6th Edition Book (English Medium) PDF

Summary

This document is a book about dance forms of India. It includes questions and answers related to different dance forms and their origins.

Full Transcript

‭Pinnacle‬ ‭Static GK‬ ‭Keerthanam) and Tillana (Origin in the‬...

‭Pinnacle‬ ‭Static GK‬ ‭Keerthanam) and Tillana (Origin in the‬ ‭Sol.8.(b)‬ ‭Ghode‬ ‭Modni‬ ‭-‬ ‭It‬ ‭is‬ ‭a‬ ‭dance‬ ‭Static GK‬ ‭Tarana of Hindustani Music).‬ ‭ ommemorating‬ ‭the‬ ‭Maratha‬ ‭rulers‬ ‭and‬ c ‭warriors‬‭of‬‭the‬‭past.‬‭Other‬‭dances‬‭of‬‭Goa‬ ‭Dance‬ ‭Q.4.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭is‬ ‭a‬ ‭folk ‭:‬ ‭Tarangamel,‬ ‭Dekhni,‬ ‭Fugdi,‬ ‭Shigmo,‬ ‭ ance from the state of Maharashtra? d ‭Samayi‬ ‭nrutya,‬ ‭Ranmale,‬ ‭Gonph,‬‭Tonnya‬ ‭.1.‬ ‭Sattriya‬ ‭dance‬ ‭form‬ ‭is‬ ‭famous‬ ‭in Q ‭SSC Stenographer 13/10/2023 (Morning) ‭mell.‬ ‭which of these states? ‭(a) Ghoomar (b) Bhangra ‭SSC Stenographer 12/10/2023 (Morning) ‭(c) Garba (d) Dhangari Gaja ‭Q.9.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭dances‬ ‭is ‭(a) Assam (b) Himachal Pradesh ‭ ased‬‭on‬‭Rasleela‬‭themes‬‭of‬‭Radha‬‭and b ‭ ol.4.(d)‬‭Dhangari‬‭Gaja.‬‭States‬‭and‬‭their‬ S ‭(c) Punjab (d) Tamil Nadu ‭Krishna? ‭folk‬ ‭dances:‬ ‭Maharashtra‬ ‭-‬ ‭Lavani,‬ ‭SSC CPO 03/10/2023 (Afternoon) ‭ ol.1.(a)‬ ‭Assam.‬ ‭Sattriya‬ ‭dance‬ S ‭Powada‬ ‭dance,‬ ‭Koli,‬ ‭Waghya‬ ‭Murali.‬ ‭(a) Mohiniyattam‬ ‭(b) Kathak ‭originated‬ ‭in‬ ‭Sattra,‬ ‭a‬ ‭monastery,‬ ‭as‬ ‭a‬ ‭Gujarat‬ ‭-‬ ‭Dandiya‬ ‭Raas,‬ ‭Tippani,‬ ‭Bhavai,‬ ‭(c) Sattriya dance‬ ‭(d) Manipuri dance ‭part‬ ‭of‬ ‭the‬ ‭neo-Vaishnavite‬ ‭movement‬ ‭Garba,‬ ‭Daang.‬ ‭Rajasthan‬ ‭-‬ ‭Ghoomar,‬ ‭started‬ ‭by‬ ‭Srimanta‬ ‭Sankardev.‬ ‭Sattriya‬ ‭Bhavai,‬ ‭Kalbelia,‬ ‭Terah‬ ‭Taali.‬ ‭Punjab‬ ‭-‬ ‭ ol.9.(d)‬ ‭Manipuri‬ ‭dance.‬ ‭Classical‬ S ‭was‬‭given‬‭the‬‭status‬‭of‬‭a‬‭classical‬‭dance‬ ‭Bhangra, Giddha, Luddi, Julli.‬ ‭dances‬ ‭of‬ ‭India‬ ‭:‬ ‭Bharatanatyam‬ ‭(Tamil‬ ‭in‬ ‭the‬ ‭year‬ ‭2000‬ ‭by‬ ‭the‬ ‭Sangeet‬ ‭Natak‬ ‭Nadu),‬ ‭Manipuri‬ ‭(Manipur),‬ ‭Kathak‬ ‭Q.5.‬ ‭What‬ ‭is‬ ‭a‬ ‭one‬ ‭act‬ ‭play‬ ‭of‬ ‭Sattriya ‭Akademi.‬ ‭The‬ ‭dance‬ ‭styles‬ ‭of‬ ‭Sattriya‬ ‭(Northern‬ ‭India),‬ ‭Odissi‬ ‭(Odisha),‬ ‭ alled? c ‭are‬ ‭Paurashik‬ ‭Bhangi‬ ‭(male‬ ‭style)‬ ‭and‬ ‭Kathakali‬ ‭(Kerala),‬ ‭Mohiniattam‬‭(Kerala),‬ ‭SSC Stenographer 13/10/2023 (Afternoon) ‭Stri‬‭Bhangi‬‭(female‬‭style).‬‭Folk‬‭dances‬‭of‬ ‭Kuchipudi‬ ‭(Andhra‬ ‭Pradesh),‬ ‭Sattriya‬ ‭(a) Ekam Nat ‭(b) Vishesham Nat ‭Assam:‬ ‭Bihu,‬ ‭Bagurumba,‬ ‭Deodhani,‬ ‭(Assam).‬ ‭(c) Anant Nat ‭(d) Ankiya Nat ‭Bhortal dance.‬ ‭Q.10.‬‭Sattriya‬‭was‬‭recognised‬‭in______‬‭as ‭ ol.5.(d)‬ ‭Ankiya‬ ‭Nat:‬ ‭It‬ ‭is‬ ‭a‬ ‭form‬ ‭of‬ S ‭.2.‬‭Which‬‭of‬‭the‬‭following‬‭statements‬‭is Q ‭ ‬ ‭Classical‬ ‭Dance‬ ‭by‬ ‭Sangeet‬ ‭Natak a ‭Sattriya‬ ‭that‬ ‭involves‬ ‭musical‬ ‭drama‬ ‭or‬ ‭true? ‭Akademi. ‭play.‬‭It‬‭was‬‭initially‬‭written‬‭in‬‭Brajavali,‬‭an‬ ‭Statement‬ ‭I:‬ ‭Indian‬ ‭techniques‬ ‭such‬ ‭as ‭SSC CPO 03/10/2023 (Evening) ‭Assamese-Maithili‬ ‭hybrid‬ ‭language.‬ ‭It's‬ ‭Rasa‬ ‭and‬ ‭Bhawa‬ ‭in‬ ‭classical‬ ‭dances ‭(a) 2005‬ ‭(b) 2000 (c) 2020 (d) 2010 ‭also‬ ‭known‬ ‭as‬ ‭'Bhaona,'‬ ‭and‬ ‭it‬ ‭tells‬ ‭have‬ ‭their‬ ‭origins‬ ‭in‬ ‭Bharatmuni’s ‭stories‬ ‭about‬ ‭Lord‬ ‭Krishna.‬ ‭The‬‭Sattriya‬ ‭ ol.10.(b)‬ S ‭2000.‬ ‭The‬ ‭primary‬ ‭Natyashastra. ‭dance‬ ‭form‬ ‭was‬ ‭introduced‬ ‭in‬ ‭15th‬ ‭accompanying‬ ‭instruments‬ ‭for‬ ‭this‬ ‭Statement‬ ‭II:‬ ‭Bharatanatyam‬ ‭has‬ ‭its ‭century‬ ‭AD‬ ‭by‬ ‭Mahapurusha‬ ‭dance‬ ‭genre‬ ‭include‬ ‭the‬ ‭khol‬ ‭(drum),‬ ‭origin in Odisha. ‭Sankaradeva in the state of Assam.‬ ‭manjira‬ ‭(cymbals),‬ ‭and‬ ‭flute.‬ ‭Songs:‬ ‭SSC Stenographer 12/10/2023 (Morning) ‭(a) Only Statement II is true. S ‭ hankaradeva's 'Borgeets.'‬ ‭Q.6.‬ ‭The‬ ‭origin‬ ‭of‬ ‭most‬ ‭of‬ ‭the‬‭classical ‭(b) Both Statement I and Statement II are ‭ ance forms of India is _____. d ‭.11.‬ ‭In‬ ‭2010,‬ ‭considering‬ ‭its Q ‭true. ‭SSC Stenographer 13/10/2023 (Afternoon‬‭) ‭outstanding‬ ‭value‬ ‭and‬ ‭vulnerability, ‭(c) Neither Statement I nor Statement II ‭(a) Yajur Veda‬ ‭(b) Arth Shastra ‭UNESCO‬ ‭recognised‬ ‭'Mudiyettu',‬ ‭an ‭is true. ‭(c) Atharva Veda‬ ‭(d) Natya Shastra ‭age-old‬ ‭ritual-drama‬ ‭of‬ ‭______‬ ‭as‬ ‭an ‭(d) Only Statement I is true. ‭'intangible cultural heritage of humanity'. ‭ ol.6.(d)‬ ‭Natya‬ ‭Shastra.‬ ‭Natya‬ ‭Shastra‬ S ‭SSC CPO 03/10/2023 (Evening) ‭ ol.2.(d)‬ ‭Bharatanatyam‬ ‭is‬ ‭a‬ ‭classical‬ S ‭(Sanskrit‬ ‭text‬ ‭on‬ ‭dance‬ ‭art‬ ‭and‬ ‭music):‬ ‭dance‬ ‭form‬ ‭that‬ ‭originated‬ ‭in‬ ‭Tamil‬ ‭(a) Kerala ‭(b) Telangana ‭Compiled‬ ‭by‬ ‭Bharat‬ ‭Muni.‬ ‭The‬ ‭text‬ ‭(c) Karnataka‬ ‭(d) Tamil Nadu ‭Nadu.‬ ‭The‬ ‭Indian‬ ‭classical‬ ‭dances‬ ‭have‬ ‭consists‬ ‭of‬ ‭36‬ ‭chapters‬ ‭with‬ ‭a‬ ‭two‬‭basic‬‭aspects‬‭-‬‭Tandava‬‭(movement‬ ‭cumulative‬ ‭total‬ ‭of‬ ‭6000‬ ‭poetic‬ ‭verses‬ ‭ ol.11.(a)‬ ‭Kerala.‬ ‭Mudiyettu‬ ‭-‬ ‭A‬ ‭ritual‬ S ‭and‬‭rhythm)‬‭and‬‭Lasya‬‭(grace,‬‭bhava‬‭and‬ ‭describing performance arts.‬ ‭dance‬ ‭drama‬‭based‬‭on‬‭the‬‭mythological‬ ‭rasa)‬ ‭and‬ ‭three‬ ‭main‬ ‭components‬ ‭-‬ ‭tale‬‭of‬‭a‬‭battle‬‭between‬‭the‬‭Goddess‬‭Kali‬ ‭Natya‬ ‭(the‬ ‭dramatic‬ ‭element‬ ‭of‬ ‭the‬ ‭.7.‬ ‭Bhutia‬‭dance‬‭is‬‭performed‬‭in‬‭which Q ‭and the demon Darika.