Cubism Art Movement

Definition and Origins

• Cubism was an early 20th-century art movement that revolutionized European art and culture.
• Developed by Pablo Picasso and Georges Braque between 1907 and 1914.
• Emerged as a response to the traditional techniques of perspective and representation.

Characteristics

• Rejected traditional techniques of perspective and representation.
• Emphasized geometric forms and fragmented objects.
• Used multiple viewpoints and overlapping planes.
• Reduced objects to their basic shapes and forms.
• Often featured monochromatic or muted color schemes.

Types of Cubism

• Analytic Cubism (1907-1911): characterized by a focus on breaking down objects into geometric shapes and reassembling them.
• Synthetic Cubism (1911-1914): marked by the use of collage and mixed media, and a more relaxed, playful approach.

Key Artists

• Pablo Picasso: credited with pioneering Cubism, known for his innovative and prolific work.
• Georges Braque: collaborated with Picasso, developed Analytic Cubism, and explored Synthetic Cubism.
• Juan Gris: Spanish artist who contributed to the development of Cubism, known for his abstract and mathematical approach.

Influence and Legacy

• Cubism influenced a wide range of art movements, including Futurism, Constructivism, and Surrealism.
• Paved the way for a variety of avant-garde movements in the 20th century.
• Continues to inspire artists, designers, and architects to this day.

Definition and Origins

• Revolutionized European art and culture in the early 20th century
• Developed by Pablo Picasso and Georges Braque between 1907 and 1914
• Emerged as a response to traditional techniques of perspective and representation

Characteristics

• Rejected traditional techniques of perspective and representation
• Emphasized geometric forms and fragmented objects
• Used multiple viewpoints and overlapping planes
• Reduced objects to their basic shapes and forms
• Featured monochromatic or muted color schemes

Types of Cubism

• Analytic Cubism (1907-1911): broke down objects into geometric shapes and reassembled them
• Synthetic Cubism (1911-1914): used collage and mixed media, with a more relaxed approach

Key Artists

• Pablo Picasso: pioneered Cubism, innovative and prolific work
• Georges Braque: collaborated with Picasso, developed Analytic Cubism, and explored Synthetic Cubism
• Juan Gris: contributed to Cubism's development, known for abstract and mathematical approach

Influence and Legacy

• Influenced Futurism, Constructivism, Surrealism, and other avant-garde movements
• Paved the way for 20th-century art movements
• Continues to inspire artists, designers, and architects today

Learn about the early 20th-century art movement that revolutionized European art and culture. Developed by Pablo Picasso and Georges Braque, cubism rejected traditional techniques and emphasized geometric forms and fragmented objects. Cubism was a revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque. They brought different views of subjects (usually objects or figures) together in the same picture, resulting in paintings that appear fragmented and abstracted.

Cubism was one of the most influential styles of the twentieth century. It is generally agreed to have begun around 1907 with Picasso’s celebrated painting Demoiselles D’Avignon which included elements of cubist style. The name ‘cubism’ seems to have derived from a comment made by the critic Louis Vauxcelles who, on seeing some of Georges Braque’s paintings exhibited in Paris in 1908, described them as reducing everything to ‘geometric outlines, to cubes’.

Cubism opened up almost infinite new possibilities for the treatment of visual reality in art and was the starting point for many later abstract styles including constructivism and neo-plasticism.

By breaking objects and figures down into distinct areas – or planes – the artists aimed to show different viewpoints at the same time and within the same space and so suggest their three dimensional form. In doing so they also emphasized the two-dimensional flatness of the canvas instead of creating the illusion of depth. This marked a revolutionary break with the European tradition of creating the illusion of real space from a fixed viewpoint using devices such as linear perspective, which had dominated representation from the Renaissance onwards.

What inspired cubist style?

Cubism was partly influenced by the late work of artist Paul Cézanne in which he can be seen to be painting things from slightly different points of view. Pablo Picasso was also inspired by African tribal masks which are highly stylised, or non-naturalistic, but nevertheless present a vivid human image. ‘A head’, said Picasso, ‘is a matter of eyes, nose, mouth, which can be distributed in any way you like’.

Types of cubism: Analytical vs. synthetic

Cubism can be seen to have developed in two distinct phases: the initial and more austere analytical cubism, and a later phase of cubism known as synthetic cubism.

Analytical cubism ran from 1908–12. Its artworks look more severe and are made up of an interweaving of planes and lines in muted tones of blacks, greys and ochres. Synthetic cubism is the later phase of cubism, generally considered to date from about 1912 to 1914, and characterised by simpler shapes and brighter colours. Synthetic cubist works also often include collaged real elements such as newspapers. The inclusion of real objects directly in art was the start of one of the most important ideas in modern art.