mountains.

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Collecting from a Colonized Perspective

The study of Indigenous cultures from a perspective that acknowledges the historical and ongoing impacts of colonialism on Indigenous peoples. It focuses on understanding Indigenous perspectives and experiences as shaped by colonization.

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Indigenous Art

A valuable possession that holds significance for Indigenous peoples, reflecting their traditional knowledge, practices, and cultural identities. It is not merely an object, but a representation of their way of life.

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Balance of Power

The power dynamic between colonizers and Indigenous peoples, where colonizers often hold a dominant position over Indigenous communities.

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Transformation

A significant shift or transformation in the life of an individual or community. In the case of the Raven Transformation, it is a Tlingit myth that describes how Raven, a trickster figure, brought light and life to the world.

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Manoominike

The practice of harvesting wild rice, a central activity for Anishinaabe people, embodying teachings about respect, reciprocity, and responsibility towards the land and community.

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Ecosophy

Refers to the interconnectedness between the land, its resources, and the people who live there, shaping their arts, values, and way of life.

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Survivance

Art that is a testament to survival and resilience, not just existing, but actively and dynamically carrying on cultural practices despite challenges.

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Wealth Diminished by Ban on Potlatch

The act of gifting and sharing food during potlatch ceremonies, which was banned by the Indian Act in Canada, causing a disruption in the traditional economy and cultural practices of First Nations.

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Indigenous Art: Timeless and Connected

Indigenous art is often seen as timeless and connected to the land and its people, transcending traditional timeframes and Western notions of art.

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Indigenous Art: Told By the Nations

Indigenous art's story is best told by the Nations and people it originates from, advocating for self-determination and respecting their narratives.

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Missing or Misrepresented Indigenous Art

Indigenous art is often undervalued, missing or misrepresented in mainstream art narratives, highlighting a need for decolonization and recognition of its fullness.

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James Redsky Scroll: Migration

The James Redsky scroll depicts the start of the migration of animals, illustrating how Indigenous art can represent not only cultural stories but also natural phenomena, weaving them together.

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Study Notes

Person Information

  • Stephen Robert Penner holds a Bachelor of Arts from Mount Allison University, a Master's in Indigenous Development from the University of Winnipeg, and a PhD in Rural Studies from the University of Guelph.
  • His area of study is Indigenous Development.

Cultural Iceberg

  • Easy to see: Language, folklore, fine arts, literature, food, holidays, and festivals.
  • Difficult to see: Beliefs and assumptions, family roles, core values, relations to authority, biases, self-concept, body language, manners, interpretations, concept of cleanliness (hygiene), beauty ideals, family values, attitudes toward school, approaches to health and medicine, gender roles, concepts of justice, notions of modesty, competitiveness, attitudes toward the environment, child-rearing practices, work ethic, thought patterns, personal space, and aesthetics.

Announcements

  • Potluck is planned (Yay!)
  • RLA (Likely a class or program) is mentioned.

Introduction

  • Traditional Greetings: Boozhoo nindinawemaaginidog! (Greetings, my relatives!)
  • Name: nindizhinikaaz.
  • Clan: nindoodem.
  • Origin/Place of Birth: nindoonji.
  • Identity: Anishinaabe-nindaaw is human being.
  • Protocols for Circle Meetings: Explanation of protocols when speaking in a circle. (How speech starts and ends).

Wild Rice (Manomin) Harvesting

  • Germination and Growth: Stalks emerge above the water in July, if water contamination and seedbeds undisturbed.
  • Binding the Rice: Community members respectfully shared harvesting and ownership of rice fields. Similar to maple syrup harvest in the spring. Families share rice fields and groves of maple trees.
  • Tools for Harvesting Manomin: The fork was able to grip soft muddy rice beds from disturbing the tender root bed.
  • Knocking the Rice: Europeans' introduction of mechanical harvesting.
  • Drying the Manomin: Wild rice needs air, sun, and sometimes fire to remove moisture before parching.
  • Parching/Scorching the Manomin: Ensures removal of moisture.
  • Hulling the Rice: Strong men perform this task. The process is continuous.
  • Storing the Rice: One-third of the harvest is packed in birchbark containers and buried below the frost line.