‬ ‭dance);‬ ‭Nritta‬ ‭(the‬ ‭dance‬ ‭movements‬‭in‬ ‭of the following states? ‭their‬ ‭basic‬ ‭form);‬ ‭Nritya‬ ‭(expressional‬ ‭SSC CPO 03/10/2023 (Morning) ‭.12.‬ ‭Thullal‬ ‭dance‬ ‭originated‬ ‭in‬ ‭which Q ‭component i.e. mudras or gestures).‬ ‭(a) Nagaland ‭(b) Odisha ‭of the following states ? ‭(c) West Bengal‬ ‭(d) Sikkim ‭SSC CPO 04/10/2023 (Morning) ‭Q.3.‬ ‭When‬ ‭was‬ ‭Bharatanatyam‬ ‭banned ‭(a) Kerala ‭(b) Uttarakhand ‭ y the British colonial government ? b ‭ ol.7.(d)‬ ‭Sikkim.‬ ‭Other‬ ‭dances:‬‭Sikkim‬‭-‬ S ‭(c) Manipur ‭(d) Gujrat ‭SSC Stenographer 12/10/2023 (Afternoon) ‭Singhi‬ ‭Chham,‬ ‭Tamang‬ ‭Selo,‬ ‭Sherpa‬ ‭(a) 1885‬ ‭(b) 1910 (c) 1897 (d) 1927 ‭Dance,‬ ‭Ghantu,‬ ‭Gayley-Yang‬ ‭Dance,‬ ‭ ol.12.(a)‬ ‭Kerala.‬ ‭There‬ ‭are‬ ‭three‬ S ‭Sangey‬ ‭Chham‬ ‭Dance‬ ‭and‬ ‭Chu‬ ‭Faat.‬ ‭versions‬ ‭of‬ ‭this‬ ‭art‬ ‭form‬ ‭Seethankan‬ ‭ ol.3.(b)‬ ‭1910.‬ ‭Bharatanatyam‬ ‭(Tamil‬ S ‭West‬ ‭Bengal‬ ‭-‬ ‭Purulia‬ ‭Chhau,‬ ‭Baul,‬ ‭and‬ ‭Thullal,‬‭Parayan‬‭Thullal‬‭and‬‭Ottan‬‭Thullal.‬ ‭Nadu):‬ ‭It‬ ‭traces‬ ‭its‬ ‭origins‬ ‭back‬ ‭to‬ ‭the‬ ‭Gambhira.‬‭Odisha‬‭-‬‭Gotipua‬‭Dance,‬‭Dhap,‬ ‭Other‬ ‭dances‬ ‭:‬ ‭Kerala‬ ‭-‬ ‭Theyyam,‬ ‭Natyashastra,‬ ‭an‬ ‭ancient‬ ‭treatise‬ ‭on‬ ‭and‬ ‭Paika.‬ ‭Nagaland‬ ‭-‬ ‭Modse,‬ ‭Thirvathirakali,‬ ‭Kolkali.‬ ‭Uttarakhand‬ ‭-‬ ‭theatre‬ ‭written‬ ‭by‬ ‭the‬ ‭mythic‬ ‭priest‬ ‭Agurshikukula,‬ ‭Aaluyattu,‬ ‭Sadal‬ ‭Kekai,‬ ‭Choliya,‬ ‭Pandav‬ ‭Nritya,‬ ‭Bhotia‬ ‭Dance,‬ ‭Bharata.‬ ‭Features‬ ‭:-‬ ‭It‬ ‭encompasses‬ ‭and Changai Dance.‬ ‭Jhora‬ ‭Dance.‬ ‭Manipur‬ ‭-‬ ‭Lai‬ ‭Haraoba,‬ ‭Bhav,‬‭Rag,‬‭Ras‬‭and‬‭Taal.‬‭It‬‭consists‬‭of‬‭six‬ ‭Kabui Dance, Luivat Pheizak Dance.‬ ‭portions:‬ ‭Alarippu‬ ‭(Invocation),‬ ‭Q.8.‬ ‭Which‬ ‭dance‬ ‭form‬ ‭of‬ ‭Goa‬ ‭is‬ ‭also ‭Jathiswaram‬ ‭(Nritta‬ ‭part),‬ ‭Shabdam‬ ‭ nown as the ‘Warrior Dance’? k ‭.13.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭dance Q ‭(Short‬ ‭compositions‬‭with‬‭word),‬‭Varnam‬ ‭SSC CPO 03/10/2023 (Afternoon) ‭forms‬ ‭traces‬ ‭its‬ ‭origins‬ ‭to‬ ‭the‬ ‭ancient ‭(a‬ ‭story,‬ ‭that‬ ‭includes‬ ‭both‬ ‭Nritta‬ ‭and‬ ‭(a) Lavani (b) Ghode Modni ‭dance Sadir Attam ? ‭Nritya), Padam (Religious prayer, Bhajan,‬ ‭(c) Bihu ‭(d) Rauf ‭SSC CPO 05/10/2023 (Morning) ‭www.ssccglpinnacle.com Download Pinnacle Exam Preparation App‬ 1 ‭Pinnacle‬ ‭Static GK‬ (‭ a) Mohiniyattam‬ ‭(b) Bharatanatyam‬ ‭Manipur.‬‭The‬‭male‬‭dancers‬‭play‬‭the‬‭Pung‬ ‭ nd‬‭17th‬‭century‬‭AD.‬‭Dhamal‬‭is‬‭one‬‭such‬ a ‭(c) Kuchipudi (d) Kathakali‬ ‭ nd‬‭Kartal‬‭while‬‭dancing.‬‭The‬‭masculine‬ a ‭dance‬ ‭form‬ ‭that‬ ‭reflects‬ ‭the‬ ‭Siddis’‬ ‭aspect‬‭of‬‭dance‬‭-‬‭the‬‭Choloms‬‭are‬‭a‬‭part‬ ‭passion‬‭for‬‭hunting.‬‭In‬‭the‬‭old‬‭days,‬‭also‬ ‭Sol.13.(b)‬ ‭Bharatanatyam‬ ‭-‬ ‭It‬ ‭is‬ ‭a‬ ‭of the Sankirtana tradition.‬ ‭known‬‭as‬‭Mashira‬‭Nritya,‬‭this‬‭dance‬‭was‬ ‭ lassical‬ ‭dance‬ ‭of‬ ‭Tamil‬ ‭Nadu.‬ ‭It‬ ‭is‬ c ‭performed‬‭by‬‭Siddis‬‭after‬‭returning‬‭from‬ ‭known‬‭as‬‭Sadir‬‭Attam,‬‭because‬‭it‬‭can‬‭be‬ ‭.18.‬ ‭Lavani‬ ‭is‬ ‭a‬ ‭traditional‬ ‭dance‬ ‭of‬ Q ‭a successful hunting expedition.‬ ‭traced‬ ‭back‬ ‭to‬ ‭'Sadir'‬ ‭which‬ ‭was‬ ‭a‬ ‭solo‬ ‭which of the following states?‬ ‭dance.‬ ‭Sadir‬ ‭was‬ ‭performed‬ ‭by‬ ‭temple‬ ‭SSC CPO 05/10/2023 (Evening)‬ ‭.22.‬ ‭_______‬ ‭has‬ ‭two‬ ‭traditions:‬ ‭one‬ ‭is‬ Q ‭dancers‬ ‭or‬ ‭'devadasis'‬ ‭in‬ ‭Tamil‬ ‭Nadu,‬ ‭(a) Maharashtra (b) Madhya Pradesh‬ ‭the‬‭sankeertana‬‭(which‬‭is‬‭the‬‭devotional‬ ‭hence named 'Dashiattam’.‬ ‭(c) Himachal Pradesh (d) Uttar Pradesh‬ ‭aspect) and the other is the raasa.‬ ‭SSC MTS 04/09/2023 (1st Shift)‬ ‭.14.‬‭Maimata‬‭is‬‭a‬‭popular‬‭folk‬‭dance‬‭of‬ Q ‭Sol.18.(a)‬ ‭Maharashtra.‬ ‭Folk‬ ‭Dances‬ ‭of‬ ‭(a) Odissi‬ ‭(b) Sattriya‬ ‭which of the following states ?‬ ‭ ifferent‬ ‭states:‬ ‭Madhya‬ ‭Pradesh‬ ‭-‬ D ‭(c) Manipuri dance (d) Chhau‬ ‭SSC CPO 05/10/2023 (Morning)‬ ‭Jawara,‬ ‭Matki,‬ ‭Aada,‬ ‭Khada‬ ‭Nach,‬ ‭(a) Punjab‬ ‭(b) Tripura‬ ‭Phulpati,‬ ‭Grida‬ ‭Dance,‬ ‭Selalarki,‬ ‭ ol.22.(c)‬‭Manipuri‬‭dance.‬‭Sankirtana‬‭at‬ S ‭(c) Haryana‬ ‭(d) Uttarakhand‬ ‭Selabhadoni,‬‭Maanch.‬‭Himachal‬‭Pradesh‬ ‭the‬‭temple‬‭involves‬‭performers‬‭narrating‬ ‭-‬‭Jhora,‬‭Jhali,‬‭Chharhi,‬‭Dhaman,‬‭Chhapeli,‬ ‭Krishna's‬ ‭life‬ ‭and‬ ‭deeds‬ ‭through‬ ‭song‬ ‭Sol.14.(b)‬ ‭Tripura.‬ ‭Mamita‬ ‭dance‬ ‭is‬ ‭a‬ ‭Mahasu,‬ ‭Nati,‬ ‭Dangi.‬ ‭Uttar‬ ‭Pradesh‬ ‭-‬ ‭and dance.‬ t‭ raditional‬ ‭dance‬ ‭associated‬ ‭with‬ ‭the‬ ‭Nautanki,‬ ‭Raslila,‬ ‭Kajri,‬ ‭Jhora,‬ ‭Chappeli,‬ ‭Kaloi‬ ‭community‬ ‭of‬ ‭Tripura‬ ‭and‬ ‭is‬ ‭Jaita.‬ ‭.23.‬ ‭Which‬ ‭dance‬ ‭form‬ ‭is‬ ‭associated‬ Q ‭performed‬ ‭during‬ ‭the‬ ‭harvest‬ ‭festival.‬ ‭with Natwari Dance?‬ ‭Other‬ ‭folk‬ ‭dances‬ ‭of‬ ‭Tripura:‬ ‭Garia,‬ ‭Q.19.‬ ‭Which‬ ‭of‬ ‭the‬ ‭dance‬ ‭was‬ ‭SSC MTS 04/09/2023 (2nd Shift)‬ ‭Lebang‬‭Boomani,‬‭Hozagiri,‬‭Bizu,‬‭Hai-Hak,‬ i‭mmediately‬ ‭preceded‬ ‭by‬ ‭a‬ ‭practice‬ ‭(a) Kathak (b) Kuchipudi‬ ‭Cheraw,‬‭Jhum.‬‭Punjab‬‭-‬‭Bhangra,‬‭Giddha,‬ ‭session‬ ‭called‬ ‭sevakali‬ ‭and‬ ‭undertaken‬ ‭(c) Odissi (d) Kathakali‬ ‭Jhumar,‬ ‭Gatka.‬ ‭Haryana‬ ‭-‬ ‭Phag,‬ ‭Saang,‬ ‭in the precincts of a temple ?‬ ‭Chhathi, Khoria, Gugga.‬ ‭SSC MTS 01/09/2023 (3rd Shift)‬ ‭ ol.23.