Accidental Death of an Anarchist Overview

A type of theatre that uses humor and satire to promote political messages, often including blasphemous or scatological material.

A traditional Italian theatrical form known for improvisation and stock characters.

Italian working class in the 1960s and 70s was discussed in the text.

Plays were altered in rehearsals according to audience reactions and current events.

Performances took place in public spaces like factories, gyms, and parks.

Performances began with a discussion of current events and historical context, followed by a debate between actors and audience.

This TV show featured humorous sketches performed by the actors.

Plays were often translated and adapted over time.

Agitprop theatre aims to empower audiences to critically analyze and engage with social and political issues.

Agitprop characters often embody real-world issues, representing social classes or political ideologies.

Bertoz is a character in agitprop plays who often faces abuse and violence, showcasing the harsh realities faced by the working class.

Inspec represents a higher level of bureaucracy and authority, highlighting the power dynamics within society.

Agitprop performances often incorporate slapstick humor and improvisation, making them engaging and accessible to a broad audience.

Agitprop plays often connect directly to real-world events, making them relevant and timely.

Agitprop performances often take place in public spaces like factories, gyms, and parks, extending the reach of the message.

Audience participation is encouraged in agitprop, encouraging dialogue and critical thinking about the issues presented.

A real-life event in 1969, where a bomb exploded in Milan, Italy, killing 16 people. It was a major event that sparked political unrest and became the central focus of Dario Fo's play "Accidental Death of an Anarchist."

This play by Dario Fo, "Accidental Death of an Anarchist", focused on the political and social climate in Italy, specifically the events surrounding the Piazza Fontana bombing.

Dario Fo often chose unconventional performance spaces for his plays, like public squares or occupied factories, to engage directly with the public and reach a wider audience.

Dario Fo’s work was highly political and critical of organized crime, corruption, and political assassinations. He aimed to expose injustices through satire and humor.

Dario Fo earned the Nobel Prize in Literature in 1997 for his work in political theatre, which used satire and humor to challenge power structures and injustices.

The Christian Democrats and Italian Communists were the two major political parties in Italy during the 1960s and 70s. Dario Fo’s play often highlighted the tensions between these parties and their role in shaping the political landscape.

Dario Fo worked closely with his wife, Franca Rame, who also was a renowned actress and playwright. They co-founded their own theatre company, "Campagna Dario Fo – Franca Rame", and collaborated on various artistic projects.