The New Negro - Introduction

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Questions and Answers

What aspect of Negro folk music did Alain Locke emphasize in his essay in 'The New Negro'?

  • Concertized settings of spirituals
  • Blues as the core of Negro folk music
  • Spirituals as the core of Negro folk music (correct)
  • Jazz as the core of Negro folk music

What was Alain Locke's criticism regarding the 'concertized' settings of spirituals?

  • Being too mainstream
  • Being too African
  • Being too traditional
  • Being too European (correct)

According to Alain Locke, did Black folk song (including blues) contribute significantly to modern musical development?

  • Yes, it significantly influenced modern musical development
  • No, it was ignored by modern musicians
  • Yes, but with limited impact on modern musical development
  • No, with hope for a musical genius to organize its distinctive elements (correct)

Despite increasing popularity and sales of blues records, what did Alain Locke ignore?

<p>The blues movement (A)</p> Signup and view all the answers

How did Alain Locke view jazz in relation to intellectual content?

<p>As having little intellectual content and associated with vice (B)</p> Signup and view all the answers

Who did Alain Locke ignore despite their impact on black America?

<p>Marcus Garvey and the Universal Negro Improvement Association (C)</p> Signup and view all the answers

According to Locke, what was required for the new breed of Negroes in the brave new world of Negro-ness?

<p>Smoothing out differences and conformity (C)</p> Signup and view all the answers

Who did Alain Locke consider out of place in his definition of New Negroism?

<p>Jean Toomer and Bruce Nugent (B)</p> Signup and view all the answers

What did Alain Locke view jazz as?

<p>A source of fun but with little intellectual content, associated with vice (B)</p> Signup and view all the answers

What was Alain Locke's criticism regarding the setting of spirituals?

<p>Too European (C)</p> Signup and view all the answers

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Study Notes

  • Alain Locke's essay in "The New Negro" (1925) emphasizes the spirituals as the core of Negro folk music
  • Criticism of "concertized" settings of spirituals being too European, but warning against limiting them to simple versions
  • Black folk song (including blues) not contributing significantly to modern musical development, with hope for a musical genius to organize its distinctive elements
  • Ignored the blues movement, despite increasing popularity and sales of blues records
  • Jazz viewed as a source of fun but with little intellectual content, associated with vice
  • Marcus Garvey and the Universal Negro Improvement Association ignored, despite their impact on black America
  • Radical socialism also given short shrift, with figures like A. Philip Randolph and Chandler Owen not included
  • Locke's perception of a new breed of Negroes in a brave new world of Negro-ness required smoothing out differences and conformity
  • Jean Toomer and Bruce Nugent, with their unique identities, were out of place in Locke's definition of New Negroism.

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