(a)‬ ‭Kathak‬ ‭is‬ ‭famous‬ ‭for‬ ‭its‬ S ‭(a) Kathakali‬ ‭(b) Kathak‬ ‭spectacular‬ ‭footwork,‬ ‭amazing‬ ‭spins,‬ ‭Q.15.‬ ‭Bharatanatyam‬ ‭is‬ ‭traditionally‬ ‭(c) Odissi‬ ‭(d) Kuchipudi‬ ‭Nazakat‬ ‭and‬ ‭Padhant.‬ ‭Natwari‬ ‭Nritya‬ ‭is‬ ‭ erformed to which type of music ?‬ p ‭also known as the dance of Krishna.‬ ‭SSC CPO 05/10/2023 (Afternoon)‬ ‭Sol.19.(a) Kathakali‬‭(dance of Kerala).‬ ‭.24.‬ ‭_________‬ ‭literally‬ ‭means‬‭'dance‬‭of‬ Q ‭(a) Lavani‬ ‭(b) Baul‬ ‭.20.‬‭Which‬‭of‬‭the‬‭abhinayas‬‭deals‬‭with‬ Q ‭the‬ ‭enchantress'.‬ ‭It‬ ‭is‬ ‭one‬ ‭of‬ ‭the‬ ‭most‬ ‭(c) Hindustani‬ ‭(d) Carnatic‬ ‭the‬ ‭use‬ ‭of‬ ‭costumes,‬ ‭jewellery,‬ ‭facial‬ ‭striking‬ ‭in‬ ‭the‬ ‭Indian‬ ‭classical‬ ‭dance‬ ‭Sol.15.(d)‬ ‭Carnatic‬ ‭is‬ ‭a‬ ‭form‬ ‭of‬ ‭Indian‬ ‭make-up etc?‬ ‭repertoire.‬ ‭ lassical‬ ‭music‬ ‭which‬ ‭originated‬ ‭in‬ c ‭SSC MTS 01/09/2023 (2nd Shift)‬ ‭SSC MTS 04/09/2023 (3rd Shift)‬ ‭Southern‬ ‭India.‬ ‭Dances‬ ‭and‬ ‭the‬ ‭type‬ ‭of‬ ‭(a) Vachika Abhinaya (b) Aharya Abhinaya‬ ‭(a) Kuchipudi‬ ‭(b) Mohiniyattam‬ ‭music‬ ‭:‬ ‭Kathak‬ ‭-‬ ‭Hindustani‬ ‭Music,‬ ‭(c) Sattvika Abhinaya (d) Angika Abhinaya‬ ‭(c) Kathakali‬ ‭(d) Bharatanatyam‬ ‭Mohiniattam‬ ‭-‬ ‭Carnatic,‬ ‭Odissi‬ ‭-‬ ‭Odissi‬ ‭ ol.20.(b)‬ ‭Aharya‬ ‭Abhinaya.‬ ‭A‬ ‭dancer‬ S ‭ ol.24.(b)‬ ‭Mohiniyattam‬ ‭(Kerala‬‭)‬ ‭-‬ ‭Also‬ S ‭music,‬ ‭Kuchipudi‬ ‭-‬ ‭Vocal‬ ‭and‬ ‭wears‬ ‭a‬ ‭readymade‬ ‭stitched‬ ‭costume.‬ ‭known‬ ‭as‬ ‭the‬ ‭dance‬ ‭of‬ ‭Mohini‬ ‭(an‬ ‭instrumental‬ ‭Carnatic‬ ‭music,‬ ‭Sattriya‬ ‭-‬ ‭The‬‭lower‬‭garment‬‭is‬‭dhoti‬‭and‬‭the‬‭upper‬ ‭incarnation‬ ‭of‬ ‭Lord‬ ‭Vishnu).‬ ‭borgeet,‬ ‭Kathakali‬ ‭-‬ ‭Sopana‬ ‭sangeet,‬ ‭garment‬ ‭is‬ ‭a‬ ‭choli‬ ‭with‬ ‭a‬ ‭davani.‬ ‭The‬ ‭Performance:‬‭Solo‬‭recital‬‭by‬‭women;‬‭The‬ ‭Manipuri - Classical nat music.‬ ‭traditional‬ ‭jewellery‬ ‭used‬ ‭is‬ ‭the‬ ‭head‬ ‭Lasya‬ ‭aspect‬ ‭of‬ ‭dance‬ ‭is‬ ‭dominant‬‭and‬ ‭.16.‬ ‭With‬ ‭which‬‭of‬‭the‬‭following‬‭dance‬ Q ‭ornaments‬‭known‬‭as‬‭“tal‬‭saman”,‬‭the‬‭sun‬ ‭Inculcates‬ ‭elements‬ ‭of‬ ‭Bharatanatyam‬ ‭forms is Thumri music associated?‬ ‭and‬‭moon‬‭diadems.‬‭Vachika‬‭Abhinaya:‬‭It‬ ‭and Kathakali.‬ ‭SSC CPO 05/10/2023 (Evening)‬ ‭constitutes‬ ‭the‬ ‭Kavyas‬ ‭(poems)‬ ‭and‬ ‭.25.‬‭Dandari‬‭(Dancing)‬‭troupes‬‭perform‬ Q ‭(a) Kathak‬ ‭(b) Kathakali‬ ‭natakas‬ ‭(dramas)‬ ‭which‬‭are‬‭made‬‭up‬‭of‬ ‭________‬ ‭during‬‭the‬‭festival‬‭of‬‭Diwali‬‭for‬ ‭(c) Bharatanatyam (d) Sattriya‬ ‭speech.‬ ‭Saatwikam‬ ‭Abhinayam:‬ ‭It‬ ‭is‬ ‭a‬‭fortnight‬‭with‬‭participation‬‭from‬‭Kolam‬ ‭performed‬‭with‬‭the‬‭sattvika‬‭emotions‬‭by‬ ‭and Raj Gond tribes.‬ ‭Sol.16.(a)‬‭Kathak:‬‭It‬‭is‬‭a‬‭classical‬‭dance‬ ‭those‬ ‭who‬ ‭can‬ ‭represent‬ ‭them‬ ‭SSC MTS 04/09/2023 (3rd Shift)‬ f‭ orm‬ ‭of‬ ‭Uttar‬ ‭Pradesh.‬ ‭Thumri:‬ ‭It‬ ‭is‬ ‭a‬ ‭proficiently.‬ ‭Aangika‬ ‭Abhinaya‬‭:‬ ‭It‬ ‭is‬ ‭(a) Chhau‬ ‭(b) Baiga Pardhoni‬ ‭common‬ ‭genre‬ ‭of‬ ‭semi-classical‬ ‭Indian‬ ‭expressed‬ ‭by‬ ‭the‬ ‭bodily‬ ‭movements‬ ‭(c) Ghusadi‬ ‭(d) Rout Nacha‬ ‭music‬ ‭originating‬ ‭in‬ ‭the‬ ‭eastern‬ ‭part‬ ‭of‬ ‭where‬ ‭the‬ ‭body‬ ‭becomes‬ ‭the‬ ‭sole‬ ‭Uttar‬ ‭Pradesh.‬ ‭Kathakali‬ ‭(Kerala):‬ ‭It‬ ‭is‬‭a‬ ‭Sol.25.(c)‬ ‭Ghusadi‬ ‭(in‬ ‭the‬ ‭Adilabad‬ ‭medium of expression.‬ ‭combination‬‭of‬‭5‬‭forms‬‭of‬‭fine‬‭art‬‭which‬ ‭ istrict‬ ‭of‬ ‭Telangana).‬ ‭Baiga‬ ‭Pardhoni‬ d ‭are‬ ‭Literature‬ ‭(Sahithyam),‬ ‭Music‬ ‭.21.‬ ‭The‬ ‭cultural‬ ‭heritage‬ ‭of‬ ‭Siddhis‬ Q ‭(Madhya Pradesh) dance is performed by‬ ‭(Sangeetham),‬ ‭Painting‬ ‭(Chithram),‬ ‭from‬ ‭_______‬ ‭dates‬ ‭back‬ ‭to‬ ‭almost‬ ‭300‬ ‭the‬ ‭Baiga‬ ‭tribals.‬ ‭Raut‬ ‭Nacha‬ ‭Acting (Natyam) and Dance (Nritham)..‬ ‭years‬ ‭and‬ ‭their‬ ‭Siddhi‬ ‭Dhamal‬ ‭dance‬ ‭is‬ ‭(Chhattisgarh)‬ ‭is‬ ‭mainly‬ ‭performed‬ ‭by‬ ‭an exquisite art form.‬ ‭Yaduvanshis.‬ ‭Q.17.‬ ‭The‬ ‭masculine‬ ‭aspect‬ ‭of‬ ‭the‬ ‭SSC MTS 01/09/2023 (3rd Shift)‬ ‭ anipuri classical dance is known as:‬ M ‭(a) Uttar Pradesh‬ ‭(b) Gujarat‬ ‭Q.26.‬ ‭Paika‬ ‭dance‬ ‭of‬ ‭Jharkhand‬ ‭is‬ ‭SSC CPO 05/10/2023 (Evening)‬ ‭(c) Madhya Pradesh (d) Rajasthan‬ ‭ sually‬ ‭performed‬ ‭by‬ ‭_________tribe‬ ‭to‬ u ‭(a) Choloms (b) Pareng (c) Maiba (d) Ras‬ ‭welcome‬ ‭special‬ ‭honoured‬ ‭guests‬ ‭or‬ ‭ ol.17.(a)‬ ‭Choloms.‬ ‭The‬ ‭Kirtan‬ ‭form‬ ‭of‬ S ‭ ol.21.(b)‬ ‭Gujarat.‬ ‭Siddhis‬ ‭-‬ ‭They‬ ‭are‬ S ‭during‬ ‭religious‬ ‭processions‬ ‭(shobha‬ ‭congregational‬‭singing‬‭accompanies‬‭the‬ ‭descendants‬‭of‬‭East‬‭African‬‭people‬‭who‬ ‭yatra).‬ ‭dance‬ ‭which‬ ‭is‬ ‭known‬ ‭as‬ ‭Sankirtana‬ ‭in‬ ‭came‬ ‭to‬ ‭India‬ ‭as‬ ‭slaves‬‭during‬‭the‬‭14th‬ ‭SSC MTS 05/09/2023 (2nd Shift)‬ ‭www.ssccglpinnacle.com Download Pinnacle Exam Preparation App‬ 2 ‭Pinnacle‬ ‭Static GK‬ (‭ a) Santhal‬ (‭ b) Munda‬ ‭ n aspect of Lord Vishnu.‬ a ‭ ol.34.(c)‬ ‭Laasya.‬ ‭The‬ ‭Indian‬ ‭classical‬ S ‭(c) Oraon‬ ‭(d) Bhumij‬ ‭SSC MTS 06/09/2023 (1st Shift)‬ ‭dances‬‭have‬‭two‬‭basic‬‭aspects:‬‭Tandava‬ ‭(a) Madhya Pradesh (b) Jharkhand‬ ‭(movement‬ ‭and‬ ‭rhythm)‬ ‭and‬ ‭Lasya‬ ‭Sol.26.(b)‬‭Munda‬‭-‬‭One‬‭of‬‭the‬‭aboriginal‬ ‭(c) Maharashtra (d) Gujarat‬ ‭(grace,‬ ‭bhava‬ ‭and‬ ‭rasa).‬ ‭Natya‬ ‭(the‬ ‭ eople‬‭found‬‭in‬‭the‬‭Chota‬‭Nagpur‬‭region‬ p ‭dramatic‬ ‭element‬ ‭of‬ ‭the‬ ‭dance‬ ‭i.e.‬ ‭the‬ ‭of‬ ‭eastern‬ ‭India.‬ ‭They‬ ‭are‬ ‭a‬ ‭Proto‬ ‭Sol.30.(c) Maharashtra.