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Questions and Answers
What are 'svara' in Carnatic Indian classical music?
What are 'svara' in Carnatic Indian classical music?
What is a veena?
What is a veena?
Chordophone with three drone strings and four playing strings.
What is the function of a tambura in Carnatic music?
What is the function of a tambura in Carnatic music?
Provides drone.
Define solkattu.
Define solkattu.
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What is a mridangam?
What is a mridangam?
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What kind of instrument is a kanjira?
What kind of instrument is a kanjira?
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What is a rhatam?
What is a rhatam?
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Define morsang.
Define morsang.
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What is a varnum in Carnatic music?
What is a varnum in Carnatic music?
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Define kriti.
Define kriti.
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What is an alapana?
What is an alapana?
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What does tanam refer to?
What does tanam refer to?
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What is 'kriti proper'?
What is 'kriti proper'?
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What is a pallavi?
What is a pallavi?
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Define anupallavi.
Define anupallavi.
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What is charanam?
What is charanam?
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What does rasa connect to in Carnatic music?
What does rasa connect to in Carnatic music?
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Define sruti.
Define sruti.
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What is tala?
What is tala?
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What does kriya refer to?
What does kriya refer to?
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Study Notes
Musical Terms in Carnatic Classical Music
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Svara: Represents the individual notes or tones that form the raga, essential for melodic structure.
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Veena: A traditional chordophone with three drone strings and four strings for playing melody, integral to Carnatic music.
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Tambura: A chordophone that serves as the drone instrument, providing harmonic support throughout performances.
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Solkattu: A system of percussion syllables used for teaching and conveying rhythmic patterns, useful for rhythm training.
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Mridangam: A prominent double-headed drum classified as a membranophone; it provides the rhythm in performances.
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Kanjira: A type of tambourine that combines membranophone and idiophone characteristics, often used to complement rhythms.
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Rhatam: An idiophone made from clay, utilized in various musical contexts to enhance rhythmic qualities.
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Morsang: Also known as a Jew's harp, this plucked idiophone provides unique sounds in ensemble settings.
Performance Structure in Carnatic Music
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Varnam: Typically serves as the introductory warm-up piece, helping performers showcase their vocal or instrumental skills.
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Kriti: The principal song form within Carnatic music, can be performed vocally or instrumentally and is characterized by its structured composition.
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Alapana: A free rhythm introduction that explores the raga, setting the mood and establishing melodic themes prior to the main piece.
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Tanam: Provides a rhythmic exposition of the raga, bridging the introduction and the main composition.
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Kriti Proper: The main composed piece within the kriti, consisting of multiple structured components.
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Pallavi: The initial section of the kriti proper, introducing the main theme.
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Anupallavi: The second segment of the kriti proper, often expanding on the ideas presented in the pallavi.
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Charanam: The concluding part of the kriti proper, providing resolution and closure to the composition.
Concepts of Emotion and Rhythm
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Rasa: Establishes a connection between raga and expressive musical ideas, often associated with specific times of day or seasons.
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Sruti: Refers to the drone, forming an essential backdrop that enhances the overall harmonic texture.
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Tala: Denotes the rhythmic cycle or mode, organizing time in the music and dictating the structure of rhythmic patterns.
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Kriya: Involves accompanying gestures that add expressiveness to the tala, enhancing the visual aspect of performance.
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Description
Explore the essential vocabulary of Carnatic Indian Classical Music with this flashcard quiz. Test your knowledge on key terms such as 'svara', 'veena', and 'mridangam' to enhance your understanding of this rich musical tradition.