Music 8 Q2 Week 1 PDF

ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Music 8 Quarter 2 Week 1 At the end of the session, I would be able to: MU8SE-IIa-h-2 Listen perceptively to music of Ea...

ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Music 8 Quarter 2 Week 1 At the end of the session, I would be able to: MU8SE-IIa-h-2 Listen perceptively to music of East Asia; MU8SE-IIc-h-4 Analyze musical elements of selected songs and instrumental pieces heard and performed; MU8SE-IIb-h-5 Explore ways of producing sounds on a variety of sources that would simulate instruments being studied; MU8SE-lla-h-2 Improvise simple accompaniment to selected East Asian music; TEACHING STRATEGIES: Online Discussion, Reading Inquiries, Research-Based Acquisition, Differentiation, Using Technology Concepts: MUSIC OF EAST ASIA Japan JAPAN –known as the LAND OF THE RISING SUN Instrumental music of Japan: meditative in character, highly ritualized performances. It is slow meditative for chamber and solo music and spiritual in character. Performance is usually about religious festivals, work, dance, love and regional songs. Musicians work on an inner strength in mastering his or her instrument and music is highly ritualized. MEMBRANOPHONE - is a classification of instrument when the sound is produced by stretched skin or membranes TAIKO DRUM (Membranophone) Is a Japanese drum that comes in various sizes and is used to play a variety of musical genres like folk and festival music of the past like “Taiko Drum Festival” For more access watch the link and listen to the music https://www.youtube.com/watch?v=YRQSvrkEoBk&t=8s https://www.youtube.com/watch?v=00wFGSzxxuU Taiko literally means “fat drum” in Japanese. Taiko drumming has been part of Japanese culture for many centuries. Its roots lie in the countless temples and shrines scattered all over Japan where they are played in religious festivals and ceremonies. The appeal of Japan’s traditional taiko drumming lies in its vigorous and powerful sound, which stirs players and listeners alike, physically and spiritually. The instrument plays a central role in many types of traditional music and performance, and drumming is a popular pastime for many in Japan and abroad. TEMPO is the fastness and slowness of the sound. Japanese Taiko drum performance can be heard fast and very energetic for they have exerted TEXTURE is the thinness and thickness of the sound and Japan’s Taiko Drum festival is in Polyphonic Texture for it is composed of many instruments played together. Page 1  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 TIME SIGNATURE gives the number of beats in a measure and Taiko drum and 4 the typical taiko drum performance is in 4. Taiko also found a home in warfare, making sound big enough to scare the enemy. It was only in the last forty years that Taiko has become a performance art in itself. Groups like Ondekoza and Kodo regularly bring Taiko to a global audience. Kodo is a professional drumming troupe. The name conveys two meanings: 1. “hearbeat” the primal source of all rhythm 2. “children of the drum” a reflections of Kodo’s desire to play their drums simply, with the heart of a child. Traditional dance and vocal performance are part of the performance. The Kodo’s performances normally last for about one hour and forty minutes. Kodo Performance: https://www.youtube.com/watch?v=C7HL5wYqAbU&list=RDC7HL5wYqAbU&start_radio=1&t=16 Odaiko It is the world’s biggest drum and the largest drum in Taiko Drum Festival. The physical energy sheer excitement of an odaiko performance is an integral part of many Japanese matsuri (festivals) The largest odaiko are two big to move and permanently reside inside the temple or shrine. https://www.youtube.com/watch?v=crAgSKkJ6dQ&t=15s https://www.youtube.com/watch?v=ZagsLrNzg3I MUSIC OF EAST ASIA Japan Japanese Vocal Music is based on the intervals of human breathing Folksongs and Ritual Music – SAKURA Elements of Music of Sakura Melody - an organized sequence of single notes and based on Pentatonic scale. This piece has folk song-like qualities because of the simplicity in the melodic line and the repetition of the motif throughout the song. Rhythm – the pattern of regular or irregular pulses caused in music by the occurrence of strong and weak beats and Sakura moves at a very slow tempo and it is in 4 time. 4 Page 2  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Texture – monophonic for it is a song for a solo Koto instrument that sounds like a harp but it was later on a popular urban tune that many people would sing to pass time. Vocal Timbre – nasal and throaty