‬ ‭imitation‬ ‭of‬ ‭characters).‬ ‭Nritta‬ ‭(the‬ ‭-Australoid‬ ‭Tribe.‬ ‭Their‬ ‭Language‬ ‭is‬ ‭dance‬ ‭movements‬ ‭in‬ ‭their‬ ‭basic‬ ‭form).‬ ‭Mundari‬ ‭which‬ ‭belongs‬ ‭to‬ ‭Astro-Asiatic‬ ‭Q.31.‬‭Chhau,‬‭identified‬‭by‬‭the‬‭Ministry‬‭of‬ ‭ ulture‬‭as‬‭a‬‭classical‬‭dance,‬‭is‬‭prevalent‬ C ‭Nritya‬ ‭(expressional‬ ‭component‬ ‭i.e.‬ ‭Family.‬ ‭Paika‬ ‭Dance‬ ‭-‬ ‭It‬ ‭symbolises‬ ‭mudras‬‭or‬‭gestures).‬‭The‬‭nine‬‭rasas‬‭are‬‭-‬ ‭battle-art.‬ ‭Dances‬‭of‬‭Jharkhand:‬‭Phagua‬ ‭in‬ ‭eastern‬ ‭India‬ ‭and‬ ‭has‬ ‭three‬ ‭distinct‬ ‭forms.‬‭Which‬‭of‬‭the‬‭following‬‭is‬‭NOT‬‭one‬ ‭Shringaara,‬ ‭Haasya,‬ ‭Karuna,‬ ‭Rudra,‬ ‭Nach,‬ ‭Munda‬ ‭Dance,‬ ‭Sohrai‬ ‭Dance,‬ ‭Veera,‬ B ‭ hayaanaka,‬ ‭Bheebhatsya,‬ ‭Sarhul Dance, Jamda dance.‬ ‭of them ?‬ ‭SSC MTS 06/09/2023 (3rd Shift)‬ ‭Adbhutha and Shaantha.‬ ‭Q.27.‬ ‭Gaur‬ ‭Maria,‬ ‭a‬ ‭dance‬ ‭form‬ ‭from‬ ‭(a) Seraikela Chhau of Jharkhand‬ ‭.35.‬ ‭The‬ ‭Rathwas,‬ ‭who‬ ‭dwell‬ ‭in‬ ‭the‬ Q _‭ ________‬ ‭state,‬ ‭is‬ ‭a‬ ‭famous‬ ‭art‬ ‭form‬‭of‬ ‭(b) Marwahi Chhau of Chhattisgarh‬ ‭state‬ ‭of‬ ‭_________,‬ ‭perform‬ ‭the‬ ‭Rathwa‬ ‭joy‬ ‭and‬ ‭invocation.‬ ‭It‬ ‭is‬ ‭a‬ ‭group‬ ‭dance‬ ‭(c) Purulia Chhau of West Bengal‬ ‭dance‬‭on‬‭the‬‭occasion‬‭of‬‭Holi‬‭(festival‬‭of‬ ‭and‬ ‭both‬ ‭men‬ ‭and‬ ‭women‬ ‭participate‬ ‭(d) Mayurbhanj Chhau of Odisha‬ ‭colours).‬ ‭enthusiastically in this dance.‬ ‭SSC MTS 08/09/2023 (2nd Shift)‬ ‭SSC MTS 05/09/2023 (2nd Shift)‬ ‭ ol.31.(b)‬ S ‭Marwahi‬ ‭Chhau‬ ‭of‬ ‭Chattisgarh.‬ ‭Chhau‬ ‭dance‬ ‭has‬ ‭a‬ ‭(a) Andhra Pradesh (b) Telangana‬ ‭(a) Maharashtra‬ ‭(b) Rajasthan‬ ‭(c) Maharashtra‬ ‭(d) Gujarat‬ ‭(c) Gujarat‬ ‭(d) Chhattisgarh‬ ‭significant‬ ‭role‬ ‭in‬ ‭the‬ ‭celebration‬ ‭of‬ ‭the‬ ‭spring‬ ‭festival‬ ‭Chaitra‬ ‭parva.‬ ‭It‬ ‭is‬ ‭Sol.35.(d)‬ ‭Gujarat.‬ ‭Rathwas‬ ‭-‬ ‭Tribe‬ ‭of‬ ‭ ol.27.(d)‬ ‭Chhattisgarh.‬ ‭Gaur‬ ‭Maria‬ S ‭performed‬ ‭by‬ ‭male‬ ‭dancers‬ ‭from‬ ‭ ujarat‬‭dwell‬‭in‬‭Rath-Vistar,‬‭the‬‭hilly‬‭area‬ G ‭Dance:‬‭It‬‭is‬‭performed‬‭on‬‭the‬‭occasion‬‭of‬ ‭families‬ ‭of‬ ‭traditional‬ ‭artists,‬ ‭or‬ ‭those‬ ‭of‬ ‭the‬ ‭southeastern‬ ‭part‬ ‭of‬ ‭the‬ ‭state.‬ ‭marriage‬ ‭by‬ ‭the‬ ‭Gaur‬ ‭Madiya‬ ‭of‬ ‭trained‬‭under‬‭Gurus‬‭or‬‭Ustads‬‭(masters).‬ ‭Rathwa‬ ‭dance‬ ‭-‬‭The‬‭dance‬‭is‬‭performed‬ ‭Abujhmad‬ ‭plateau‬ ‭of‬ ‭Bastar‬ ‭in‬ ‭It‬ ‭enacts‬ ‭episodes‬ ‭from‬ ‭the‬ ‭epics‬ ‭for‬ ‭five‬‭days‬‭as‬‭part‬‭of‬‭Holi‬‭celebrations‬ ‭Chhattisgarh‬‭and‬‭is‬‭called‬‭Gaur‬‭after‬‭the‬ ‭including‬ ‭Ramayana,‬ ‭the‬ ‭Mahabharata‬ ‭and‬ ‭the‬ ‭dancers‬ ‭observe‬ ‭a‬ ‭fast‬ ‭during‬ ‭bison.‬ ‭Other‬ ‭dances‬ ‭of‬ ‭Chattisgarh:‬ ‭and‬ ‭abstract‬ ‭themes.‬ ‭Famous‬ ‭Chhau‬ ‭this‬ ‭period.‬‭The‬‭male‬‭dancers‬‭are‬‭called‬ ‭Pandavani,‬ ‭Raut‬ ‭Nacha,‬ ‭Panthi‬ ‭and‬ ‭dancers‬ ‭:‬ ‭Upendra‬ ‭Biswal,‬ ‭and‬ ‭Rajendra‬ ‭gherriyas‬ ‭while‬ ‭the‬ ‭female‬ ‭dancers‬ ‭are‬ ‭Soowa.‬ ‭Pattanayak.‬ ‭called gheranis.‬ ‭Q.28.‬ ‭Lebang‬ ‭Boomani‬ ‭dance‬ ‭is‬ ‭the‬ ‭.32.‬ ‭Rikham‬ ‭pada‬ ‭dance‬ ‭belongs‬ ‭to‬ Q ‭Q.36.‬ ‭The‬ ‭word‬ ‭'kathak'‬ ‭is‬ ‭derived‬ ‭from‬ ‭ arvest dance of‬‭_________‬. h ‭which of the following states ?‬ ‭ hich of the following words?‬ w ‭SSC MTS 05/09/2023 (3rd Shift)‬ ‭SSC MTS 06/09/2023 (3rd Shift)‬ ‭SSC MTS 08/09/2023 (3rd Shift)‬ ‭(a) Mizoram‬ ‭(b) Tripura‬ ‭(a) Meghalaya‬ ‭(b) Assam‬ ‭(a) Story‬ ‭(b) Narrator‬ ‭(c) Assam‬ ‭(d) Meghalaya‬ ‭(c) Mizoram‬ ‭(d) Arunachal Pradesh‬ ‭(c) Dance steps‬ ‭(d) Bells‬ ‭Sol.28.(b)‬ ‭Tripura.‬‭Folk‬‭dance‬‭of‬‭Tripura‬ ‭Sol.32.(d)‬ ‭Arunachal‬ ‭Pradesh.‬ ‭Rikham‬ ‭ ol.36.(a)‬ ‭Story.‬ ‭Classical‬ ‭Dances‬ S ‭ nd‬ ‭its‬ ‭related‬ ‭Community‬ ‭:‬ ‭Hozagiri‬ a ‭ ada‬ ‭Dance‬ ‭:‬ ‭Performed‬ ‭by‬ ‭the‬ ‭women‬ P ‭Etymology:‬‭Bharatanatyam‬‭-‬‭Natyam‬‭is‬‭a‬ ‭dance‬ ‭-‬ ‭Reang‬ ‭community.‬ ‭Garia,‬‭Jhum,‬ ‭of‬ ‭the‬ ‭Nishi‬ ‭tribe‬ ‭only‬ ‭to‬ ‭express‬ ‭their‬ ‭Sanskrit‬ ‭word‬ ‭for‬ ‭dance.‬ ‭Kathakali‬ ‭-‬ ‭Maimita,‬ ‭Masak‬ ‭Sumani‬ ‭and‬ ‭Lebang‬ ‭love‬‭for‬‭their‬‭husbands‬‭and‬‭to‬‭offer‬‭their‬ ‭katha‬ ‭(story‬ ‭or‬ ‭a‬ ‭conversation)‬ ‭and‬‭Kali‬ ‭Boomani‬‭-‬‭Tripuri‬‭community.‬‭Mamita'‬‭is‬ ‭reverence‬ ‭to‬ ‭the‬ ‭gods.‬ ‭Other‬ ‭Dances‬ ‭of‬ ‭(performance‬ ‭or‬ ‭play).‬ ‭Mohiniyattam‬ ‭-‬ ‭a‬ ‭popular‬ ‭dance‬‭of‬‭the‬‭Kaloi‬‭community‬ ‭Arunachal‬‭Pradesh‬‭:‬‭Bhuiya‬‭dance,‬‭Chalo‬ ‭Mohini‬ ‭(female‬ ‭avatar‬ ‭of‬ ‭Vishnu)‬ ‭and‬ ‭of Tripura.‬ ‭dance,‬ ‭Wancho‬ ‭dance,‬ ‭Pasi‬ ‭Kongki,‬ ‭Aattam (motion or dance).‬ ‭Ponung dance and Popir dance.‬ ‭.29.‬ ‭Mahari‬ ‭Dance‬ ‭and‬ ‭Gotipua‬ ‭Dance‬ Q ‭.37.‬ ‭In‬ ‭the‬ ‭performance‬ ‭of‬ ‭_______‬ Q ‭belong to which of the following states ?‬ ‭.33.‬ ‭_________‬ ‭word‬ ‭of‬ ‭Indian‬ ‭dance‬ ‭is‬ Q ‭dance,‬ ‭on‬ ‭one‬ ‭side‬ ‭raasa‬ ‭dances‬ ‭are‬ ‭SSC MTS 05/09/2023 (3rd Shift)‬ ‭derived‬‭from‬‭a‬‭Sanskrit‬‭word‬‭and‬‭literally‬ ‭performed‬ ‭by‬ ‭women,‬ ‭whereas‬ ‭on‬ ‭the‬ ‭(a) Odisha‬ ‭(b) Haryana‬ ‭means 'taking towards'.‬ ‭opposite‬ ‭side‬ ‭instrumentalist‬ ‭play‬ ‭the‬ ‭(c) Uttar Pradesh‬ ‭(d) Bihar‬ ‭SSC MTS 08/09/2023 (1st Shift)‬ ‭pung‬‭choloms‬‭(drums)‬‭and‬‭the‬‭karataala‬ ‭(a) Nritta‬ ‭(b) Laasya‬ ‭(cymbals).‬ ‭Sol.29.(a)‬ ‭Odisha.‬ ‭Mahari‬ ‭Dance‬ ‭-‬ ‭A‬ ‭(c) Taandava‬ ‭(d) Abhinaya‬ r‭ itualistic‬ ‭dance‬ ‭form‬ ‭from‬ ‭the‬ ‭eastern‬ ‭SSC MTS 08/09/2023 (3rd Shift)‬ ‭Indian‬ ‭state‬ ‭of‬ ‭Odisha‬ ‭that‬ ‭used‬ ‭to‬ ‭be‬ ‭Sol.33.