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The New Negro - Introduction
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The New Negro - Introduction

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Questions and Answers

What aspect of Negro folk music did Alain Locke emphasize in his essay in 'The New Negro'?

  • Concertized settings of spirituals
  • Blues as the core of Negro folk music
  • Spirituals as the core of Negro folk music (correct)
  • Jazz as the core of Negro folk music
  • What was Alain Locke's criticism regarding the 'concertized' settings of spirituals?

  • Being too mainstream
  • Being too African
  • Being too traditional
  • Being too European (correct)
  • According to Alain Locke, did Black folk song (including blues) contribute significantly to modern musical development?

  • Yes, it significantly influenced modern musical development
  • No, it was ignored by modern musicians
  • Yes, but with limited impact on modern musical development
  • No, with hope for a musical genius to organize its distinctive elements (correct)
  • Despite increasing popularity and sales of blues records, what did Alain Locke ignore?

    <p>The blues movement</p> Signup and view all the answers

    How did Alain Locke view jazz in relation to intellectual content?

    <p>As having little intellectual content and associated with vice</p> Signup and view all the answers

    Who did Alain Locke ignore despite their impact on black America?

    <p>Marcus Garvey and the Universal Negro Improvement Association</p> Signup and view all the answers

    According to Locke, what was required for the new breed of Negroes in the brave new world of Negro-ness?

    <p>Smoothing out differences and conformity</p> Signup and view all the answers

    Who did Alain Locke consider out of place in his definition of New Negroism?

    <p>Jean Toomer and Bruce Nugent</p> Signup and view all the answers

    What did Alain Locke view jazz as?

    <p>A source of fun but with little intellectual content, associated with vice</p> Signup and view all the answers

    What was Alain Locke's criticism regarding the setting of spirituals?

    <p>Too European</p> Signup and view all the answers

    Study Notes

    • Alain Locke's essay in "The New Negro" (1925) emphasizes the spirituals as the core of Negro folk music
    • Criticism of "concertized" settings of spirituals being too European, but warning against limiting them to simple versions
    • Black folk song (including blues) not contributing significantly to modern musical development, with hope for a musical genius to organize its distinctive elements
    • Ignored the blues movement, despite increasing popularity and sales of blues records
    • Jazz viewed as a source of fun but with little intellectual content, associated with vice
    • Marcus Garvey and the Universal Negro Improvement Association ignored, despite their impact on black America
    • Radical socialism also given short shrift, with figures like A. Philip Randolph and Chandler Owen not included
    • Locke's perception of a new breed of Negroes in a brave new world of Negro-ness required smoothing out differences and conformity
    • Jean Toomer and Bruce Nugent, with their unique identities, were out of place in Locke's definition of New Negroism.

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