voice Key Signature- is a symbol used in music notation telling what key a song piece a music is in which is found after the G-clef. Key of C Sakura Cherry Blossom Sakura sakura Cherry blossoms, cherry blossoms, Yaoi no sorawa Across the Spring sky, Mi-watasukagiri As far as you can see. Kasumika kumoka Is it a mist, or clouds? Nioizo izuru Fragrant in the air. Izaya izaya Come now, come, Miniyukan Let’s look, at last! "Sakura Sakura" (さくら さくら?, "Cherry blossoms, cherry blossoms"), also known as "Sakura", is a traditional Japanese folk song depicting spring, the season of cherry blossoms. Listen to Sakura Song: https://www.youtube.com/watch?v=IKTRnO7SV68 Page 3  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 MUSIC OF EAST ASIA China CHINA-Land of the Red Dragon Chinese culture was dominated by the teachings of the popular Confucius and conceived music in highest sense as means of calming the passion and of dispelling unrest and lust rather than as a form of amusement. Chinese believed that sound influences the harmony of the universe. One of the most important duties of the first emperor of each new dynasty was to search out and establish the dynasty’s through standard of pitch. Traditional Chinese music is melodic rather than harmonic and usually uses the pentatonic scale as can be heard in the song Mo Li Hua. Pentatonic scale is a musical scale with five notes per octave. The variations of rhythm, beat, tone quality, and embellishments in traditional Chinese music are highly distinctive. This is mainly due to the unique sounds and playing styles of traditional musical instruments. The combination of all the different instruments served to create a harmonious and beautiful auditory atmosphere. Unbelievingly beautiful music was made and is still made. Many instruments can produce purely unique and amazing sounds. Chinese musical instruments are classified according to the materials by which they are made: animal skin, gourd, bamboo, wood, silk, earth/clay, metal and stone. Classification of Instruments MEMBRANOPHONE - sound is produced by membranes or skin IDIOPHONE –sound is produced by vibrating itself without the use of strings AEROPHONE –sound is produced by air, blown CHORDOPHONE –sound is produced by strings Sheng Pipa Called as Chinese mouth-blown organ with A four-stringed lute with 30 frets and a panpipes with 12 to 36 bamboo pipes. pear-shaped body. - one of the oldest Chinese musical This instrument has an extremely wide instruments dynamic range and remarkable expressive power. Page 4  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Zheng Pengling Dizi Is the traditional Chinese An ancient Chinese instrument Two small bells made of flute. It can have a that has an arched surface and high-tin bronze, without membrane over an extra an elongated-trapezoid with 13 to internal clappers, and hole to give characteristic 21 strings stretched over hemispheric or bottomless rattle effect. The player individual bridges gourd-like in shape. plays it by blowing across the mouthpiece and produces the different notes by stopping the six holes found in the rod Yunlo Yueqin Erhu Cloud of gongs” of 10 small A moon-shaped lute with A two-stringed fiddle and tuned gongs mounted in a shorter neck and four one of the most popular wooden frame. strings, played with a Chinese instrument. It is spectrum, used for used as a solo accompanying local operas instrument as well as in small ensembles or large orchestra and by various ethnic groups Page 5  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Improvisation is basic to many non-western musical cultures including Asian. The performers usually base their improvisations on traditional melodic phrases and rhythmic patterns. Improvisation in music is the act of creating and playing new music without preparing it in advance. It involves creatively using the available resources at hand, such as musical instruments and listening skills to compose music spontaneously. Moreover, improvisation is creating a sound in different ways, it can be with different body parts like (clapping our hands, stomping our feet, snapping our fingers) as well as using available instruments around that can give the beat. It is called rhythmic accompaniment. Rhythmic Accompaniment provides the rhythmic support for the melody or main themes of a song or instrumental piece. Example of simple rhythmic accompaniment for common time signatures in stick notation. Page 6  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 MUSICAL COMPOSITION D. Directions: 1. Write the rhythmic pattern of the following group of notes to the song Mo Li Hua. Number 1 and 12 are done for you. Write you answers on your answer sheet.