(d)‬‭Abhinaya‬‭(Facial‬‭expressions)‬‭:‬ ‭(a) Kathakali‬ ‭(b) Yakshagana‬ ‭performed‬ ‭at‬ ‭the‬ ‭temple‬ ‭of‬ ‭Lord‬ I‭t‬ ‭tells‬ ‭a‬ ‭tale‬ ‭to‬ ‭the‬ ‭audience‬ ‭using‬ ‭(c) Odissi‬ ‭(d) Manipuri‬ ‭Jagannatha‬ ‭at‬ ‭Puri‬‭by‬‭devadasi‬‭dancers‬ ‭mudras,‬ ‭bhavas,‬ ‭eye‬ ‭motions,‬ ‭and‬ ‭body‬ ‭ ol.37.(d)‬ ‭Manipuri.‬ ‭There‬ ‭are‬ ‭two‬ S ‭called‬ ‭Maharis.‬ ‭Gotipua‬ ‭Dance‬ ‭-‬ ‭movements.‬ ‭Enacts‬ ‭a‬ ‭traditional‬ ‭story‬ ‭prominent‬ ‭manners‬ ‭or‬ ‭Choloms‬ ‭in‬ ‭Performed‬ ‭in‬ ‭Orissa‬ ‭for‬ ‭centuries‬ ‭by‬ ‭about‬ ‭the‬ ‭deeds‬ ‭of‬ ‭a‬ ‭specific‬ ‭Manipuri‬ ‭dance:‬ ‭Pung‬ ‭Cholom‬ ‭(roar‬ ‭of‬ ‭young‬ ‭boys,‬ ‭who‬ ‭dress‬ ‭as‬ ‭women‬ ‭to‬ ‭God/Goddess.‬ ‭the‬ ‭drums)‬ ‭borrows‬ ‭elements‬ ‭from‬ ‭the‬ ‭praise Jagannath and Krishna.‬ ‭Manipuri‬ ‭martial‬ ‭arts‬ ‭Thang‬ ‭Ta,‬ ‭Sarit‬ ‭.34.‬‭Which‬‭form‬‭of‬‭Indian‬‭dance‬‭is‬‭said‬ Q ‭.30.‬ ‭The‬ ‭Songi‬ ‭Mukhawate‬ ‭dance‬ ‭of‬ Q ‭to‬ ‭be‬ ‭'soft‬ ‭and‬ ‭suitable‬ ‭for‬ ‭female‬ ‭Sarak‬ ‭and‬ ‭Maibi‬ ‭Jagoi‬ ‭dance.‬ ‭Kartal‬ ‭________‬ ‭celebrates‬ ‭the‬ ‭victory‬ ‭of‬ ‭truth‬ ‭presentation'?‬ ‭Cholom‬ ‭-‬ ‭This‬ ‭is‬ ‭a‬ ‭group‬ ‭dance,‬ ‭where‬ ‭over‬‭falsehood.‬‭The‬‭name‬‭of‬‭the‬‭dance‬‭is‬ ‭SSC MTS 08/09/2023 (1st Shift)‬ ‭dancers‬ ‭form‬ ‭a‬ ‭circle.‬ ‭Women‬ ‭dance‬ ‭in‬ ‭derived‬‭from‬‭the‬‭two‬‭lion‬‭masks‬‭worn‬‭by‬ ‭(a) Nritta (b) Taandava‬ ‭groups, called Mandilla Cholom.‬ ‭two dancers who represent Narasimha,‬ ‭(c) Laasya‬ ‭(d) Nritya‬ ‭Q.38.‬‭The technique of classical dancing‬ ‭www.ssccglpinnacle.com Download Pinnacle Exam Preparation App‬ 3 ‭Pinnacle‬ ‭Static GK‬ ‭th‬ ‭was‬ ‭codified‬ ‭by_______‬ ‭in‬ ‭about‬ ‭the‬ ‭5‬ ‭ orms‬ ‭-‬ ‭Seraikella‬ ‭(Jharkhand),‬ ‭Purulia‬ F ‭ SC CHSL 03/08/2023 (2nd shift)‬ S ‭ entury B.C.‬ c ‭(West Bengal), Mayurbhanj (Orissa).‬ ‭(a) Solan Valley‬ ‭(b) Araku Valley‬ ‭SSC MTS 11/09/2023 (2nd Shift)‬ ‭(c) Ketti Valley‬ ‭(d) Parvati Valley‬ ‭(a) Sudraka‬ ‭(b) Bharata‬ ‭Q.42.‬ ‭Mundari‬ ‭dance‬ ‭is‬ ‭associated‬‭with‬ t‭ he‬ ‭tribal‬ ‭community‬ ‭of‬ ‭which‬ ‭Indian‬ ‭Sol.45.(b)‬ ‭Araku‬ ‭Valley.‬ ‭Folk‬ ‭dances‬ ‭(c) Chanakya‬ ‭(d) Kalhana‬ ‭state?‬ (‭ Andhra‬ ‭Pradesh):‬ ‭Gobbi,‬ ‭Dandaria,‬ ‭Sol.38.(b)‬ ‭Bharata.‬ ‭Bharata’s‬ ‭SSC CHSL 02/08/2023 (1st shift)‬ ‭Veeranatyam,‬ ‭Butta‬ ‭bommalu,‬ ‭Bonalu,‬ ‭ atyashastra,‬ ‭is‬ ‭a‬ ‭detailed‬ ‭treatise‬ ‭and‬ N ‭(a) Mizoram‬ ‭(b) Karnataka‬ ‭Dappu,‬ ‭Dhamal,‬ ‭Mathuri‬ ‭and‬ ‭handbook‬‭on‬‭dramatic‬‭art‬‭that‬‭deals‬‭with‬ ‭(c) Arunachal Pradesh (d) Jharkhand‬ ‭Bathukamma.‬‭Tribal‬‭(Adivasi)‬‭Dances‬‭of‬ ‭all‬ ‭aspects‬ ‭of‬ ‭classical‬‭Sanskrit‬‭theatre.‬ ‭India‬‭:‬ ‭Santhali‬ ‭Dance‬ ‭-‬ ‭West‬ ‭Bengal,‬ ‭Sudraka‬ ‭-‬ ‭‘Mrcchakatika’.‬ ‭Chanakya‬ ‭-‬ ‭Sol.42.(d)‬ ‭Jharkhand.‬ ‭Mundari‬ ‭dance‬ ‭-‬ ‭Jharkhand.‬ ‭It‬ ‭is‬ ‭practiced‬ ‭by‬ ‭Santhal‬ ‭‘Arthashastra’. Kalhana - ‘Rajatarangini’.‬ ‭ ommunity‬‭-‬‭Munda‬‭Tribe.‬‭Time‬‭-‬‭During‬ C ‭tribes.‬ ‭Bamboo‬ ‭Dance‬ ‭-‬ ‭Mizoram.‬ ‭Harvest‬‭Season‬‭accompanied‬‭by‬‭musical‬ ‭Kalbelia‬ ‭Dance‬ ‭-‬ ‭Rajasthan.‬ ‭Elelakkaradi‬ ‭Q.39.‬‭The‬‭Lambadi‬‭dance‬‭is‬‭a‬‭folk‬‭dance‬ ‭Instrument‬ ‭Madal,‬ ‭Nagara‬ ‭and‬ ‭Bansi.‬ ‭Dance‬‭-‬‭Kerala.‬‭Bhagoria‬‭Dance‬‭-‬‭Madhya‬ f‭ orm‬ ‭of‬‭the_______tribe‬‭and‬‭originated‬‭in‬ ‭Other‬ ‭Tribal‬ ‭Dances:‬ ‭Santhali‬ ‭Dance‬ ‭-‬ P ‭ radesh.‬ ‭Chhau‬ ‭Dance‬ ‭-‬ ‭West‬ ‭Bengal,‬ ‭Andhra Pradesh.‬ ‭Santhal‬ ‭(West‬ ‭Bengal,‬ ‭Jharkhand).‬ ‭Jharkhand‬ ‭and‬ ‭Odisha.‬ ‭Shad‬ ‭Suk‬ ‭SSC MTS 11/09/2023 (2nd Shift)‬ ‭Bamboo‬ ‭Dance‬ ‭-‬ ‭Mizoram.‬ ‭Kalbelia‬ ‭Mynsiem - Meghalaya.‬ ‭(a) Sugali (b) Banjara‬ ‭Dance‬‭-‬‭Kalbelia‬‭Community‬‭(Rajasthan).‬ ‭Q.46.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭is‬ ‭a‬ ‭(c) Nakkala (d) Dabba Yerukula‬ ‭Bhagoria‬ ‭Dance‬ ‭-‬ ‭Bhils‬ ‭(Madhya‬ t‭ raditional dance form of Sri Lanka?‬ ‭Pradesh).‬ ‭Dhimsa‬ ‭Dance‬ ‭-‬ ‭Porja‬ ‭Tribe‬ ‭Sol.39.(b)‬ ‭Banjara‬ ‭-‬ ‭A‬ ‭nomadic‬ ‭tribe‬ ‭of‬ ‭SSC CHSL 03/08/2023 (3rd shift)‬ ‭(Andhra Pradesh).‬ I‭ndia.‬ ‭The‬ ‭community‬ ‭was‬ ‭denotified‬ ‭in‬ ‭(a) Bihu‬ ‭(b) Kathak‬ ‭the‬ ‭1950s‬ ‭but‬ ‭was‬ ‭listed‬ ‭under‬ ‭the‬ ‭.43.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭dance‬ Q ‭(c) Kandyan dance (d) Bharatanatyam‬ ‭Habitual‬ ‭Offenders‬ ‭Act,‬ ‭1952.‬ ‭Other‬ ‭forms‬ ‭is‬ ‭performed‬ ‭by‬ ‭the‬ ‭Adi‬ ‭tribe‬ ‭of‬ ‭Sol.46.(c)‬ ‭Kandyan‬ ‭Dance‬ ‭(Developed‬ ‭names‬‭of‬‭Banjara‬‭:‬‭Lambani‬‭in‬‭Karnataka‬ ‭Arunachal Pradesh?‬ ‭ uring‬‭the‬‭Kandyan‬‭kings'‬‭reign)‬‭-‬‭It‬‭is‬‭an‬ d ‭and‬ ‭Gwar‬ ‭or‬ ‭Gwaraiya‬ ‭in‬ ‭Rajasthan.‬ ‭SSC CHSL 02/08/2023 (3rd shift)‬ ‭ancient‬ ‭dance‬ ‭style‬ ‭narrating‬ ‭stories‬ ‭Language‬‭of‬‭Banjara‬‭:‬‭‘Gorboli’‬‭‘Gor‬‭mati‬ ‭(a) Tapu‬ ‭(b) Karma‬ ‭from‬ ‭the‬ ‭Indian‬ ‭epic‬ ‭Ramayana.‬ ‭Other‬ ‭Boli’‬ ‭or‬ ‭‘Brinjari’,‬ ‭an‬ ‭independent‬‭dialect.‬ ‭(c) Sangphao‬ ‭(d) Kaksar‬ ‭Dances‬ ‭of‬ ‭Sri‬ ‭Lanka:‬ ‭PahathaRata‬ ‭The‬ ‭dialect‬ ‭falls‬ ‭in‬ ‭the‬ ‭category‬ ‭of‬ ‭ ol.43.(a)‬ ‭Tapu.‬ ‭Indian‬ ‭folk‬ ‭and‬ ‭tribal‬ S ‭Netum, Sabaragamuwa.‬ ‭Indo-Aryan‬ ‭Language.‬ ‭Another‬ ‭Tribal‬ ‭dance‬ ‭of‬ ‭Andhra‬ ‭Pradesh‬ ‭-‬ ‭‘Dhimsa’‬ ‭dances‬ ‭:‬ ‭Arunachal‬ ‭Pradesh‬ ‭-‬ ‭Buiya,‬ ‭Q.47.