English 10 Poetic Devices PDF
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This document provides a lesson on poetic devices, outlining various terms and techniques like alliteration, assonance, consonance, rhyme, and tone. Examples of poetic devices are included in the presentation.
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ENGLISH 10 POETIC DEVICES LEARNING OBJECTIVE describe and exemplify poetic devices What is Poetry? Poetry is a type of literature based on the interplay of words and rhythm. It often employs rhyme and meter (a set of rules governing the number and arrangement of syllables in each line). In p...
ENGLISH 10 POETIC DEVICES LEARNING OBJECTIVE describe and exemplify poetic devices What is Poetry? Poetry is a type of literature based on the interplay of words and rhythm. It often employs rhyme and meter (a set of rules governing the number and arrangement of syllables in each line). In poetry, words are strung together to form sounds, images, and ideas that might be too complex or abstract to describe directly. THE SOUNDS OF WORDS Alliteration is a repetition of the same consonant sounds in a sequence of words, usually at the beginning of a word or stressed syllable: “descending dew drops;” “luscious lemons.” Alliteration is based on the sounds of letters, rather than the spelling of words; for example, “keen” and “car” alliterate, but “car” and “cite” do not. Assonance is the repetition of similar internal vowel sounds in a sentence or a line of poetry, as in “I rose and told him of my woe.” Consonance is a literary device that refers to the repetition of the same consonant sounds in a line of text. The focus, in the use of consonance, is on the sound made by consonants and not necessarily the letters themselves. In addition, alike consonant sounds can appear at the beginning, middle, or end of words, and consonance is created when these words appear in quick succession. A rhyme is a repetition of similar sounds in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. Rhyme is the repetition of identical or similar concluding syllables in different words, most often at the ends of lines. Rhyme is predominantly a function of sound rather than spelling; thus, words that end with the same vowel sounds rhyme, for instance, day, prey, bouquet, weigh, and words with the same consonant ending rhyme, for instance vain, rein, lane. Rhyme scheme of a poem describes the pattern of end rhymes. Rhyme schemes are mapped out by noting patterns of rhyme with small letters: the first rhyme sound is designated a, the second becomes b, the third c, and so on. Stanza is a grouping of lines, set off by a space, which usually has a set pattern of meter and rhyme. Tone conveys the speaker’s implied attitude toward the poem’s subject. Tone is an abstraction we make from the details of a poem’s language: the use of meter and rhyme (or lack of them); the inclusion of certain kinds of details and exclusion of other kinds; particular choices of words and sentence pattern, or imagery and figurative language (diction). Another important element of tone is the order of words in sentences, phrases, or clauses (syntax) Meaning of Words Irony is a literary device in which contradictory statements or situations reveal a reality that is different from what appears to be true. There are many forms of irony featured in literature. The effectiveness of irony as a literary device depends on the reader’s expectations and understanding of the disparity between what “should” happen and what “actually” happens in a literary work. This can be in the form of an unforeseen outcome of an event, a character’s unanticipated behavior, or something incongruous that is said. A paradox is a seemingly illogical statement or pair of statements that requires deeper thought to work them out. For example, a common paradox in everyday speech is to say "it was the beginning of the end." This statement seems illogical at first, but when looking at the end as something that takes place over more than an instant, it does make sense for it to have a beginning. Hyperbole The definition of hyperbole is “exaggerated statements or claims not meant to be taken literally.” In practice, hyperbole is language that loads up on the drama. Figurative language is a form of language use in which the writers and speakers mean something other than the literal meaning of their words. Two figures of speech that are particularly important for poetry are simile and metaphor. A simile involves a comparison between unlike things using like or as. For instance, “My love is like a red, red rose.” A metaphor is a comparison between essentially unlike things without a word such as like or as. For example, “My love is a red, red rose.” Synecdoche is a type of metaphor in which part of something is used to signify the whole, as when a gossip is called a “wagging tongue.” Metonymy is a type of metaphor in which something closely associated with a subject is substituted for it, such as saying the “silver screen” to mean motion pictures. 1. Blank verse. Blank verse is poetry written with a precise meter —almost always iambic pentameter—that does not rhyme. 2. Rhymed poetry. In contrast to blank verse, rhymed poems rhyme by definition, although their scheme varies. 3. Free verse. Free verse poetry is poetry that lacks a consistent rhyme scheme, metrical pattern, or musical form. 4. Epics. An epic poem is a lengthy, narrative work of poetry. These long poems typically detail extraordinary feats and adventures of characters from a distant past. 5. Narrative poetry. Similar to an epic, a narrative poem tells a story. Henry Wadsworth Longfellow’s “The Midnight Ride of Paul Revere” and Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” exemplify this form. 6. Haiku. A haiku is a three-line poetic form originating in Japan. The first line has five syllables, the second line has seven syllables, and the third line again has five syllables. 7. Pastoral poetry. A pastoral poem is one that concerns the natural world, rural life, and landscapes. These poems have persevered from Ancient Greece (in the poetry of Hesiod) to Ancient Rome (Virgil) to the present day (Gary Snyder). 8. Sonnet. A sonnet is a 14 line poem, typically (but not exclusively) concerning the topic of love. Sonnets contain internal rhymes within their 14 lines; the exact rhyme scheme depends on the style of a sonnet. Learn about Petrarchan sonnets here. 9. Elegies. An elegy is a poem that reflects upon death or loss. Traditionally, it contains themes of mourning, loss, and reflection. However, it can also explore themes of redemption and consolation. 10. Ode. Much like an elegy, an ode is a tribute to its subject, although the subject need not be dead—or even sentient, as in John Keats’ “Ode on a Grecian Urn”. 11. Limerick. A limerick is a five-line poem that consists of a single stanza, an AABBA rhyme scheme, and whose subject is a short, pithy tale or description. 12. Lyric poetry. Lyric poetry refers to the broad category of poetry that concerns feelings and emotion. This distinguishes it from two other poetic categories: epic and dramatic. 13. Ballad. A ballad (or ballade) is a form of narrative verse that can be either poetic or musical. It typically follows a pattern of rhymed quatrains. From John Keats to Samuel Taylor Coleridge to Bob Dylan, it represents a melodious form of storytelling. 14. Soliloquy. A soliloquy is a monologue in which a character speaks to him or herself, expressing inner thoughts that an audience might not otherwise know. Soliloquies are not definition ally poems, although they often can be—most famously in the plays of William Shakespeare. 15. Villanelle. A nineteen-line poem consisting of five tercets and a quatrain, with a highly specified internal rhyme scheme. Originally a variation on a pastoral, the villanelle has evolved to describe obsessions and other intense subject matters, as exemplified by Dylan Thomas, author of villanelles like “Do Not Go Gentle Into That Good Night.” Lyric Poetry "Shall I compare thee to a summer's day? Thou art more lovely and more temperate. Rough winds do shake the darling buds of May, And summer's lease hath all too short a date. Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed, And every fair from fair sometime declines, By chance, or nature's changing course untrimmed." THE IMAGES OF WORD Imagery is the concrete representation of a sense impression, feeling, or idea that triggers our imaginative ere-enactment of a sensory experience. Images may be visual (something seen), aural (something heard), tactile (something felt), olfactory (something smelled), or gustatory (something tasted). Imagery may also refer to a pattern of related details in a poem. SYMBOLISM In poetry and other forms of writing, symbolism is often used to convey a specific meaning to the audience. Writers often employ this literary device as a means of artistic expression. Why say, "I'm lonely," when you can paint a picture of a lone moon "wandering companionless" through the night sky? How beautiful is that?