Indigenous Wisdom and Teachings Concerning Wild Rice

  • Key Knowledge about Wild Rice: Teachings within manoominike (the harvesting of wild rice) include respect, reciprocity, working for others, humility, gentleness, responsibility, balance, relationship aspects, and giving more than you take.
  • Practical Knowledge Transmission: This is carried forward by the Anishinaabeg in relationship-oriented ways with knowledge and wisdom. Wild rice viewed as a teacher.

Artistic Identity and Sovereignty

  • Multiple aspects of identity: Scared, secular, ceremonial, commercial, personal, & political are components.
  • Masks and the Potlatch: Mask use in potlatches demonstrated sacred connection to history and cultural place.
  • Sacredness and Connection: Art represents history, place, and connection.
  • Gallery Setting Examples: Art can be viewed without the spiritual sacredness usually associated with it.

Coast Salish Potlatch Ceremony

  • Diminished Potlatch Wealth: Potlatches were banned which reduced the ability to nurture, reciprocate, and give wealth to others.

Indigenous Arts

  • Ethos of Indigenous Art: Indigenous Arts emerge from an ecosophy of place (the environment), time, and relationships. Art is renewal and construction of time and survivance (practice of continuing to exist and thrive), and is alive.

Indigenous Calendar

  • Circular calendar with seasonal occurrences listed, which are associated with the moon.

Vigorous Indigenous Presence

  • Vizenor's ideas: Indigenous stories are more than just endurance or response; they represent presence. The presence is very active.

Indigenous Art and Culture Continuity

  • Indigenous Art & Culture has existed since time immemorial.
  • Understanding needs to be related to time and through connections.
  • Stories of Indigenous art must be conveyed by people who practiced the culture.
  • There isn't a word for art in some languages.

Colonial Free Narrative Orientation

  • Discussion of building a narrative in a colonial free orientation.

Anishinaabe Map

  • Geographical region (likely in North America).
  • Various settlements and tribes identified on a map.

Missing Data Concerns

  • Cannon of Missing Work concerning Indigenous Arts and Culture. Issues of missing, misrepresented, destroyed, unknown, and unshared data.

Indigenous Migration

  • James Redsky's scroll illustrates the start of the migration of Indigenous people, showing spiritual meaning.
  • Creating and documenting places with specific names is important.

British Colonial Policies

  • Proclamation Act of 1763 in British Colonial Policy is highlighted as a turning point.

Colonized Perspective of Indigenous Arts

  • Collecting from a colonized perspective.
  • Indigenous arts affect Indigenous history, culture, and art mediums negatively.
  • Colonial record and seizure of valued possessions, seeing them as a prize. Treating them as a specimen or curiosity, and possession of unknown or exotic items.

Pueblo Vase (1969)

  • A historical example of pottery.

Allan Houser (1965)

  • Bronze sculpture of two people.

Film

  • John Ford's Cheyenne Autumn (movie)

The Force of Nature Humbles All Men

  • Oil on canvas painting (Howard Terpning, 2002). Painting of Blackfoot.

Tlingit Art

  • Example of Tlingit art in a museum exhibit.

Métis Clothing

  • Métis clothing exhibits around the year 1860.

Salmon Inspired Culture

  • Salmon are considered relatives, spirits of inspiration for arts & culture.
  • Rivers and forests are interconnected and essential.

Caring for the Land Using Fire

  • Extensive use of fire by indigenous Californians in historical times for caring and tending the land.
  • This had cultural meaning in relation to plants/animals and the natural world.

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Description

Explore the depths of cultural understanding through the lens of the Cultural Iceberg model. This quiz delves into visible and hidden aspects of cultures, specifically focusing on Indigenous Development and the effects of beliefs and values in society. Test your knowledge on these crucial elements that shape cultural identity and community dynamics.

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