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭classical‬ ‭(Performed by the Porja tribes).‬ ‭Chalo,‬ ‭Wancho,‬ ‭Pasi‬ ‭Kongki‬ ‭Ponung,‬ ‭ ance‬ ‭forms‬ ‭is‬ ‭associated‬ ‭with‬ d ‭Popir,‬ ‭Bardo‬ ‭Chham,‬ ‭etc‬‭.‬ ‭Assam‬ ‭-‬ ‭Bihu,‬ ‭Hindustani Classical Music?‬ ‭.40.‬‭The‬‭Balti‬‭dance‬‭of‬‭_____‬‭is‬‭distinct‬ Q ‭Bichhua,‬ ‭Bagurumba,‬ ‭Khel‬ ‭Gopal,‬ ‭Tabal‬ ‭SSC CHSL 04/08/2023 (1st shift)‬ ‭as‬ ‭it‬ ‭has‬ ‭its‬ ‭own‬ ‭costume,‬ ‭music‬ ‭and‬ ‭Chongli,‬ ‭Jhumura‬ ‭Hobjanai‬ ‭etc.‬ ‭(a) Kathak‬ ‭(b) Sattriya‬ ‭songs‬‭in‬‭the‬‭Balti‬‭language.‬‭The‬‭dance‬‭is‬ ‭Nagaland‬‭-‬‭Chong,‬‭Nuralim,‬‭Temangnetin,‬ ‭(c) Mohiniyattam‬ ‭(d) Kathakali‬ ‭only‬ ‭performed‬ ‭on‬ ‭rare‬ ‭occasions,‬ ‭such‬ ‭Rangma,‬‭Zeliang,‬‭etc.‬ ‭Mizoram‬‭-‬‭Cheraw‬ ‭as feasts or celebrations.‬ ‭Dance‬ ‭(Bamboo‬ ‭dance),‬ ‭Khuallam,‬ ‭Sol.47.(a)‬‭Kathak‬‭(‬‭Uttar‬‭Pradesh).‬‭Indian‬ ‭SSC MTS 12/09/2023 (1st Shift)‬ ‭Chailam,‬ ‭Zangtalam,‬ ‭Khanatm,‬ ‭etc.‬ ‭ lassical‬ ‭Music‬ ‭has‬ ‭2‬ ‭Schools‬ ‭-‬ C ‭(a) Uttarakhand‬ ‭(b) Ladakh‬ ‭Manipur‬ ‭-‬ ‭Thang‬ ‭Ta,‬ ‭Lai‬ ‭Haraoba,‬ ‭Pung‬ ‭Hindustani‬‭Music‬‭(mainly‬‭in‬‭North‬‭India)‬ ‭(c) Kashmir‬ ‭(d) Himachal Pradesh‬ ‭Cholom,‬ ‭Nupa‬ ‭Dance,‬ ‭etc.‬ ‭Tripura‬ ‭-‬ ‭and‬ ‭Carnatic‬ ‭music‬ ‭(mainly‬ ‭in‬ ‭Southern‬ ‭Hojagiri.‬ ‭Meghalaya‬ ‭-‬ ‭Laho,‬ ‭Shad‬ ‭Suk‬ ‭India).‬ ‭ ol.40.(b)‬‭Ladakh.‬‭Other‬‭dances‬‭:‬‭Kathok‬ S ‭Mynsiem, Nongkrem.‬ ‭Chenmo,‬ ‭Kompa‬ ‭Tsum-Tsag,‬ ‭Koshan,‬ ‭Q.48.‬ ‭The‬ ‭traditional‬ ‭singing‬ ‭of‬ ‭'Nat'‬ ‭is‬ ‭Shondol,‬ ‭Takshon‬ ‭or‬ ‭Shon.‬‭Uttarakhand:‬ ‭.44.‬ ‭Chali,‬ ‭Jhumura‬ ‭and‬ ‭Nadu‬ ‭Bhangi‬ Q ‭ ssociated with _________Dance.‬ a ‭Bhotiya,‬ ‭Pandav‬ ‭Nritya,‬ ‭Chholiya,‬ ‭are‬ ‭associated‬ ‭with‬ ‭which‬ ‭Indian‬ ‭SSC CHSL 04/08/2023 (3rd shift)‬ ‭Jhumela,‬ ‭Jagar.‬ ‭Kashmir:‬ ‭Kud,‬ ‭Dumhal,‬ ‭classical dance form?‬ ‭(a) Kathak‬ ‭(b) Manipuri‬ ‭Rouf, Bhand Pather, Bachha Nagma.‬ ‭SSC CHSL 03/08/2023 (1st shift)‬ ‭(c) Odissi‬ ‭(d) Chhau‬ ‭(a) Kathakali‬ ‭(b) Sattriya‬ ‭Q.41.‬ ‭The‬ ‭fundamental‬ ‭vocabulary‬ ‭of‬ ‭(c) Manipuri‬ ‭(d) Kuchipudi‬ ‭ ol.48.(b)‬ ‭Manipuri.‬ ‭Nat‬ ‭is‬‭the‬‭Manipuri‬ S _‭ ____________dance‬ ‭constitutes‬ ‭mock‬ ‭classical‬ ‭style‬ ‭of‬ ‭singing,‬ ‭Pung‬ ‭or‬ ‭the‬ ‭combat‬ ‭techniques,‬ ‭stylised‬ ‭gaits‬ ‭of‬ ‭Sol.44.(b)‬ ‭Sattriya‬ ‭(Assam):‬ ‭Gayan‬ ‭Manipuri‬ ‭classical‬ ‭drum‬ ‭is‬ ‭the‬ ‭musical‬ ‭birds‬ ‭and‬ ‭animals‬ ‭and‬ ‭movements‬ -‭Bhayanar‬ ‭Nach,‬ ‭Kharmanar‬ ‭Nach‬ ‭are‬ ‭instrument‬ ‭used.‬‭Exponents‬‭-‬‭Guru‬‭Bipin‬ ‭modelled‬ ‭on‬ ‭the‬ ‭chores‬ ‭of‬ ‭village‬ ‭also‬ ‭associated‬ ‭with‬ ‭Sattriya‬ ‭dance.‬ ‭Singh‬ ‭(father‬ ‭of‬ ‭Manipuri‬ ‭dance),‬ ‭housewives and mostly performed by‬ ‭There‬‭were‬‭two‬‭dance‬‭forms‬‭prevalent‬‭in‬ ‭Darshana‬‭Jhaveri.‬‭Manipuri‬‭Dance‬‭Styles‬ ‭male dancers in Eastern India.‬ ‭Assam‬ ‭before‬ ‭the‬ ‭neo-Vaishnava‬ ‭-‬ ‭Raas,‬ ‭Nata-Sankirtan,‬ ‭Pung‬ ‭Cholam‬ ‭SSC MTS 13/09/2023 (3rd Shift)‬ ‭movement‬‭i.e‬ ‭Ojapali‬‭and‬‭Devadasi‬‭with‬ ‭(Dancers‬ ‭play‬ ‭the‬ ‭pung‬ ‭or‬ ‭drum‬ ‭while‬ ‭(a) Manipuri‬ ‭(b) Kathakali‬ ‭many‬ ‭classical‬ ‭elements.‬ ‭Two‬ ‭varieties‬ ‭dancing),‬ ‭Dhola‬ ‭Cholam,‬ ‭Kartal‬ ‭Cholam,‬ ‭(c) Chhau‬ ‭(d) Sattariya‬ ‭of‬ ‭Ojapali‬ ‭dances‬ ‭are‬ ‭still‬ ‭prevalent‬ i‭n‬ ‭Thang ta (martial art form).‬ ‭Assam‬‭i.e.‬‭Sukananni‬‭or‬‭Maroi‬‭Goa‬‭Ojah‬ ‭Sol.41.(c)‬ ‭Chhau‬ ‭:‬ ‭A‬ ‭semi-classical‬ ‭Q.49.‬ ‭The‬ ‭‘Karma’‬ ‭tribal‬ ‭dance‬ ‭form‬ ‭is‬ ‭and‬ ‭Vyah‬ ‭Goa‬‭Ojah.‬‭Sukananti‬‭Ojapali‬‭is‬ I‭ndian‬ ‭dance‬ ‭with‬ ‭martial‬ ‭and‬ ‭folk‬ ‭ ssociated‬ ‭with‬ ‭which‬ ‭of‬ ‭the‬ ‭following‬ a ‭of‬ ‭Shakti‬ ‭cult‬ ‭and‬ ‭Vyah‬‭Goa‬‭Oja‬‭paali‬‭is‬ ‭traditions.‬ ‭It‬‭enacts‬‭episodes‬‭from‬‭epics‬ ‭states?‬ ‭of Vaishnava cult.‬ ‭including‬ ‭the‬ ‭Mahabharata‬ ‭and‬ ‭SSC CHSL 04/08/2023 (4th shift)‬ ‭Ramayana,‬ ‭local‬ ‭folklore‬ ‭and‬ ‭abstract‬ ‭Q.45.‬‭Dhimsa‬‭folk‬‭dance‬‭is‬‭performed‬‭by‬ ‭(a) Chhattisgarh (b) Goa‬ ‭themes.‬ ‭Origin‬ ‭-‬ ‭Kalinga‬ ‭(Odisha),‬ ‭India.‬ t‭ he tribes of :‬ ‭(c) Kerala‬ ‭(d) Karnataka‬ ‭www.ssccglpinnacle.com Download Pinnacle Exam Preparation App‬ 4 ‭Pinnacle‬ ‭Static GK‬ ‭ ol.49.(a)‬ ‭Chhattisgarh‬‭.‬‭Karma‬‭dance‬‭is‬ S ‭Sol.54.(c)‬ ‭Jharkhand.‬ ‭Sarhul‬ ‭-‬ ‭The‬ ‭ ften‬ ‭recited‬ ‭using‬ ‭Pakhawaj‬ ‭bols,‬ o ‭performed‬ ‭during‬ ‭the‬ ‭autumnal‬ ‭festival‬ f‭ estival‬ ‭of‬ ‭the‬ ‭Oraon‬ ‭tribe.‬ ‭It‬ ‭is‬ ‭the‬ ‭creating a powerful and symbolic ending.‬ ‭of‬‭Karma‬‭Puja.‬‭The‬‭tribal‬‭group‬‭presents‬ ‭festival‬ ‭of‬ ‭the‬ ‭New‬ ‭Year‬ ‭and‬ ‭celebrated‬ ‭Q.59.‬ ‭Bharatanatyam‬ ‭expresses‬ ‭South‬ ‭this‬‭folk‬‭dance‬‭in‬‭front‬‭of‬‭the‬‭Karam‬‭tree‬ ‭in‬‭the‬‭Hindu‬‭month‬‭of‬‭Chaitra,‬‭three‬‭days‬ I‭ndian‬ ‭religious‬ ‭themes‬ ‭and‬ ‭spiritual‬ ‭that‬ ‭symbolizes‬ ‭the‬ ‭KaramDevta.‬ ‭Other‬ ‭after‬‭the‬‭appearance‬‭of‬‭the‬‭new‬‭moon.‬ ‭It‬ ‭ideas of ______.‬ ‭folk‬ ‭dances‬ ‭from:‬ ‭Chhattisgarh‬ ‭-‬ ‭Raut‬ ‭is‬ ‭also‬ ‭a‬ ‭celebration‬‭of‬‭the‬‭beginning‬‭of‬ ‭SSC CGL 14/07/2023 (1st shift)‬ ‭Nacha,‬ ‭Panthi,‬ ‭Pandavani,‬ ‭Saila,‬ ‭Suwa,‬ ‭spring.‬ ‭(a) Sufism‬ ‭(b) Shaivism‬ ‭Gendi, Cherchera.‬ ‭Q.55.‬‭Ghurehi‬‭is‬‭the‬‭folk‬‭dance‬‭of‬‭which‬ ‭(c) Buddhism‬ ‭(d) Jainism‬ ‭.50.‬ ‭Laho‬ ‭is‬ ‭the‬ ‭dance‬ ‭form‬ ‭of‬ ‭which‬ Q ‭ f the following Indian states?‬ o ‭ ol.59.