Color Theory Fundamentals

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Questions and Answers

What is the term for adding white to a color?

  • Hue
  • Tint (correct)
  • Shade
  • Tone

Cool hues are based on yellow.

False (B)

What are the three primary colors?

Red, Blue, and Yellow

A color that is opposite another on the color wheel is called a ______ color.

<p>complementary</p> Signup and view all the answers

Match the skin complexion descriptor with its corresponding color description:

<p>Ruddy = Yellowish or pale appearance Sallow = Red or flushed appearance</p> Signup and view all the answers

Which of these facial profile types has a forehead and chin that recede, making the middle of the face more prominent?

<p>Convex (B)</p> Signup and view all the answers

The ideal width of an oval face is equal to 5 eye lengths.

<p>True (A)</p> Signup and view all the answers

What is the purpose of applying blush?

<p>To give the complexion a healthy glow and enhance facial features.</p> Signup and view all the answers

When applying blush to a long or narrow face, it should be applied ______ to add width.

<p>horizontally</p> Signup and view all the answers

Match the eye correction technique with its corresponding eye feature:

<p>Close-set Eyes = Light shades inside, dark outside, extend liner outward Wide-set Eyes = Dark shades inside, light outside, bring brows closer Deep-set Eyes = Light on lids, dark in crease, avoid upper liner Protruding Eyes = Matte, dark shades, minimal shimmer Hooded Eyes = Dark on hood, highlight brow bone</p> Signup and view all the answers

Which of the following brow features is usually associated with a round brow start?

<p>Makes eyes appear farther apart (A), Makes forehead wider (D)</p> Signup and view all the answers

The arch of the eyebrow should be positioned above the iris.

<p>True (A)</p> Signup and view all the answers

How can you distinguish between a concave and a convex facial profile?

<p>A concave profile has a prominent forehead and chin with the middle of the face set back, while a convex profile has a receding forehead and chin with a more prominent middle section of the face.</p> Signup and view all the answers

Which of the following is NOT a primary objective of foundation?

<p>Accentuate facial features (C)</p> Signup and view all the answers

Skin tone correctors should always be mixed with foundation for Asian or dark skin tones.

<p>True (A)</p> Signup and view all the answers

What is the purpose of green skin tone corrector?

<p>To cancel out redness</p> Signup and view all the answers

Concealers are typically applied in a ______ motion to blend seamlessly.

<p>stippling</p> Signup and view all the answers

Match the skin tone corrector color with its primary use:

<p>Green = Neutralizes sallowness Lavender = Corrects blue or greenish under-eye darkness Yellow/Orange = Cancels redness Pink = Brightens dull complexions</p> Signup and view all the answers

What is the primary difference between contouring and highlighting?

<p>Contouring uses darker shades to create depth, while highlighting uses lighter shades to emphasize features. (D)</p> Signup and view all the answers

The temporal bone is the only moveable facial bone.

<p>False (B)</p> Signup and view all the answers

Which facial bone is key for contouring to enhance cheekbones?

<p>Zygomatic bone</p> Signup and view all the answers

Flashcards

Three Zones of the Face

Frontal, Middle, and Lower zones categorize facial features: hairline to eyebrows, eyebrows to nose, nose to chin.

Frontal Zone

The upper part of the face extending from the hairline to the eyebrows.

Middle Zone

The area from the eyebrows to the base of the nose, often sensitive to expressions.

Lower Zone

The section from the base of the nose to the chin, often linked to instinctive reactions.

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Oval Face Proportions

Ideal face shape; width equals five eye lengths, mouth width matches distance between irises.

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Blush Application Guidelines

Apply blush from outer cheek toward the center using facial landmarks like the pupil and nose base.

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Close-Set Eyes Correction

Use light shades inside and dark outside, and extend eyeliner outward to enhance appearance.

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Key Brow Points

Important brow positions: start at the inner corner of the eye, arch above the iris, end from nostril to outer eye corner.

