Shakespeare's Macbeth Background PDF

Summary

This document provides background information on Shakespeare's play, Macbeth, covering topics like the play's plot structure, characters, historical context, and the key elements of drama. It also includes essential questions for understanding Macbeth.

Full Transcript

Shakespeare & Macbeth background ENG I HON Ms. Murphy What do you know about Shakespeare? - What do you know about this life and plays? - Have you seen any of his plays performed or seen any movie adaptations (e.g. 10 Things…)? - What do you know about Shakespeare’s style and use of l...

Shakespeare & Macbeth background ENG I HON Ms. Murphy What do you know about Shakespeare? - What do you know about this life and plays? - Have you seen any of his plays performed or seen any movie adaptations (e.g. 10 Things…)? - What do you know about Shakespeare’s style and use of language? - “There Is No Escaping Shakespeare” - “David Tennant Explains Why Shakespeare Still Matters” Who was Shakespeare? - Born in Stratford-upon-Avon ~April 23, 1564 (the “Bard of Avon”) - Son of merchant & landed heiress; supposedly studied Latin, Greek, & the Classics at school - Married Anne Hathaway (7 years older) at 18 & had 3 children - Established himself in London as actor, playwright, & entrepreneur (part-owner of the Globe Theatre) - Part of Lord Chamberlain’s Men (most popular London troupe patronized by aristocracy) & the King’s Men (under King James I) - Two former companions compiled & published his works in First Folio after his death Shakespeare’s Four Great Tragedies - Hamlet (1600) - longest; Hamlet is 18 or 20 - Othello (1604) - Othello is 28 - King Lear (1605) - King Lear is 50+ - Macbeth (1606) - shortest; Macbeth is late 30s, early 40s English Renaissance - Middle Ages → moral lessons/Bible stories - Renaissance → ancient Greek & Roman dramas The Globe - Tragedies & comedies - Queen Elizabeth I & England’s Golden Age - King James I of England/Jame VI of Scotland - Focus on man’s potential (Renaissance man) - Shakespeare wrote for the masses - Supernatural & superstitions Great Chain of Being - Hierarchical structure of all matter & life, thought in medieval Christianity to have been decreed by God - Starts with God and progresses downward to angels, humans, animals, plants, & minerals - Anything that interrupts this order brings chaos Important elements of drama Dramatis personae - cast of characters ○ Protagonist, antagonist, supporting/minor characters, foil, narrator Direct/indirect characterization Stage directions - instructions given by playwright ○ Blocking - tells actor where to go & how to move Dialogue - conversation between characters (primary development in drama) Monologue - long speech by one character to another character or to audience ○ Soliloquy - character speaking their thoughts aloud to themselves (inner conversation) Plot and structure Freytag’s pyramid ○ Exposition (Act I) ○ Rising action (Act II) ○ Climax (Act III) ○ Falling action (Act IV) ○ Resolution (Act V) Acts - major divisions of plot Scenes - smaller parts of acts Theme - what the author wants to communicate about a subject; ideas or comments on life Types of drama Tragedy - tells the story of the downfall of a great hero Comedy - follows hero’s rise rather than their fall ○ Has a happy ending but isn’t necessarily funny ○ Farce - outlandish and exaggerated comedy The Taming of the Shrew, Waiting for Godot Shakespearean drama divided into tragedies (Hamlet), comedies (Twelfth Night), historical plays (Julius Caesar), and tragicomedies (The Tempest) ○ A tragicomedy could be a serious drama with funny moments that lighten the mood or a serious play with a happy ending Important elements of drama Conflict between hero and person/force (antagonist) contributes to hero’s downfall Conflict resolved when tragic hero meets their doom with courage and dignity → grandeur (splendor or impressiveness) of the human spirit Hamartia (tragic/fatal flaw) - principal defect that leads to tragic hero’s destruction ○ 7 deadly sins ○ Frequently hubris (Hamlet) ○ Macbeth’s hamartia = ambition Important elements of drama Catharsis - releasing & receiving relief from strong or repressed emotions ○ Audience gets chance to experience and then let go of their negative emotions when tragedy comes to fruition ○ Blood ○ Tragedies don’t necessarily end in catharsis goodticklebrain.com The Scottish play Most familiar of all tragic patterns: the rise and fall of a powerful but flawed man Based loosely on account of 11th-century Scottish history found in Raphael Holinshed’s Chronicles of England, Scotland, and Ireland (most popular book on British history in Shakespeare’s day) ○ Macbeth found his way to the throne of Scotland in 1040, killing his cousin King Duncan in battle ○ Duncan’s eldest son, Malcolm, ended Macbeth’s reign in 1057 by killing him in battle, later assuming the throne as Malcolm III ○ At the time, Scotland was a violent, troubled country ○ Castle was center of each rival aristocrat’s/thane’s power ○ Political murder & revenge to gain power weren’t unusual ○ Plundering Vikings & Norsemen attacked Scotland constantly The Scottish play The supernatural → King James I Many others believed in witches as of England thought himself an well expert on witchcraft Macbeth’s curse ○ Wrote Daemonologie ○ Coven of witches objected to Shakespeare using real incantations in play, so they put a curse on it ○ Productions plagued with accidents ○ Don’t say “Macbeth” in a theatre The Scottish play Whole play takes place over a few months Play is compact - action takes place quickly Blank verse - unrhymed iambic pentameter ○ Line of verse consisting of 5 metrical feet in unstressed/stressed pattern Facilitates memorization Mimics human speech Sounds like heartbeat Ojo! When reading, look out for: ○ Imagery ○ Thematic development ○ Literary devices ○ Dramatic irony (what appears to be true to a character is known to be false by the audience) ○ Soliloquies Long speech in which a character expresses their thoughts and feelings to themselves Type of monologue ○ Asides Short comment a character makes in an undertone to the audience or to another character that others onstage don’t hear Motifs Repeated symbols, ideas, words, or phrases that help you identify theme ○ If something is repeated so much, it’s a hint at what the message might be What seems good can be bad and vice versa - “Fair is foul, and foul is fair” (I.i.10) Sleep - “Sleep shall neither night nor day / Hang upon his penthouse lid” (I.iii.19-20) Heaven or hell - “The bell invites me. / Hear it not, Duncan, for it is a knell / That summons thee to Heaven, or to Hell” (II.ii.62-64) Light v. darkness Blood Manhood Pathetic fallacy Essential questions Can you have ambition without wickedness? What are the negative effects of unchecked power? What can guilt do to a person? Do people have free will, or are their lives determined by fate? Is deception ever justified? Is betrayal?

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