(b)‬ ‭Shaivism‬ ‭-‬ ‭A‬ ‭Hindu‬ ‭tradition‬ S ‭state?‬ ‭SSC CHSL 10/08/2023 (3rd shift)‬ ‭(which‬ ‭worships‬ ‭Shiva)‬ ‭that‬ ‭most‬ ‭SSC CHSL 07/08/2023 (4th shift)‬ ‭(a) West Bengal‬ ‭(b) Himachal Pradesh‬ ‭accepts‬ ‭ascetic‬ ‭life‬ ‭and‬ ‭emphasises‬ ‭(a) Manipur‬ ‭(b) Sikkim‬ ‭(c) Karnataka‬ ‭(d) Jharkhand‬ ‭yoga.‬ ‭The‬ ‭followers‬ ‭of‬ ‭Shaivism‬ ‭are‬ ‭(c) Meghalaya‬ (‭ d) Kerala‬ ‭ ol.55.(b)‬ ‭Himachal‬ ‭Pradesh.‬ ‭Ghurehi‬ S ‭called‬ ‭Shaivas‬ ‭or‬ ‭Shaivites.‬ ‭ ol.50.(c)‬ ‭Meghalaya.‬ ‭Laho‬ ‭Dance‬ ‭:‬ S ‭Dance‬‭-‬‭Performed‬‭by‬‭Ladies‬‭of‬‭Chamba‬ ‭Bharatnatyam‬‭(Tamil‬‭Nadu)‬‭:‬‭It‬‭traces‬‭its‬ ‭Performed‬ ‭during‬ ‭the‬ ‭Behdienkhlam‬ ‭Region,‬ ‭during‬ ‭the‬ ‭annual‬ ‭fairs.‬ ‭It‬ ‭is‬ ‭a‬ ‭origins‬ ‭back‬ ‭to‬ ‭the‬ ‭Natyashastra,‬ ‭an‬ ‭festival‬‭by‬‭the‬‭Jaintia‬‭tribe.‬‭Other‬‭dances‬ ‭devotional‬‭dance‬‭form,‬‭dedicated‬‭to‬‭Lord‬ ‭ancient‬‭treatise‬‭on‬‭theatre‬‭written‬‭by‬‭the‬ ‭of‬ ‭Meghalaya‬ ‭:‬ ‭Nоngkrem,‬ ‭Shad‬ ‭Suk‬ ‭Shiva‬ ‭and‬ ‭performed‬ ‭during‬ ‭Shivratri‬ ‭mythic priest Bharata.‬ ‭Mynsiem, Wangala and Dоrsegata.‬ ‭festival.‬ ‭Q.60.‬ ‭Daskathia‬ ‭of‬ ‭________‬ ‭is‬ ‭the‬ ‭tribal‬ ‭Q.51.‬ ‭The‬ ‭folk‬ ‭dance‬ ‭of‬ ‭Chavittu‬ ‭Kali‬‭is‬ ‭Q.56.‬‭Kamsale‬‭is‬‭the‬‭folk‬‭dance‬‭of‬‭which‬ ‭ ance‬‭performed‬‭by‬‭two‬‭males‬‭depicting‬ d ‭ ssociated‬ ‭with‬ ‭which‬ ‭of‬ ‭the‬ ‭following‬ a ‭ f the following Indian states ?‬ o ‭the historic and Puranic events.‬ ‭Indian states?‬ ‭SSC CHSL 11/08/2023 (3rd shift)‬ ‭SSC CGL 14/07/2023 (2nd shift)‬ ‭SSC CHSL 08/08/2023 (2nd shift)‬ ‭(a) Jharkhand‬ ‭(b) Karnataka‬ ‭(a) Uttar Pradesh (b) Gujarat‬ ‭(a) Andhra Pradesh (b) Uttar Pradesh‬ ‭(c) Kerala‬ ‭(d) Bihar‬ ‭(c) Goa‬ ‭(d) Odisha‬ ‭(c) Kerala‬ ‭(d) Gujarat‬ ‭ ol.60.(d)‬ ‭Odisha.‬ ‭Daskathia‬ ‭(Folk‬ S ‭ ol.56.(b)‬ ‭Karnataka.‬ ‭Kamsale‬ ‭dance‬ S ‭Sol.51.(c)‬ ‭Kerala.‬ ‭Other‬ ‭folk‬ ‭dances‬ ‭:‬ ‭(Beesu‬ ‭Kamsale)‬ ‭-‬ ‭A‬ ‭unique‬ ‭folk‬ ‭art‬ ‭theatre‬ ‭form,‬ ‭associated‬ ‭with‬ ‭the‬ ‭ ttam‬ ‭Thulal,‬ ‭Kaikottikali,‬ ‭Tappatikali,‬ O ‭performed‬ ‭by‬ ‭the‬ ‭devotees‬ ‭of‬ ‭God‬ ‭worship‬ ‭of‬ ‭Lord‬ ‭Shiva).‬ ‭Some‬ ‭Folk‬ ‭Kali‬ ‭Auttam.‬ ‭Andhra‬ ‭Pradesh‬ ‭-‬ ‭Ottam‬ ‭Mahadeshwara.‬ ‭It‬ ‭also‬ ‭refers‬‭to‬‭a‬‭brass‬ ‭theatre‬ ‭form:-‬ ‭Bhavai‬ ‭(Rajasthan),‬ ‭Thedal,‬ ‭Kummi,‬ ‭Siddhi,‬ ‭Bhamakalpam,‬ ‭made‬ ‭musical‬ ‭instrument.‬ ‭It‬ ‭is‬ ‭a‬ ‭group‬ ‭Garodas‬ ‭(Gujarat),‬ ‭Jatra‬ ‭(Odisha),‬ ‭Veeranatyam,‬ ‭Dappu,‬ ‭Tappeta‬ ‭Gullu,‬ ‭dance‬‭form‬‭performed‬‭by‬‭the‬‭menfolk‬‭in‬ ‭Kariyila‬ ‭(Himachal‬ ‭Pradesh),‬ ‭Maach‬ ‭Lambadi,‬ ‭Dhimsa,‬ ‭Kolattam,‬ ‭Butta‬ ‭villages‬ ‭in‬ ‭the‬ ‭Mysore,‬ ‭Nanjangud,‬ ‭(Madhya‬ ‭Pradesh),‬ ‭Swang‬ ‭(Haryana),‬ ‭Bommalu.‬ ‭Kollegala‬‭and‬‭Bangalore‬‭areas.‬‭Other‬‭folk‬ ‭Ojapali‬ ‭(Assam),‬ ‭Powada‬‭(Maharashtra),‬ ‭dances‬ ‭-‬ ‭Dollu‬ ‭Kunitha,‬‭Bolak-aat‬‭(Bolak‬ ‭Tamasha‬ ‭(Maharashtra),‬ ‭Bhand‬ ‭Pather‬ ‭.52.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬‭folk‬‭dance‬ Q ‭Dance),‬ ‭Bhootha‬ ‭Aradhane,‬ ‭(Jammu‬‭and‬‭Kashmir),‬‭Bhaona‬‭(Assam),‬ ‭forms is performed by men in Haryana?‬ ‭Nagamandala‬ ‭Dance,‬ ‭Veeragase,‬ ‭Dashavatar‬ ‭(Konkan‬ ‭area),‬ ‭Naqal‬ ‭SSC CHSL 08/08/2023 (3rd shift)‬ ‭Yakshagana.‬ ‭(Punjab).‬ ‭(a) Khoria‬ ‭(b) Gidda‬ ‭.57.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭erstwhile‬ Q ‭.61.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭dances‬ ‭is‬ Q ‭(c) Ghoomar‬ ‭(d) Gugga‬ ‭Princely‬ ‭states‬ ‭was‬‭primarily‬‭associated‬ ‭performed‬ ‭by‬ ‭the‬ ‭Santhal‬ ‭tribe‬ ‭of‬ ‭ ol.52.(d)‬ ‭Gugga:‬ ‭It‬‭is‬‭known‬‭by‬‭several‬ S ‭with Kathak?‬ ‭Jharkhand?‬ ‭names‬ ‭like‬ ‭Baggawala,‬ ‭Zahir‬ ‭Pir,‬ ‭and‬ ‭SSC CHSL 17/08/2023 (2nd shift)‬ ‭SSC CGL 14/07/2023 (4th shift)‬ ‭Guru‬ ‭Gugga.‬ ‭Gugga‬ ‭is‬ ‭worshipped‬ ‭all‬ ‭(a) Tripura‬ ‭(b) Avadh‬ ‭(a) Jhika Dasain‬ ‭(b) Kolkali‬ ‭over‬ ‭Haryana‬ ‭and‬ ‭neighbouring‬ ‭states‬ ‭(c) Baroda‬ ‭(d) Vijaynagar‬ ‭(c) Ghumar‬ ‭(d) Koli‬ ‭like‬ ‭Punjab,‬ ‭Rajasthan,‬ ‭and‬ ‭Himachal‬ ‭ ol.57.(b)‬‭Avadh.‬‭Kathak‬‭(Uttar‬‭Pradesh)‬ S ‭ ol.61.(a)‬‭Jhika‬‭Dashain.‬‭It‬‭is‬‭performed‬ S ‭Pradesh.‬‭Folk‬‭Dances‬‭of‬‭Haryana:‬‭Khoria,‬ ‭-‬ ‭It‬ ‭was‬ ‭performed‬ ‭under‬ ‭the‬ ‭Mughal‬ ‭a‬‭few‬‭days‬‭before‬‭Dussehra.‬‭Folk‬‭dance‬‭-‬ ‭Daph, Loor, Phag.‬ ‭emperors.‬ ‭Exponents‬ ‭-‬ ‭Pandit‬ ‭Birju‬ ‭Jharkhand‬ ‭:‬‭Alkap,‬‭Karma,‬‭Agni,‬‭Jhumar,‬ ‭.53.‬ ‭Tevitichiyattam,‬ ‭Nangai‬ ‭Natakam‬ Q ‭Maharaj,‬ ‭Shovna‬ ‭Narayan,‬ ‭Shambhu‬ ‭Paika, Phagua.‬ ‭and‬ ‭Dasiyattam‬ ‭are‬ ‭the‬ ‭forms‬ ‭of‬ ‭which‬ ‭Maharaj,‬ ‭Lachhu‬ ‭Maharaj.‬ ‭Other‬ ‭dances‬ ‭Q.62.‬ ‭Changai‬ ‭dance‬ ‭is‬ ‭associated‬‭with‬ ‭of the following classical dances?‬ ‭of‬ ‭Uttar‬ ‭Pradesh:‬ ‭Charkula,‬ ‭Khyal,‬ ‭ hich Indian state?‬ w ‭SSC CHSL 09/08/2023 (1st shift)‬ ‭Raslila,‬ ‭Nautanki‬ ‭Dance,‬ ‭Kajri.‬ ‭Tripura‬ ‭-‬ ‭SSC CGL 17/07/2023 (2nd shift)‬ ‭(a) Odissi dance‬ ‭(b) Kathakali dance‬ ‭Hojagiri,‬ ‭Garia,‬ ‭Jhum,‬ ‭Bijhu,‬ ‭Sangrai,‬ ‭(a) Madhya Pradesh (b) Maharashtra‬ ‭(c) Sattriya dance (d) Mohiniyattam dance‬ ‭Lebang boomani.‬ ‭(c) Nagaland (d) Jharkhand‬ ‭ ol.53.(d)‬ S ‭Mohiniyattam‬ ‭dance‬ ‭.58.‬ ‭The‬ ‭Pakhawaj‬ s Q ‭ yllables‬ ‭are‬ ‭ ol.62.(c)‬ ‭Nagaland.‬ ‭Changai‬ ‭Dance:‬ S ‭(Classical‬‭dance‬‭form‬‭of‬‭Kerala‬‭in‬‭South‬ ‭primarily‬ ‭used‬ ‭to‬ ‭conclude‬ ‭which‬ ‭of‬ ‭the‬ ‭Performed‬ ‭by‬‭the‬‭Chang‬‭tribe‬‭during‬‭the‬ ‭India)‬‭.