(20pts) Page 7  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Music 8 Quarter 2, Week 2 MU8SE-llb-h-7 Perform music from East Asia with own accompaniment; MU8SE-IIb-h-8 Evaluate music and music performances using guided rubrics applying knowledge of musical elements and style. Concepts: MUSIC OF EAST ASIA Korea – Land of the Morning Calm Folksong –Arirang The title was most suited to South Korea because of its spellbinding natural beauty of picturesque high mountains and clear waters and its splendid tranquility, particularly in the morning which further confirmed the title on South Korea as the “Land of Morning Calm” 3 Time Signature of Arirang: 4 https://www.youtube.com/watch?v=B3VE22ZbhSU (English Version) Arirang, Arirang, Arariyo* Crossing over Arirang Pass My dear who went away and left me Shall walk only two miles before his feet hurt. Page 8  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Time Signature (measure signature) is a notation To specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. Accompaniment provides the rhythmic support for the melody or main themes of a song or instrumental piece. Page 9  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Arts 8 Quarter Week 2 At the end of the lesson I will be able to: (A8EL-IIb-1) Analyze elements and principles of art in the production of arts and crafts inspired by the cultures of East Asia; and (A8EL-IIa-2) Identify characteristics of arts and crafts in specific countries in East Asia: China (Chinese painting and calligraphy); Japan (origami, woodblock printing, theater masks, face painting, and anime and manga); and Korea (theater masks, drums, and K-pop) Concepts: East Asian Arts (China, Japan, Korea) East Asian arts, the visual arts, performing arts, and music of China, Korea (North Korea and South Korea), and Japan. (The literature of this region is treated in separate articles on Chinese literature, Korean literature, and Japanese literature.) Some studies of East Asia also include the cultures of the Indochinese peninsula and adjoining islands, as well as Mongolia to the north. The logic of this occasional inclusion is based on a strict geographic definition as well as recognition of common bonds forged through the acceptance of Buddhism by many of these cultures. China, Korea, and Japan, however, have been uniquely linked for several millennia by a common written language and by broad cultural and political connections that have ranged in spirit from the uncritically ado rational to the contentious. Important Aspects in East Asian Painting Landscape painting was regarded as the highest form of Chinese painting. Also consider the 3 concepts of their Arts: Heaven, Earth, And Human Kind (Yin-Yang) When The Han Court Eunuch, Cai Lun, Invented Paper in the 1st Century AD, It provided not only a cheap and widespread medium for writing but paintings became more economical. The principle of Yin and Yang is that all things exist as inseparable and contradictory opposites, for example, female-male, dark-light and old-young. The principle, dating from the 3rd century BCE or even earlier, is a fundamental concept in Chinese philosophy and culture in general. The two opposites of Yin and Yang attract and complement each other and, as their symbol illustrates, each side has at its core an element of the other (represented by the small dots). Neither pole is superior to the other nor, as an increase in one brings a corresponding decrease in the other, a correct balance between the two poles must be reached in order to achieve harmony. Page 10  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 The concept of Yin and Yang became popular with the work of the Chinese school of Yinyang which studied philosophy and cosmology in the 3rd century BCE. The principal proponent of the theory was the cosmologist Zou Yan (or Tsou Yen) who believed that life went through five phases (wuxing) - fire, water, metal, wood, earth - which continuously interchanged according to the principle of Yin and Yang. Yin is: feminine, black, dark, north, water (transformation), passive, moon (weakness and the goddess Changxi), earth, cold, old, even numbers, valleys, poor, soft and provides spirit to all things. In reaches its height of influence with the winter solstice. Yin may also be represented by the tiger, the color orange and a broken line in the trigrams of the I Ching (or Book of Changes). Yang is: masculine, white, light, south, fire (creativity), active, sun (strength and the god Xihe), heaven, warm, young, odd