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Hue

Pure color that differentiates one color from another, like red vs blue.

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Complementary Colors

Colors that are opposite each other on the color wheel, like red and green.

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Undertone

Subtle hue under the surface of the skin that remains constant, such as warm or cool.

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Primary Colors

Colors that cannot be made by mixing other colors: red, blue, and yellow.

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Cool Hues

Colors with blue undertones, like blue, violet, and green.

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Order of Application

Steps for applying makeup: primer, corrector, foundation, concealer, powder.

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Foundation Objectives

Foundation protects skin, evens skin tone, hides imperfections, and creates a base for makeup.

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Green Skin Tone Corrector

Cancels redness caused by acne or rosacea.

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Concealer Usage

Concealers hide dark circles, scars, and skin conditions with higher pigment concentration.

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Highlighting

Highlighting brings facial features forward using matte or iridescent products.

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Contouring

Contouring pushes areas back to create depth, usually with matte products.

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Mandible

The only movable bone in the face, defining the jawline.

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Key Facial Bones

Includes zygomatic, mandible, orbital, and temporal bones, crucial for makeup application.

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Study Notes

Color Theory

  • Hue: Pure color, differentiating one from another (e.g., red vs. blue)
  • Intensity: Vividness or brightness of a color
  • Value: Lightness or darkness of a color
  • Tint: Adding white to a color (highest value)
  • Shade: Adding black to a color (lowest value)
  • Tone: Adding gray to a color (middle value)
  • Primary Colors: Red, blue, yellow
  • Secondary Colors: Orange, green, violet
  • Complementary Colors: Colors opposite each other on the color wheel (e.g., red and green)
  • Cool Hues: Blue-based colors like blue, violet, and green
  • Warm Hues: Yellow-based colors like red, orange, and peach
  • Skin Complexion Descriptors:
    • Ruddy: Red or flushed appearance
    • Sallow: Yellowish or pale appearance
  • Best/Worst Colors for Skin Tones:
    • Warm Undertones (Peach/Golden): Peaches, corals, golden browns, rusts work well.
    • Cool Undertones (Bluish-Pink, Olive): Blues, violets, cherry reds, and fuchsias are flattering.
    • Neutral Colors: Suited for almost anyone, as they aren't strongly blue or yellow-based.

Preparing the Canvas

  • Undertone vs. Overtone:
    • Undertone: Subtle hue under the surface (e.g., warm, cool, neutral) that doesn't change.
    • Overtone: Surface skin color that may change with seasons or conditions (e.g., redness, tanning).
  • Swatching/Testing Foundation:
    • Best areas for testing: Neck or jawline.
    • Avoid testing on wrists, hands, or forehead.
  • Order of Application:
    • Primer/Moisturizer
    • Skin Tone Correctors (optional)
    • Foundation
    • Concealer (before or after foundation)
    • Powder
  • Objectives of Foundation:
    • Protect the skin (often contains sunscreen)
    • Even out skin tone
    • Hide imperfections
    • Create a base for makeup

Skin Tone Correctors

  • Green: Cancels redness (e.g., acne or rosacea)
  • Pink: Brightens dull complexions
  • Lavender: Neutralizes sallowness
  • Yellow/Orange: Corrects blue or greenish under-eye darkness
  • Application Tips:
    • For Asian or dark skin tones, always mix with foundation.
    • Can be used before foundation or mixed with it for Caucasian skin.

Concealers

  • Has higher pigment concentration than foundation
  • Available in various types (pot, stick, tube)
  • Uses:
    • Hide dark circles, scars, pigmentation, and skin conditions
  • Application Tips
    • Apply in a stippling motion (pat to blend).
    • Yellow undertones are best for under-eye darkness.
    • Use "Hollywood V Technique" for shaping the face.