‬ ‭following Indian classical dances?‬ ‭Naknyulum‬‭festival,‬‭which‬‭lasts‬‭for‬‭three‬ ‭SSC CHSL 17/08/2023 (4th shift)‬ ‭days.‬ ‭Folk‬ ‭Dances‬ ‭of‬ ‭Nagaland:‬ ‭Q.54.‬‭Sarhul‬‭is‬‭a‬‭famous‬‭tribal‬‭festival‬‭of‬ ‭(a) Manipuri‬ ‭(b) Kathak‬ ‭Aaluyattu‬ ‭(Konyak‬ ‭tribe),‬ ‭Agurshikukula‬ ‭ ance in which state ?‬ d ‭(c) Odissi‬ ‭(d) Kathakali‬ ‭(war‬ ‭dance),‬ ‭Butterfly‬ ‭Dance‬ ‭(Zeliang‬ ‭SSC CHSL 09/08/2023 (3rd shift)‬ ‭(a) Assam‬ ‭(b) Sikkim‬ ‭tribe),‬ ‭Khamba‬ ‭Lim,‬ ‭Kuki‬ ‭Dance,‬ ‭ ol.58.(c)‬ ‭Odissi.‬ ‭The‬ ‭"Mangalacharan,"‬ S ‭(c) Jharkhand‬ ‭(d) Chhattisgarh‬ ‭Leshalaptu,‬ ‭Mayur‬ ‭Dance‬ ‭(Animal‬ ‭a concluding prayer or benediction, is‬ ‭dance). Modse (Ao tribe), Monyu Asho,‬ ‭www.ssccglpinnacle.com Download Pinnacle Exam Preparation App‬ 5 ‭Pinnacle‬ ‭Static GK‬ ‭Sadal Kekai (Kuki tribe), Seecha & Kukui‬ ‭ SC CGL 21/07/2023 (2nd shift)‬ S ‭ SC CGL 27/07/2023 (2nd shift)‬ S ‭Kucho (Angami tribe), Rengma.‬ ‭(a) Odissi‬ ‭(b) Kathak‬ ‭(a) Odissi‬ ‭(b) Kathakali‬ ‭(c) Kuchipudi‬ ‭(d) Bharatanatyam‬ ‭(c) Sattriya‬ ‭(d) Kathak‬ ‭Q.63.‬ ‭‘‬‭Alarippu'‬ ‭is‬ ‭a‬ ‭dance‬ ‭piece‬ ‭from‬ ‭ hich‬ ‭of‬ ‭the‬ ‭following‬ ‭classical‬ ‭dances‬ w ‭ ol.68.(d)‬ ‭Bharatanatyam.‬ ‭This‬ ‭style‬ S ‭ ol.73.(c)‬‭Sattriya‬‭(‬‭Assam).‬‭Mati-Akhora‬ S ‭of India?‬ ‭was‬‭developed‬‭by‬‭Rukmini‬‭Devi‬‭Arundale,‬ ‭means‬ ‭exercise‬ ‭done‬ ‭on‬ ‭the‬ ‭ground.‬ ‭SSC CGL 18/07/2023 (2nd shift)‬ ‭the‬‭founder‬‭of‬‭Kalakshetra,‬‭and‬‭is‬‭known‬ ‭Sattriya’s‬‭one-act‬‭plays‬‭are‬‭called‬‭Ankiya‬ ‭(a) Bharatanatyam (b) Kathakali‬ ‭for‬ ‭its‬ ‭emphasis‬ ‭on‬ ‭pure‬ ‭lines,‬ ‭precise‬ ‭Nat.‬‭It‬‭had‬‭its‬‭influences‬‭from‬‭folk‬‭dance‬ ‭(c) Odissi (d) Kathak‬ ‭geometry, and emotive storytelling.‬ ‭forms‬ ‭like‬ ‭Ojapali,‬ ‭Devadasi,‬ ‭Bihu‬ ‭and‬ ‭Bodos‬ ‭etc.‬ ‭It‬ ‭is‬ ‭performed‬ ‭only‬ ‭by‬ ‭ ol.63.(a)‬ ‭Bharatanatyam.‬ ‭The‬ ‭word‬ S ‭Q.69.‬‭'Vazhuvoor‬‭'‬‭is‬‭one‬‭of‬‭the‬‭styles‬‭in‬ ‭Bhokots‬ ‭(male‬ ‭monks)‬ ‭in‬ ‭monasteries‬ ‭Alarippu‬‭means‬‭“a‬‭flowering‬‭bud.”‬‭It‬‭is‬‭an‬ ‭ hich Indian classical dance forms?‬ w ‭and‬ ‭on‬ ‭stage‬ ‭by‬ ‭men‬ ‭and‬ ‭women,‬ ‭Mati‬ ‭invocatory‬‭piece‬‭meaning‬‭it‬‭is‬‭performed‬ ‭SSC CGL 24/07/2023 (4th shift)‬ ‭Akhara (basic dance unit and exercise).‬ ‭before‬ ‭a‬ ‭dancer‬ ‭begins‬ ‭a‬ ‭whole‬ ‭(a) Kathak (b) Bharatanatyam‬ ‭performance.‬ ‭(c) Kathakali (d) Mohiniyattam‬ ‭Q.74.‬ ‭The‬ ‭"Nalacharitham"‬ ‭play‬ ‭is‬ ‭ ssociated‬ ‭with‬ ‭which‬ ‭Indian‬ ‭dance‬ a ‭Q.64.‬‭Thabal‬‭Chongba‬‭is‬‭a‬‭folk‬‭dance‬‭of‬ ‭ ol.69.(b)‬ ‭Bharatanatyam.‬ ‭Other‬ ‭dance‬ S ‭form?‬ ‭ hich Indian state ?‬ w ‭forms‬ ‭of‬ ‭Bharatanatyam:‬ ‭Melattur‬ ‭and‬ ‭SSC CGL 27/07/2023 (3rd shift)‬ ‭SSC CGL 18/07/2023 (3rd shift)‬ ‭Pandanallur.‬ ‭Kuchipudi‬ ‭-‬ ‭Pure‬ ‭dance‬ ‭(a) Kathak‬ ‭(b) Kathakali‬ ‭(a) Goa‬ ‭(b) Mizoram‬ (‭ Nritta)‬ ‭and‬ ‭Expressive‬ ‭dance‬ ‭(Nritya),‬ ‭(c) Sattriya‬ ‭(d) Odissi‬ ‭(c) Manipur (d) West Bengal‬ ‭Storytelling through dance (Natya).‬ ‭Sol.74.(b)‬ ‭Kathakali‬ ‭(Kerala)‬‭.‬ ‭The‬ ‭story‬ ‭ ol.64.(c)‬ ‭Manipur.‬ ‭Folk‬ ‭dances‬ ‭:‬ S ‭.70.‬ ‭Kathak‬ ‭is‬ ‭found‬ ‭in‬ ‭three‬ ‭distinct‬ Q ‭ alacharitham‬ ‭is‬ ‭written‬ ‭by‬ ‭"Unnai‬ N ‭Manipur‬ ‭-‬ ‭Rasa‬ ‭lila,‬ ‭Gaura‬ ‭Lila,‬ ‭Pung‬ ‭forms,‬‭called‬‭'gharanas',‬‭named‬‭after‬‭the‬ ‭Warrier".‬ ‭It‬ ‭is‬ ‭the‬ ‭romantic‬ ‭story‬ ‭of‬ ‭Cholom.‬ ‭Goa‬ ‭-‬ ‭Ghode‬ ‭Modni,‬ ‭Dhangar‬ ‭cities‬ ‭where‬ ‭the‬ ‭Kathak‬ ‭dance‬ ‭tradition‬ ‭unlimited‬ ‭love‬ ‭between‬ ‭Nala‬ ‭and‬ ‭Dance,‬‭Goff‬‭Talgadi,‬‭Shigmo‬‭and‬‭Mussel‬ ‭evolved. Name those three cities.‬ ‭Damayanthi.‬ ‭There‬ ‭are‬‭24‬‭Basic‬‭Mudras‬ ‭khel.‬ ‭SSC CGL 26/07/2023 (1st shift)‬ ‭(hand‬ ‭gestures)‬ ‭and‬ ‭a‬ ‭total‬ ‭of‬ ‭470‬ ‭Q.65.‬‭The‬‭Raigarh‬‭Gharana‬‭is‬‭associated‬ ‭(a) Jaipur, Benaras, Lucknow‬ ‭different‬ ‭symbols‬ ‭used‬ ‭in‬ ‭this‬ ‭dance.‬ ‭ ith which of the following dance forms?‬ w ‭(b) Prayagraj, Thiruvananthapuram, Surat‬ ‭Characters‬ ‭in‬ ‭this‬ ‭dance‬ ‭are‬ ‭broadly‬ ‭SSC CGL 19/07/2023 (3rd shift)‬ ‭(c) Ayodhya, Prayagraj, Jaipur‬ ‭divided‬‭into‬‭satvika‬‭(noble‬‭characters‬‭like‬ ‭(a) Odissi‬ ‭(b) Kathakali‬ ‭(d) Banaras, Ayodhya, Lucknow‬ ‭Krishna‬ ‭and‬ ‭Rama),‬ ‭rajasika‬ ‭(evil‬ ‭(c) Kathak‬ ‭(d) Manipuri‬ ‭characters)‬ ‭and‬ ‭tamasika‬ ‭(beard‬ ‭Sol.70.(a)‬ ‭Jaipur,‬ ‭Benaras,‬ ‭Lucknow.‬ ‭characters).‬ ‭In‬ ‭Kathakali‬ ‭emphasis‬ ‭is‬ ‭Sol.65.(c)‬ ‭Kathak:‬ ‭Raigarh‬ ‭Gharana‬ ‭-‬ ‭ ucknow‬ ‭Gharana‬ ‭(Founded‬ ‭by‬ ‭Ishwari‬ L ‭given‬‭more‬‭on‬‭"Aharya‬‭Abhinaya",‬‭the‬‭use‬ ‭ eveloped‬ ‭under‬ ‭the‬ ‭patronage‬ ‭of‬ ‭Raja‬ D ‭Prasad).‬ ‭Jaipur‬ ‭Gharana‬ ‭(founded‬ ‭by‬ ‭of‬ ‭costumes,‬ ‭ornaments‬ ‭and‬ ‭facial‬ ‭Chakradhar Singh.‬ ‭Bhanu‬ ‭Ji‬ ‭Maharaj).‬ ‭Banaras‬ ‭Gharana‬ ‭make-up‬ ‭(Founded by Janakiprasad).‬ ‭Q.66.‬ ‭'Kalasam'‬ ‭is‬ ‭a‬ ‭dance‬ ‭sequence‬ ‭in‬ ‭.75.‬ ‭Which‬ ‭of‬ ‭the‬ ‭following‬ ‭ritual‬ Q ‭which‬ ‭of‬ ‭the‬ ‭following‬ ‭classical‬ ‭dances‬ ‭.71.‬‭Lai‬‭Haraoba‬‭is‬‭the‬‭earliest‬‭form‬‭of‬ Q ‭dances‬ ‭is‬ ‭performed‬ ‭by‬ ‭the‬‭Kamar‬‭tribe‬ ‭of India ?‬ ‭which‬ ‭of‬ ‭the‬ ‭following‬ ‭classical‬ ‭dances‬ ‭of Madhya Pradesh?‬ ‭SSC CGL 20/07/2023 (3rd shift)‬ ‭of India?‬

Use Quizgecko on...
Browser
Browser