numbers, mountains, rich, hard and provides form to all things. Yang reaches its height of influence with the summer solstice. Yang may also be represented by the dragon, the colour blue and a solid line trigram. Chinese lacquer work, decorative work produced in China by the application of many coats of lacquer to a core material such as wood, bamboo, or cloth. The Chinese painter uses essentially the same materials as the calligrapher—brush, ink, and silk or paper—and the Chinese judge his work by the same criteria they use for the calligrapher, basically the vitality and expressiveness of the brushstroke itself and the harmonious rhythm of the whole composition. Painting in China is, therefore, essentially a linear art. The painters of most periods were not concerned with striving for originality or conveying a sense of reality and three- dimensional mass through aids such as shading and perspective; rather, they focused on using silk or paper to transmit, through the rhythmic movement of the brushstroke, an awareness of the inner life of things. Calligraphy is the art of beautiful handwriting. Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black or colored ink; oils are not use. Calligraphy is the art of forming beautiful symbols by hand and arranging them well. It's a set of skills and techniques for positioning and inscribing words so they show integrity, harmony, some sort of ancestry, rhythm and creative fire. The early Chinese written words were simplified pictorial images, indicating meaning through suggestion or imagination. These simple images were flexible in composition, capable of developing with changing conditions by means of slight variations. Page 11  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 The earliest known Chinese logographs are engraved on the shoulder bones of large animals and on tortoise shells. For this reason the script found on these objects is commonly called jiaguwen, or shell-and-bone script. It seems likely that each of the ideographs was carefully composed before it was engraved. Although the figures are not entirely uniform in size, they do not vary greatly in size. They must have evolved from rough and careless scratches in the still more distant past. Since the literal content of most jiaguwen is related to ancient religious, mythical prognostication or to rituals, jiaguwen is also known as oracle bone script. Archaeologists and paleographers have demonstrated that this early script was widely used in the Shang dynasty (c. 1600–1046 BCE). Nevertheless, the 1992 discovery of a similar inscription on a potsherd at Dinggongcun in Shandong province demonstrates that the use of a mature script can be dated to the late Neolithic Longshan culture (c. 2600– 2000 BCE). The character of Chinese painting, like that of Chinese calligraphy, is closely bound up with the nature of the medium. The basic material is ink, formed into a short stick of hardened pine soot and glue, which is rubbed to the required consistency on an inkstone with a little water. In China, from a very early period, calligraphy was considered not just a form of decorative art; rather, it was viewed as the supreme visual art form, was more valued than painting and sculpture, and ranked alongside poetry as a means of self-expression and cultivation. Page 12  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Arts 8 Quarter 2 Week 3 At the end of the lesson I will be able to: A8PL-IIh-2 Appreciate the artifacts and art objects in terms of their utilization and their distinct use of art elements and principles A8PL-IIh-3 Incorporate the design, form, and spirit of East Asian artifacts and objects to one’s creation A8PR-IIc-e-1 Create crafts that can be locally assembled with local materials, guided by local traditional techniques (e.g., Gong-bi, Ikat, etc.) Concepts: East Asian Arts (China, Japan, Korea) Jingju Lianpu or Peking Opera Face-Painting is well welcomed by massive opera lovers, and it is a branch of Chinese opera culture. Peking Opera Face-Painting is currently popular at home and abroad and has become one of the signs to show Chinese traditional culture. Japanese performing arts, the varied and technically complex dance and theatre arts of Japan. Among the most important of these are Noh theatre or dance drama, Kabuki, and Bunraku. Noh—its name derived from nō, meaning “talent” or “skill”—is unlike Western narrative drama. Rather than being actors or “representers” in the Western sense, Noh performers are simply storytellers who use their visual appearances and their movements to suggest the essence of their tale rather