Film Appreciation PDF
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Uploaded by TriumphantCopernicium3825
Aditi
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Summary
This document discusses film appreciation, specifically exploring the concept of mise en scene and its elements, along with an analysis of the film "The Wonderful Story of Henry Sugar." It is an academic resource for film studies.
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Film Appreciation What is Mise en Scene? Mise en scène is the visual language of film, encompassing everything within the frame, from set design to actor performances and expressions. It has the involvement of every aspect we see on screen- all of it come together to create one thing. It helps c...
Film Appreciation What is Mise en Scene? Mise en scène is the visual language of film, encompassing everything within the frame, from set design to actor performances and expressions. It has the involvement of every aspect we see on screen- all of it come together to create one thing. It helps convey meaning, create atmosphere, and enhance storytelling. The Wonderful Story of Henry Sugar Directed by Wes Anderson and based on the book by Roald Dahl, it displays the story of how Henry Sugar, a wealthy man, decides to take on an extraordinary challenge - he wants to master an extraordinary skill in order to cheat at gambling games. Portrayed in a colourful and theatrical environment, it is quite an eye-catching act to see. Scene of Choice: first encounter with Imdad Khan The center focus on Mr. Imdad portrays that he is a character of extreme importance. The ambience around him is calm (doctor’s office) and the props are very minimal and simple. The central focus is the introduction of Mr. Imdad and the issue he brings to the table. Dr. Chatterjee breaks the 4th wall to talk to the audience, grabbing their attention. The other doctors in the room look keenly at Mr. Imdad- their interest in him is certainly piqued. This wider shot shows the doctor’s office completely, the props on the table display that it was tea time for the doctors that they are willing to give up. The windows are open, lights are off- The other doctors quickly put away their chairs to stand by the door, Dr. Chatterjee is pulled away from the scene. Focus now shifts to Dr. Chatterjee and Dr. Marshall (who plays the great yogi later)- enquiring Imdad. Camera zooms in to give importance to the three. There isn’t much change in the surroundings except for the chairs and the doctors- but it makes a big difference to the mood. The mood is now much more intense as compared to the beginning. confused/tentative far-away, still interested unfazed and sure of himself asking questions VERY shocked, baffled at what he just witnessed still unfazed, his point has been looking at audience, proven. almost as if asking- “did you see that?” Thank You Presented By: Aditi BD/23/2079