Contouring & Highlighting

  • Main Objectives: Highlighting (Matte or iridescent) brings features forward, and Contouring (Matte Only) pushes areas back to create depth. Sculpting is the combination of both. Common Uses: Correcting facial proportions (e.g., short forehead, receding chin, long nose). Enhancing natural bone structure (cheekbones, jawline, nose, etc.).

Bones of the Face & Corrective Techniques

  • Facial bone structure:
    • Face is made up of 14 bones
    • 13 bones are connected.
    • The mandible (lower jaw) is the only moveable facial bone.
  • Zygomatic (Cheekbones): Key for contouring, found by pressing on cheek area. Enhances contouring; high cheekbones can be accentuated with highlight/shading.
  • Mandible (Jawbone): Helps define jawline contour. Defines lower face; contouring can soften or sharpen jawline appearance.
  • Orbital (Eye Sockets): Determines eye makeup corrections. Affects how shadows and highlights are placed around the eyes.
  • Temporal (Temples): Can be contoured for a slimmer face effect. Understanding the depth assists in aging makeup or creating hollow-cheek effects.

Facial Proportions & Zones

  • Three Zones of the Face:
    • Frontal Zone (Superior/Frontal) – Hairline to eyebrows
    • Middle Zone (Median/Sensitive) – Eyebrows to nose base
    • Lower Zone (Inferior/Instinctive) – Nose base to chin
  • Facial Profile Types:
    • Straight: Ideal, forehead & chin aligned
    • Convex: Forehead & chin recede, middle of face more prominent
    • Concave: Forehead & chin are prominent, middle of face set back
  • Oval Face Proportions
    • Ideal Face Shape
    • Width = 5 eye lengths
    • Mouth Width = Distance between irises.
    • Minimal contouring/highlighting needed.

Blush Application

  • Purpose of blush: Designed to give complexion a healthy glow and serve other purposes
  • General Guidelines:
    • Apply starting from outer cheek toward the center.
    • Use imaginary lines from pupil & base of the nose to determine placement.
    • Different application for different face shapes:
      • Long or Narrow Face: Apply horizontally at the cheekbone to add width.
      • Short or Round Face: Apply in diagonal/triangular shape to lengthen.
      • Square Face: Circular application to soften edges.
      • Heart Face: Square blush placement below cheekbones.
      • Pear Face: Blush low on cheeks, blend up and out toward hairline
  • Lighting & Makeup
    • Different light sources affect makeup perception.
    • Adjust color choices accordingly.

Eye Makeup & Corrections

  • 5 Points of Eye Analysis
    • Size: Small, average, large, prominent
    • Shape: Upturned, average, downturned
    • Spacing: Close-set, wide-set, or balanced
    • Balance: Visibility of lid, crease, and brow bone
  • Corrective Eye Makeup Techniques:
    • Close-Set Eyes: Light shades inside, dark outside, extend liner outward
    • Wide-Set Eyes: Dark shades inside, light outside, bring brows closer.
    • Deep-Set Eyes: Light on lids, dark in crease, avoid upper liner.
    • Protruding Eyes: Matte, dark shades, minimal shimmer
    • Hooded Eyes: Dark on hood, highlight brow bone.

Eyebrows & Corrections

  • 3 Key Brow Points
    • Start: Inner corner of eye
    • Arch: Above iris
    • End: Diagonal from nostril to outer eye corner
  • Corrections:
    • Round Brow Start: Makes forehead wider, eyes appear farther apart.
    • Square Brow Start: Slenderizes nose, brings eyes closer.
    • Long Nose: Brows farther apart, arch further out
    • Short Nose: Angular brows to create length
    • Wide Nose: Brows closer together with square start
    • Narrow Nose: Brows farther apart with round square start

Key Qualities of a Successful Makeup Artist

  • Artistic Skill: Ability to enhance features
  • Client Engagement: Knowledge of trends & product recommendations
  • Observation Skills: Assessing client's best features, skin type, tone, face shape, and problem areas.

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