than to enact it. Little “happens” in a Noh drama, and the total effect is less that of a present action than of a simile or metaphor made visual. Kabuki, traditional Japanese popular drama with singing and dancing performed in a highly stylized manner. A rich blend of music, dance, mime, and spectacular staging and costuming, it has been a major theatrical form in Japan for four centuries. The term kabuki originally suggested the unorthodox and shocking character of this art form. In modern Japanese, the word is written with three characters: ka, signifying “song”; bu, “dance”; and ki, “skill.” Peking opera face-painting.Jingju lianpu is done with different colors in accordance with the Performing characters personality and historical assessment. Jingju Lianpu or Peking (Beijing) Opera Styles of Face-Painting is a traditional special way of make-up in Chinese operas in pursuit of the expected effect of performance. Just as singing and music playing are both following the music books, a certain historic figure or a certain type of figure also both have their general forms of facial make-up in opera Page 13  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 performance. Traditionally it was widely called Lianpu. Generally Lianpu is originated from the false mask. The best unknown and most popular style of Japanese art is Ukiyo-e, which is Japanese for “Pictures Of The Floating World” and it is related to the style of woodblock print making that shows scenes of harmony and carefree everyday living. Ukiyo-e is one of the most important genres of art of the Tokugawa period (1603–1867) in Japan. The style is a mixture of the realistic narrative of the emaki (“picture scrolls”) produced in the Kamakura period and the mature decorative style of the Momoyama and Tokugawa periods. The ukiyo-e style also has about it something of both native and foreign realism. The Kabuki form dates from the early 17th century, when a female dancer named Okuni (who had been an attendant at the Grand Shrine of Izumo), achieved popularity with parodies of Buddhist prayers. She assembled around her a troupe of wandering female performers who danced and acted. Okuni’s Kabuki was the first dramatic entertainment of any importance that was designed for the tastes of the common people in Japan. Finally, older men took over the roles, and it is this form of all-male entertainment that has endured to the present day. Kabuki plays grew in sophistication, and the acting became more subtle. The strongest ties of Kabuki are to the Noh and to jōruri, the puppet theatre that developed during the 17th century. Kabuki derived much of its material from the Noh, and, when Kabuki was banned in 1652, it re-established itself by adapting and parodying kyōgen (sketches that provide comic interludes during Noh performances). During this period a special group of actors, called onnagata, emerged to play the female roles; these actors often became the most popular of their day. Kabuki Makeup or kesho is already in itself an interpretation of the actor own role through the medium of the facial features. Standard MakeUp – Applied To Most Actors Kumadori MakeUp – Applied To Villians and Hereos It is composed of very dramatic lines and shapes using colors that represent certain qualities. dark red = passion or anger dark blue = depression or sadness pink = youth light green = calm black = fear purple = nobility In traditional Peking Opera, each of the historical characters portrayed in the performance has its own unique design painted on the face of the actor. Over time, these designs have become a set stereotype. Audiences that are old hands of Peking opera can differentiate at first glance the heroes from the thugs, the intelligent from the foolish, liked from the despised, and so on just from the facial makeup painted on the actors’ faces. In Page 14  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 addition to the color of the makeup, the characteristics, personality, moral character, and the like are displayed through the symbolic and exaggerated artistic designs on their faces. In other words, facial makeup is the portrait of each actor’s character. Meaning of Colors in Face painting Guan Ju – Red Indicates devotion, courage, bravery, uprightness, and loyalty Huang Pang – Yellow Signifies fierceness, ambition, and cool-headiness’. Zhu Wen – A green face tells the audience that the character is not only impulsive and violent but also lacks self-resistant Zhang Fei – Black symbolizes roughness and fierceness. Page 15  ILOILO NATIONAL HIGH SCHOOL Luna Street, La Paz, Iloilo City MAPEH 8 Page 16